78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78475 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78475 Los(e)/Seite
Los 226
A large quantity of pictures to include a pair of Oriental pictures of traditional subjects; Italian School: Study of a church, watercolour, inscribed verso; A pair of oils of landscape subjects, each signed lower right; Pietro Marzorati (Italian, 1829-1895): Three pencil studies of buildings & plants, variously signed & inscribed; a pair of watercolours by Chris Paris; two portrait pencil drawings, a hand signed figural etching & oil study of figures controlling a bull
Los 201
An RC Goff dry point etching, Venice, signed in pencil to the margin Condition report Report by RBIn a modern frame, image size with margin 8 x 15 cm, signed, paper lightly browned, which is not unusual, we offer a packing and parcel service, please contact Lollie White 01935 812277 or ow@charterhouse-auction.com
Los 138
LOCAL INTEREST - A COLLECTION OF CALENDARS ISSUED FOR MANDERS PAINT LTD., WOLVERHAMPTON, various dates 1951 - 1964, some duplicates, each with an etching to the top of buildings of interest. The earlier examples by Alfred Blundell, the later by Alan carr Linford. Places depicted include St. Margaret's Church, Kings Lynn, Coventry Cathedral, Kelmscott Manor etc. (13)
Los 357
David Hockney (1937-), "Pleading for the Child" from Rumpelstilzchen, illustrations for Six Fairy Tales by the Brothers Grimm, 1969, unsigned on print but signed on final page, from a limited edition portfolio of 100 with 15 artist's proofs, each Fairy Tale is bound separately as a concertina fold of text and images (laporetto) and signed and numbered by the artist on the final page, with exhibition private view card - 'David Hockney, 39 etchings illustrating Six Fairy Tales by the Brothers Grimm, June 3-30 1977, Gallery 39, Manchester' attached on verso, etching, plate size 27 x 25.5cm, 10.5 x 10in. * Hockney had already made etchings based on the Rumpelstilzchen story in 1961 and again in 1962, and for the new series he planned to illustrate twelve of the tales, but finally settled on just six titles: The Little Sea Hare, Fundevogel, Rapunzel, The Boy who left Home to learn Fear, Old Rink Rank and Rumpelstilzchen.
Los 3017
Collection of 19th Century etchings and engravings, including naval/military/travel/exploration interest ('Battle of the Nile', 'Crew of the Ship Bounty hospitably received by the Governor of Timor', 'Boarding the San Josef'), Italian topographical views of Rome (Moschetti), and an 18th Century etching of Biblical scene (Joseph explaining dreams to prisoners). (6)
Los 103
NO RESERVE Maritime.- Burnet (John, 1784-1868) Nelson's Ship the Victory in the Battle of Trafalgar, after Turner, etching and engraving, chine collé, unlettered proof, mounted on thick wove paper, sheet 615 x 840 mm. (24 1/4 x 33 in), some spotting and browning, minor damp-stains visible, bears Printsellers Association blindstamp lower left, unframed, printed by Alfred Salmon for Henry Graves & Co., 1858.Literature:Rawlinson 678
Los 111
Antiquities.- Hamilton (Sir William, 1730-1803) A large vase design (pl. 45), from the 'Collection of Etruscan, Greek and Roman Antiquities from the Cabinet of the Honorable William Hamilton ...', etching and aquatint, hand-coloured with terracotta-coloured ink, heightened with white, on laid paper, platemark 385 x 635 mm. (15 x 25 in), with good margins, [c. 1766-1767]; with nine further plates from the same work, all hand-coloured with terracotta-coloured ink, three double-page, including a duplicate impression of pl. 45, and two title-pages, from the French and English editions of vol. 2, various sizes, all unframed, [circa 1766-1767], (10); together with 47 further engraved plates from 'Collection of Etruscan, Greek and Roman Antiquities', all uncoloured and predominantly technical diagrams, etching and engraving, each sheet approx. 490 x 355 mm. (19 1/4 x 14 in), occasional spotting and browning, all loose, unframed, [circa 1766-1767], (57).
Los 120
NO RESERVE Kolbe the Elder (Carl Wilhelm, 1759-1835) Woodland landscape with oak trees, etching on laid paper, an early impression before numbering, sheet 125 x 195 mm. (4 7/8 x 7 3/4 in), thread margins, some nicks and tears, even browning and surface dirt, [circa 1800-1805] § Lorraine (Claude, 1600-1682) Departure for the fields, etching, an even impression, Mannocci's final state (of four), sheet 135 x 185 mm. (5 1/4 x 7 1/4 in), some spotting and light browning, under glass, [circa 1638-41]; and with an etching by Anthonie Waterloo (1609-1690) of a traveller near a wood [Bartsch 53], and another by Christian Wilhelm Ernst Dietrich (1712-1774), various sizes, all under glass, [17th and 18th century], (4).Literature:(Kolbe) Martens 140(Lorraine) Mannocci 34 iv/iv
Los 121
NO RESERVE Müller (Johann Sebastian, 1715-1785) A pair of capriccio with Roman ruins, after Giovanni Paolo Pannini (1691-1765), two works (from series of six), etching and engravings, on laid paper mounted onto canvas, each approx. 495 x 630 mm. (19 1/2 x 24 3/4 in), surface dirt and browning to both, some light abrasion and rubbing in places to impressions, uniformly framed and glazed, Boydell, 1770, (2).
Los 134
NO RESERVE After Salvator Rosa (1615-1673) Five soldiers, pen and brown ink, on laid paper without watermark, ruled brown ink border, sheet 218 x 145 mm. (8 1/2 x 5 3/4 in), bears old attribution to Rosa in pencil verso, repaired tear to upper edge, some spotting and browning, under glass.⁂ A copy in reverse after the etching from Rosa's series Figurine (see Bartsch 61)
Los 135
Boissieu (Jean Jacques de, 1736-1810) 'Les Grands Tonneliers', or Coopers in a vaulted cellar, etching, finished with drypoint and roulette work, on cream laid paper with large partial watermark, possibly of an eagle, platemark 295 x 417 mm. (11 5/8 in), sheet 320 x 470 mm. (12 1/2 x 18 1/2 in), small tear into margin lower right, some spotting and browning, unframed, 1790.
Los 143
NO RESERVE Sir Robert Peel (1788-1850).- Heath (William, 1794-1840) Sir Bob Binnet the new baronet!!!, etching with hand-colouring, 350 x 240 mm. (13 3/4 x 9 1/2 in), some spotting and browning, minor surface dirt, laid onto paper support, under glass, published by Thomas McLean, 1830. Literature:BM Satires 16116
Los 144
NO RESERVE Debucourt (Philibert Louis, 1755-1832) Route de Poste; Route de St. Cloud; Route de Poissy; Le Chevaux de Bateau, four works after Carl Vernet, aquatints with etching, on cream wove paper three with watermarks 'M B M', printed in colours and finished by hand, platemarks approx. 340 x 425 mm. (13 3/8 x 16 3/4 in),good margins, some light spotting and browning, Paris, [c. 1820]. Literature:Schwerdt p. 53
Los 29
NO RESERVE Dublin.- Malton (James, 1766-1803) Four plates from 'Views in the City of Dublin', including 'St. Stephen's Green, Dublin', 'Trinity College, Dublin', 'Charlemont-House, Dublin', 'View from Capel-Street', aquatints with etching, excellent impressions, on wove paper without watermarks, each platemark approx. 320 x 425 mm. (12 1/2 x 16 3/4 in), good margins, minor spotting and browning, all unframed, published by the artist, 1793-1797, (4).
Los 3
NO RESERVE Africa.- Hill (John) Cape Coast Castle, a British Settlement on the Gold Coast, Africa, after George Webster (fl. 1797-1832), etching and aquatint with hand-colouring, on wove paper without watermark, platemark 470 x 605 mm. (18 1/2 x 23 3/4 in), small margins, some surface dirt and minor abrasion in places, small repaired nicks and tears to margins, minor surface dirt, unframed, J. Barrow, 1806.
Los 45
NO RESERVE Sporting Art.- Herring (Benjamin, 1830-1871), After. Green Sleeves leads the Way, by Charles Hunt & Son, etching and aquatint with hand-colouring, heightened with gum arabic, on thick wove paper, platemark 560 x 870 mm. (22 x 34 1/4 in), with good margins, some light browning and marks from previous mount, light surface dirt, unframed, April 22nd 1873.
Los 92
NO RESERVE Maritime.- Paton (Richard), After. The distressed situation of the Quebec (when on Fire) & the Surveillante a French Ship of War, etching and engraving, by Fittler and Lernpiniere, on laid paper with indistinct text based watermark, platemark 495 x 605 mm. (19 1/2 x 23 3/4 in), small margins, central vertical fold, some nicks and tears to margins, spotting, surface dirt and light browning, unframed, John Boydell, 1780 § Mortier (Pierre) and Hubert Jaillot, Publishers. Three maritime plates from 'Le Neptune François, ou Atlas Nouveau des Cartes Marines ...', engravings with hand-colouring, on laid paper, without watermarks, each sheet approx. 510 x 635 mm. (20 x 25 in), some light spotting, browning and surface dirt, all unframed, [Paris and Amsterdam, 1693-1700]; and together with Francis Jukes' 'The Essex East Indiaman' aquatint with hand-colouring, a hand-coloured lithograph by John Christian Schetky (1778-1874) of a Man-O'War, another by Henry Shields, and Harris's 'Yachting. Scene off Cowes, Isle of Wight' from Fores's Marine Sketches, various sizes, all unframed, [18th and 19th century], (8).
Los 93
Cocteau (Jean). Tempest of Stars, Selected Poems, translated by Jeremy Reed with Drawings by David Austen, Enitharmon Press, 1992 complete with all prelims, text bifolia and 26 offset colour lithographs (one plate, number 133, very slightly foxed in margin), all loose as issued in the original cream cloth solander box, very mild spotting to front panel, folio, edition "A", number 5 of 15 copies signed by the author and the illustrator and with a signed original etching, from a total edition of 87, together with another copy of the same, complete as above, housed in the original red cloth solander box, folio, edition "C", number 5 of 15 copies signed by the author and illustrator, with a signed original etching, plus Raine, (Kathleen), Six Dreams and Other Poems, Enitharmon Press, 1968, frontispiece, tipped-in wood engraving by Juliet Standing, original cloth-backed pictorial boards, very slightly marked, 4to, number 99 of 100 specially bound copies signed by the author, from a total edition of 450 copies, and Richards, (Ceri), Drawings to Poems by Dylan Thomas, with an Introduction by Richard Burns, Enitharmon Press, 1980, illustrated throughout, original cloth-backed pictorial boards, housed in the original pictorial slipcase, 8vo, number 173 of 180 copies, numbered on the publisher's laid-in limitation slip as issued, and Borges, (Jorge Luis), The Congress, translated by Norman Thomas di Giovanni in Collaboration with the Author, Enitharmon Press, 1974, tipped-in frontispiece portrait, original tan cloth, with the dust jacket, discreetly tape-repaired verso, 4to, number 206 of 250 copies, from a total edition of 300 (5)
Loading...-
78475 Los(e)/Seite