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78472 Los(e)/Seite
Los 441
English School (19th century) - 'All a Blowin!', inscribed with the title and published by, S & J Fuller in November '1812, coloured etching, 9.5" x 8", together with four companions 'Chairs to Mend!', 'Fine Rabbits!', 'Fresh Strawberries!', 'Potatoes, Full Weight!', also two circular prints, after Francesco Bartolozzi, Figurative subjects, 7.5" diameter, three old prints contained within the same mount and frame, cherubs frolicking, two oblong, one circular, and a pair of oleographs after Eugene Delacroix, beach scenes with figures, each 6.5" x 9" (10)
Los 436
After J.Stephen Dews (20th/21st century) - 'The Americas Cup, Jubilee Regatta, 2001', signed artist's proof, numbered 109/500, Shamrock V JK3, Australia II KA6 and all the remaining yachts named in full (A Start - Around the Island Race August 21st, coloured reproduction, 20.75" x 34.25"; together with a further print entitled 'H.M. Submarine H 28' after the original painting by John Pettitt, signed by the artist and signed by the Captain, Lieutenant M.R.G. Wingfield and other members of the crew (the only submarine to have completed offensive patrols in WWI and WWII), a print of The Royal Crescent, Bath after the original by F.C. Davy, a small pastel drawing by Janet Boston entitled 'Spirit of Friends', a small etching by Pete Hogan - 'Sydney-Hobart Start', signed and numbered 7/99, six further prints and pictures, various sizes (11)
Los 431
After Thomas Rowlandson (19th century) - 'Domestic Miseries', extensively inscribed, coloured etching, 5.5" x 7.5"; together with various prints relating to Dr Syntax, including "Rural Sport" Dr Syntax, in dispute with his landlady, also five old prints of Coaching Scenes, "Old Hard" "Sleepy Gatekeeper" etc, various sizes (10)
Los 440
After R. Cooper (19th century) - 'Plato when a Child', inscribed, black and white stipple engraving, 4" x 4.5" together with a companion, 'Cupid found in a Rose' (a pair), also three other prints after S. Shelley, 'Parental Fondness', 'The Invitation' and 'Independence', originally published in May 1789, a stipple engraving of an elegantly dressed lady standing on a balcony **Contained within its original vere eglomise glass mount, a print of a Cupid after Murillo, titled 'L' Armour se Reposant sur ses Armes' **Within a carved wood gilt frame (gilding rubbed in places) and an etching of 'Rose Cottage, Clovelly' by R.H.Smallridge (8)
Los 439
David Young Cameron R.A (1865-1945) - 'Royal Scottish Coat of Arms, Melrose Abbey', signed, and inscribed on an old label verso, black and white etching, 7" x 4"; together with another signed etching by, J.Hamilton Mackenzie R.S.A 'The Gateway Belfry Tower, Bruges', and two further signed etchings by, Martin Hardie and Tom Maxwell, Old Street Scene and 'The Shrine Edinburgh Castle', various sizes (4) **Provenance, George Davidson Ltd, Glasgow, and Ralph H.Proud, Gordon Street, Glasgow
Los 427
After John Sell Cotman (19th century) - 'Castle of Briquebec near Valognes', inscribed, black and white etching, (foxed) and "Castle at Tankerville" 9.75" x 15.25" & 10.5" x 14.75"; together with seven further prints including, "The Trial of Bill Burn under Martins act" (damaged and faded) contained within a veneered maple wood frame, a pair of prints, "Village Parson" and "Young Ladies visiting a Couple" "The Repose" after Henry Bunbury, "The Departure of La Fleur from Montreuil", J. Watson after H. Bunbury, two other figurative subjects, "Turn Out" and "Come In", possibly after Richard Westall, and "Englishman in Paris" after Henry Bunbury (damaged) (10)
Los 411
After Edouard Vuillard (1868-1940) - Study of a gentleman wearing a white apron and examining a textile, inscribed with the name Vuillard in the vendor's own handwriting on a later label verso, black and white lithographic print, 11.75" x 9.25"; together with Richard Watkins (b. 1962) - Abstract design, paper relief, signed and dated '67 (1967), 11.5" x 7.75" and Barrington Tobin (b. 1948) - 'Spa V', signed artist proof also dated '06 (2006), coloured etching, 19" x 23.5" (3)
Los 443
Attributed to Richard Gibbs Henry Toovey, R.E (1861-1927) - Fisherman, his wife and child standing at a cottage door, signed artist's proof, black and white etching, 8.75" x 7.25" **Contained within ornate plaster frames with cream finish (af); also three further etchings by, Henry Wright Kerr R.S.A.,R.S.W 'The Weaver', Hedley Fitton, R.E. - Street scene with figures, and an interesting etching depicting 'Early Morning, Udaipur' possibly by Henry Robert Robertson R.E.,R.M.S. (4)
Los 465
Eric Wilfred Taylor (1909-1999) - farmyard with a girl feeding chickens, signed artist proof, black and white etching, 8.5" x 10.25"; together with various other prints and watercolours, including botanical studies, bookplates, prints of horses and an elephant, also a box of various small empty frames, various sizes (a collection)
Los 425
After R. Dalton (19th century) - Hercules, depicted as a marble or stone statue, inscribed, black and white etching, 20" x 10.5"; together with fourteen further prints, including two sepia etchings one depicting, Anibale Caracci, inscribed Francesco Bartolozzi, (stained) an oval print of a soldier holding an infant with two females looking on, a set of four female head studies, and seven black and white engravings depicting figures and animals within a Greek or Roman frieze, various sizes (15)
Los 416
After John Bodger (18th/19th century) - 'The Carriage Match' from the painting in the collection of The Duke of Queensbury, extensively inscribed, black and white engraving, with some etching, laid on linen, 18" x 28.75" (faded with staining); together with four old black and white engravings after William Hogarth, "Election Subjects", various sizes (5)
Los 301
§ Julian Trevelyan, RA (British, 1910-1988) Ram signed lower right "Julian Trevelyan" and numbered 11/50 etching with aquatint Intaglio print on paper 37 x 49cm (14 x 19in) Other Notes: Julian Trevelyan was a major figure in the British etching revolution of the 1960s, with his keen eye for graphic invention and his early enthusiasm for surrealism in his youth. Image is good and clear, some browning around the edges of the mount.
Los 257
Paul César Helleu (French, 1859-1927) Two women seated by a large urn, etching signed lower right 53.5 x 27.5 cm signed in pencil lower left "Helleu" drypoint etching 53½ x 27½cm (21 x 11in) Framed and glazed. Paper slightly chipped in the top left corner and lower right margin. Slight paper discoloration.
Los 378
After Linda le Kanff, 'The Orchid', colour print, 63cm x 43cm, limited edition, No.80/200, with certificate, andAfter Renee Halpern, Assiette de Fruit, colur print, 47cm x 45cm, limited edition No.21/200, with Christie's Contemporary Art certificate, and After Carl March, 'Flowers for Adelaide', etching with aquatint, 34cm x 47cm, pencil signed, limited edition No.15/150, with Christie's Contemporary Arts certificate, (3).
Los 1012
Percy Robertson A.R.E (1868-1934) ''Stirling Castle, Scotland'' signed and inscribed, etching, 21cm by 36cm (sh) together with three other unframed etchings entitled ''Stirling Castle'', ''Holyrood Palace'' and ''Strathtay, Perthshire'', 23cm by 29cm, 28cm by 38cm and 36cm by 28.5cm (sh) respectively (4)
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78472 Los(e)/Seite