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78475 Los(e)/Seite
Los 1
Mariette, French 17/18th century- Wild fowl; engraving, signed within the plate, 9x12.5cm: Edward Duncan 1803-1882 and Henry Alken 1785-1851- 'Mytton Wild Duck Shooting' and 'Heron Shooting. A Coller after a big drink', after Alken; hand-coloured aquatint, in common mount and frame: Runney & Gold, 102 Shoe Lane, London, publ May 1 1802- 'Wood Grouse'; engraving: S Godden- 'Black Game killed in Scotland 1821', after N Fielding, publ by Sherwood & Co August 1 1825; engraving: Samuel Howitt c1756-1822- 'Harriers'; hand-coloured etching: together with a further small quantity of prints and pictures relating to the hunting of wild fowl, including a chromolithograph relief picture of dead fowl, oval mount, (10)
Los 1
William Henry Boucher 1842-1906- 'My Love To You' & 'The Same To You, Dear', after Walter Dendy Sadler, a pair, publ London 28th February 1898 by L H Lefevre, 1 King Street, St James SW; hand-coloured etching, both signed within the plate, 58x44cm., ea: William Henry Boucher 1842-1906- Having a drink, after Dendy Sadler, publ February 6th 1893 by L H Lefevre; etching, with remarque, signed in pencil by both artists, 32x42cm., (3)
Los 1
Joachim Diuter, German mid 20th century- Botanical floral study; pen and brown ink and watercolour, signed and dated 1949, inscribed on the reverse of frame 'Unser' Lieben Freundin Jugendwohneim Muetterlichen Eleonor Loscher Amblauen Stein', 58x39cm: Albany E Howarth ARE 1872-1936- 'Ben Lavers'; etching, signed inscribed and titled in pencil, 19x18cm., (2) (may be subject to Droit de Suite)
Los 1
Lady Imbert-Terry early-mid 20th century- "Afterglow-Bermuda"; watercolour, signed with initials and dated 1924, bears inscribed label attached to the reverse of the frame, 20.5x29cm: J L Marks, 17 Artillery St Bishopsgate, publ 19th century- "A Proof Impression!", from 'Mark's Caricatures',; hand-coloured etching: together with one other hand-coloured cartoon by a different hand, (3), (part unframed) (may be subject to Droit De Suite)
Los 1
Charles Lloyd, Australian b.1930- 'Night'; aquatint printed in colours, signed, titled, numbered 5/25 and dated 67 in pencil, 29x39cm: Arnold Auerbach 1898-1978- Figures in a parkland setting; etching, signed and dated 49 in pencil, 13x19cm: Ru van Rossem b.1924- 'The Fruit seller'; etching printed in colours, signed, titled, inscribed 'Epreuve d'Artiste' and dated 56 in pencil, 49.5x30cm: Dolf Rieser 1898-1983- Botanical study; etching printed in colours, signed and numbered 13/50 in pencil, 50x22.5cm: together with a print by Albany Wiseman b.1930, Ralph Brown b.1928 and one unknown hand, (7), (part unframed). (May be subject to Droit de Suite)
Los 1
After Edouard Manet 1832-1883- ''Olympia''; reproduction printed in black, 53x37cm: together with one other reproduction print after the same, both on laid paper watermarked for 1922: After Andre Derain 1880-1954- Figure by a statue; etching, bears signature in pencil, numbered 2/20 in pencil, on Auvergne A La Main, watermarked paper, 44x34cm: together with five other later restrike etching and print studies after Renoir, Manet and others, (8) (unframed)
Los 1
Anthony Wilkinson late 20th century- 'Anemones in a Window'; photo etching printed in colours, signed, titled and numbered 10/225 in pencil, 52x39cm: together with one other similar etching printed in colours by the same hand titled 'Daffodils', signed, titled and numbered 10/225 in pencil: After Patrick Livingstone late 20th century- 'Garden Table'; colour reproduction print, signed, titled and numbered 253/290 in pencil: together with one other similar reproduction print after the same hand, signed, titled 'Garden Gate' and numbered 262/275 in pencil: Michael Potter b.1951- 'Paul de Vence'; lithograph printed in colours, signed, titled and numbered 105/200 in pencil, (5). (may be subject to Droit de Suite)
Los 1
Cyril Edward Power RBA 1874-1951- Figures in a city street; watercolour, signed and dated 1921, 28x19.5cm: George Monkhouse RBSA exh 1940- 'The Gulf of Kotor, Yugolslavia'; watercolour: James Priddey 1913-1980- 'Snowdon from the Gwynant'; etching, signed and titled in pencil: together with two other watercolours by different hands, (5), (part unframed)
Los 1
* Bunbury (Henry William). The Breakfast. Symptoms of Drowsiness, [1803], sepia stipple engraving, some damage and marks, laid down onto card, 350 x 445 mm, together with Gillray (James), The Death of the Great Wolf, pub. Bohn, [1849], hand coloured etching, plate dimensions 340 x 445 mm, and others similar after Gillray, Bunbury, etc. (16)
Los 1
* Cruikshank (Isaac Robert, 1786-1856). Effects of the Dog Tax, pub. S. W. Fores, April 19, 1796, hand coloured etching, on paper watermarked Budgen 1794, with margins, approx. 370 x 265 mm, together with The Phantasmagoria - or a Review of Old Times, pub. T. Williamson, March 9th 1803, hand-coloured etching on paper watermarked J Whatman 1808, with margins, sheet size approx. 300 x 430 mm, plus Heath (William, 1795-1840), Thomas Leatherbreeches the Somersetshire Grimaldi receiving an answer to his letter, pub. T. McLean, 1829, hand-coloured etching, on paper watermarked 1829, with margins, sheet size approx. 430 x 295 mm. (3)
Los 1
* Gillray (James). The Reception of the Diplomatique & his Suite, at the Court of Pekin, pub. H. Humphrey, 14 Sept, 1792, hand coloured etching, 320 x 395 mm, together with Mary of Buttermere, H.Humphrey, 15 Nov, 1802, hand coloured etching after Gillray, 310 x 240 mm, and Rival Candidates for the Vacant Bays, 1st Oct, 1813, hand coloured etching after Gillray, close-trimmed, 215 x 520 mm, and [Sayers, James], The Comet, pub. Thomas Cornell, 18 Feb 1789, uncoloured aquatint, 230 x 290 mm, plus other caricatures including Bohn edition Gillray, John Doyle, Dighton, Max Beerbohm, etc. (approx. 28)
Los 1
* Gillray (James). The Union-Club, pub. H. Humphrey, 21 Jan, 1801, hand coloured etching on wove paper, some contemp. ink marginalia to the margins and verso naming the characters depicted, plate dimensions 300 x 445 mm. This scene of drunken debauchery was a response to a formal print published to celebrate the first meeting of the Union Club, founded after England and Ireland were united in 1800. In the original illustration of the grand inaugural dinner, the Prince of Wales presided over a convivial scene seated on an elaborate throne. Gillray's version highlights the contentious nature of the Union by showing the Prince lying drunk under the table. Above him, the opposition leader Charles James Fox is collapsed in a chair, his feet propped on the table. All those not incapacitated or fighting drink a toast to the Union. Prominent among them are the Irish MP Lord Moira in a green jacket and Lord Cholmondely who raises his hat. The well-known fop Sir Lumley St George Skeffington dances in tipsily from the far right on the arm of an Irish friend. (National Portraits Gallery). (1)
Los 1
* Gillray (James, 1756-1815). Push-Pin, pub. Hannah Humphrey, April 17th 1797, hand-coloured etching, some browning, mainly to margins, sheet size approx. 263 x 335 mm, together with Heath (Henry), Ayez pite dun pauvre aveugle!! [Charles X-Louis Philippe in Exile], pub. S. W. Fores, 1830, hand-coloured etching, with margins, sheet size approx. 395 x 265 mm, plus Cruikshank (Isaac, attrib.), A Royal Salute, pub. S. W. Fores, August 28, 1820, hand-coloured etching, depicting Queen Caroline with Bergami, small repair to upper left corner, with margins, sheet size approx. 275 x 425 mm. (3)
Los 1
Gillray (James, 1756-1815). French-Taylor, fitting John Bull with a Jean de Bry, pub. Hannah Humphrey, 18 November 1799, hand-coloured etching, paper watermarked Turkey Mill J Whatman, plate size approx. 325 x 263 mm (14.25 x 10.3 ins), a little fraying to edges, and one or two minor marginal tears, just touching plate surface, together with The Friend of Humanity and the Knife-Grinder, pub. Hannah Humphrey, 4 December 1797, hand-col. etching, some overall light toning and discol. to corners, a little chipped with minor loss to lower margin, not affecting text, plate size approx. 360 x 250 mm (14.5 x 8 ins), plus Rowlandson (Thomas), A Table Dhote, or French Ordinary in Paris, pub. Rowlandson, No. I James Street, Adelphi, May 30, 1810 hand-col. etching, sheet size approx. 260 x 360 mm, and two hand-col. etched caricatures by Argus, entitled Kissing Hands or New Appointments, pub. E. Walker, February 10th 1806, & The New Minister or As it should be, pub. Walker, February 1806, each with yellow wash border, sheet size approx. 250 x 350 mm and inverse. (5)
Los 1
* Heath (William). We have the Exhibition to ExamineÓ, pub. Mclean, c.1820, hand coloured etching, image size 240 x 355 mm, together with A Ballad Singer/A Match Woman/A Dealer in Greens, pub. McLean, c.1820, hand coloured etching, 245 x 345 mm, and one other similar etching by Heath, plus Rowlandson (Thomas), Hodges Explanation of a Hundred Magistrates, Thomas Tegg, c.1815, hand coloured etching, a little creased with one short tear, image 225 x 330 mm, plus others including a Dighton published by McLean, a pair of hand coloured aquatints by A.Courcell entitled I am Tird of Reading and So am I of Working, each 175 x 140 mm and laid onto a sheet. (8)
Los 1
* Hogarth (William, 1697-1764). A Midnight Modern Conversation, 1732-33, b&w etching with engraving, a lifetime impression, second state of three (Paulson 128), printed on pale cream thick laid paper, a few minor marks and crease to lower right corner, with margins, sheet size approx. 377 x 489 mm, mounted on backing card. (1)
Los 1
* Rowlandson (Thomas). Admiral Nelson recreating with his Brave Tars after the Glorious Battle of the Nile, pub. Ackermann, 20 Oct, 1798, uncoloured etching showing Nelson, his officers and sailors drinking on the deck of the Vanguard with verse beneath, one small closed tear, image size 253 x 330 mm, together with Miseries Personal, pub. 12 June, 1807, uncoloured etching by Rowlandson, image size 225 x 350 mm, and Wapping, 21 Sept, 1807, uncoloured etching by Rowlanson, image size 230 x 335 mm, and Miseries of Human Life, Oct 1807, uncoloured etching by Rowlandson, image size 295 x 230 mm, plus A Peep into the Retreat at Tinnehinch, pub. T. Whittle, 1st may 1799, uncoloured etching by Rowlandson of Henry Grattan (1746-1820) the Irish nationalist, image 185 x 250 mm, plus two uncoloured etchings by Rowlandson after George Moutard Woodward entitled Fashion and Fancy, both published by Ackermann in April 1801, each 215 x 180 mm. All on wove paper. One watermarked Ruse & Turner 1805. (7)
Los 1
* Rowlandson (Thomas, 1756-1827). A Bait for the Kiddies on the North Road, pub. Thomas Tegg, May 5th 1810, hand-coloured etching, trimmed to plate mark, approx. 319 x 227 mm, mounted on early 19th c. blue backing paper, together with Love and Dust, pub. Thomas Tegg, June 4, 1810, hand-coloured etching, trimmed to plate mark, approx. 316 x 227 mm, mounted on early 19th c. blue backing paper. Grego ii 184 f & BM 7444A. 1st state. (2)
Los 1
Robinson (C.E.). A Royal Warren or Picturesque Rambles in the Isle of Purbeck, Typographic Etching Co., 1882, five etched and five photogravedÓ plts. by Alfred Dawson, full-page map, other illusts., slight foxing, orig. buckram, gilt, together with Eyton (R.W.), A Key to Domesday... an Analysis and Digest of the Dorset Survey, 1888, orig. cloth, a little rubbed, and St George (Henry, and Lennard, Sampson), The Visitation of the County of Dorset, Taken in the Year 1623. Edited by John Paul Rylands, Harleian Soc., 1885, nine plts. of seals and signatures, orig. cloth, spine worn, and Foster (J.J.), Wessex Worthies (Dorset). With an Introductory Note by Thomas Hardy, 1920, 216/325 copies, thirty-one plts., light foxing, orig. cloth-backed boards, a trifle rubbed, and Nightingale (J.E.), The Church Plate of the County of Dorset, Salisbury, 1889, sixteen plts. and text illusts., name on title-page, orig. cloth, a trifle rubbed, and three others, 4to and royal 8vo. (8)
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78475 Los(e)/Seite