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Los 1

Louis Icart. The Letter; and The Appointed Time, pencil signed, colour etching and aquatint, coloured, oval, pl. 18 x 14.5in (40.6 x 36.8cm); a pair. (2).

Los 1

Andrew Affleck (fl, early 20th century), 'VENICE', signed in pencil by the artist lower right, edition number 41/50 lower left, drypoint etching, 33cms x 21cms (13" x 8.5"), framed.

Los 1

After Walter Denby Sadler (1854 - 1923), engraved by James Dobie (b.1849)., 'THE COUPLE STROLLING', signed in pencil by the artist with impressed studio stamp lower left and signed in pencil by the engraver lower right, drypoint etching, published by L.H. Lefeure and son, 1 King Street, St James, London, 42cms x 33cms (16.5" x 13"), framed.

Los 1

"The Swing Bridge, Newcastle-upon-Tyne", etching, signed proof.

Los 1

"Mrs. Carnack", mezzotint, signed proof after Joshua Reynolds; portrait of a young girl, mezzotint, signed proof after Hubert Herkomer, 1881; and "The Advantages of Travel...", etching by G. Cruikshank; all unframed. (3)

Los 1

"St. Paul's Church, Jarrow", etching, signed proof by Peter Bottomley, 1973; and three maps of Northumberland - two unframed. (4)

Los 1

Newcastle from Rabbit Banks, colour etching, signed proof by A. Whishaw after T.M. Richardson.

Los 1

A pointer in a landscape, colour etching, signed proof by Henry Wilkinson, numbered 109 from an edition of 250 and Ducks among reeds, colour etching, signed proof after Henry Wilkinson, numbered 24 from an edition limited to 150. (2)

Los 1

A Scottish river landscape, etching, signed proof by Alec Fraser.

Los 1

Children fishing from a pier, etching, signed proof by J.B.S., a miniature study of a dog's head, etching, signed proof by J.B.S.; and two other prints. (4)

Los 1

"Off to the Fishing Grounds", etching, signed proof by George Horton.

Los 1

"A Mill in Holland", etching, signed proof by George Horton.

Los 1

A sailing frigate passing Greenwich, drypoint etching, signed proof by Frank Henry Mason.

Los 1

An American sailing ship on the Thames, drypoint etching, signed proof by Frank Henry Mason.

Los 1

After B. Eyre Walker, The River Don at Castleforbes, a signed etching.

Los 1

After Charles Ripper, an etching of Lancaster Parish Church and a further etching by Geyer of a Brugge Church. (2)

Los 1

After Donald Crawford, The Brig-o-Doon, a signed etching and another of The Bridge of Muick, After G.M. Grant. (2)

Los 1

After J.B. Scott, The Slum, a signed etching and two further etchings of St. Giles Cathedral and York Cathedral. (3)

Los 1

After M.E. Martin, Derby and Joan, an etching depicting a pair of owls, signed in pencil in the margin, 15cm x 20cm.

Los 1

Mortimer L** Mempes (186-1938), Spanish girl, coloured etching, signed within the plate lower right, p. 17.5 x 13.5 cm

Los 1

Miss W** M** Thackeray, Professor T M Wigglesworth's Remarks on Anastatic Printing, two sheets, each anastatic prints, each 28 x 18 cm unframed, James and George Godwin, Pleasant Things; an illustrated poem, pen, ink and crayon,, 57 x 45 cm, unframed, and Joseph Lionel Williams Esq. after Thomas Creswick and F** W** Hulme, Landscape with contemplative youth, Moonlit castle walls, each etching, each signed in pencil within the margin lower right, the first s. 19 x 20 cm, the second 21.5 x 25.5 cm, each unframed, each sheet bears impressed mark upon the mount upper left, for De La Rue & Co., London Board

Los 1

Horace Mann Lievens (1862-1936), Portrait of an old woman; Portrait of a man, each etching, the first signed with initials within the plate and dated 1911 lower right, signed with initialis in pencil lower right, the second signed in pencil lower right, p. 12.5 x 11.5 cm, p. 11 x 8.5 cm, each unframed

Los 1

William Walcot (1874-1943), Trafalger Square, etching, signed in pencil lower right, p. 9 x 18.5 cm, unframed

Los 1

William Walcot (1874-1943), The Horseguards, etching, signed in pencil lower right, p. 10 x 14.5 cm, unframed

Los 1

William Walcot (1874-1943), The Strand, etching, signed in pencil lower right, p. 11.5 x 18 cm, unframed

Los 1

William Walcot (1874-1943), Picadilly Circus, etching, signed in pencil lower right, p. 11 x 17 cm, unframed

Los 1

William Walcot (1874-1943), Whitehall, etching, signed in pencil lower right, p. 11.5 x 15 cm, unframed

Los 1

William Walcot (1874-1943), British Museum, etching, signed in pencil lower right, p. 11.5 x 16 cm, unframed

Los 1

Julian Trevelyan (191-1989), Westminster, colour etching and aquatint, signed lower right, inscribed with title lower centre, numbered 6/75 lower left, p. 35 x 48 cm bears paper label verso for the Oxford Gallery, 5.72, Invoice No. 7080

Los 1

Julian Trevelyan (191-1989), Oxford, monochromatic etching and aquatint, signed lower right, inscribed with title lower centre, numbered 4/75 lower left, p. 35 x 47 cm

Los 1

Julian Trevelyan (191-1989), Oxford, May Morning, colour etching and aquatint, signed lower right, inscribed with title lower centre, numbered 32/50 lower left, p. 35 x 48 cm

Los 1

William Lionel Wyllie (1851-1931), View of the River Thames, St. Paul's beyond, etching, signed within the margin lower left, p. 16 x 38 cm

Los 1

William Lionel Wyllie (1851-1931), Portsmouth Harbour, etching, signed in pencil within the margin lower left, p. 11.5 x 34.5 cm

Los 1

A** G**, Wheatfield, etching, signed in pencil within the margin lower right, inscribed 35/50 and title in pencil within the margin lower left, p. 30 x 37.5 cm, unframed, English School (20th century), The Farmyard, lithograph, 36.5 x 42 cm unframed and two other similar prints, and Deny after Desrais, Portrait of Madame Marie Josephe Louise de Savoye, hand coloured engraving, p. 28.5 x 21 cm, unframed

Los 1

Manual Robbe (1872-1936), Odalisque in her boudoir, hand coloured etching, signed in pencil within the margin lower right, inscribed No. 3 lower left, p. 49 x 33.5 cm

Los 1

Herbert Thomas Dicksee (1862-1942), Forgotton: a Scottish Terrier awaiting its meal, etching, signed and dated 1922 within the plate lower right, signed in pencil within the margin lower left, p. 28.5 x 39.5 cm

Los 1

Camille Fonce (1867-?), Rheims, hand coloured etching, signed in pencil within the margin lower centre, s, 64 x 49.5 cm bears two paper labels verso for Arthur Ackermann & Son

Los 1

H** Bunbury after Thomas Rowlandson (1756-1827), Englishman at Paris, hand coloured etching, s. 24.5 x 20 cm published 1st May 1803, R. Ackermann's Repository of Arts, 101 Strand, bears paper label verso for The Parker Gallery, 2 Albermarle Street, London, and seven further etchings after Rowlandson, many bearing Parker Gallery label verso

Los 1

Joseph Hecht (1891-1951), Street scene, etching, signed in pencil lower right, p. 20.5 x 26 cm

Los 1

Cecil Charles Windsor Aldin (187-1935), Donkey drawing water at a Majorcan well; a pair, each etching, each signed in pencil within the margin lower right, each p. 20 x 21 cm

Los 1

William Lionel Wyllie (1851-1931), Off Gravesend, etching, signed in pencil within the margin lower left, p. 20 x 50.5 cm, published 1910

Los 1

Luigi Rossini (179-1857), Veduta Generale del Foro Romano, etching, p. 52.5 x 70 cm

Los 1

Charles Lock, Landscape with horses following a well-trodden path, a thatched barn beyond; Horses following a well-trodden tree-lined path, each etching, each signed and inscribed indistinctly To friend Gunsol in pencil within the margin lower right the first p. 15.5 x 20.5 cm, the second p. 21 x 15 cm

Los 1

Thomas Rowlandson (1756-1827), Drawing for Twelfth Cake at St. Annes Hill, hand coloured etching, s. 27 x 41.5 cm, published by S.W. Fores, 50 Picadilly, January 16th, 1799, bears paper label verso for The Parker Gallery, 2 Albermarle Street, London, and three other similar satirical chromolithographs

Los 1

English School (20th century), Study of a foal, etching, signed indistinctly in pencil within the margin lower right, p. 30 x 25 cm

Los 1

Frank Paton (1856-1909), Rough and Ready; Not at home; Seven Champions of Christendom Wish You a Right Merrie Christmas, each etching, each signed in pencil lower left, each image with surrounding etched remarques, each s. 20 x 26cm

Los 1

Frank Paton (1856-1909), A Meeting of the Unemployed; The Good Old Days; Every Dog has His Day, each etching, each signed in pencil lower left or centre, each image with surrounding etched remarques, each s. 20 x 26 cm

Los 1

By and after George Cruikshank. 'Passing Events or The Tail of the Comet of 1853', two-fold etching, 7.25" x 15.25".

Los 1

20th Century. 'Moulin de Whyschaete', coloured etching, signed and titled in margin in pencil, label verso, 'Recaptured from the Germans during the 1st Battle of Ypres by No 1 Troop A Sqdn 12 R Lancers Nov 1st 1914', 10" x 72".

Los 1

Sydney J Cashing (by and after). 'The Cathedral, Lincoln', etching, signed in pencil in margin, c.1910, 5.5" x 6.5".

Los 1

William L Wyllie (1851-1931). Barges on the River Thames, Tower Bridge in the background, etching, signed, 11.75" x 7.25".

Los 1

E Mayberry, Blackfriars Bridge, London. Uncoloured etching. Signed artists proof. 8.5" x 12".

Los 1

J Lewis Stant, Chepstow Castle. Sparsely coloured etching. Signed artists proof. 9" x 13".

Los 1

De Herain, (French, Early 20th Century). "Le Berger Griffe Au Chapeau". Uncoloured etching. Signed Proof No: 6 of 75. 22" x 16".

Los 1

A. Simes 'OLD MANOR HOUSE, BROADWAY COTSWOLDS' etching, signed and inscribed in the margin and English School BOURTON ON THE WATER etching, signed and inscribed in the margin, both in original bamboo frames, 12.5 x 20cm

Los 1

Rowland Langmaid (1897-1956), Tower Bridge, etching 22cm x 15cm, together with a similar by Mabel Catherine Robinson, and 2 other etchings

Los 1

ALPHONSE LEGROS (1837-1911) Etching, study of an elderly gentleman, 11 x 7.5ins

Los 1

J.F.PIMM (b.1900) unframed etching with aquatint "Durham Cathedral" signed artist's proof, with blind stamp, 13.75 x 8.75ins

Los 1

JOHN FULLWOOD - Etching with drypoint, landscape with river and bridge, signed 7.75 x 7ins, and another etching by the same artist - Warwick Castle

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  • 78475 Los(e)
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