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78475 Los(e)/Seite
Los 1
Augustus John OM RA, British 1878-1961 - Lucy, 1904; etching on paper, state ii/ii from an edition of 25, signed in pencil lower right 'A E John', image size 12.6 x 10 cm (ARR) Provenance: with Thomas Agnew & Sons, London, no.44045 (label attached to the reverse of the frame); The Collection of Professor W. M. Ballantyne (1922-2021) and thence by descent Exhibited: The Fine Art Society, London, 'A Barrister's Collection: A Lifetime of Collecting by Professor W. M. Ballantyne', 5th-21st March 2014, cat. no.25 Literature: Campbell Dodgson, 'A Catalogue of the Etchings of Augustus John 1901-1914', London, 1920, no.70
Los 57
Erna Hoppe-Kinross,German/British 1875-1964 - Jouant aux sables (Playing in the sands); oil on board, signed lower left 'E Hoppe', titled to artist's label on the reverse, 21 x 19.3 cm: together with 3 other works by the same artist of a similar size and smaller, including 'Boulevard', 'St. Briac' and an etching on paper 'Breton women' (4) (ARR) Provenance:the Family of the Artists Grace English and Erna Hoppe-Kinross Note:Hoppe-Kinross lived in Paris from 1906-14, where she exhibited at the Salons and at the Societe Nationale des Beaux-Arts. The present lot has been recorded to have been exhibited at Salon in 1907. She met her husband Charles Kinross there and they married. They had a holiday home at Giverny where they befriended Claude Monet - under his influence this was to become her most important period of painting.
Los 289
A collection of six prints The first after Godfried Schalcken (Dutch 1643-1706), a young instrument player, engraving; the second François-Bernard Lépicié (French 1698-1755) after C. D. Moore, 'Le Jeu des Échecs', engraving, c.1746; a prospect of a Paris boulevard of the Louis XVI period, hand-coloured engraving; a boy with his mother holding grapes, etching and aquatint; 18th Century Welsh School, charcoal kiln view on the River Teivy, hand-coloured aquatint, 22cm x 23cm; and an offset lithograph after an aquatint of an interior scene.Qty: 5The first with notable toning, some damage to the paper in the upper left and minor damage to the figure's face. The second with some mount burn and light foxing. The third with notable toning and foxing, particularly in the upper half. The fourth with notable foxing. The fifth with some damage and repairs to the frame, losses to the black-painted glass slip, notable toning throughout. The sixth with some worm damage.
Los 458
After Antoine-Jean Gros (French 1771-1835) ‘Napoleon on the Battlefield of Eylau’, etching, dated ‘July 1833’, with an ink stamp to the margin.57cm high x 77.5cm wide to the marginQty: 1A notable tear in the paper running from the lower left, approximately 10cm into the inked area of the picture. Slight toning. The paper appears to have been trimmed and later re-mounted to give the impression of a plate mark.
Los 241
Simon Brett (British 1943-) Two prints: 'Restorative/Hobbes's Whale', etching, titled, numbered and signed to the margin 'Restorative/Hobbes's Whale 8/50 Simon Brett'; together with 'Ramsey Island', etching, titled, numbered and signed to the margin 'Ramsey Island 11/45 Simon Brett'.22cm high x 16cm wide and 19cm high x 11cm wideQty: 2In generally good condition.
Los 259
A collection of six prints After Johann Sebastian Müller (German 1715-c.1792), a pair of classical studies, the first of Athena and the second of a male figure in a toga, etchings taken from a book; together with 'A Competition Between Love and Music', etching with aquatint; and a print commemorating fallen soldiers in a French war; B. Bordiga after Louis Lafitte (1770-1828), 'Euterpe', hand-coloured aquatint and engraving; a maiden with a censor with a Greek temple in the background, mezzotint.The largest 39cm x 22cm to the plate markQty: 6
Los 256
AN UNSIGNED SPORTING KNIFE WITH DAMASCUS BLADE AND BONE HILT, recent, with 4 1/2in. clip-point blade false edged for the last 3in., the damascus patterning enhanced by acid-etching, fancy scalloped back, the patterning continuing along the back-edge of the tang and around the pommel, the voids with black infill, white polished bone hilt and brass pins and guard, together with a bolstered leather sheath with belt-loop This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
Los 42
A SCARCE PRE-WAR .22 BSA 'T-PREFIX' STANDARD UNDER-LEVER AIR-RIFLE, serial no. T3664, for 1937, with sighted 19 1/4in. blued barrel, tap-action breech, plain air-chamber etched with make, model details and patents (etching faint but legible), three hole trigger unit, walnut saw-handled butt-stock with pressed chequered panels and ribbed heel, no provision for fore-end and push-button release under-lever Pre-1939
Los 90
A .177 A.G. PARKER & CO. HALE & HARRIS PATENT CRANK-WOUND AIR-PISTOL serial no. 229, pre WW2, with 10in. blued sighted smooth-bore barrel, plain air-cylinder (no etching visible), slab-sided frame with domed fixing screws and hard-rubber handled crank, smooth wood grips, the whole retaining much apparently original but faded finish, complete with a spare pair of reproduction black wood grips Pre-1939
Los 752
DAVID HOCKNEY (BRITISH 1937) 'THE GLASS MOUNTAIN SHATTERED' an unsigned etching from the Brothers Grimm 'Six Fairy Tales' series, approximate size 23cm x 27cm, together with 'A Room Full Of Straw' an unsigned etching from the same series, approximate size 26cm x 23cm, both from editions of 400 with Goldmark Gallery labels verso, Condition Report: both have foxing and discolouration to the paper, scratches to the frames (artist resale rights apply)
Los 938
A COLLECTION OF LIMITED EDITION ETCHINGS AND PRINTS BY VARIOUS ARTISTS, comprising two Ingrid Allen mezzotint etchings, Sarah Van Niekerk print of sheep, Jim Munnion woodblock print, Sheila Stafford sailing themed print, Rita Farrugia abstract study print, an indistinctly signed etching of an Italian town and two S. Pooley prints signed to the mounts, together with a maps of Rutlandshire and Shropshire and two Wallace and Gromit posters
Los 751
DAVID HOCKNEY (BRITISH 1937) 'STRAW ON THE LEFT, GOLD ON THE RIGHT', a limited edition etching from the unsigned edition of 400, approximate size 15cm x 25cm, published by The Petersberg Press 1970, together with 'Digging Up Glass' an etching from the unsigned edition, approximate size 13cm x 12cm, both with Goldmark Gallery labels verso, Condition Report: Straw has a spot of foxing upper right, paper is discoloured, Digging has foxing / discolouration to the paper, scratches to the frames (artist resale rights apply) (2)
Los 26
Giovanni Battista Piranesi (1720-1778) etching - Ruins of Villa Adriana (Hadrians Villa), the Golden Square, 47cm x 62cm, in glazed frame Somewhat tired condition, it has been cut with little of the margin left. It doesn't appear to be fully laid down although it is possible that the visible staining is from an adhesive behind. A visible crease running down the image through the middle. It is a period image with no edition number. No known provenance.
Los 432
Two box framed textile art pictures - one signed with initials VS, the other unsigned but probably by the same hand, the larger 8½ x 8½in (21.6 x 21.6cm), in white painted glazed frames, the larger 51.5 x 38.75cm; together with a small coloured etching of flowers, signed and numbered 72/120, 9.6 x 9.6cm, green painted metal frame (36 x 29cm). (3)
Los 141
After Daniel King (d.1664), The South Prospect of the Cathedral Church of Bath, coloured etching, visible sheet 18.5 x 31cm, together with by Johann Sebastian Mueller, This View of the Right Honourable Earl of Chesterfield's House near Hyde Park, coloured engraving, visible sheet 16 x 30.5cm (2)
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78475 Los(e)/Seite