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78475 Los(e)/Seite
Los 1
After W. Douglas McLeod R.T. Bobby Jones limited edition reproduction etching from the orginal plate numbered 48/200 and signed with initials in the margin framed 46cm x 32.5cm This is the last copy of this important portrait to be offered for sale by the owner of the original plate. The plate has now been donated to the British Golf Museum St. Andrews on the condition that no further copies are produced.400. After John Smartt RSA'Dunbar Golf Club' etching signed in the plate 20.4cm x 29.5cm
Los 1
A group of assorted prints and engravings, including subjects after Constable, George Harvey, Landseer, Angelica Kauffmann, T. Oliver, and others, All unframed.(af) (qty) Best Bid 643 A group of assorted pictures and prints, Including a reproduction print of oriental figures, a pair of framed reproductions of interior scenes, a reproduction of an etching entitled "Eventide", a framed print of commemorative stamps, a study of a boat by M H Brendon and a pen and ink study in the manner of Thomas Rowlandson. (qty) Best Bid
Los 1
A pencil life drawing of a man, initialled FRW, gilt frame, 33cm x 43cm; Etching after Rembrandt, studies of peasant and infirm figures, gold mount, framed (damage to paper lower right), 33 x 26.5cm, plus quantity of other framed pictures and prints, includes watercolour of a lady sewing, Old Comptibles Association, WWI football team photo, etc. (eight)
Los 1
Le Corbusier (Charles Edouard Jeanneret, 1887 - 1967) An original signed limited edition etching with aquatint colours - No 7, showing a man leaning forearm on a table, with green patch of colour below, L - C, 1927/64, on arches paper, signed in pencil and numbered 26/150, complete paper size showing floating 54 cm by 72 cm.
Los 1
Le Corbusier (Charles Edouard Jeanneret, 1887 - 1967) An original signed limited edition etching with aquatint colours - No 6, showing an abstract design, with yellow, pink, green and red patches of colour, L - C, 1931/ 56 / 64, on arches paper, signed in pencil and numbered 91/150, complete paper size showing floating 54 cm by 72 cm.
Los 1
John Fulwood, Signed Dry Point Black and White Etching "Glen Finlas", signed in pencil, 22.5cm x 28.5cm, John Cherry, signed black and white etching depicting figures in street scene, a 19th century coloured print "The March to Finchley", a coloured print depicting abattoir, a black and white print "The Wiltshire Moonrakers", and a coloured print depicting 3 children and adults in interior (6)
Los 1
Seven late 18th century hand coloured etchings various printmakers. 'A View of the Great Arsenal at Venice'; 'The Island of St Helen'; 'Bombay on the Malabar Coast'; 'A General View of the City of Lisbone'; 'A General View of the City of Madrid'; 'Fort William in the Kingdom of Bengal'. 'A View of the Royal Exchange London'. Each hand coloured etching. Each s. 25cm x 38.5cm.
Los 1
* Piranesi (Giovanni Battista, 1720-1778). A collection of seventeen uncol. etchings of Roman antiquities, funerary monuments, reliefs etc., late 18th c., together seventeen uncol. etched plts., incl. nine double-page, one or two duplicates, sheet size of single-page etchings approx. 605 x 440 mm (24 x 17.5 in), together with Vasi (Giuseppe), Veduta e Prospetto della Nuova Facciata della Sacrosanta Basilica Lateranense fatta erigere della santa memoria di Clemente XII, Rome, 1742, [but later], uncol. etching, 19th c., plt. size approx. 475 x 685 mm (18.75 x 27 in) with margins, circular pubs. blind-stamp to lower outer corner, some fraying and marginal repairs, one closed tear (repaired to left-hand and right-hand margin), both affecting image, plus another similar view of the Gran Cortile di Belvedere architettura di Bramante, by Montagri after Panini (torn with some consequent damage), plus three early 19th c. etched views of Roman antiquities by Rossini (Avanzo del Tempio di Minerva Medica, Veduta dei grandiosissimi avanzi del Tempio di Giove, & Veduta del Ponte Rotto), some marginal marks and slight fraying to each, first plt. with some archival repair to top margin, sheet size approx. 510 x 725 mm (20 x 28.5 in) (22)
Los 1
* Stothard (Thomas). The Pilgrimage to Canterbury, etching and engraving by Louis Schiavonetti and James Heath after Thomas Stothard, pub. W.H. Worthington for Eliz. Cromek, 1st October 1817, five closed marginal tears including three slightly into image at left and right margins, some sl. spotting and dust-soiling, image size approx. 26.5 x 92.5 cm, letterpress incl. key to characters printed beneath image, overall a good impression, framed and glazed. See Shelley M. Bennett, 'Thomas Stothard: The Mechanisms of Art Patronage in England Circa 1800' (1988), pp. 44-9 & R.N. Essick, 'The Separate Plates of William Blake' (1983), p. 88. (1)
Los 1
Clerk, of Eldin, John.. A Series of Etchings chiefly of Views in Scotland, MDCCLXXIII - MDCCLXXIX. With additional etchings and facsimiles from his Drawings. Edinburgh: Bannatyne Club, 1855, folio, ltihographed portrait frontispiece, etched portrait, and 55 lithographed or etched plates, some with two or more views, tissue guards, contemporary maroon morocco-backed cloth, paper label on upper cover Note: A fine copy of a rare work. John Clerk (1736-1812), artist, author and parliamentarian, was one of the few eighteenth-century Scottish practitioners of etching and his landsape etchings, as well as being important documentary records, are often seen as important precursors to the etching revival of the mid nineteenth century.
Los 1
SIR HUBERT von HERKOMER, RA, RWS (1849-1914) ALFRED, LORD TENNYSON Etching, published by Goupil and Co, 1879, signed in pencil, a proof impression before full titles (publisher's details only above image), full margins Image 45.5 x 34.5cm.; Plate 58 x 44cm.; Sheet 75 x 58.5cm. ++ A few pale spots of foxing; image in good condition
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78475 Los(e)/Seite