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78475 Los(e)/Seite
Los 261
SCHELTE ADAMS BOLSWERT AFTER RUBENS - Landscape with horseman at a brook, engraving, published by Gillis Hendricx, Antwerp, 12" x 17 1/2"; together with an abstract, lithograph, indistinctly signed and dated '57, No. 30/30, 25 1/2" x 16 1/2"; an etching signed Fliegerbauer; and a pen, ink and colour wash scene design by Carl Toms (4).
Los 334
ALBANY E. HOWARTH (1872-1936) - Town scene with Tudor buildings and figures on the pavement, etching, signed in the plate and dated 1919, also pencil signed in the margin, 10" x 12", together with various other prints or engravings to include an accurate prospect of 'Vienna, The Capital of Germany', engraved for Millar's New Complete and Universal System of Geography, a pastoral scene; a United Grand Lodge certificate (unframed); four further unframed prints; a watercolour view of Dartmeet Bridge by Cunningham Bridgman and a town view in the manner of Samuel Prout.
Los 467
ROUSSEAU, J-J, 'The Confessions of Jean Jacques Rousseau', Privately Printed, 1904. Etching by Hedouin. 4to. cl bd. 2 vols. Tog.with WHEATLEY,H.B. 'The Dedication of Books To Patron & Friend', Elliot Stock, 1887. Tog.with 'How to Form a Library', by same, 1886. 1/4 leather scuffed, plus SOMERSET MAUGHAM, W. 'A Writer's Notebook', Heinemann, 1949, 1st edn. ltd. 342/1000, signed. 1/4 vellum, T.e.g. Plus 4 others. 9
![KATHE KOLLWITZ [1867-1945] 'Ende', etching with aquatint, blindstamp for A. M. Breke, Munchen-22, plate size 24.5 x 30.5 cms](http://lot-images.atgmedia.com/SR/10728/2750495/18-26-10728_468x382.jpg)
![JAMES HENRY DOWD [1883-1956] Children watching a Punch and Judy, etching, signed in pencil lower right, 11 x 16 cms.](http://lot-images.atgmedia.com/SR/10728/2750495/103-26-10728_468x382.jpg)
Los 476
Mathilde le Coedlake (20th century), Sir Stephen Herbert Gatty. KT, Signed etching, 24x17cm, Patricia Fishwick (b1929) ARR, Haldon Tower, oil on board dated 1970, 15x35cm and an unknown oil on canvas, woodland and, Hester Gatty (1906-1973), a collection of sketches (Hester Getty was married to Siegried Sassoon)
Los 218
A mixed folio: English School early 19th century sepia watercolour river landscape, 26 x 35cm, with old label to verso 'Carter Saloon of Arts, 238 Regent St'; Bartolozzi after Cipriani and others, 'Adam and Eve', engraving published 1794 by Darling and Thompson, full margins, 44 x 61cm overall size; G Dawe, 'Henry Vincent', aquatint with etching, published with the 'Sentinel' London Weekly Newspaper May 18, 1844, full margins, 54.5 x 39.5cm overall; four engravings after Watteau 'Le May', 'Feste Bacchique', 'La Balanceuse', and 'Partie de Chasse', the latter dated 1731, each with neat small repair and trimmed close to image, 60.5 x 36cm; Pizzi after Cignani, Sleeping Child, stipple engraving 1796, full margins, 56.5 x 37.5cm overall; W Giller after A Cooper, 'Richard Coeur de Lion and Saladin', mezzotint 1831, 39 x 46cm (trimmed to plate); Ravenet after Luca Giordano, 'Sophonisba accepting the Nuptial Present...', engraving before letters published for Boydell, some soiling, trimmed to plate, 43 x 53.5cm; and other engravings and later prints
Los 232
Edmund Blampied (British, 1886-1966) The Stranger, 1920, signed in pencil, drypoint, 26 x 33cm. Literature: Appleby, No.66, signed proof from the only published edition of 100 impressions, on cream laid paper with full margins and deckle edge. In The Stranger Blampied has portrayed the situation with an insight characteristic of his splendid depictions of everyday peasant life in Jersey. Allhusen regarded this plate as "one of the very best of Blampied's drypoints" in his major article The Etchings of Edmund Blampied (PCQ, vol 13, p.78). This drypoint was done upon the back of an old etching plate, the rough surface of which produced the effect of foul-bite in impressions of the finished print
Los 241
Eugene Bejot (1867-1931) Les Quais de la Monnaie et de la Grave Bordeaux, etching, signed below in pencil, 21.5 x 27cm (plate); andÊJohn Moody, 'Portsmouth', etching, signed (unframed) 14.5 x 20.5cm (plate); and Martin Hardie 'The Quay Middleburg', etching (sunned, unframed) 14.5 x 20.5cm (plate); together with A small watercolour by another hand (4)
Los 33
D.Y. Cameron (1865-1945) - 'Distant view of Winchester', etching, initialled DYC, 10 x 16 cm; Sir Francis Seymour Haden (1818-1910) - 'A Water Meadow', etching, 15.5 x 24 cm; verso bears Folio Fine Art Ltd label; and 'Old Chelsea - Out of Whistlers window', etching, fore-edge signed, 18 x 26 cm (3)
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78475 Los(e)/Seite