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78475 Los(e)/Seite
Los 200
WALTER DENDY SADLER, ENGRAVED BY JAMES DOBIE, SIGNED IN PENCIL BY BOTH TO MARGIN, BLACK AND WHITE ETCHING, “Right of Way” (1903), 14 ½” x 19”; together with WALTER DENDY SADLER, ENGRAVED BY W BOUCHER, SIGNED IN PENCIL BY BOTH TO MARGIN, BLACK AND WHITE ETCHING, “Hearts are Trumps” (1892), 14 ½” x 20” (both mounted but unframed) (2).
Los 202
WALTER DENDY SADLER, ENGRAVED BY JAMES DOBIE, SIGNED BY BOTH TO THE MARGIN, TWO BLACK AND WHITE ETCHINGS, “Memories Garden” (1911) and “The Moon is not Seen when the Sun is Up (1921); together with WALTER DENDY SADLER, ENGRAVED BY WALLACE HESTER, SIGNED BY BOTH IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Boon Companions” (1920), assorted sizes (3).
Los 332
AFTER H ALKEN, ENGRAVED BY I CLARK, SET OF FOUR HAND COLOURED ENGRAVINGS (ORIGINALLY PUBLISHED 1820), “Fox Hunting”; together with AFTER J BARRENGER, ENGRAVED BY J SCOTT, SET OF FOUR HAND COLOURED ENGRAVINGS (ORIGINALLY PUBLISHED 1817/18), “Breaking Cover”; “The Chase”, “The Death” and “Going into Cover”; plus ONE FURTHER ETCHING AFTER ALKEN, assorted sized (9).
Los 737
Hendrik Goltzius (1558-1617), Pietà, engraving, 1596, a fine impression of the second, final state, displaying brilliant contrasts, the proliferation of lines at the top well defined and clearly printed, inscribed `Proof Etching 96` in pencil within the bottom margin, with `Robert Balmanno F.S.A. London 1828` written in ink on verso, plate size 19 x 13cm.; 7.5 x 5.25in.
Los 739
After William Hogarth (1697-1764), "A Midnight Modern Conversation", 1732-33, hand coloured etching with engraving, with margins, plate size 34.5 x 47cm.; 13.5 x 18.5in, together with another, after Thomas Rowlandson (1756-1827), "Lord Barrymore`s Four-in-Hand", hand tinted aquatint, plate size 17 x 22.5cm.; 6.75 x 9in (2).
Los 139
ARCHIBALD STANDISH HARTRICK. Unframed, signed in pencil lithograph on paper, "Alms, Giving the Cart Bread, St Peter`s, Dunstable" together with JOHN FREDERICK GREENWOOD. Unframed, signed in pencil limited edition etching on paper 3/50, deer in a highland landscape "The Challenge" (2) 17" 11 1/4" and 10 1/2" x 16 3/4"
Los 417
19TH CENTURY ENGLISH SCHOOL "Portrait study of a young woman wearing a hat", head and shoulders, watercolour, unsigned, together with two Pears prints "Bubbles" and "Impertinent Hussies", AFTER JOHN M. AIKEN "Coastal maritime scene with lighthouse" limited edition black and white etching No`d 29/50, signed in pencil in margin, a modern print, and a Continental pottery plaque depicting two lovers
Los 533
Charles Adam Platt 1861-1933- Rowing boats moored amongst the marshes; drypoint etching, 24x44cm: George Baxter 1804-1867- "Lake Lucerne, Switzerland"; Baxter print in colours, 27x38cm: J P Donne, late 19th century- "Why then the world`s mine oyster, which I with sword will open"; etching, 33x23.3cm: together with a small quantity of 19th century and later etchings etchings and engravings, (unframed) (a lot)
Los 578
Frans de Neve 1606-1681- Man resting in the woodlands with his dog, publ in Rome by Giovanni Giacomo de Rossi, 19x25.8cm: James Bretherton c.1750-c.1790- "Fought all his battles o`er again and thrice he slew the slain", after Mr Bunbury, publ. 1 Jan 1782; engraving, 27.8x25.2cm: William Hogarth 1697-1764- "The South Sea Scheme"; engraving, 26x33.2cm: Luke Sullivan 1705-1771- "And as he reasoned of righteousness, temperance and judgment to come, Felix trembled", after William Hogarth; engraving, 41.5x50.7cm: William I Ward 1766-1826- "A Visit to the Child at Nurse", after George Morland, publ J R Smith; mezzotint in colours, 40x49cm: Thomas Cook 1744-1818- "Hudibras encounters the Skimmington", after William Hogarth, publ G I Robinson, February 1st 1802; engraving, 29.2x51.4cm: together with a quantity of 18th & 19th century and later etching, engravings and prints, by and after various hands, (a lot) (unframed)
Los 621
Inge Clayton, Austrian/British 1942-2010- "Angel Pavement"; etching printed in colours, signed, titled and numbered 14/39 in pencil, 25.5x25.5cm: together with two other hand-coloured etchings by the same hand, titled "Rogues and Sinners", signed, titled and numbered 30/35 and "Swinging Low Street", signed, titled and numbered 10/36 in pencil, 28x20.5 and 20x15xcm., (3) (unframed)
Los 627
* Piers Browne, British b.1942- "October in Walden - off Wensleydale"; etching and aquatint printed in colours with hand colouring, signed, titled and numbered 55/75 in pencil, 45x68cm: together with a further example by the same hand entitled "Spring evening: Beech at Laithkirk, Co. Durham", signed, titled and inscribed A/P, (2) (may be subject to Droit de Suite) Provenance: Paintings In Hospitals, London, cat. no 8160 and 9640
Los 638
* Marius Alexander J Bauer 1867-1932- Large processional scene, possibly Cairo; drypoint etching, signed and inscribed `no.63` in pencil, 58x69cm: Andrew Fairbairn Affleck 1874/5-1935/6- "Hotel de Ville, Bruges"; etching, signed and titled in pencil, 44.5x55.5cm: together with three further etchings by the same hand: Axel Herman Haig 1835-1921- Cathedral interior with choir boys; etching, monogram and dated 1908 within the plate, signed in pencil, 60x40cm: Charles Henry Baskett 1872-1953- "The Dawn Wind"; aquatint, signed and titled in pencil, 34.5x51.5cm: Sydney Lee 1866-1949- Continental market scene; woodcut, signed in pencil, 37x47cm: together with a further copy of the same print, (9) (unframed)
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78475 Los(e)/Seite