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Preisdatenbank abonnierenAFTER JAMES GILLRAY (BRITISH, 1756-1815) '- the Death of Admiral Lord Nelson - in the Moment of Victory', hand-coloured etching, published by H. Humphrey, Dec. 23rd 1805, 39.5cm x 28.5cm, unglazed, (laid down to board; narrow margins); and 'The Death of the Great Wolf', hand-coloured etching, published by H. Humphrey, Dec. 17th 1795, 33.5cm x 44cm, unglazed, (laid down to board; narrow margins), (2). Provenance: Estate of Nina Bawden.
WW1 Period 4th Royal Irish Dragoon Guards Officer’s 1912 Pattern Sword by Wilkinson of London. A very good and rare example. The blade is etched with a crowned GVR cypher, the Regimental badge and title and to the forte the cutlers details of Wilkinson and blade number 47050. The blade is also etched with the owners initials of “R.G.M.”. The hilt is of the regulation pattern, the shagreen grip with twist wire binding. Complete with steel scabbard. Etching to blade clear. GC.
Royal Army Medical Officer’s Sword. A George V Period example. the straight blade with etched decoration of a Crowned GVR cypher and to the forte the retailer’s details of Fenton Brothers of Sheffield. The hilt is the 1892 regulation pattern the open guard incorporating a GVR crowned cypher. Complete with brown leather field service scabbard. Overall GC clean condition etching clear. Wear to the gilt of the hilt.
Bengal Engineers Indian Mutiny Period Officer’s 1845 Pattern Sword. The single edged slightly curved blade is etched with a Crowned VR cypher and the Regimental title “Bengal Engineers”. The hilt is of the regulation pattern of a gilt brass three bar open guard with a crowned VR cypher. The leather grip with twist wire binding. Scabbard is absent. Etching to the blade is clear, but the blade has edge nicks and small areas of surface pitting.
Victorian Royal Engineers Officer’s Levee Pattern Sword, retailed through Samuel Brothers of London. A rare example of the Engineer pattern 1857 Levee sword. The 3/4 inch wide blade is etched with a Crowned entwined VR cypher. The reverse etched with floral decoration. To the forte can be found the retailer’s details. Gilt brass special Regimental pattern guard with shagreen grip and twist wire binding. Housed in original correct pattern steel scabbard, this with two loose rings. Etching clear, scabbard with some surface rusting
Victorian Volunteers Royal Engineers Officer’s Levee Pattern Sword, retailed through Silver & Co. of London. A rare example of the Engineer pattern 1857 Levee sword. The 3/4 inch wide blade is etched with a Crowned entwined VR cypher. The reverse etched with the title Volunteer Engineers and the original owners Armourial crest. To the forte can be found the retailer’s details. Gilt brass special Regimental pattern guard with shagreen grip and twist wire binding. Housed in original correct pattern steel scabbard, this with two loose rings. Etching clear Slight scabbard with some rusting.
*Litten (Sydney Mackenzie, 1887-1934). Berry Bros. & Co. 3 St. James's Street, London, drypoint etching on laid paper, signed in pencil, plate size 250 x 138 mm (9.8 x 5.4 ins), sheet size 382 x 245 mm (15 x 9.7 ins), together with Edge (Helga V., circa 1890-1976). Sultan Hassan Mosque, Cairo, etching with aquatint on handmade paper, signed, titled and numbered 4/50, plate size 252 x 147 mm (9.9 x 5.8 ins), sheet size 375 x 273 mm (14.75 x 10.75 ins), laid down on card, plus Mauroner (Fabio, 1884-1948). Covered Souk, etching on laid paper, signed in pencil, plate size 225 x 250 mm (8.9 x 9.9 ins), sheet size 273 x 307 mm (10.75 x 12 ins), and other various 19th and early 20th century etchings, prints, and engravings of landscapes and topographical scenes, etc., including large format illustrations by Baskin, a signed print of a baby hedgehog by David Shepherd, Charles Bartlett, Francis Dodd, etc., and others (approx. 65)
Griffith (Elizabeth). The School for Rakes: A Comedy. As it is performed at The Theatre-Royal in Drury-Lane, 1st edition, 1769, 92 [+ 1 leaf], bound with [Cumberland, Richard]. The West Indian: A Comedy, 3rd edition, 1771, 102 pp., bound with [Cumberland, Richard], The Fashionable Lover; A Comedy, 2nd edition, 1772, 63 pp., bound with [Sheridan, Frances Chamberlaine], The Discovery, A Comedy, 2nd edition, 1763, 94 [+ 1 leaf] pp., final leaf with lower portion missing, bound with Colman (George). The Man of Business, A Comedy, 2nd edition, 1774, 80 pp., bound with [Kelly, Hugh], The School for Wives, A Comedy, 3rd edition, 1774, 88 pp., without the etching by Loutherbourg called for on the title page, bound with Colman (George and Garrick, David), The Clandestine Marriage, A Comedy, 2nd edition, 1766, 95 pp., bound with [Cowley, Hannah], The Runaway, A Comedy, 2nd edition, 1776, 72 pp., a few minor marks, all bound in contemporary calf-backed marbled boards, gilt, a little rubbed, together with 6 other similar bound volumes of 18th century plays, including works by Samuel Foote (The Lyar, 1805, The Commissary, 1765, The Mayor of Garratt, 1776), Miles Peter Andrewes (The Mysteries of the Castle), George Colman the younger (The Mountaineers, 1795), Richard Brinsley Sheridan (The Critic, 1791), Arthur Murphy (The Apprentice, n.d.), Richard Cumberland (The Note of Hand; or Trip to Newmarket, 1st edition, 1774), M. G. Lewis (The Minister; A Tragedy, 2nd edition, 1798), Sir Walter Scott (Halidon Hill; A Dramatic Sketch, from Scottish History, 1st edition, Edinburgh, 1822), etc., all bound in contemporary half calf gilt, one volume with backstrip deficient, rubbed and some marks, 8vo (3 volumes small 8vo) (7)
EARLY 19TH CENTURY ETCHING OF THE SHIP 'GREAT HARRY' hand-coloured aquatint etched by Robert Cruikshank and engraved by R. G. Reeve, after drawings by Hans Holbien in the possession of The Princess Victoria, titled 'The Great Harry, the first Ship of War that carried Guns built at HIS MAJESTIES Dock Yard at Woolwich in the reign of King Henry VIII, 1514', framed and under glass, 52cm high, 70 cm long
Ian Strang, San Gil, Burgos, drypoint etching, 1927, signed in pencil lower right, 22 x 27.5 cm (plate); together with Louis Conrad Rosenberg, Temple of Minerva Medica, Rome, etching, 1932, signed in pencil lower right, 22.5 x 33.5 (plate); and another by the same hand, Augsburg, 23 x 13 cm, signed in pencil below (3)
Engraving and Fine Art Printing, various to include WEST (L), Making an Etching, 1932, Gwen Raverat's copy, with her pencil signature to first leaf; HYDE (W), The Poetical Works of John Milton, Astolat Press, 1904; The Woodcut of Today, 1927; also - DODGSON (Charles), Alice's Adventures in Wonderland, 8th thousand, 1867, a little shaken, occasional staining, tears to spine; others
Six coloured satirical cartoons Dumourier dining in State at St James's, on the 15th of May 1793, etching by James Gillray, 32 x 37.5 cm; The Salute, named above in ink, 1797, etching, 30 x 40.5 cm; The Flushing Phantasmagoria, 1809, etching, 29 x 38; Extraordinary News, 1808, 26 x 42 cm; and two others later by Cruikshank
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