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78472 Los(e)/Seite
Nelson interest: Three 19th century reverse glass pictures, `The Ever-to-be Lament`d DEATH of LORD NELSON, Who was Shot by a Mufket Ball in the Brave & GLORIOUS VICTORY over the Combin`e Fleets, of FRANCE & SPAIN, NEAR Cape Trafalgar Oct. 21. 1805`, 8½ x 6½in (21.2 x 16cm), `LORD NELSON`S FUNERAL CAR`, `A Monumental Design to perpetuate the Memory of Lord Nelson who Fell Octr. 21 1805`, `Pub. June 1, 1806 by P. Barnaschina, 43 Leather Lane, Holborn`; `Genealogical Tree of British Naval Victors`, etching and coloured aquatint, designed by H. Innes and engraved by James Egan, `London, 1841, Published by I. W. Laird, 1 Leadenhall Street`, 24¼ x 18in (61.7 x 45.5cm), in a bird`s eye maple frame; a cut-paper picture engraved with a profile bust of Nelson, `TRAFALGAR, COPENHAGEN, THE NILE`, with a mirror back; a collage picture of Nelson, with printed and silkwork elements; a Pears print `SALUTING THE ADMIRAL`, a mirror picture engraved `H.M.S. Victory` and a pencil sketch of Nelson, signed `J. W. Devis`. (9) Provenance: The Property of Dr & Mrs Emanuel.
A.R. PENCK [GERMAN B. 1939], PARTIAL SUITE OF GRAPHICS, 13, H 30" X W 42" SHEET: From "Expedition to the Holyland"; graphics in silkscreen, engraving/etching, aquatint and lithography; 1983; printed at the Burston Graphic Center, Jerusalem on Arches Velin paper; this edition pencil signed and numbered in Hebrew letters [corresponding to I-XIV]; Private edition - Joshua Gessel; includes the contents and justification page and the text page. Two graphics are framed with the rest of the lot being unframed and contained in a non-original large, black cloth covered hard shell portfolio case.
GIOVANNI BATTISTA TIEPOLO [ITALIAN 1696-1770], ETCHING, LATE POSTHUMOUS PRINTING, 8 1/2`` X 7``: Mago seduto, fanciullo e quattro figure [from Scherzi`] or Le magicien assis observant des crânes [seated magician, boy and four figures]; plate signed lower left; framed. 15" x 10 3/4" laid paper size - no watermark found.
David Hockney (b.1937), Figure with still life, from The Blue Guitar (S.A.C. 208) etching and drypoint in colours, 1976-77, on wove paper, signed in pencil, numbered 38/200 (there were also 37 artist`s proofs), published by Petersburg Press, New York and London, plate size 42.5 x 34.5cm.; 16.75 x 13.5in. Artists` Resale Right ("droit de suite") may apply to this lot. Condition report: see terms and conditions.
LOUIS ICART (1888-1950) BLUE SASH 1914 etching with drypoint, printed in colour and finished by hand, with margins, signed by the artist in pencil and numbered 76, published by Jules Hautcoeur & Fils, Paris and blindstamped, oval, 34 x 41cm, s.46.5 x 53cm Some light surface dirt beneath the glass and marginal stain at 4 o`clock. In what is probably the original gilt frame with on the reverse a Belgian framer`s label
Maurice Farman, circa 1913. A sepia print, mounted on card, of the Type Militaire Shorthorn training aircraft, framed and glazed, 32cm x 46cm; a folio of twenty-two original press photographs of Paris Aviation Exhibitions, circa 1930-35; an interesting collection of ex Aeroplani Caproni archive photographs of early type (10); an etching, with embossed company seal, signed by the artist; together with a folio of press cuttingsrelating to the career of Jean Mernioz and Aero Club de France air-race literature. Provenance: The Maxwell-Hunt Collection.
A four divisional wine cooler with shaped outline together with a silver plated tankard, a further pewter tankard together with a cut glass cased decanter with globular stopper and cut decoration, an Italian figure of a boy standing beside a street lamp, a further porcelain figure together with a framed etching "Chapel of the Knights of the Bath, Westminster Abbey", signed in pencil Charles Bird
Joe Tilson (1928-): 'Demeters Ladder', coloured etching artist's proof signed and dated 1977, 92cm x 65cm Provenance: From the collection of the late Robert H Lee (1915-2007) to be sold on instructions from his widow Mrs Thelma Lee. Tilson studied at St Martin's and the Royal College of Art 1949-1955
Ann (Anderson) Seabourne (20th century): 'Textured Gradients - Desert', tinted etching signed and dated 1986 in pencil 15cm x 20cm; 'Timepieces and Harebells', pair pastels unsigned, titled verso 57cm x 39cm (3) Provenance: From the collection of the late Robert H Lee (1915-2007) to be sold on instructions from his widow Mrs Thelma Lee. West Yorkshire artist Seabourne was a student of Robert Lee
Jane Lewis (1953-): 'Angel', artist's proof etching signed titled and dated '93, 30cm x 30cm. Andrew Sanderson (20th century): Woodland Scene, gum print, inscribed and dated 1986 verso 11cm x 14cm (2) Provenance: From the collection of the late Robert H Lee (1915-2007) to be sold on instructions from his widow Mrs Thelma Lee.
E.T. Hurley etching The Playhouse in the Hollow Rare E.T. Hurley etching, "The Playhouse in the Hollow," titled twice in pencil, 1921, in pencil at bottom "not for sale", 12" x 7.5", signed, framed, an unusual scene, in winter, beautifully colored in light green and salmon overall excellent condition
E.T. Hurley etching River View from Dayton, Kentucky E.T. Hurley etching, "River View from Dayton, Kentucky," 1930, in pencil "Times star 1930", 8.5" x 11", signed, framed, likely printed in Times Star, this is a different perspective of Mt. Adams, rare and possibly unique overall excellent condition

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78472 Los(e)/Seite