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Preisdatenbank abonnierenhENRY MOORE (1898-1986) mOTHER AND CHILD XVIII, 1983 signed and numbered in pencil, etching and aquatint and roulette, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 35cm x 27cm (plate size)
hENRY MOORE (1898-1986) mOTHER & CHILD XXIX, 1983 signed and numbered in pencil, etching and aquatint and drypoint, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 21cm X 27cm (plate size)
hENRY MOORE (1898-1986) mOTHER AND CHILD XXII, 1983 signed and numbered in pencil, etching and aquatint and roulette, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 22cm x 17.5cm (plate size)
hENRY MOORE (1898-1986) mOTHER & CHILD XXVI, 1983 signed and numbered in pencil, etching and aquatint and roulette, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 22.5cm x 15.5cm (plate size)
hENRY MOORE (1898-1986) mOTHER & CHILD XXVIII, 1983 signed and numbered in pencil, etching and aquatint and drypoint, from Mother and Child portfolio, edition of 65, with 15 H.C.'s, number 43/65. Printed by James Collyer and John Crossley, London 1983-1986, published by Raymond Spencer Company Ltd for the Henry Moore Foundation. 35cm x 27cm (plate size)
HUBERT HERKOMER, INITIALLED TO THE PLATE, ETCHING AND DRYPOINT, ‘Our Messenger’, 5” x 7”; JANET S C SIMPSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, ‘The road to Bruges’, 7” x 10” and UNSIGNED, (POSSIBLY NORWICH SCHOOL), BLACK AND WHITE ETCHING, cottages in landscape, 6” x 5”, (3)
JAMES MCBEY (1883-1959) BOYS FISHING (MH2 : 1902) Etching signed in ink, trimmed to the platemark, from an edition of 27 16.5cm x 12cm Note: The first 60 etchings of McBey's career are extremely rare. According to a pencil note verso this is not the copy owned by connoisseur and friend of McBey Malcolm Salaman, but Kenneth Guichard's own copy'. (Kenneth Guichard, author of British Etchers: 1850-1940).
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