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Preisdatenbank abonnierenBRÜNING, MAX (1887-1968) "Kabarett mit Affen" Farbradierung, handsigniert unten rechts und bez. "Original Radierung" HxB: 42,5/31,5 cm. Rahmen, HxB: 77/60 cm. | BRÜNING, MAX (1887-1968) ‘Cabaret with monkeys’Colour etching, signed lower right and inscribed ‘Original Radierung’ HxW: 42.5/31.5 cm. Frame, HxW: 77/60 cm.
STUTTGART VON DER ABENDSEITE Wilhelm Nilson, kolorierte Radierung/Aquatinta, Verlag Ebner um 1810, HxB: ca, 56/70 cm. Rahmen, HxB: ca. 62/77 cm. Lit.: Schefold, Max: Alte Ansichten aus Württemberg Stuttgart, Kohlhammer 1957. Dort Verzeichnet unter Nr. 7838 Provinenz: Andreas Henn - Kunsthandel-Galerie.| STUTTGART FROM THE EVENING SIDEWilhelm Nilson, colored etching/aquatint, published by Ebner around 1810, HxW: 62/77 cm. (with frame)Cf.: Schefold, Max: Alte Ansichten aus Württemberg Stuttgart, Kohlhammer 1957, listed there under no. 7838 Provenance: Andreas Henn - Kunsthandel-Galerie.
HELNWEIN, GOTTFRIED (1948), aus der Serie "Edgar Allen Poe", Aquatintaradierung/Papier, unsigniert, HxB: Platte ca. 31x21 cm, Passepartoutausschnitt ca. 33x22,5 cm, Außenmaße Rahmen ca. 59x47 cm. Altersspuren, leicht gewellt. Im Passepartout hinter Glas gerahmt. | HELNWEIN, GOTTFRIED (1948), from the series ‘Edgar Allen Poe’, aquatint etching/paper, unsigned, HxW: plate approx. 31x21 cm, mat cut-out approx. 33x22.5 cm, outer frame dimensions approx. 59x47 cm. Traces of age, slightly wavy. Framed behind glass in passepartout.
VOGELER, HEINRICH (1872-1942), "Liebe", grüntonige Radierung/beigegrünes Papier, in der Platte u.re. monogrammiert, darunter rechts mit Bleistift von Hand signiert, betitelt und gewidmet 'Herrn Alf. Hoennicke zu Eigen', u.li. mit Bleistift bezeichnet 'O. Felsing, Berlin gedr.', HxB: Platte ca. 35x37,5 cm, Passepartoutausschnitt ca. 39x39 cm, Außenmaße Rahmen ca. 53x53 cm. Altersspuren, leicht gebräunt und gewellt. Im Passepartout hinter Glas gerahmt. VERSO Etikett: Galerie BOISSERÉE, Köln. LITERATUR: Heinrich Vogeler, Das graphische Werk, bearb. u. hrsg. von Hans-Hermann Rief, 1974, Nr. 18.| VOGELER, HEINRICH (1872-1942), ‘Liebe’, green-toned etching/beige-green paper, monogrammed in the plate lower right, signed, titled and dedicated ‘Herrn Alf. Hoennicke zu Eigen', inscribed in pencil lower left ’O. Felsing, Berlin gedr.', HxW: plate approx. 35x37,5 cm, mat opening approx. 39x39 cm, outer frame dimensions approx. 53x53 cm. Signs of age, slightly browned and wavy. Framed behind glass in passepartout. VERSO label: Galerie BOISSERÉE, Köln. LITERATURE: Heinrich Vogeler, Das graphische Werk, bearb. u. hrsg. von Hans-Hermann Rief, 1974, Nr. 18.
DALI, SALVADOR (1904-1989), "Urteil des Paris" aus der Folge "Mythologie", 1963-65, Radierung, Heliogravure und Kaltnadel/Papier, u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift num . 61/150, HxB: Platte ca. 50x40 cm, Passepartoutausschnitt ca. 73x53 cm, Außenmaße Rahmen ca. 98x76 cm. Altersspuren, leicht gebräunt. Im Passepartout hinter Glas gerahmt. LITERATUR: Ralf Michler & Lutz W. Löpsinger, Das druckgraphische Werk I, WVZ-Nr. 123 a. ANBEI Zertifikat und Ausstellungskatalog der Galerie de la colombe, Vallauris (Frankreich) von 1984.| DALI, SALVADOR (1904-1989), ‘Urteil des Paris’ from the series ‘Mythologie’, 1963-65, etching, heliogravure and drypoint/paper, signed by hand in pencil lower right, numbered in pencil lower left . 61/150, HxW: plate approx. 50x40 cm, mat cut-out approx. 73x53 cm, outer frame dimensions approx. 98x76 cm. Signs of age, slightly browned. Framed behind glass in passepartout. LITERATURE: Ralf Michler & Lutz W. Löpsinger, Das druckgraphische Werk I, WVZ no. 123 a. INCL. certificate and exhibition catalogue of the Galerie de la colombe, Vallauris (France) from 1984.
This elegant set of clear crystal features an intricate design with clusters of grapes and flowers etching. The lower proportion of the glass presents classic diamond-shaped facets, reflecting the light beautifully. Each measure: 7''H x 2.5''dia. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
British School (20th century)Design for a marquetry panel in a music room, depicting a violin and a harp on a bracketWatercolour, 42.5cm by 28cm; together with a collection of decorative works including: a contemporary unframed abstract oil on canvas by Mark Burton; an etching by R.T.Cowern titled "Brook near Abinger", signed, inscribed and numbered 21/50; a 19th century unframed watercolour of Beaugency sur Loire; another watercolour depicting a Wood Warbler, initialled J.H.H; etc. (Qty)
An original etching on Rives paper by Otto J. Schneider, depicting the portrait of a woman wearing a pearl necklace, long earrings and a hat. Signature in graphite on lower right side. Rives paper blindstamp on lower left. Artist: Otto J. Schneider (American, 1875-1946)Dimensions: 10.75"L x 13.75"HCondition: Age related wear. Sporadic foxing. Some soiling around margin. Two small spots on upper right side.
An original etching on wove paper by Otto J. Schneider, depicting American businessman Jacob M. Loeb looking out a window with a cigarette in hand. Signature in graphite on lower right side. Illegible text in graphite on lower left side. Artist: Otto J. Schneider (American, 1875-1946)Issued: 20th centuryDimensions: 9.75"L x 14.5"HCondition: Age related wear. Some soiling around margin. Two small pieces of tape on upper margin.
This stunning gold and silver colored etching on black paper is after the brass memorial to Sir Hugh Hastings in a church in Elsing, Norfolk, dating back to 1347. Small sheet with text on verso. Housed in a leaf-patterned frame with a white mat. Sight size: 13"L x 13"H. Frame dimensions: 23.75"L x 1"W x 23.75"H. Dimensions: See DescriptionCondition: Age related wear.
Mary Louise Coulouris (American-British, 1939-2011), six prints with Scottish and ecology themes: 1) Picasso Fish (1995), lithograph, signed, titled and numbered 1/1 in pencil to margin, image size 44 x 61cm ; 2) Tulips (1995), lithograph, signed, titled, dated and numbered 1/1 in pencil to margin, image size 49 x 69cm; 3) Fisher Lassie (1994), linocut, signed, titled, dated and numbered 5/75 in pencil to margin, image size 101 x 76.5cm; 4) Ecology Triptych 2 (1997), linocut, signed, titled, dated and numbered 3/6 in pencil to margin, image size 72 x 62cm; 5) Ecology Triptych I (1997), linocut, signed, titled, dated, and numbered 3/7 in pencil to margin, image size 67 x 47cm; 6) 'Charity' (1996), etching and mixed media, signed, titled, dated and numbered 4/7 in pencil to margin, framed, image size 10 x 11cm. (6), Some as found with minor tears and abrasions to the margins, particularly the 'Fisher Lassie'.Provenance: from a relative of the artist. Mary Louise Coulouris worked in a range of media during her prolific career, with studios in London (1962-1976), Scotland (1976-1999) and Hydra, Greece (2000-2011). Of partly Greek heritage, born in New York and growing up in Hampstead, she trained at Chelsea College of Art in the late 1950s and then Slade to 1960, specialising in printmaking under the tutorship of Anthony Gross and William Coldstream. Alongside her work in printmaking sit watercolour still lives and oil and acrylic works on canvas and board showing Scottish landscapes and cityscapes. Coulouris exhibited widely in her lifetime and examples of her work can be found in major public and private collections.
Pogany (Willy).- Rolleston (T. W.) The Tale of Lohengrin, one of 525 copies with additional etching signed by Pogany, 8 tipped-in plates and illustrations (many full-page) by Pogany, light spotting to endpapers, original vellum, light spotting and lightly splayed as usual, housed in modern slipcase, 4to, [1913].
Patrick Cobbing (20th Century), 'Chinese Pots', 1987, mixed media on paper, purchased at 1989 Whitechapel Open, part of East End Open Studios, 75 by 60cm, together with Eleanor Partridge (20th Century), 'In the Springtime of the Year, Friesians in the Barn II', signed l.r., etching print on paper, 53 by 67cm, and an unsigned pastel of a bridge across a river, 24.5 by 24.5cm, all framed (3)
A mid-19th century botanical watercolour study of 'Polygonum aviculare', common knotgrass, watercolour on paper, inscribed l.l., attributed to Anna Ravens (backing label), 19.5 by 15.5cm, Walter Dendy Sadler (British, 1854-1923), 'For Fifty Years', etching of a happily married couple, 41.5 by 57cm, after George Morland (British, 1763-1804) 'Woodcutters', 19th century print, together with another period colour print (4)
BELA SZIKLAY (1878-1949) "Milan Cathedral" coloured etching, 20.5 cm x 28 cm, BELA SZIKLAY (1878-1949) "Domed building with tree in foreground" pen and ink etching, signed lower left, 20.5 cm x 28 cm together with BELA SZIKLAY (1878-1949) "Fortress building with bridge in foreground", black and white etching, signed lower left, 20.5 cm x 28 cm (3)
λ DAVID HOCKNEY (BRITISH B. 1937) FRENCH SHOP (TOKYO 112) Etching with aquatint printed in black and red, 1971, signed and dated in pencil, numbered 343/ 500, printed by Shirley Clement, Print Shop, Amsterdam, published by Observer, London, on BFK Rives wove paper, with full margins Sheet: 81.5 x 61.5cm (32 x 24 in.) Condition Report: The work has been examined out of the glazed frame. The sheet is not stuck down. Slight undulation to the sheet throughout. Staining to the extreme edges of the sheet with some evidence of possible of staining and water damage to the lower edge and lower section of the right edge. Evidence of the staining also visible to the reverse of the sheet. There is one small mark of staining to the centre of the sheet (to the left side of the right hand window). There is a small pin-hole sized mark of staining to the extreme lower left corner within the plate. Condition Report Disclaimer
Robert Walker Macbeth RA (1848-1910) - 1901 Etching. Ferry Crossing/boarding. FARWELL. Gypsies on a cambridgeshire Ferry. Signed in pencil by the artist to the lower left. Framed and Glazed. Etching size; 44cm x 27cm. Printed letterpress [small, lower margin] London August 1st 1901. William R. Howell & Co
Large collection of pictorial cloth, 20 volumes in total. All bound in the original decorative cloth, 8vo, includes “Sunset Heroes by W. M. L Hutchinson. “Stories from Froissart” illustrated by Gordon Browne, 1899. “The Gathering of Brother Hilarious” by Michael Fairless, 1913. The Deserted Village, illustrated by the Etching Club, Oliver Goldsmith. 1855. “The Cardinal’s Snuff-Box by Henry Harland, illustrated by G.C. Wilmshurst. 1903. And others Children’s and Illustrated [20]
A Pair of Maps - Partie Occidentale De La Carte Des Anciennes Monarchies. For M Rollin by Robert De Vaugondy, c.1780. Copperplate engraving and etching on a verge type hand laid paper. 2 Antique Maps, making one large map: 'Partie Occidentale de la Carte des Anciennes Monarchies.' & 'Partie Orientale .' (Western and Eastern part of the map of the ancient western Kingdoms). This map shows the old kingdoms of western Europa and northern Africa,South East Europa and Western Asia. With inset maps of 'La Grece' (Greece) and globe: 'Supplement pour l'Asie et l'Afrique. Each frame size c.33in x 24.5in
HENRY MOORE O.M., C.H. (BRITISH 1898-1986) MOTHER & CHILD IX, FROM THE 'MOTHER & CHILD' ALBUM (CRAMER 679), 1983/1987 Etching, PL IX 32/65, signed in plate, signed and editioned in pencil to margin, printed by James Collyer and John Crossley, published by Raymond Spencer Company Ltd for The Henry Moore Foundation, Much Hadham the plate 21.5cm x 20.5cm (8.5in x 8in)
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![Antique fine line coloured etching titled ''S. S St Rognvald''[50 x70cm]](https://cdn.globalauctionplatform.com/50764956-90e0-41db-ae79-b26801019441/a8a4e438-3c45-45d5-a595-b26a00cee41f/468x382.jpg)
![William Lionel Wyllie (1851-1931)Etching titled '' Battle Cruisers in the Firth of Forth'', pencil signed [1918]](https://cdn.globalauctionplatform.com/50764956-90e0-41db-ae79-b26801019441/b099037d-4e08-4aaa-b396-b26a00cf0fcf/468x382.jpg)
