78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78475 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78475 Los(e)/Seite
Los 701
Salvator Rosa, Italian 1615-1673- Men talking; etching, with artist's monogram within the plate, 14.8 x 19.4 cm.: After Dante Gabriel Rossetti, British 1828-1882- Study of a woman with flowers; lithograph, 33.5 x 24.5 cm.: John Cousen, British 1804-1880- Evening in the meadows, after Thomas Sidney Cooper; engraving, 18.5 x 25.3 cm.: British School, mid/late 19th century- Design for a stained glass window; pen and black ink, watercolour, and bodycolour on paper, inscribed 'Lavers Westlake / London' to the reverse of the card, 25.7 x 15.3 cm.: Italian School, 17th century- Allegorical figure; woodcut, 15.7 x 12.1 cm. (5) (part unframed) Rosa: Framed, mounted, and glazed. Unexamined out of frame. General scuffs and marks to the frame. Marks of surface dirt and possible very light foxing to the sheet. Rossetti: Browning and foxing to the sheet. Evening in the meadows: The print has been cut down and stuck onto card. Spots of foxing throughout the sheet. General dirty marks to the sheet. Stained glass window: The sheet is stuck down on card. Discolouration, foxing, and general dirty marks to the sheet. Allegorical figure: The sheet is stuck onto card at the upper corners. Discolouration to the sheet, alongside spots of foxing and possible light creasing. Otherwise in fair condition overall.
Los 719
Giovanni Battista Piranesi, Italian 1720-1778- Veduta del Ponte Ferrato; etching, 39.5 x 60 cm. Framed and glazed. Unexamined out of frame. General marks and scuffs to the frame. The sheet appears to be cockling slightly within the frame. Evidence of creases and spots of foxing to the sheet in areas. A significant vertical crease in the centre of the sheet. Evidence of a possible tear to the sheet towards the upper edge. Otherwise in fair to poor condition overall.
Los 722
John Sell Cotman, British 1782-1842- Part of East Barsham House; and Thorp Chapel St Michael's Church in Coslany, Norwich; etchings, 30.5 x 22.8 cm. and 30 x 43 cm. respectively: Joseph Constantine Sadler, British 1780-1812- Cambridge from the Ely Road; and Prison and Castle from the Huntingdon Road; etching and aquatints with hand-colouring, each 25 x 30 cm.: Edward Goodall, British 1795-1870- Norwich, from Butter Hills; hand-coloured engraving, 12.6 x 15.2 cm.: George Walter Hagreen, British 1811-1866- King Street Gate, Outside; hand-coloured engraving, 12.8 x 16 cm.: Paul Gauci, British c.1800-c.1855- Norwich Cathedral; hand-coloured lithograph, 31 x 22 cm.: Charles Joseph Hullmandel, British 1789-1850- Cartmel Priory; lithograph, 20 x 30.4 cm. (8) All framed and glazed, all unexamined out of frame. Chips, marks, and scuffs to the frames. East Barsham House: Significant browning to the sheet generally, alongside spots of foxing. Thorp Chapel: Discolouration/damage to the sheet - possible water damage. Evidence of light foxing. Cambridge from the Ely Road: Significant browning/discolouration to the sheet, and spots of foxing. Prison and Castle: Significant browning/discolouration to the sheet, and spots of foxing. Norwich, from Butter Hills: Evidence of discolouration/browning to the sheet, particularly towards the edges. Possible light dirty marks/spots of foxing in areas. King Street Gate: Possible very light spots of foxing in areas. Norwich Cathedral: The sheet appears to be firmly stuck down. Spots of foxing to the sheet generally. Cartmel Priory: Spots of foxing across the sheet. Evidence of water damage to the edges. Otherwise in fair to poor condition overall.
Los 756
Hans am Ende, German 1864-1918- River landscape with trees; etching, signed and indistinctly inscribed in pencil, 40.7 x 57.5 cm. Framed, mounted, and glazed. Unexamined out of frame. General marks and scuffs to the frame. Evidence of water damage to the outer corners of the mount. Signs of browning/discolouration to the sheet. Evidence of foxing in areas across the sheet. Small areas of abrasions and very small losses in places. Marks and surface dirt generally. Otherwise in fair condition overall.
Los 773
Eugene James Tily, British 1870-1937- St James's Park, after Edward King; etching printed in colours, signed by the printmaker and the artist in pencil within the plate, published in 1925 by the Museum Galleries, London, bears publisher's blindstamp, bears inscribed label from the Museum Galleries to the reverse of the frame, 27.5 x 37.5 cm Please refer to department for condition report
Los 140
‡Leonard Squirrell (1893-1979) Carter's Mill, Wrentham; Young boy on a country path; Quiet Noon, Southwold; Children on the beach; Road on the Heath Five, each signed Leonard R Squirrell, two inscribed with title and one numbered 1740 (in pencil to margin) Each etching Largest 20.3 x 31.6cm; Smallest 16.4 x 21.1cm Three unframed (5)
Los 148
Théo van Rysselberghe (Belgian 1862-1926) Flotille de Pêche (The Fishing Fleet) Signed with monogram and inscribed épreuve d'essai - no 1 (in red crayon to margin) Etching and aquatint, c.1984 22.7 x 28.2cm (plate) Provenance: William Weston Gallery, London, where purchased by the present private collector, 1999
Los 228
‡Patrick Procktor RA (1936-2003) And ice, mast-high, came floating by, As green as emerald; The very deep did rot Two, both signed and inscribed Artist's Proof Patrick Procktor (in pencil to margin) The former aquatint, the latter etching and aquatint, 1976, from 'The Rime of the Ancient Mariner' series Each 65.5 x 49.9cm (sheet) Unframed (2)
Los 229
‡Patrick Procktor RA (1936-2003) Samuel Taylor Coleridge; The charmed water burnt alway A still and awful Red; Two of the Polar Spirit's fellow daemons; I pass, like night, from land to land Four, each signed and inscribed APIV Patrick Procktor (in pencil to margin) Two etching and aquatint, two aquatint, 1976, from 'The Rime of the Ancient Mariner' series Three approx 32 x 24cm; one 24.2 x 31.5cm (sheet) Unframed (4)
Los 255
‡Dame Elisabeth Frink CH, DBE, RA (1930-1993) The Nun's Priest's Tale (Wiseman 66) Signed, numbered and inscribed 50/50 The Nun's Priest's Tale Frink (in pencil to margin) Etching and aquatint, from 'The Canterbury Tales II' series, 1972 79.4 x 58.1cm (sheet) Provenance: Possibly Waddington & Tooth Galleries, London (their label as 'The Pardoner's Tale'); Redlynch House, Salisbury, Wiltshire
Los 402
‡Annapia Antonini (Italian b.1942) Nature morte à la table Signed and inscribed E/A I/X Nature morte à la table A. Antonini (in pencil to margin) Etching and aquatint 24.9 x 32.5cm Together with F. M. Garrett Brown; Landscape with a caravan by a farm; Signed F.M. Garrett Brown (in pencil to margin); Etching; 15 x 25.4cm (plate); Unframed; British School Early 20th Century; Windmill; Indistinctly signed (in pencil to margin); Etching; 16.3 x 18.9cm (plate); Unframed; J. Willis; Windmill at Cley; Signed, inscribed and dated Cley JerWillis 34; Etching; 22.9 x 27.9cm (sheet); Unframed; and British School 1925; The Moot Hall Aldeburgh; Indistinctly signed, inscribed and dated The Moot Hall/Aldeburgh 1924/XY (in pencil); Engraving; 23.4 x 20.3cm (plate) (5)
Los 19
δ Victor Pasmore (1908-1988)Blue Ocean (Lynton G.79)Etching and aquatint, 1992, signed with initials and dated in pencil, numbered from the edition of 90, printed by Vigna Antoniniana Stamperia d'arte, Rome, with their blindstamp, co-published by Marlborough Graphics Ltd, London, and 2RC Edizioni d'arte, Rome, with 2RC blindstamp, on Fabriano paper, with full margins, sheet 640 x 880mm (25 1/4 x 34 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 21
δ Bill Jacklin (b. 1953)Bathers IVEtching with aquatint, 1992, signed and dated in pencil, numbered from the edition of 30, with Branstead Studio blindstamp, on wove paper, with full margins, sheet 570 x 660mm (22 1/2 x 26in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 22
δ Bill Jacklin (b. 1953)BathersEtching with aquatint in colours, 1992, signed and dated in pencil, numbered from the edition of 30, with Branstead Studio blindstamp, on wove paper, with full margins, sheet 570 x 660mm (22 1/2 x 26in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 23
δ Alison Watt (b.1965)MedlarEtching and aquatint, 1995, signed, titled and dated in pencil, numbered from the edition of 35, on wove paper, with full margins, sheet 305 x 305mm (12 x 12in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 44
δ Patrick Procktor (1936-2003)Departure from Invitation to a VoyageEtching with aquatint in colours, 1969, signed in pencil, numbered from the edition of 75, printed and published by Editions Alecto, London, on wove paper, with full margins, sheet 680 x 982mm (26 5/8 x 38 5/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 61
δ David Hockney (b.1937)Fires of Furious Desire (Scottish Arts Council 5; MCA Tokyo 5)Etching with aquatint, 1961, signed and dated in pencil, numbered from the edition of 75 in pencil, printed by Maurice Payne, London, published by Petersburg Press, on Crisbrook handmade paper, with full margins, sheet 288 x 400mm (11 1/4 x 15 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 77
δ Leon Kossoff (1926-2019)Christ Church, SpringEtching with aquatint, 1992, signed, dated and inscribed 'A/P' in pencil, artist's proof aside from the edition of 25, published by the artist and distributed by Anthony d'Offay Gallery, London, on TH Saunders wove paper, with full margins, sheet 780 x 590mm (30 3/4 x 23 1/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 4
Rembrandt Harmensz van Rijn (1606-1669)Self-Portrait in a flat Cap and embroidered Dress (Bartsch 26; New Hollstein 210) Etching, circa 1642, on laid paper, a later impression of New Hollstein's third, final state, with narrow marginsPlate 93 x 62mm. (3 5/8 x 2 3/8in.); Sheet 94 x 65mm. (3 3/4 x 2 5/8in.)For further information on this lot please visit Bonhams.com
Los 5
Rembrandt Harmensz van Rijn (1606-1669)Self-Portrait etching at a Window (Bartsch 22; New Hollstein 240) Etching and drypoint, 1648, on laid paper, a good later impression of New Hollstein's fifth state (of nine), the upper left edge made-up with pen & ink additions, with narrow marginsPlate 160 x 130mm. (6 1/4 x 5 1/8in.); Sheet 164 x 133mm. (6 1/2 x 5 1/4in.)For further information on this lot please visit Bonhams.com
Los 51
David Hockney (born 1937)Quartet, from Projects for the Cavafy Suite Etching and aquatint, 1966-67, on handmade wove paper, signed in pencil, one of approximately 5-10 unpublished trial proofs relating to, but not included in the Cavafy Suite, printed by Maurice Payne, London, the full sheet, framedPlate 350 x 230mm. (13 3/4 x 9in.); Sheet 564 x 394mm. (22 1/8 x 15 1/2in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 6
Giovanni Battista Piranesi (1720-1778)Veduta del prospetto principale della Colonna Trajana; Veduta del prospetto principale della Colonna Antonina (Wilton-Ely 687,708; Ficacci 703,724) Two large engravings, 1774-79, each on six joined sheets of laid paper, framedTrajana sheet 2878 x 475mm. (113 3/8 x 18 3/4in.);Antonina sheet 2607 x 470mm. 102 5/8 x 18 1/2in.) (2)Footnotes:Piranesi arrived in Rome in 1740 and after studying etching and engraving with Giuseppe Vasi and Carlo Zucchi, he became one of the most sought-after artists to commission for views of the city. As the son of a stone mason and as a trained architect himself, Piranesi was in an excellent position to appreciate and convey the majesty of these columns.These two imposing plates were produced for the series ​Trofeo o sia Magnifica Colonna Coclide, depicting the colossal relief columns of Rome: the columns of Trajan, Antonine (of Marcus Aurelius) and Antoninus and Faustina.Trajan's Column is the last remaining intact monument in the Trajan Forum in Rome, completed in 113 AD. It is celebrated for its spiral bas-relief sculptures which commemorate the emperor's victory in the Dacian Wars (Romania). After his death, Trajan's ashes were interred in the pedestal. There was originally a statue of Trajan on top but this was replaced by a statue of St Peter.The Antonine Column was commissioned by Marcus Aurelius's son Commodus to commemorate his father's triumph over the Germanic Marcomanni tribe in 176 AD and has a similar bas-relief decoration. It was erected in the Piazza Colonna in 193 AD and was originally topped with a statue of Marcus Aurelius, which was replaced with a statue of St Paul.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 67
Lucian Freud (1922-2011)Four Figures (Hartley 42) Etching, 1991, on wove paper, signed with initials and numbered 1/30 in pencil (there were also ten artist's proofs), printed by Marc Balakjian at Studio Prints, published by James Kirkman, London and Brooke Alexander, New York, the full sheet, framedPlate 590 x 855mm. (23 1/4 x 33 3/8in.); Sheet 676 x 935mm. (26 3/8 x 36 3/4in.)Footnotes:ProvenanceJames Kirkman Ltd, London.Karsten Schubert Private Collection, London.Marlborough Fine Art, London.Acquired from the above by the current owner.ExhibitedRubenspreis der Stadt Siegen 1997: Lucian Freud, Siegerlandmuseum, Siegen, June 28 to August 31, 1997, no 14 (with their label).Lucian Freud: Etchings, Marlborough Gallery, London, May 25 to June 23, 2005.Lucian Freud: Etchings, Northcote House Gallery, University of Exeter, Exeter, April 26 to July 16, 2007 (illustrated in catalogue).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 69
Howard Hodgkin (1932-2017)Flowering Palm Etching with carborundum in colours, 1990-1991, on wove paper, signed with initials, dated and inscribed 'PP 4/4' in pencil, one of four printer's proofs aside from the edition of 50, printed and hand-coloured by Jack Shirreff at the 107 Workshop, published by Waddington Graphics, London, the full sheet, within the frame from 107 WorkshopSheet 1491 x 1210mm. (58 3/4 x 47 1/2in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 79
Grayson Perry (born 1960)The Island of Bad Art Etching, 2013, on wove paper, signed and numbered 68/80 in pencil, printed by the Royal Academy Schools, London, the full sheet, framedPlate 422 x 592mm. (16 3/8 x 23 3/8in.); Sheet 467 x 630mm. (18 3/8 x 24 3/4in.)Footnotes:ProvenanceRoyal Academy of Arts, London (with their labels).Acquired directly from the above by the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 87
Damien Hirst (born 1965)Tetrahydrocannabinol Etching and aquatint in colours, 2004, on wove paper, signed in pencil and unnumbered, possibly a proof aside from the numbered edition of 115, published by The Paragon Press, London, the full sheet, framedPlate 860 x 1773mm. (33 7/8 x 69 3/4in.); Sheet 1117 x 1999mm. (43 1/4 x 78 3/4in.)This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 88
Damien Hirst (born 1965)Xylene Cyanol Dye Solution Etching and aquatint in colours, 2005, on wove paper, signed in pencil, numbered 62/65 on the reverse (there were also 20 artist's proofs), published by The Paragon Press, London, the full sheet, framedPlate 584 x 381 mm. (23 x 15in.); Sheet 970 x 730mm. (38 1/4 x 28 3/4in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 1
Rembrandt Harmensz van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face dark: Bust (Bartsch 17; New Hollstein 120) Etching, 1633, on heavy laid paper, with partial unidentified watermark, a good impression of New Hollstein's third state (of five), with thread marginsPlate 132 x 103mm. (5 1/8 x 4 1/8in.); Sheet 134 x 106mm. (5 1/4 x 4 1/4in.)For further information on this lot please visit Bonhams.com
Los 17
Léonard Tsuguharu Foujita (1886-1968)Chat Allongé, from Les Chats (Buisson 29.200) Etching with aquatint, 1929, chine collé on imperial Japan paper, signed 'Foujita' and signed again in Japanese 'Tsuguharu', inscribed 'E.A.' in pencil, an artist's proof aside from the edition of 100 (there were also ten impressions numbered in Roman numerals), published by Éditions Artistiques Apollo, Paris, with margins, irregularly trimmed at all four sides, framedPlate 315 x 385mm. (12 3/8 x 15 1/8in.); Sheet 382 x 470mm. (15 x 18 1/2in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 18
Pablo Picasso (1881-1973)La femme au balai, from La Maigre (Bloch 704; Baer 881; Cramer Books 63) Etching with drypoint, 1951, on China laid paper, a proof before text, with the central vertical fold (as issued), before the book edition of 52, signed in pencil (Baer records one signed proof on China paper), printed at Lacourière, Paris, with wide margins, framed Plate 257 x 386mm. (10 1/8 x 15 1/8in.); Sheet 340 x 487mm. (13 3/8 x 19 1/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 2
Rembrandt Harmensz van Rijn (1606-1669)Self-Portrait in a velvet Cap with Plume (Bartsch 20; New Hollstein 170) Etching, 1638, on heavy laid paper, New Hollstein's second state (of four), with partial watermark Strasbourg Lily, trimmed by 9mm. at the top and along the lower platemarkSheet 125 x 103mm. (4 7/8 x 4 1/8in.)For further information on this lot please visit Bonhams.com
Los 20
Pablo Picasso (1881-1973)Deux modèles se regardant, from La Suite Vollard (Bloch 209; Baer 407B.d) Etching, 1933, on Montval laid paper with Picasso watermark, signed in pencil, from the edition of 260 (there was also an edition of 50 with wide margins), printed by Lacourière, published by Ambroise Vollard, Paris, 1939, the full sheet with deckle edges above and below, framedPlate 276 x 199mm. (10 7/8 x 7 7/8in.); Sheet 445 x 340mm. (17 1/2 x 13 3/8in.)Footnotes:ProvenanceAdam Gallery, London (with their label).Private Collection, United Kingdom.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Loading...-
78475 Los(e)/Seite