Bookseller's trade card.- Slater (Thomas, active circa 1670-1710) Trompe-l'œil medley print with portraits, letters, landscapes, and cards, large format trade card, etching and engraving on laid paper with large Strasbourg Lily watermark with initials 'LVG' underneath [datable to circa 1770-1790], sheet 412 x 268 mm (16 1/4 x 10 1/2 in), trimmed within the platemark, inset at edges onto paper mount, handling creases and old folds visible, nicks and tears to extremities, some browning and surface dirt, particularly to right edge, unframed, [circa 1707, but a later 18th century impression]⁂ Scarce. A highly decorative oversized trade card. The British Museum hold another impression from this plate with several additions, which in this impression are burnished out; notably two playing cards and a portrait of the Duke of Marlborough with Henry Overton's publication details below, which are here replaced with those of Thomas Slater.
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Game.- Daumont (Jean Francois, publisher) and Jean Baptiste Crepy. Le Nouveau Jeu de la Marine, game board with numbered pictorial compartments from 1 to 63, arranged in a spiral, each bearing a nautical term, arranged around a central panel in which are detailed the rules and a British ship, further maritime vignettes, compass roses and windheads in the corners, etching and engraving with early hand-colouring, sheet 485 x 720 mm (19 x 28 1/4 in), under glass, central and vertical old folds, surface dirt and some browning, handling creases, framed, [late 18th century].
Eldred Lea (British c.1806-?): Male and Female Nude Studies from Life, pencil drawing unsigned 7cm x 9cm, After Charles Hamilton Smith (British 1776-1859): 'Wedgetailed Eagle', hand-coloured engraving pub G.B. Whittaker, London 1827, three further ornithological hand-coloured engravings, and an etching of a townscape unsigned, max 12cm x 17cm (6) - Condition Report
Collection of York interest pictures: two watercolours of the Shambles, pair etchings 'Bootham Bar' and 'Stonegate' signed Richard W Barker, another coloured etching 'The Shambles' signed Donald Gray, 'Micklegate Bar', print after Leonard Russell Squirrell signed in pencil, and two prints after Ernest William Haslehust, max 32cm x 22cm (8) - Condition Report
An English Silver-Mounted Hanger Early 18th Century, Indistinct Britannia Standard Hallmarks And Maker's MarkSimilar to the last, the blade retaining traces of later etching on one side at the forte, hilt comprising lobed rear quillon cast and chased with a helmeted male profile bust on each side against a punched ground, knuckle-guard decorated en suite and with foliate terminal hooked into the pommel, the latter cushion-shaped and embossed and chased with foliate borders, and natural buckhorn grip with embossed basal ferrule, in its black leather scabbard (some loss of surface) with linear engraved locket and chape, the former with frog-button 44.6 cm. bladeFor further information on this lot please visit Bonhams.com
The Battle of Blenheim 1704: an 18th century hand coloured etching, 'The Glory of the Confederate Armes, Illustrated in a Blasonry Description of 128 Ensigns and 35 Standards, taken from the French and Bavarians, in the Famous battle of Blenheim....... ', central text flanked by the coloured depictions of captured enemy colours, a view of the battle with the Duke of Marlborough mounted to the foreground, framed and glazed, 48 x 63 cm; together with three other framed prints, military subjects. [4]
•□ ERICH WOLFSFELD, A.R.E. (1885-1956) A NORTH AFRICAN, POSSIBLY A BASKET WEAVERtitled l.l. numbered u.l. 23 oil on paper 54.0 x 36.0 cm / 21 1/4 x 14 in unframed, glazedWolfsfeld's trips to Turkey and Morocco - made while he was Professor of Painting & Etching at the Berlin Academy - resulted in a number of sketches such as these, where |the figure stands successfully in oil isolated against a blank background| (1). He established a process whereby |he would carry with him rolls of treated paper and painted many such scenes on the spot, as well as using sketches and photographs to work up later in the studio| (2).Bibliography: (1) Erich Wolfsfeld 1885-1956 - Elizabeth Furness - Introduction to exhibition catalogue for the Belgrave Gallery - March 1977 - London (2) Erich Wolfsfeld; Lotte Laserstein; Gottfried Meyer - Introduction to the exhibition catalogue for Agnew~s, in association with Caroline Stroude - December 1990 - London
• JOHN PIPER, C.H. (1903-1992) SUNFLOWERS & HOSTAS, 1986signed and dated l.r.: John Piper/20/21/9/86 Waddington Galleries label on backboard watercolour and gouache with chalk and Indian ink 60.0 x 76.0 cm / 23 1/2 x 30 inProvenance: Waddington Galleries, London Hollywood Fine Art, Sussex Private Collection, U.K. The present work was reproduced in 1989 as an etching with aquatint in an edition of 75, titled Sunflowers, 1989 (Levinson 420).
![AFTER GIOVANNI BATTISTA PIRANESI COLONNA TRAJANA [TRAJAN~S COLUMN]signed in plate l.r. Piranesi fecit etching, state V/VII Pl](https://cdn.globalauctionplatform.com/5d4085e0-58dd-4403-9428-ac2f00fa0dfd/44529e94-7113-4b0c-ac67-ac2f01154d9f/468x382.jpg)
Trevor Barton,'A Portfolio of William Bragge and his Pipes of all Peoples',1991, privately printed for the Members or the International Academy of the Pipe, No.1 from an edition of twenty-five copies, with a green hard cover, and an etching of William Bragge surrounded by pipes, by Tristram Ellis, inscribed in the print 'To Baccologia W Braage FSA',13.5 x 11cm, framedProvenance: The Trevor Barton Collection.Trevor Barton compiled this portfolio from William Bragge's personal illustrated notebooks, which he found through one of William Bragge's descendants.
Salvator Rosa (Italian, 1615-1673)Saint William of Malevaletching, signed 'S Rosa' within the plate, with Fleur-de-Lys and circle watermarks, as does the one in the V&A collection which they date to 1661plate size 35 x 23cm Provenance: Acquired by the vendor at Craddock and Barnard, London, in the 1980sSaint William of Maleval, also known as Saint William the Great, or Saint William the Hermit, founded the Catholic congregation of Williamites, a branch of the Hermits of St. Augustine. From 1153 until his death in 1157 he led the life of a hermit in woods near Pisa. He was beatified in 1202.Condition report: Under glass and not trimmed. Image clear and good.
J... E... after Neefs 'The Wrestlers' taken from a drawing of the Roman marble sculpture in the Uffizi, Florenceetchingplate mark 16 x 21.5cm; with four further etchings of wrestlers by Backer and others;and two studies of male nudes by Vivaris, after Carle van Loo, etchings (7)Condition report: One has what looks to be old Sellotape marks at the top corners. Quite a lot of browning and discolouration to all.
William Lionel Wyllie RA (1851-1931)A tug boat on the Thamesetching, signed 'W L Wyllie' in pencil l.l.13 x 35cmProvenance: The Estate of Robin and Patricia Pickard.Condition report: In a plain black print frame. Image is clear and good. There is a little browning around the edge of the mount.
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