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Los 789

Shogo Okamoto (Japanese, b. 1920) Shogo Okamoto (Japanese, b. 1920), "Shadow", 1972, etching, signed and dated lower right margin, numbered 15/80 lower left margin, sheet 18 in. x 15 in., unframed

Los 830

Morris Henry Hobbs (American/New Orleans, 1892) Morris Henry Hobbs (American/New Orleans, 1892-1967), "Conti Street at Exchange Alley, Old New Orleans (architectural remarque along edges)", etching, pencil signed and titled in lower margin, plate 11 3/4 in. x 8 3/4 in., framed

Los 831

Morris Henry Hobbs (American, 1892-1967) Morris Henry Hobbs (American, 1892-1967), "Old Preval Stables, New Orleans", etching, pencil-signed, titled and inscribed in lower margin, edition of 50, plate 10 in. x 9 3/4 in., framed

Los 834

Morris Henry Hobbs (American/New Orleans, 1892) Morris Henry Hobbs (American/New Orleans, 1892-1967), "The Aquarium", 1944, etching, pencil-signed, titled, dated and inscribed in lower margin, edition of 200, signed letter from the artist en verso, plate 9 1/2 in. x 6 3/4 in., framed Note: Morris Henry Hobbs wrote about his intentions for this print in a March 24, 1944 letter to Ralph Pons that accompanies this lot: "THE AQUARIUM...is the result of a period of experimentation in trying to use aquarium fishes [sic] in a decorative pattern, at the same time making the drawings of the individual fishes accurate enough that they may be identified by any one familiar with the various species. The plate contains drawings of seventeen fishes, of eight species and six varieties of aquarium plants".

Los 836

Eugene E. Loving (American/Louisiana, 1908-1971) Eugene E. Loving (American/Louisiana, 1908-1971), "Emil Peron Courtyard", etching, pencil signed, titled and inscribed in lower margin, edition of 100, sight 8 in. x 11 in., framed; together with Charles Oglesby Longabough (American/Louisiana, 1885-1944), "Fishin` Hole", etching, pencil signed and titled in lower margin, sight 8 1/2 in. x 11 in., framed, (2 pcs.)

Los 1206

W.R. Locke (American, 20th c.) W.R. Locke (American, 20th c.), "On the Banks of the Anclote, Florida", 1936, etching on paper, pencil-signed and dated lower right, titled lower left, image 12 in. x 8 1/4 in., sheet 15 3/4 in. x 12 in., framed

Los 349

Vikki Slowe, British b.1947- "Solar Panel, Variation II"; mixed technique etching and collage, signed and titled in pencil, 31.5x28.5cm: together with two etchings with aquatints entitled "Sunlit Garden" and "Eclipse", (3), (may be subject to Droit de Suite)

Los 389

Brian Perrin FRE, British b.1932- Untitled abstract composition; etching with aquatint printed in colours, signed and inscribed `Artist`s Proof` in pencil, 37x53.5cm: together with another etching with aquatint printed in colours by the same artist titled, "Manod 2", signed, titled and numbered 20/50 in pencil, 48.5x60.5cm, (2)

Los 390

Ronald King, British 1932- "Moonstuck"; screenprint in colours, signed, titled and numbered 13/20 in pencil, 50x64cm: Peter Warner, British late 20th century- "Hillside"; etching and aquatint printed in colours, signed, titled, dated 72 and inscribed `A/P`, 42.5x49.5cm, (2), (may be subject to Droit de Suite)

Los 407

Alfred Louis Brunet-Debaines, French 1845-1939- View of a chapel; etching with drypoint, signed within the plate, 19x14.5cm: Samuel Arlent Edwards, American 1862-1935- Williamsburg NY, Pub 1900- "Mrs Robinson(Perdita)" and "Lady Sheffield", after Thomas Gainsborough FRSA; mezzotints printed in colours, both signed in pencil, 34x15cm., ea: together with one other mezzotint printed in colours by a different hand, three tondo in shared frame, 5.5cm., dia., (4)

Los 422

Francesco Bartolozzi RA, Italian 1727-1815- The Madonna and Child, after Guercino; etching in sepia, in a glazed 19th century gilt composition frame, 23x17.3cm: Georg Peter Nusbiegel, German 1713-1776- "Christianvs Gottlib Schwarzivs", after Johan Justin Preissler; mezzotint, 32x21cm: Jacobus Houbraken, Dutch 1698-1780- "George Hamilton Earl of Orkney", "John Lord Somers" and "Thomas Marquis of Wharton"; engravings, 36.5x23cm., ea: together with a small further quantity of mixed prints and engravings by and after different hands, (a lot) (part unframed)

Los 445

Late 20th/Early 21st Century- Portrait of a lady, head and shoulders; charcoal, signed, dedicated and dated 94, in a glazed gilt composition frame, 71x46cm: After Edward Tennyson Reed, British 1867-1933- Maxims for the Bar No I, II, III and IV; hand-coloured reproduction prints, mounted in matching glazed reverse profile moulding frames, 17.5x14, 16x20, 16.5x21.5 and 17x19cm: Edward W Sharland, British, late 19th/early 21st century- "Rheims"; etching printed in colours, signed and inscribed in pencil, 39.5x27cm: Braun, late 20th/early 21st century- Flowers in a vase; oils on panel, a pair, both signed, in matching gilt composition swept frames, 39x29cm., ea., (8) (may be subject to Droit de Suite)

Los 479

After Adolphe Lalauze, French 1838-1905- "The Beguilinng of Merlin", after Edward Burne-Jones; etching, 28.5x16.5cm: After Maxine Lalanne, French 1827-1886- Bordeaux, a view of the port; etching, signed, titled and dated 1873 in the plate, Provenance: with the William Weston Gallery according to the label attached to the reverse, Note: originally from the series of small compositions Divertissements sur Cuivre ref Beraldi 62: Felix Augustin Milius, French 1843-1894- "Fin D`Octobre", after E Duez; etching, 18.3x27.5cm: After Robert Walker Macbeth RA RI RPE RWS, Scottish 1848-1910- "Potato Harvest In The Fens"; etching, 13.2x31.2cm: After John Ruskin HRWS, British 1819-1900- "Lake of Zug"; etching printed in sepia, 17.5x24.5cm: Provenance: with the Maas Gallery according to the label attached to the reverse: After Frederick Morgan ROI, British 1847-1927- "Sir Roger de Coverley", publ Queens Newspaper Xmas 1907; photogravure, 55x67cm, (6) (part unframed)

Los 522

George Hunt, British fl. early-mid 19th century- `Trolling for Pike` after James Pollard; hand-coloured aquatint, publ by John Moore, 1 West St., St Martin`s Lane, 34.5x44cm: Edward Joseph Cherry FRSA, British 1886-1960- Doorways in a courtyard; etching, signed in pencil, 12.2x17cm: together with three chromolithographs after George Morland entitled `The Dairy Farm`, `Children Bird Nesting` and `The Thatcher`, various sizes, two reproduction prints after Richard Park Bonington entitled `Coast of Picardy` and after Canaletto entitled `City of London From the Terrace of Richmond House`, ea. publ The Medici Society Ltd, London, various sizes and one ink drawing after John Scott entitled `Cowes Castle, Isle of Wight` after Paul Sandby RA, 5.5x8.5cm, (8), (may be subject to Droit de Suite)

Los 527

Michael Sandle, British b.1936- "Germany Calling"; etching with aquatint, signed, titled, numbered 7/55 and dated 1976 in pencil, 45x60cm: Graeme Peebles, Australian b.1955- "Marat We`re Marching On"; mezzotint, signed, titled, numbered 22/40 and dated `83 in pencil, 48x88cm, (2), (unframed), (may be subject to Droit de Suite)

Los 533

Yuji Oki, Japanese b.1949- "Icarus"; drypoint etching, signed, titled, numbered A/P II and dated `92 in pencil, 51x46cm Note: a copy of a Yuki Oki, Flower of Prehistory, Paintings 1996-1998, Curwen Gallery exhibition catalogue accompanies this lot and a inscribed and signed postcard from the artist Provenance: from the Estate of Ronald Dennis Parkinson 1945-2012, he was a prominent art historian, the former head of education and lecturer at the V&A Museum and author of important books on British painting. He compiled the `V&A`s Catalogue of British Oil Paintings 1820-1860` and `John Constable, The Man and his Art`.

Los 543

John Hoar, British b.1947- "Middle Temple" and "Master`s House Inner Temple"; two, watercolours, ea. signed, 32.2x48cm and 32.5x49cm respectively: Andrew Ingamells, British b.1956- "St George in the East"; etching with aquatint with handcolouring, signed, titled and numbered 37/75 in pencil, embossed with blind stamp, 47.5x29.2cm:Adam B Marshall, British, late 20th/early 21st century- "The Barbican"; etching with aquatint printed in colours, signed, titled and numbered 18/150 in pencil, embossed with blind stamp, 54x43cm, (unframed), (4), (may be subject to Droit de Suite)

Los 547

Caroline Isgar, British, late 20th century- "By the Pool"; etching printed in colours, signed, titled, dated `89 and numbered 3/75 in pencil, 41.5x29.5cm:Anna Pugh, British b.1938- Riverbank with ducks and trout- gouache, signed in pencil, 17x15cm: together with two watercolours depicting cats and one etching printed in colours entitled "Palm House Kew" by the same hand, ea. signed, some dated, and one numbered in pencil: Isabelle Brent, British, late 20th century- "Mother and Kitten" and "Pussy Cat and Party Bow"; two, etchings with aquatints printed in colours, both signed titled , dated `84 and numbered 27/200 and 42/200 in pencil respectively, ea. embossed with blind stamp, ea. 10.7x13.5cm: together with five other contemporary prints by different hands including examples by C Rees, Louise Bawden and Rose Florence, various sizes, (unframed), (14), (may be subject to Droit de Suite)

Los 563

Robin Brown, British b.1950- Standing female nude; charcoal on grey coloured paper, signed, 63x44cm: Early-Mid 20th Century- Reclining female nude; charcoal, signed, 34.5x59.5cm: Athene Andrade, British 1908-1973- Conductor and an orchestra; pencil and watercolour, 37x52cm: Michael Barratt, British, late 20th century- "A Day at the Races"; hand-coloured etching with aquatint, signed, titled and inscribed `A/P` in pencil, 13.5x25cm: Style of Clifford Hall- Two figures in an interior; black, white and coloured chalk/pastel, bears signature, 20x21cm: British School, late 20th/early 21st century- Three figures dragging a log; pen and black ink and wash, 21x30cm: Late 19th/Early 20th Century- The chess players; watercolour, 10.5x15cm: Late 20th/early 21st Century- Sleeping dog; pencil and watercolour, signed, titled and dated 92, 16x18cm., (8) (may be subject to Droit de Suite)

Los 304

Frederick H Halpern, Austrian/Australian b.1909- Two musicians; etching, signed and numbered 23/25 in pencil, bears stamp on the reverse of the frame A Abdul Ghany, 189/191 Orchard Rd Singapore, 25x19.5cm: Mabel Catherine Robinson ARE, British 1875 exh 1901-1928- Alpine village by a lake; etching with aquatint printed in colours, signed in pencil, bears label for W R Deighton & Sons, The Abbey Gallery, 2 Victoria Street, Westminster SW1 attached to the reverse of the frame, 18.7x25cm: Morton Mathews, British 1866-1953- "The Three-Decker, Kedington Church, Suffolk"; etching, signed and inscribed in pencil, 37.5x22cm: R J King, British, early 20th century- "Kyles of Bute"; etching, signed in pencil, bears label for Morton & Banks 33 & 35 West Graham Street Glasgow C4 attached to the reverse of the frame, 19.8x27cm., (4) (may be subject to Droit de Suite)

Los 2026

PABLO PABLO PICASSO [SPANISH 1881-1973], ETCHING, 8 1/2" X 11 7/8", "LE VIOL": Pencil signed lower right. Reference: Bloch 142, Geiser 209; Suite Vollard 9.

Los 2027

JOAN MIRO [SPANISH 1893-1983], ETCHING & AQUATINT, 22 3/4" X 36 1/4", PARTIE DE CAMPAGNE, no. 11: Signed lower right and numbered 45 of 75. 1967 Catalogue Source: no. 95, "Musee d` Art Moderne de la Vie", Paris book. Martin & MacArthur, Honolulu [frames] label on back.

Los 2083

LOUIS ICART [FRENCH 1888-1950], DRYPOINT & ETCHING, 1926, 23" X 13", "VENETIAN NIGHTS": Copyright information and date on top border 1926. Matted and framed under glass; pencil signed lower right.

Los 2084

LOUIS ICART, DRYPOINT AND ETCHING, 17" X 25": Windmill chop; pencil signed; framed. Bear and female looking over a hedge.

Los 38

Herbert Herkomer etching of the artist and his children, monogrammed bottom left - 34.5 x 20 cm

Los 604

Salvador Dali (1904-1989), Toulouse-Lautrec, signed and dated to plate 1968, etching, plate size 17 x 12cm.; 6.75 x 4.75in. Artists` Resale Right ("droit de suite") may apply to this lot.

Los 606

Fritz Aigner (Austrian, 1930-2005), Reclining lady, signed and dated `70 in the margin, numbered 9/30, etching, plate size 50 x 57.5cm.; 19.75 x 22.5in. Artists` Resale Right ("droit de suite") may apply to this lot.

Los 607

Fritz Aigner (Austrian, 1930-2005), Standing female nude, signed and dated `70 in pencil in the margin, numbered 9/30, etching, plate size 59.5 x 50cm.; 23.5 x 19.75in. Artists` Resale Right ("droit de suite") may apply to this lot.

Los 493

Irwin D. Hoffman (American) - dry point etching The Budapest String Quartet, signed in pencil 11 x 15in. (28 x 38cm)

Los 30

H. Harvey - `Nomad` (Old Gypsy Woman with a Cat), monochrome etching, signed and editioned 4/100 in pencil recto, titled label verso, approx 18.5cm x 15cm.

Los 45

Jan Sirks - Study of a Ship`s Bow, early 20th Century monochrome etching, signed in pencil, approx 47cm x 31cm.

Los 99

An early 20th Century sepia etching, Study of Two Dachshunds on a Blanket, indistinctly signed in pencil, approx 30cm x 34cm.

Los 144

Arvid Aae - The Artist`s Wife, monochrome etching, signed and dated 1912 in pencil, approx 14cm x 17.5cm, together with three further prints.

Los 145

After Rembrandt van Rijn - `Adorations of the Shepherds (with the Lamp)`, monochrome etching, approx 11cm x 13cm.

Los 146

William Walcot - Study of a Warship before a Bridge, monochrome etching, signed in pencil, approx 11.5cm x 14cm, together with another etching.

Los 162

Graham Clarke - `Milkmaid`, monochrome etching, signed, titled and editioned 6/100 in pencil, approx 8.5cm x 9.5cm, within a gilt frame, together with another monochrome etching by Clarke, `Fiddler`.

Los 170

After Robert Seymour - `The Political Bellman`, early 19th Century hand-coloured etching published by E. King, approx 24cm x 34cm.

Los 180

An early 19th Century monochrome etching, probably after John Crome, View of a Woodland, sheet size approx 26cm x 19cm, together with two etchings after David Charles Read.

Los 187

Fred A. Farrell - View of the Port of Gdynïa, Poland, monochrome etching, circa 1925, signed and inscribed in pencil, sheet size approx 26.5cm x 43.5cm, together with a collection of etchings by D.Y. Cameron, W. Holmes May and others, and four photographs by J. Harold Leighton.

Los 194

Martin Pradier - View of a Venetian Backwater, colour etching, signed in pencil, approx 32cm x 23cm, together with a collection of etchings by Pradier.

Los 201

Marius Bauer - Jerusalem, sepia etching, signed in pencil, approx 40cm x 79cm, within an ebonized frame.

Los 214

Fitzgerald Moore - Sailing Vessel in Choppy Waters, oil on canvas, signed, approx 29cm x 49cm, within a gilt frame, together with an oil on board and a colour etching.

Los 314

Pair of 18thC glasses with folded foot and later etching, together with three others and two firing glasses.

Los 451

Framed etching 'At Trowse' by John Crome & framed etching 'Duncome Park Yorkshire' by John Sell Cotman

Los 494

Sel. original sketches/etchings mostly depicting views of Bruges by Stanley Charles Rowles also self portrait etching & watercolour of his inlaws

Los 615

Joseph Gray `The Ocean` Etching, signed in pencil XXI, label verso `Aitken Dott & Sons, 26 Castle St, Edinburgh`, 22 x 30cm

Los 639

Cecil Aldin (1870-1935) `Ploughing the Fields` Artist proof etching, unsigned, hand written verso `bought from Mrs Aldin at his house in Majorca after his death 1936`, 27 x 36cm

Los 642

L Fraser `Setter` Etching, signed in pencil, 10 x 15cm

Los 654

Cecil Aldin (1870-1935) `Waiting Patiently` Etching artists proof, signed in pencil bottom left, 15.2 x 21.4cm

Los 676

Sir DY Cameron RA RSA RSW (1865-1945) `Arran` Etching, signed, 13 x 25cm

Los 677

Sir DY Cameron RA RSW RSA (1865-1945) `Dunlop Manison, Argyll Street, Glasgow` Etching, monogram, 15 x 20cm

Los 678

Sir DY Cameron RA RSW RSA (1865-1945) `Etching` Monogram, 26-32 Buchanan Street, Glasgow, 14 x 18cm

Los 222

Norman Webster (20th Century) 'Gathering Storm Clouds over Ennerdale Water, Cumbria' Signed, inscribed and dated 1984, Ltd. Ed. 4/73, Etching, 27 x 37 cm to mount CONDITION REPORT: good

Los 564

Bryan's Dictionary of Painters and Engravers 1886, Vols. 1 & 2.; Macfall H. : Renaissance in the North and the Flemish Genius, 1911; Konody P. : The Uffizi Gallery 1912; Salaman M. : Anders Zorn, ( Modern Masters of Etching ) 1926. Together with other reference works. CONDITION REPORT: Generally vg.

Los 1006

William Greaves (1846-1930) British. A London Park, Etching, 7.5” x 11.5” and three others, A Venetian Water Gate, signed in Pencil ‘Pennell’, another of St Paul’s Wharf, and an Etching by Lalanne of Richmond, (4).

Los 539

Serge Lurie, Snow in New York, sepia photograph, signed and inscribed on the mount, together with Art Werger, `Deluge` limited edition etching and a coloured photograph of trees (3)

Los 558

A.M. Robertson, The Last Supper, coloured etching, limited edition 2/7, signed and titled on the mount, framed and glazed, together with an artist`s proof by Xernet Potter The Fisherman`s Tale, together with a collection of other contemporary prints, etchings and watercolours by various hands (5)

Los 585

Jason Bratby, (Contemporary) Study of a sculpture by an open window, limited edition lithographic print, 10/30 signed on the mount, together with Andy Heubert `Sandwich Bar` limited edition etching,signed 4/25, Caroline Astrop `Enclave` 2/25 limited edition etching, a signed artist`s proof of cherub with a gun, all framed. (5)

Los 77

A French framed and glazed etching of a classical maiden in profile and a framed oval polychromatic lithograph of a maiden with her dog.

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  • 78475 Los(e)
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