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Preisdatenbank abonnierenAlfred Cohen, American/British 1920-2001 - Flowers; ink and watercolour on paper, signed lower right 'Alfred Cohen', 25 x 20 cm: together with another etching on paper by the same artist 'Jack', 10 x 7.5 cm (2) (ARR) Provenance: the Collection of Bernard Sheridan (1927-2007) and thence by descent
David Oxtoby, British b.1938 - Ziggy, 1974; etching in colours on paper, signed, titled, dated and numbered along lower edge 'David J G Oxtoby Ziggy 74 24/50', image: 21.7 x 13.9 cm: together with 2 etchings by the same artist of Elvis 60/100 and Jagger 17/50 (3) (ARR) Provenance: the Collection of Paul Clarke and thence by descent
Attributed to Valentin Lefèvre (Flemish 1637-1677) after Jacopo Robusti called Tintoretto (Italian, 1518-1594) Piscina Probatica (or The Probatic Pool)oil on canvasthe original painted for the Church of San Rocco, Venice, 1559,32 x 43cm, sold with a copy of the engraving by Lefevre A copy of the etching is in the library of the Museo Correr, Venice, and is inscribed: ‘Iacobus Robusti. Dictus Tintorettus In Et Pinx. / V. lefebre del. Et sculp. / J. Van Campen F. Venetijs’ (see U. Ruggeri, Valentin Lefèvre 1637-1677, Reggio Emilia 2001, pp. 137-226). The ionic capitals and the projecting brackets appear in the engraving as do the dangling legs of the ailing man at lower left.Lefèvre made study-copies after the works of sixteenth-century Venetian painters, and especially those of Paulo Veronese and Tintoretto. Lefèvre also executed another version of the Piscina probatica by Tintoretto, although this reveals numerous variant details (Musée des Beaux-Arts, Poitiers, inv. no. 948.52.1).***CONDITION REPORT***Oil on canvas relined many years ago, canvas a little saggy with signs of a U shaped tear showing just to the right and through the central figures, otherwise a fine but stable craquelure throughout, housed in probably the original 18th century gilt frame which is now rather dull and dusty, no labels verso, comes with the engraving Iacabus Robusti Dictus Tintorettus in & Pinx, V Lefevre Del et Sculp, J Van Campin F Venetys, 29.5 x 48cm - ground paper discoloured and ink inscriptions to the lower corners along with some rubbing and creasing, under glass in an old gilt frame.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Pablo Picasso (Spanish, 1881-1973) Minotaure caressant une femme, from: La Suite Vollardetching1933, on Montval laid paper, watermark Picasso, signed in pencil, from the edition of 260 (there was also an edition of fifty with wider margins), published by A. Vollard, Paris, 1939,29 x 36cm***CONDITION REPORT***Some slight discolouration of the paper, particularly down the left and right side, along with some slight undulation of the paper, otherwise good order, sheet overall 34.5 x 44.5cm, not framed or mounted.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
James Jacques Tissot (French, 1836-1902) 'A la fenêtre [At the Window]', [Wentworth 9]drypoint etching on laid paper, 1877signed in the plate with artist's stamp, label verso for the Arthur Jeffress Gallery of Davies Street, London, catalogue number 2719 x 10.75cm***CONDITION REPORT***Honest slightly neglected condition, paper looks flat and undamaged albeit evenly discoloured with scattered small fox marks and acid staining around the mount, a fair strength of impression, old card mount and slim glazed gilt frame which is a little rubbed, Gallery label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Norman Ackroyd (English, b.1938) ‘Dock’ (East India Dock) 1962etching and aquatint printed in colours, on wovesigned in pencil, titled and numbered 19/7545 x 59.5cm***CONDITION REPORT***In good untouched condition, even colour to the outer margin, colours to the image strong, no faults noted, overall visible sheet 48 x 62cm, plain card mount and under cellophane but not framed, looks like full sheet is present.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
CLASSIC ROCK - LP PACK. A broad genre-spanning selection of 16 'rock' LPs. Artists/ titles include Joni Mitchell - Blue (K44128, UK original pressing without the WB logo on the label rim text. Blue inner. Record VG+/ textured sleeve VG+), Kathe Green - Run The Length Of Your Wildness (DML 1039, VG+/ VG+), Elton John - Goodbye Yellow Brick Road (DJE 29001, yellow vinyl), De La Soul - 3 Feet High And Rising (DLSLP 1, UK original press with Adrenalin matrix etching and printed inner. Ex/ VG+), The Damned - Damned Damned Damned (SEEZ1), King Crimson - The Young Guide To. Hunter Muskett, The Beatles inc Sgt Peppers, Magical Mystery Tour. Kenny G, Queen, Dire Straits, Supertramp, Nanci Griffith & Richard & Linda Thompson. Condition is generally VG to Ex+.
Henry Rushbury signed etching, a Venetian bridge, 23 x 27.5cm, framedHas been somewhat recently framed and does not appear to be stuck down. Has no foxing damage or staining and it retains a good quarter of an inch margin around the plate mark. There is one small stain to bottom of picture outside the plate mark (see photo). Is signed in pencil by the artist.
Etching of the Cathedral of Antwerp, indistinctly signed, 46x30cm; and other watercolours, prints, including a study of two Pheasants by E J Hoy, 1938, 44x38cm; Fishing boats on a stormy sea by A Flowers, 19x32cm; a small early 19th century cross-stich panel depicting a castle turret and oak trees with sea in the distance, 23x24cm, etc.Qty: 10
Venetian wall mirror, scrolled pediment, rectangular glass, engraved side panels, 190x99cm.Condition report:Yes it certainly has age - late 19th/ very early 20th century. Good quality cutting and etching throughout. The pediment is presently detached and the lower right hand scroll is loose from the main pediment. On the main mirror, one75cm length of border is loose and broken in two main parts but each of those lengths are further fracture. Other leaf-shaped mounts are loose from the corners, with subsequent damages to the loose aspects. The ebonised frame could be improved aesethically. Some speckling and blistering to the mirrored plates. The measurements are accurate - it is a large mirror. 190cm high includes the pediment if attached, the main rectangular aspect measures 154xm x 99cm.
▲ Joe Tilson RA (1928-2023) 'Liknon'etching and lithograph in colours, signed and dated 'Tilson 1987' in pencil l.r, numbered '35/48', from 'The Artist’s Choice Portfolio' published by the Royal College of Art, Londonsheet 30 x 30cmCondition ReportFramed: 54.5 x 54.5cmThe sheet appears to have been stuck down in the corners. There are some light brown spots and speckles behind the edition number in the lower left corner. Overall, presents well. Not examined out of glazed frame.
â–² Anthony Gross RA (1905-1984) 'Goat Herds', etching and aquatint, signed in pencil l.r., inscribed with title and numbered '21/70' l.l.23.5 x 32cm visible sheetCondition ReportFramed: 43.5 x 50.5 cm Not viewed out of glazed frame. An abrasian to the surface to the central left sheet, on the nose of the goat, see condition image. Otherwise presents well.
A British Infantry 1796 pattern Spadroon sword, with etched foliate blade, in a metal scabbard, blade 80.5cmtotal 97cmShipping Disclaimer:Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country.Condition ReportThe scabbard does not appear to be original to the sword. The sword somewhat loose in the scabbard. Tarnished scabbard. Worn and rubbed. The blade with no visible signs of repair - the acid etching appears crisp. Some pitting to the blade, more notably towards the hilt. The hilt tight against the blade. The hilt with tarnish and verdigris to the recesses. The gilding rubbed, most notably under the cross guard. The handle with some damages. Additional images uploaded.
A Naval Officer's sword c.1830, with pipe back blade, the gilt with a folding side guard and a shagreen grip, complete with a leather scabbard,blade 77cmtotal 91.5cmShipping Disclaimer:Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country.Condition ReportBlade rusted and with wear to the etching. Wear, rubbing and losses to the gilded finish. Split down the seem of the scabbard. Losses to the bullion knot.The width at the hilt: 2.8cm The rust appears predominantly surface based, with some possible pitting or deeper rust to the edge and back of the blade. Please see additional images.
Jean Thomas (20th Century, British), etching, 'Buzzard' , signed to the margin, limited edition 7/70, framed, mounted, and under glass, measuring 15cm x 22cm, & 28cm x 35cm overall, together with six further etchings of wildlife by the same artist, to comprise 'Roebuck', 'Red throated Diver', 'Shags', 'Puffin', 'Pied Wagtail', & 'Stonechat' (7)
Original black and white etching on cream paper by master printer Mildred Bryant Brooks. She has represented a view of barks moored on Lancaster lake that are nestled between gnarled trees. Signature in pencil on lower right side: Mildred Bryant Brooks. Title and edition number on lower left: Lancaster Lake, 18 of 75. Housed in a hunter green frame with an off-white mat. Sight size: 8.25"L x 8.25"H. Frame size: 12.50"L x 12.50"H x 0.75"D. Artist: Mildred Bryant Brooks (American, 1901-1995)Issued: c. 1930Edition Number: 18 of 75 Country of Origin: United StatesCondition: Age related wear.
Original black and white etching on cream paper entitled In Chapman Woods by master printer Mildred Bryant Brooks who created America's best etchings of trees. A splendid group of trees made with minute details drew her inspiration by her surroundings at Chapman Woods, Pasadena, California. Signature in pencil on lower right side: Mildred Bryant Brooks. Written in pencil under plate: In Chapman Woods, II. 12. 55. Housed in walnut brown wood frame with a burgundy mat. Sight size: 10"L x 8.50"H. Frame size: 15.40"L x 13.70"H x 0.75"D. Artist: Mildred Bryant Brooks (American, 1901-1995)Issued: 1932Edition Number: 12 of 55 Country of Origin: United StatesCondition: Age related wear.
This original black and white etching on cream paper depicts an outstanding close-up of pine tree trunks and branches that Morton etched with velvety lines that delineate the bark and the snow covered pines. Signature in pencil on lower right: J. Morton? Title and edition on lower left: The Amazing Forest, 12 of 55. Housed in a hunter green frame with an ecru mat. Sight size: 6"L x 8"H. Frame size: 10.25"L x 12.75"H x 0.75"D. Artist: J. Morton (American 20th century)Issued: c. 1932Edition Number: 12 of 55 Country of Origin: United StatesCondition: Age related wear.
Original black and white etching by master printer Mildred Bryant Brooks who depicted the last berth of a wooden boat partially submerged that is encircled by seagulls flying in the wind. Signature in pencil on lower right side: Mildred Bryant Brooks. Written in pencil under plate: The Last Berth, edition 80. First print issue by the Six Print Club, Nov. 1, 1933. Housed in a rust brown marbleized frame with a black mat. Sight size: 8"L x 8"H. Frame size: 13"L x 13"H x 1"D. Artist: Mildred Bryant Brooks (American, 1901-1995)Issued: 1933Edition Number: Edition of 80 Country of Origin: United StatesCondition: Age related wear.
Two 20th century signed limited edition prints. Comprising Romain Malfliet (Belgian 1910-2006) etching, 'Rede van Antwerpen', no.37/100, signed and titled in pencil, 28cm x 70cm and Thomas Gower (British 1938-) print, 'Remember The Spitfire', no.25/1500, signed in pencil, 42cm x 60.5cm, both framed and glazed
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