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Los 595

Lee Bontecou, American b.1931- Untitled Etching from National Collection of Fine Arts Portfolio, 1967; etching with aquatint printed in black and brown, signed and dated 1967, inscribed 61-144 in pencil, 66.5x43.5cm, (unframed)

Los 621

George Townley Stubbs, British 1756-1812- "Volunteer", (L./B. 116), 1794, after George Stubbs ARA, published Dec 1794, by Messrs Stubbs Turf Gallery London; stipple engraving and etching printed on wove paper, second state of 3, with margins, 40x50.2cm CONDITION REPORT: mounted in a glazed wooden moulding frame, early 21st century may or may not be stuck down as unexamined out of the frame visible margins are 0.25cm left 0.5cm top 0.25cm right 1.25cm bottom light spotting throughout may have been cleaned otherwise good condition

Los 669

Heidi König, German b.1964- "Aqua Pool"; etching with aquatint printed in colours, signed, titled and numbered AP VIII/XV in pencil, 49x49cm: Heidi König, German b.1964- "Night Lifting"; etching with aquatint printed in colours, signed, titled and numbered AP I/IXV in pencil, 34x40cm, (2), (may be subject to Droit de Suite)

Los 679

Fernand Khnopff, Belgian 1858-1921- "Des Grelots", 1905; etching with drypoint with hand-colouring, signed in pencil, 18.5x14cm

Los 975

An 18th century carved ivory and painted paper fan, the sticks finely carved, the guard sticks with mother of pearl backing and carved with a Chinese figure beneath a pagoda above carved floral decoration, the paper fan with three hand painted cartouches and decorated with gold foil and sequins, together with card fan case labelled 'Clark Fan maker, No. 45 Ludgate Hill', approx 29.5cm. Note Mrs Clark of Ludgate Hill was a prominent fan maker and is immortalised in an etching by John Nixon 'Mrs Clark, Fan Maker, Ludgate Hill' CONDITION REPORT: Good overall condition, no breaks or repairs noted. Paper in good condition.

Los 301

John Wright, "The Amateur", signed and titled, etching, 18 x 14cms and a collection of etchings and dry points by the same hand, mounted, unframed.

Los 427

Locomotion print, seascape, two Durham prints, highland etching and pair coloured farmhouse prints (7)

Los 35

SALVADOR DALÍ (Spanish, 1904-1989), 'Jugaye', 1975, original drypoint etching with stencil, in colours, on Richard de Bas paper, 60cm x 49.5cm, signed in pencil, framed. (Please Note Clause 6 of Buyer's Conditions)

Los 36

SALVADOR DALÍ (Spanish, 1904-1989), 'Dieu, Le Temps, L'Espace et le Pape', original drypoint etching in colour on Rives paper, 65cm x 50cm, signed in pencil lower right with blindstamp by Transworld Art lower left, framed. (Please Note Clause 6 of Buyer's Conditions)

Los 37

SALVADOR DALÍ (Spanish, 1904-1989), 'Le Cavalier et le Cerf', 1974, original drypoint etching with odour added by pochoir, in colours, on Arches paper, 47cm x 63cm, signed and numbered in pencil, framed. (Please Note Clause 6 of Buyer's Conditions)

Los 38

SALVADOR DALÍ (Spanish, 1904-1989), 'Le Musee de Genie et du Capzico', 1974, original drypoint etching in colours on Rives paper, 65.5cm x 50cm, signed in pencil lower right with blindstamp of Transworld Art below left, framed. (Please Note Clause 6 of Buyer's Conditions)

Los 42

SALVADOR DALI (Spanish, 1904-1989), 'Combat Des Cavaliers', original colour etching and aquatint on Japan paper, published by Carlos Galofre, Michler-Lopsinger-Dali etchings no. 516, printed by Ateliers Rigal, Paris, 28.5cm x 38cm, framed. (Please Note Clause 6 of Buyer's Conditions)

Los 201

SALVADOR DALÍ (Spanish, 1904-1989), 'Rembrandt', 1968, original drypoint etching on rives paper, 17.5cm x 12.5cm, signed and dated in the plate, framed. (Please Note Clause 6 of Buyer's Conditions)

Los 295

A 19TH CENTURY PAPIER-MÀCHÉ CIRCULAR BOX, the lid painted with a subject after a Hogarth etching entitled within "The Sleeping Congregation", 9.5cm diameter; and a continental papier-màché rectangular box, the lid decorated with a young girl at a well with putti. 6.25 x 9.25cm

Los 1967

A quantity of Prints and Photographs including silhouette in black and gold of a young girl holding a flower, an etching titled 'de Oude van Eifenach' by Juliaan DeVuenolt, an army photograph taken in a field with officers on horseback and a framed Photograph of ''The officers of 3rd battalion East Lancashire regiment''.

Los 1969

A large Print by Camille Fonce, signed in margin and depicting a wrecked rowing Boat on a river bank with horses on the left of the river, along with a large framed Print of a etching, signed M. Morris depicting cattle by the river bank with mountains in the distance.

Los 1989

A quantity of Paintings and Prints including a ''Red Hugh'' unframed depiction of a horse signed lower left, two unframed Paintings of Dogs, framed Print of an etching depicting Chepstow Castle, a Print of the Italian Lakes, signed Major Whisnaw lower right, etc.

Los 2067

Nigel Lambourne: soft ground etching 'Tending the herd'.

Los 2072

A Print of an Etching by Mariano Bovi of the Royal Family.

Los 2074

A quantity of Prints including a framed 1987 portrait of the Royal Family, a French poet initialled 'T', an etching of the Earl of Godolphin, a framed print of a letter by Sir William Russell Flint and a print by W.Russell Flint of a man in a canoe on an underground river.

Los 76

'Ouse Bridge York', J Barrie Robinson artist's etching signed, titled and inscribed 'To Harry Maynard for excellence in art 1933'

Los 79

'Seine & Trocadero', early 20th Century blue etching titled and signed Davril in pencil

Los 126

A limited edition lithograph 2/6, modern, entitled 'London Etching' 1st May, signed and dated 1973

Los 786

A rural landscape etching signed in pencil - 23 cm x 24 cm Continental School - Orna Ben Neria - Limited Edition etching no.2/50 15 cm x 17 cm

Los 787

A Continental School - Viturlism - a nude study - drypoint etching monogrammed B.M. indistinctly signed in pencil - 46 cm x 34 cm

Los 498

Percy Smith, `The Onion Seller`, signed etching, together with after Thorburn, ducks in flight signed print (2)

Los 461

AFTER W.L. WYLLIE "Trafalgar 21 October 1805", black and white etching, published 1905 by the Art Union of London CONDITION REPORTS Image basically looks good, though with some foxing particularly to the top right-hand corner, though other small patches elsewhere (see images), frame appears dirty, glass could also do with a clean, some areas of the frame with loss to gilding. Does appear to be period (ie an early 20th Century print)

Los 483

David Robertson: etching, continental scene with harvest and fortified town, signed in pencil, 6¾"" x 12¼"", framed and glazed

Los 487

Two Brocklehurst Whiston calendar silks; a coloured etching and 2 monochrome etchings; Frank Greenwoode: ""Ye Olde Rovers Return"", artist signed etching

Los 498

Dutch School 20th century winter scene with figures and farm buildings, signed in pencil en verso Georges Nemesh, 15½"" x 19"", framed; and a similar etching

Los 509

Valerie Thornton: etching, Boxford, 79 of 150, signed and titled in pencil, 16"" x 24½"", framed and glazed

Los 510

Valerie Thornton: etching, Etruscan Encounter, artist`s proof, signed and titled in pencil, 10½"" x 15"", framed and glazed

Los 52

Robert Borlase Smart - HMS Victory under Restoration, Portsmouth Docks, monochrome etching, signed in pencil, approx 36.5cm x 51.5cm, within an oak frame.

Los 73

William Russell Flint - `Celinda`s Precaution`, drypoint etching, circa 1932, signed and numbered XXXIII in ink recto, titled label verso, approx 20.5cm x 13cm. Note: produced in an edition of 75.

Los 74

William Russell Flint - `Priscilla Alone`, drypoint etching, circa 1932, signed and numbered XXIII in ink recto, titled label verso, approx 23cm x 17cm. Note: produced in an edition of 75.

Los 75

William Russell Flint - `Caprice`, drypoint etching, circa 1932, signed and inscribed `Trial Proof` in ink recto, titled verso, approx 36.5cm x 23.5cm.

Los 79

Eileen Soper - `The Cart Race`, monochrome etching, circa 1923, labels verso, approx 12.5cm x 20.1cm, within an ebonized frame.

Los 88

Eileen Soper - `The See-Saw`, monochrome etching, circa 1922, signed in pencil, approx 13cm x 19cm, within an ebonized frame, the mount with applied pencil sketch for the etching. Provenance: The Eileen Soper Estate (label verso).

Los 89

Eileen Soper - `Netball`, monochrome etching, circa 1923, signed in pencil, approx 14.6cm x 19cm, within an ebonized frame. Provenance: The Eileen Soper Estate (label verso).

Los 90

Eileen Soper - `Spring Tide`, monochrome etching, circa 1929, approx 14.2cm x 19.2cm, within an ebonized frame, the mount with applied pencil sketch for the etching. Provenance: The Eileen Soper Estate (label verso).

Los 91

Eileen Soper - `Cricket`, monochrome etching, circa 1926, signed in pencil, approx 13cm x 19.5cm, within an ebonized frame. Provenance: The Eileen Soper Estate (label verso).

Los 92

Eileen Soper - `Bubbles`, monochrome etching, circa 1924, approx 13.5cm x 11cm, within an ebonized frame.

Los 97

Eileen Soper - `Balloons`, monochrome etching, circa 1924, signed in pencil, approx 14.2cm x 19cm, within an ebonized frame, the mount with applied pencil sketch for the etching. Provenance: The Eileen Soper Estate (label verso).

Los 111

William Lionel Wyllie - Coastal View, early 20th Century monochrome etching, signed in pencil, approx 10cm x 34cm, within a gilt frame.

Los 112

William Lionel Wyllie - `Yachting on Loch Long, Scotland`, early 20th Century monochrome etching, signed in pencil recto, titled label verso, approx 17.5cm x 41.5cm, within an ebonized frame.

Los 113

William Lionel Wyllie - View of Naples Harbour, early 20th Century monochrome etching, signed in pencil, approx 17cm x 38.5cm, within an ebonized frame.

Los 116

Rowland Langmaid - `Ryde`, monochrome etching, signed in pencil, approx 10cm x 34cm, within an ebonized frame. Note: Langmaid was a pupil of William Lionel Wyllie.

Los 2

"HERBERT THOMAS DICKSEE, R.A., R.E. (1862-1942) The Happy Mother, etching signed with initials ‘H.D’. in plate published by the Fine Art Society, 1st June 1894 Pl. 13 1/4 x 25 1/2in (33.6 x 64.8cm) The original oil painting of the same subject by the artist, titled ‘A Happy Family’, as exhibited at The Royal Academy in 1895. The models for the painting were a family of bloodhound puppies for which the artist travelled to the New Forest to paint."

Los 3

"JAMES GILLRAY (1756 - 1815) Malagrida, driving post, coloured etching, published by H. Humphrey, Pl. 9 1/2 x 13 1/2in (24.2 x 34.3cm) and a collection of early 19th Century political caricature prints after Gillray, Woodward and others, titles include ’A Plan for General Reform’, ‘A Kick at the Broad Bottoms’, ’The Loyal Address on the Procession of the Hampshire Hogs from Botley to St. James’, ‘End of the Irish Farce of Catholic Emancipation’, and ‘The Introduction of the Pope to the Convocation at Oxford by the Cardinal Broadbottom’, and ‘A Long Headed Election’; and a verre eglomise silhouette depicting ‘Church, State and King’; ten (10) "

Los 5

"‡WILFRED FAIRCLOUGH, R.E. (1907-1996) Covent Garden, proof etching, pencil signed and dated in lower margin ‘W. Fairclough R.E.’ Pl. 9 1/2 x 12in (24.2 x 30.5cm) Exhibited: Royal Academy,London. Summer Exhibition 1972"

Los 110

"‡JOHN LAVERS WHEATLEY (1888-1970), Poole Harbour, watercolour heightened with white, and inscribed as title on an exhibition label verso 7 x 11in (17.8 x 27.9cm). Exhibited: Contemporary Exhibition, Nov 1939, with Thomas Agnew & Sons, London. Sold with a selection of other drawings and watercolours by the artist, subjects include Wandsworth Bridge; Abergavenny; Head of a Woman; an etching by Wheatley titled ‘Mother and Child No. 1’; a watercolour depicting a Still Life, and two pencil sketches by the artist’s wife Edith Grace Wheatley are also included with this lot. Provenance: The artist’s family; thence to the present vendor"

Los 127

"SAMUEL ALKEN Jnr (1756-1825) Going to the Races, signed with initials ‘S.A.’, watercolour 7 1/2 x 12in (19.1 x 30.5cm); and three etchings by Robert Dighton Jnr titled ‘A Noble Aide Camp’ (Charles Stanhope, 4th Earl of Harrington), published June 1804; ‘A Noble General’ (Charles Stanhope, 3rd Earl of Harrington), published August 1803; one other etching depicting Sir Brooke Watson, 1st Bt., publ. August 1803; and two coloured aquatints after Henry Alken titled ‘One of the right Sort’ and ‘One of the wrong Sort’; six (6)"

Los 387

GRAHAM CLARKE (1941 - ), Beneath the Green Willow, limited edition etching, 65/100, signed and inscribed in pencil, plate size 13 1/4"" x 21 1/4"", gilt metal frame (AR)

Los 388

LOUIS JUSTIN LAURENT ICART (1888-1950), Girl with Blue Jar, oval etching in colours, signed in pencil, and with a remarque in watercolour in the margin also signed, etching plate size 17 1/2"" x 12 1/2"", gilt gesso frame (Illustrated) (AR)

Los 1064

Stanley Anderson (1884 - 1966), signed watercolour study of a farmyard, together with, pencil signed study entitled `Maxim`, an etching `An old doorway, Exeter Cathedral Close`, and two other pen and inks by a different hand, (5)

Los 276

Nelson Dawson (British, 1859-1941) Coastal study of cliffs with sailboats to the foreground, signed lower left in pencil, numbered 4 (lower right), etching on paper. H: 26cm W: 18.5cm

Los 82

Adriaen van Ostade (1610-1685), Netherlands School, `Law`, etching in black and white, information verso (33 x 26cm).

Los 400

An interesting collection of mostly framed pictures to include: Percy Lancaster (1878-1951), R.B.A., A.R.E., a limited edition etching (68 of 70) titled "The Portal", signed in pencil in the margin, a large coloured etching of a Gothic Reform building, signed in pencil and numbered, a mixed method print of a finch, a framed nude on panel (with Ryman label verso and inscribed in pencil "August 1977"), Arthur Syzk`s coloured print, representation of "The History of Great Britain" (details verso), two landscape prints, etc (8).

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