78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Collection of five pictures including Stewart Lowdon watercolour, Venetian etching, etc.

Tom McGuinness (1926-2006) British coal miner and artist, The Deline, etching number 10 of 50 edition, signed and dated 1986, image 14cm by 10cm, framed.

William Lionel Wyllie (1851-1931) - 'Sailing barges, Chatham', drypoint etching, pencil signed to lower left, 25 x 36 cm, David Messum gallery label to reverse

William Lionel Wyllie (1851-1931) - 'Old London Bridge', drypoint etching, pencil signed to lower left margin, 30 x 22 cm

William Lionel Wyllie (1851-1931) - 'Battle Cruisers in Action at Jutland', drypoint etching, pencil signed to lower left margin, 28.5 x 50 cm 

William Lionel Wyllie (1851-1931) - 'Jenkin Swatchway', sailing fleet, drypoint etching, pencil signed to lower left margin, 25 x 38 cm, reverse with label for Robert Dunthorne of Liverpool

William Lionel Wyllie (1851-1931) - 'The City - from the Top of St Paul's Cathedral', drypoint etching, pencil signed to lower left margin, 16 x 36.5 cm, trial proof, David Messum gallery label to reverse

Geoffrey Watson (1894-1979): The Fairey-3F Aircraft. A framed , mounted and glazed original watercolour painting of the aircraft in flight, signed by the artist and dated 1930 in the lower right-hand corner. Image size 14 x 17¼-inches (36 x 44cm). Image in good condition, mount grubby. Together with a large (unsigned) original black pen-and-ink drawing on board by the same artist of the Fairey-3F, image size 10½ x 10-inches (26½ x 25.5cm), an etching of three of the aircraft in flight, signed in pencil by the artist in the lower right-hand margin, image size 9½ x 12-inches (24 x 30.5cm), and two large colour prints from paintings by the artist, published by the Gloster Aircraft Co. Ltd., Cheltenham, and depicting The 'Gloster III', Schneider Cup Race, 1925, and The 'Gloster IV', Schneider Trophy Race, 1927. Four items unframed, and all in good condition. (5)  N.B. The glazed item in this lot has cracked

H Otto Sheep monochrome etching, signed 22x27cm and a Dutch etching

A framed Reginal Green signed etching of York Minster

An old etching signed Naude - Table Mountain, South Africa

A selection of old engravings together with an etching

A signed limited edition etching by British Artist Patrick Procktor of Venetian Skyline from the Lagoon. Paper has embossed watermark. 84x53cm

Theatro historico, genealogico da Casa de Sousa (Paris, 1694), MOREIRA, Manuel de Sousa.- THEATRO | HISTORICO, | GENEALOGICO, | PANEGYRICO: | ERIGIDO | a la Immortalidad da la Excelentissima Casa | DE SOUSA.- Paris: en la Emprenta Real, por Juan Anisson, 1694.- [5], p. 15 a 48, 986, [13, 1 br.] p.: 1 frontispício gravado, [31] gravuras; 38 cm.- E. Edition of great graphic apparatus, illustrated with 32 engravings, of which 30 are portraits, and many other copperplate printed vignettes (engraving and etching), in addition to an allegorical frontispiece, before the title page. Inocêncio (VI, p. 114) considers it an esteemed monument of typographic art, in addition to the importance of the news it contains. Some sections with browning, as is usual in most copies. But, in general, a clean, complete specimen with good margins. A robust and slightly worn entire sheepskin binding of the time (but recoverable), with imperfections on the spine and support fault in the back cover; lack of a flyleaf. Salvá, 3603. Samodães, 3269.

PETER PAUL RUBENS - 1577-1640, La Gallerie du Palais du Luxembourg (The gallery of the Palais du Luxembourg), NATTIER, Jean-Marc & Jean-Baptiste.- La Gallerie du Palais du Luxembourg peinte par Rubens dessinée par les Srs. Nattier et gravée par les plus illustres graveurs du temps...- A Paris: Chez le Sr. Duchange Graveur du Roy en son Academie Royale de Peinture et Sculpture, 1710.- 27 engravings; 52 cm. Set of work, but complete, of the collection of engravings that reproduce the paintings of Rubens, usually called "the cycle of Maria de Médicis " commissioned to the Palace of Luxembourg, currently exhibited at the Louvre Museum in Paris. Includes the following prints (with blank verse): 1 - La Gallerie du Palais du Luxembourg... (cover sheet); 2 - Avertissement (texto); 3 - Pierre Paul Rubens; 4 - Marie de Medicis; 5 - François de Medicis; 6 - Jeanne d’Autriche; 7 - La destinée de la Reine; 8 - La naissance de la Reine; 9 - L’éducation de la Reine; 10 - Henri IV. delibere sur son futur mariage; 11 - Le mariage de la Reine; 12 - Le debarquement de la Reine au port de Marseille; 13 - La ville de Lyon va audevant de la Reine; 14 - L’accouchement de la Reine; 15 - Le Roy part pour la guerre d’Allemagne; 16 - Le couronnement de la Reine (double print); 17 - L’Apotheose d’Henri IV et la Regence de la Reine (estampa dupla); 18 - Le gouvernement de la Reine (double print); 19 - Le voyage de la Reine au Pont de Cé; 20 - L’Echange des deux Reines; 21 - La Felicité de la Regence; 22 - La Majorite du Roy Louis XIII; 23 - La Reine s’enfuit de la ville de Blois; 24 - La Reine prend le parti de la paix; 25 - La conclusion de la paix; 26 - La Paix confirmé dans le Ciel; 27 - Le Tems decouvre la Verité. Edition entirely intaglio engraved (chisel and etching) by several engravers, of which we highlight Edelinck, Picart, Vermeulen, Audran, Duchange, etc. The set, in loose leaves, presents several imperfections, namely accentuated acidity, occasional water stains (tide), some restoration and excessive cutting, but outside the crease of the matrix; Coronation Engraving (16) very damaged near the fold, with slight loss of support; Engravings identified with numbers 7 and 27 (narrower) with trimmed margins; manually added ink to the exterior of the matrix. It is yet complete and is likely to be recovered.

FRAMED JOHN COPLEY ETCHING ETCHING

A large wood framed etching titled Silent Sympathy by Herbert Dichsee - NO RESERVE

HENRY JACKSON SIMPSON (SCOTTISH 1893 - 1963), THE BURNSIDE etching, signed and titled in pencil 14cm x 11cm Mounted, framed and under glass along with another, 'Time & Tide Wait For No Man'

A.E. HOWARTH AFTER WILLIAM LIONEL WYLLIE, the Kaiser Class with the Flag of Admiral von Reuter flying in the "Friedrich der Grosse" being taken to Scapa Flow for internment by the Second Division of the Grand Fleet 25th November 1918, etching, 32cm x 69cm mounted, framed and under glass

COLLECTION OF 20TH CENTURY JAPANESE PRINTS, along with printed pictures and a Japanese etching (8)

EDORI FERTIG, ABANDONED LOVERS soft ground etching, artist's proof, signed, titled, dated '89 and inscribed in pencil 32cm x 26cm Mounted, framed and under glass

LOT OF PICTURES AND PRINTS, including an etching by J Hamilton Mackenzie, along with a collection of various records

A WWII GERMAN WEHRMAKT K98 BAYONET WITH METAL SCABBARD, the bayonet maker is 'Jos Corts SN' numbered 4656 d, the scabbard has been overpainted and no number is visible, at some stage post WWII the blade has been etched as has the metal part of the grip, with 'S.S' Runes and the wording 2 SS Panzerdivision, Das Reich (sadly not original) (the etching is most likely post 70's and Eastern European in an attempt to enhance value)

GORDON.E.MILES (BRITISH 1947), 'Conway Castle', an artist proof aquatint etching of the Welsh landmark 10/15, signed to lower margin, framed, size approximately 38cm x 52cm, together with a watercolour of fishing boats in harbour signed Jackson, four topographical prints and a photograph on glass of a small child (7)

Two Signed Etchings, To include an Etching of St Pauls Cathedral, (2)

* JOHN BELLANY CBE RA HRSA (SCOTTISH 1942 - 2013), BASS ROCK FABLE etching, signed and numbered 44/100 24cm x 16cm Mounted, framed and under glass

* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941), THE AUTHOR OF THIS IS..., FROM A NIGHT OF ISLANDS, 1991 colour etching on paper from the edition of 40 signed beneath the backing board 'Will MacLean R.S.A' 75cm x 53cm Mounted, framed and under glass Label verso: Louise Pickering Fine Art, 58 Clapham Common, London.

* JOHN BYRNE RSA (SCOTTISH b 1940), YOUNG SMOKER/OLD JOKER etching on paper, signed and titled 4cm x 5cm Mounted, framed and under glass

* PHILIP REEVES RSA PRSW RGI RE (SCOTTISH 1931 - 2017), CHANIA: ANTERMERIDIAN etching on paper, signed, titled, and numbered 7/10 45cm x 60cm Mounted, framed and under glass Label verso

* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941), STRATHNAVAR, FROM 'A NIGHT OF ISLANDS' (1991) colour etching on paper from the edition of 40 signed beneath the backing board 'Will MacLean R.S.A' 75cm x 53cm Mounted, framed and under glass Label verso: Louise Pickering Fine Art, 58 Clapham Common, London. Bio: A noted and established Scottish artist and professor of art, Will Maclean was born in Inverness in 1941. He was a midshipman (1957–59) before attending Gray's School of Art, Aberdeen (1961–65) and then the British School in Rome in 1966 as part of a year on a Gray's Travelling Scholarship. He spent another period of time at sea in 1968 as a ring-net fisherman, which led to a major bursary in 1973 to study ring-net herring fishing. The resulting Ring-Net Project, a body of over 400 drawings, was exhibited at the Third Eye Centre, Glasgow, from where it toured, and in 1986 at the Scottish National Gallery of Modern Art, Edinburgh, where it entered the permanent collection. In 1981 he was appointed lecturer at the Duncan of Jordanstone College of Art and Design, University of Dundee, where he remained for fifteen fruitful years, becoming Professor of Fine Art in 1994 and in 2004-2006, senior research fellow and now emeritus professor. He was elected Royal Scottish Academician in 1991 and in 1997 he designed and as part of the team, won the Scottish Natural Heritage Supreme Award for three Memorial Cairns in Lewis. In 1999 he was awarded an honorary doctorate by the University of St Andrews, winning the Scottish Arts Council Creative Scotland Award in the same year. The British Library and Tate Artists Lives Sound Archive made a valuable recorded interview with him in 2005, the year he was awarded an MBE for services to Education and the Arts. He lives and works in Tayport, Fife with his wife, the artist Marian Leven. Maclean has exhibited widely since 1967. Solo exhibitions have included The Ring-Net, Third Eye Centre, Glasgow and tour (1978); Runkel-Hue-Williams, London (1990); Retrospective Exhibition, Talbot Rice Gallery, Edinburgh and tour (1992) with accompanying monograph Symbols of Survival; a major solo show, Driftworks at Dundee Contemporary Arts, 2001, and exhibitions with Art First, London, since 1994. Another recent exhibition being the 2011 show "Lead and Line" - at Art First's gallery in Eastcastle Street, London W1 In 1999 his exhibition Cardinal Points was hosted by the Museum of North Dakota, Grand Forks, North Dakota USA before touring to Canada to McMaster Museum of Art, Hamilton, Ontario, and Art Gallery of Newfoundland and Labrador, St. Johns. Group exhibitions include Worlds in a Box, Edinburgh City Art Centre and The Whitechapel Gallery, London (1994 95); and Contemporary British Art in Print, Scottish National Gallery of Modern Art, Edinburgh (1995) which featured "A Night of Islands", a set of ten etchings published in 1991. A major work was acquired for the new Scottish Parliament building and commissioned sculptures and collaborative works can be seen in Skye, Lewis and elsewhere in Scotland. Recent sculptural commissions include the piece "Waterlines" (commissioned by the University of Aberdeen and installed in the square facing the new library there) and the Suileachan Project on the Isle of Lewis (winner of the The Saltire Arts and Crafts in Architecture Award 2013), both collaborations with Marian Leven. The critic and writer Duncan Macmillan writes in his introduction to the monograph on Maclean - 'Symbols of Survival': Will Maclean is one of the outstanding artists of his generation in Scotland... his art is rooted in his knowledge of the highlands, the Highland people and their history and in his own early associations with sailors and the sea. This makes it relevant and immediately accessible, yet it remains uncompromisingly modern in its forms and concerns His work is in public collections including Arts Council of Great Britain; The British Museum; Dundee, Edinburgh, and Glasgow City Art Galleries; Fitzwilliam Museum, Cambridge; Scottish Arts Council; Scottish National Gallery of Modern Art; Royal Scottish Academy of Art & Architecture; McMaster Museum, Canada; Yale Centre for British Art, Newhaven, USA.

* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941), THE KING'S FISH, FROM A NIGHT OF ISLANDS, 1991 colour etching on paper from the edition of 40 signed beneath the backing board 'Will MacLean R.S.A' 75cm x 53cm Mounted, framed and under glass Label verso: Louise Pickering Fine Art, 58 Clapham Common, London.

* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941), ELEGY TO CAPTAIN FERGUSON, FROM A NIGHT OF ISLANDS, 1991 colour etching on paper from the edition of 40 signed beneath the backing board 'Will MacLean R.S.A' 75cm x 53cm Mounted, framed and under glass Label verso: Louise Pickering Fine Art, 58 Clapham Common, London.

* JOHN BYRNE RSA (SCOTTISH b 1940), ANOTHER ME etching on paper, signed and titled 6cm x 6cm Mounted, framed and under glass

* WILL MACLEAN MBE RSA RGI RSE HON D.LITT (SCOTTISH b.1941), A HIGHLAND WOMAN, FROM A NIGHT OF ISLANDS, 1991 colour etching on paper from the edition of 40 signed beneath the backing board 'Will MacLean R.S.A' 75cm x 53cm Mounted, framed and under glass Label verso: Louise Pickering Fine Art, 58 Clapham Common, London.

* KEN CURRIE (SCOTTISH b 1960), HUNG GULL, NORTH UIST etching, signed in pencil 52cm x 32cm Framed and under glass

Militaria Ausland - Italien Faschismus : Geschenkdolch der Schwarzhemden von Turin an den Duce Militaria Ausland - Italien Faschismus : Geschenkdolch der Schwarzhemden von Turin an den Duce Militaria Ausland - Italien Faschismus : Geschenkdolch der Schwarzhemden von Turin an den Duce Benito Mussolini Der geschwungene Griff aus Elfenbein in einem Stück gearbeitet. Auf der Vorderseite in Gold separat eingelegt das von der italienischen Königskrone überhöhte Wappen der Stadt Turin (Torino). Der sich afbäumende Stier und die Krone fein ziseliert. Die Parierstange aus plastisch gearbeiteten Stierköpfen aus gebläutem Stahl. Auf der Vorderseite in der Mitte innerhalb eines Lorbeerkranzes auf Gold gekörntem Untergrund die Widmungsinschrift: "E TORINO AL DUCE". Die rückseitige Parierstange mit ebenso gearbeiteter Dedikation: "LE C.C.N.N. PIEMONTESI", darunter der symbolhafte Knoten des Hauses Savoyen, bzw. des Piemont. Die zweischneidige Klinge mit hohem Mittelgrad und an der Spitze zu einer Speerspitze erweitert. Im oberen Bereich beidseiig mit Spitz zulaufender beidseitiger Flammenätzung und der Inschrift (terzseitig): "ARDENDO" und (quartseitig): "PURIFICO". Der Knauf rombenförmig aus gebläutem Stahl und beidseitig auf Gold gekörntem Untergrund innerhalb von Lorbeerblättern das römische Liktorenbündel, Symbol des italienischen Faschismus. Ohne Scheide. Länge: 455 mm. Hochbedeutender Geschenkdolch in außerordentlich feiner Qualität. Besonders die plastisch skulptierten Stierköpfe der Stadt Turin in kunsthandwerklich meisterhafter Ausführunbg gestaltet. Als Geschenk der Faschisten einer der wichtigsten Städte Italiens hochbedeutende und prächtige Blankwaffe aus dem persönlichen Besitz des Duce Benito Mussolini von hoher Symbolkraft und außerordentlicher historischer Bedeutung. Einmaliges Liebhaberobjekt aus der zeit des italienischen Faschismus. 1-2 Militaria Ausland - Italien Faschismus : Geschenkdolch der Schwarzhemden von Turin an den Duce Militaria Ausland - Italien Faschismus : Geschenkdolch der Schwarzhemden von Turin an den Duce Militaria Ausland - Italien Faschismus : Presentation Dagger by the Facist Black Shirts of the City of Torino to the Duce Benito Mussolini Normal 0 21 MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Normale Tabelle"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:"; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman";} Presentation Dagger by the Facist Black Shirts of the City of Torino to the Duce Benito Mussolini The curved ivory handle is made in one piece. On the front side separately inlaid in gold is the coat of arms of the city of Turin (Torino) with the Italian royal crown. The bull and the crown are finely chiselled. The quillons are made of blued steel and are decorated with sculptured bull heads. On the obverse in the centre within a laurel wreath on a gold grained background the dedication inscription: "E TORINO AL DUCE". The back quillon with the same dedication: "LE C.C.N.N. PIEMONTESI", underneath the symbolic knot of the House of Savoy. The double-edged blade with a high centre line and extended to a spearhead at the tip. In the upper part both sides with pointed flame etching on both sides and the inscription (on the obverse side): "ARDENDO" and (on the reverse side): "PURIFICO". The pommel is made of blued steel in the shape of a diamond and the Roman lictor bundle, symbol of Italian Fascism, is engraved on a gold grained base inside laurel leaves. Without scabbard. Length: 455 mm.   A truly magnificent and important presentation dagger of exceptionally fine quality. Especially the sculpted bull heads of the city of Turin are masterfully crafted.   As a gift from the fascists of one of Italy's most important cities, this highly important  and outstanding edged weapon from the personal possession of Duce Benito Mussolini is of great symbolic value and extraordinary historical significance. Unique collector's item from the period of Italian fascism.   1-2

Christopher Richard Wynne Nevinson (13 August 1889 – 7 October 1946) Signed etching Le Pont Neuf Guichard 87

Herbert Thomas Dicksee (1862-1942) "Maternal Care", black and white etching, signed in pencil to lower left margin, 40 x 65cm

John William Edy, four un-framed aquatints circa 1820 inscribed 'Haoe Fall, no 57', 'Town of Drobath, no 58', 'Lake Lenongen, no 42' and 'Honbre B.Amkers House at Mos, no 68'; together with English Etchings, part XVII (one plate) and maritime aquatint or etching by Thomson

Henry Rushbury RA, Signed Etching of Notre Dame, Paris, 23cms x 32cms, framed (glass broken)

Three continental country scene and wildlife etchings, Falk Bang, 'Two owls' etching, 38.5 by 28.5cm, glazed and framed 41 by 31cm, Aage Roose, (1880 - 1970) etching of three lambs, dated 1942, 21 by 28cm, glazed and framed, 23.8 by 30.8cm, and an indistinctly signed small wintery scene, indistinctly signed, with a remarque of two birds, 15 by 12cm, mounted, glazed and framed, 22.7 by 19.5cm. (3)

Six unframed 19th century hand-coloured etching satirical caricatures; four by William Heath (1794 – 1840) - Political Conveyancer, depicting George IV and his bandaged gouty leg being supported by his mistress Lady Conyngham, while Sir Robert Peel uses the Duke of Wellington as his mouthpiece; The slap up swell wot drives when hever he likes , depicting George IV; The guard wot looks after the sovereign, depicting Lady Conyngham standing holding a coaching horn and wearing a coachman's robe; and Does the Harp of Rosa Slumber, all published circa 1828/29 by Thomas McLean (1788-1875); together with two by John Phillips (act.1825-1840) (pseudonym A Sharpshooter) - The Nurse, Child, and Plaything, hand-coloured etching, published 1829 by John Field (act.1790-1840), depicting the Duke of Wellington as a nurse holding George IV and Lady Conyngham as infants; and The stroke oar to the Royal George, depicting Lady Conyngham as an oarsman, published 1829 by S Gans (act 1820-1831). Each sheet approx 44 x 30cm (6)

Five unframed 19th century satirical prints, comprising George Cruikshank (1792-1878) - Meditations amongst the Tombs, hand-coloured etching, published 1813 by John Johnston, depicting the true story of the Prince Regent opening the tombs of Henry VIII and Charles I; Charles Williams (act 1797-1830) - The Silver Oar versus The White Wand or The Helmsman, hand-coloured etching, published 1828 by John Johnston, depicting the Duke of Wellington (then Prime Minister) presenting a list of expenses to King George IV and Prince William, Duke of Clarence; William Heath (1794–1840) - The Two Happiest Men Alive, hand-coloured engraving, published 1827 by Thomas McLean, depicting the Duke of Wellington and King George IV; William Heath (1794–1840) - A Quartette in Character, hand-coloured engraving, published 1829 by Thomas McLean, depicting King George IV, the Duke of Wellington, Lady Conyngham, and Robert Peel standing posed as four stagecoach characters; and William Heath (1794–1840) - Recruiting Party 'Nows Your Time My Lads—Whigs & Tories—Christians. Jews & Turks—no distinction made.' , hand-coloured engraving, published 1829 by Thomas McLean, depicting Wellington as a recruiting officer saluting George IV with Lieutenant-Colonel Scarlett, Robert Peel and Lady Conyngham. Each image dimensions 33 x 24cm (5)

James Gillray (1757-1815) - Lordly Elevation, hand-coloured satirical etching, published 1802 by Hannah Humphrey, caricature depicting the vain Sholto Henry Maclellan upon his elevation to being 9th Lord Kirkcudbright, visible dimensions 26.5 x 21cm

Isaac Robert Cruikshank (1789-1856) - A dandy shoe maker in a fright, or the effects of tight lacing, hand-coloured etching (unglazed), published 1818 by Thomas Tegg, visible dimensions 24 x 32.5cm; together with John Doyle (1797-1868) (pseudonym HB) - A Great Economist, hand-coloured lithograph, published 1830 by Thomas McLean, depicting George IV reading a newspaper, satirising his extravagant expenditure, visible dimensions 27 x 31cm (2)

Attributed to John Phillips (act.1825-1831) - A Political Menagerie. Rare Favourite Birds, hand-coloured satirical etching, published 1829 by George Humphrey (act.1783-1831), depicting George IV surrounded by animals, each with the head of a different public figure including the Duke of Wellington and Sir Robert Peel, visible dimensions 23 x 33cm

Samuel William Fores (publisher) (1761-1838) - Northern Bears taught to Dance, from the series 'Folios of Caracatures lent out for the Evening' published 1801, depicting Lord Nelson, Sir Hyde Parker and Jack Tar whipping bears representing Russia, Denmark and Sweden, hand-coloured satirical etching, visible dimensions 25 x 33cm

Samuel William Fores (publisher) (1761-1838) - A Concise Explanation of the Convention Bills, from the series 'Folios of Caracatures lent out for the Evening' published 1795, hand-coloured satirical etching, visible dimensions 33 x 23.5cm

William Heath (1794 – 1840) - A Political Reflection, hand-coloured satirical etching, published circa 1828 by Thomas McLean (1788-1875), depicting George IV as the 'Great Babe' asleep in his cradle being rocked by his mistress Lady Conyngham, while the Duke of Wellington, seated before a pier-glass, places the crown upon his own head, visible dimensions 24.5 x 35cm

After Alphonse Legros (1837-1911), Travelling beggar, black and white etching, together with a vignette scale head and shoulders portrait study of an Arabian gentleman in the style of C F Lewis, 14.5cm by 17cm pl. and 18cm by 14cm respectively (2)

Piers Browne (b.1942) ''Myrtle: Awaiting the Second'' Signed, inscribed and numbered 17/50, etching, 31cm by 43cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Ernst Ludwig Kirchner 1880 Aschaffenburg - 1938 Davos Spielende Kinder. 1914. Kaltnadelradierung. Gercken 696. Dube R 176. Schiefler R 164. Signiert und bezeichnet 'Eigendruck'. Verso mit dem Nachlassstempel (Lugt 1570b) und der handschriftlichen Nummerierung 'R 164'. Eines von nur 2 bekannten Exemplaren. Handdruck des Künstlers. Auf festem Kupferdruckpapier. 20,1 x 25 cm (7,9 x 9,8 in). Papier: 45,5 x 39 cm (17,9 x 15,4 in). Die Zinkplatte befindet sich in der Staatlichen Kunsthalle, Karlsruhe. [CH]. • Sehr seltene Radierung aus den Berliner Jahren mit feiner Strichätzung und neblig-wolkigem Plattenton. • Handdruck des Künstlers. • Das einzige weitere bekannte Exemplar befindet sich im Brücke-Museum in Berlin. PROVENIENZ: Nachlass des Künstlers. Privatsammlung Süddeutschland (seit 1988, zuvor in Familienbesitz). Aufrufzeit: 12.12.2020 - ca. 18.48 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONErnst Ludwig Kirchner 1880 Aschaffenburg - 1938 Davos Spielende Kinder. 1914. Drypoint. Gercken 696. Dube R 176. Schiefler R 164. Signed and inscribed 'Eigendruck'. Verso with the estate stamp (Lugt 1570b) and the hand-written number 'R 164'. One of only two known copies. Hand-printed by the artist. On firm copper plate printing paper. 20.1 x 25 cm (7.9 x 9.8 in). Sheet: 45,5 x 39 cm (17,9 x 15,4 in). The zinc plate is in posession of the Staatliche Kunsthalle, Karlsruhe. [CH]. • Very rare etching from the Berlin years with fine line etching and a foggy-cloudy plate tone. • Hand-printed by the artist. • The only other known copy is in the Brücke Museum in Berlin. PROVENANCE: From the artist's estate. Private collection Southern Germany (since 1988, priorly family-owned). Called up: December 12, 2020 - ca. 18.48 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Pablo Picasso 1881 Malaga - 1973 Mougins Vieux sculpteur et jeune modèle avec le portrait sculpté du modèle. 1933. Radierung. Geiser/Baer 325 B d (von B d). Bloch 172. Signiert. In der Platte datiert. Eines von 260 Exemplaren. Auf Bütten von Montval (mit Wasserzeichen 'Vollard'). 19,2 x 26,7 cm (7,5 x 10,5 in). Papier: x 34 x 45 cm (13,4 x 17,7 in). Blatt 63 der 'Suite Vollard', gedruckt von Roger Lacourière, Paris 1939. [SM]. • Die 100 Werke umfassende Folge ist sowohl vom künstlerischen Anspruch als auch von dem enormen Materialeinsatz als singuläres Ereignis in der Grafik der europäischen Moderne zu werten • Die wohl bedeutendste Unternehmung des Kunsthändlers und Verlegers Ambroise Vollard. PROVENIENZ: Privatsammlung Norddeutschland. Aufrufzeit: 12.12.2020 - ca. 18.59 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONPablo Picasso 1881 Malaga - 1973 Mougins Vieux sculpteur et jeune modèle avec le portrait sculpté du modèle. 1933. Etching. Geiser/Baer 325 B d (of B d). Bloch 172. Signed. Dated in the plate. From an edition of 260 copies. On Montval laid paper (with watermark 'Vollard'). 19.2 x 26.7 cm (7.5 x 10.5 in). Sheet: x 34 x 45 cm (13,4 x 17,7 in). Sheet 63 from 'Suite Vollard', printed by Roger Lacourière, Paris 1939. [SM]. • The series comprising 100 works is a one-of-a-kind accomplishment in modern European graphic art, both in terms of artistic quality and the enormous material usage. • The most significant enterprise of the art trader and publisher Ambroise Vollard. PROVENANCE: Private collection Northern Germany. Called up: December 12, 2020 - ca. 18.59 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Rolf Nesch 1893 Oberesslingen - 1975 Oslo Liegende Frau. 1930. Kaltnadelradierung mit Prägedruck. Vgl. Helliesen/Sørensen 383. In der Platte schwer leserlich bezeichnet 'ausgedruckt' [?]. Einer von wohl 9 posthumen Abzügen außerhalb der drei im Werkverzeichnis erwähnten lebzeitigen und farbigen Exemplare (Farbradierung mit Prägedruck). Auf festem Velin. 33,2 x 44,8 cm (13 x 17,6 in). Papier: 39,5 x 53,7 cm (15,6 x 21,1 in). Die Radierung ist in Publikationen und Ausstellungen u. a. auch mit den Titeln 'Kvinneakt', 'Frau Mayer', 'Liegendes Mädchen' und 'Sleeping nude' versehen worden. Das hier angebotene posthume Exemplar ist gedruckt von Hartmut Frielinghaus. [CH]. • Mit seinen vielfältigen druckgrafischen Werken wird Nesch nicht nur in Deutschland bekannt, sondern gilt auch in seiner Wahlheimat Norwegen als einer der bedeutendsten Künstler des Landes. • Zwei Abzüge befinden sich im Kunstmuseum Stuttgart (in Farbe) und im Kunstmuseum Heidenheim. PROVENIENZ: Sammlung des Landgerichtspräsidenten Dr. R. Johannes Meyer (1882-1967), Hamburg. Seitdem in Familienbesitz. LITERATUR: Ein anderes Exemplar: Robert H. Simmons, With Eye and Heart. The Art of Rolf Nesch, in: Artist's Proof (A Magazine of Printmaking), No. I, New York 1961, S. 2 u. 5. Aufrufzeit: 12.12.2020 - ca. 18.51 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONRolf Nesch 1893 Oberesslingen - 1975 Oslo Liegende Frau. 1930. Drypoint etching with embossing print. Cf. Helliesen/Sørensen 383. Barely legibly inscribed in the plate. One of presumably 9 posthumous proofs aside from the three lifetime prints mentioned in the catalog raisonné. On firm wove paper. 33.2 x 44.8 cm (13 x 17.6 in). Sheet: 39,5 x 53,7 cm (15,6 x 21,1 in). Other titles such as 'Kvinneakt', 'Frau Mayer'; 'Liegendes Mädchen' and 'Sleeping nude' were used in publications and exhibitions. This posthumous copy was printed by Hartmut Frielinghaus. [CH]. • Two other prints are in possession of the Kunstmuseum Stuttgart and the Kunstmuseum Heidenheim. PROVENANCE: Collection of District Court President Dr. R. Johannes Meyer (1882-1967), Hamburg. Ever since family-owned. LITERATURE: Different copy: Robert H. Simmons, With Eye and Heart. The Art of Rolf Nesch, in: Artist's Proof (A Magazine of Printmaking), no. I, New York 1961, pp. 2 and 5. Called up: December 12, 2020 - ca. 18.51 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Ernst Ludwig Kirchner 1880 Aschaffenburg - 1938 Davos Moritzburger Badende im Gestrüpp. 1910. Kaltnadelradierung. Gercken 455 I (von II). Dube R 108. Schiefler R 82. Signiert und von fremder Hand bezeichnet. Verso mit dem Stempel 'Unverkäuflich E. L. Kirchner' sowie mit dem Nachlassstempel (Lugt 1570b) und der handschriftlichen Nummerierung 'R 82'. Einziges bisher bekanntes Exemplar des I. Zustands. Auf gräulichem Karton. 24,8 x 19,8 cm (9,7 x 7,7 in). Papier: 29 x 22,4 cm (11,4 x 8,8 in). Kirchner hat jeweils einen Abzug seiner Grafiken als unverkäuflich gekennzeichnet und zu Dokumentationszwecken in seinem Besitz behalten. [CH]. • Aus dem Nachlass des Künstlers. • Das einzige bisher bekannte Exemplar des ersten Druckzustands. • Feiner, gratiger Druck dieser seltenen Radierung aus Kirchners Moritzburger Zeit. • Erstmals auf dem internationalen Auktionsmarkt angeboten (Quelle: www.artprice.com). PROVENIENZ: Privatsammlung Süddeutschland. Aufrufzeit: 12.12.2020 - ca. 18.44 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONErnst Ludwig Kirchner 1880 Aschaffenburg - 1938 Davos Moritzburger Badende im Gestrüpp. 1910. Drypoint. Gercken 455 I (of II). Dube R 108. Schiefler R 82. Signed and inscribed by a hand other thna that of the artist. Verso with a stamp 'Unverkäuflich E. L. Kirchner' and an estate stamp (Lugt 1570b) and the hand-written number 'R 82'. Only to date known copy from the first state. On grayish board. 24.8 x 19.8 cm (9.7 x 7.7 in). Sheet: 29 x 22,4 cm (11,4 x 8,8 in). Kirchner always marked one proof of his prints as unsellable and kept it for documentation purposes. [CH]. • From the artist's estate. • Only to date known copy from the first state. • Subtle, burred print of this rare etching from Kirchner's Moritzburg days. • For the first time on the international auction market (source: www.artprice.com). PROVENANCE: Private collection Southern Germany. Called up: December 12, 2020 - ca. 18.44 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Bernar Venet 1941 Château-Arnoux-St-Auban - lebt und arbeitet in New York Four indeterminate Lines. 2016. Farbradierung. Signiert, nummeriert und betitelt. Eines von 10 Probeexemplaren außerhalb der Auflage von 50 Exemplaren. Auf Velin. 96 x 140,3 cm (37,7 x 55,2 in). Papier: 117 x 159,5 cm (46 x 62,7 in). Gedruckt von Peter Kosowisz/Thumbprint Editions, London. Herausgegeben von World House Editions, Middlebury/Connecticut. [EH]. • Der zum Entstehungszeitpunkt größte Druck im Œuvre von Bernar Venet. • Die Edition war bereits am Ausgabetag ausverkauft. • Radierung mit haptischer Oberflächenwirkung. Aufrufzeit: 11.12.2020 - ca. 14.11 h +/- 20 Min. Dieses Objekt wird differenzbesteuert, zuzüglich einer Einfuhrumsatzabgabe in Höhe von 7 % (Ersparnis von etwa 5 % im Vergleich zur Regelbesteuerung) oder regelbesteuert angeboten (N).ENGLISH VERSIONBernar Venet 1941 Château-Arnoux-St-Auban - lebt und arbeitet in New York Four indeterminate Lines. 2016. Etching in colors. Signed, numbered and titled. From an edition of 10 trial proofs aside from the edition of 50 copies. On wove paper. 96 x 140.3 cm (37.7 x 55.2 in). Sheet: 117 x 159,5 cm (46 x 62,7 in). Prined by Peter Kosowisz/Thumbprint Editions, London. Published by World House Editions, Middlebury/Connecticut. [EH]. • The largest print in Bernar Venet's oeuvre at the time of its creation. • The edition was already sold out the day it was released. • Etching with a haptic surface effect. Called up: December 11, 2020 - ca. 14.11 h +/- 20 min. This lot can be subjected to differential taxation plus a 7% import tax levy (saving approx. 5 % compared to regular taxation) or regular taxation (N).

Ernst Ludwig Kirchner 1880 Aschaffenburg - 1938 Davos Leuchtturm im Grünen, Fehmarn. 1913. Kaltnadelradierung. Gercken 610/ II (von II). Dube R. 152. Schiefler R. 149. Von Erna Schilling im Auftrag von E. L. Kirchner signiert. Verso mit dem schwer leserlichen Stempel 'Unverkäuflich EL Kirchner'. Auf Kupferdruckpapier. 33,5 x 24,8 cm (13,1 x 9,7 in). Papier: 49,5 x 36,5 cm (19,4 x 14,3 in). Es handelt sich um das Archivexemplar des Künstlers. Kirchner hat jeweils einen Abzug seiner Grafiken als unverkäuflich gekennzeichnet und zu Dokumentationszwecken in seinem Besitz behalten. [EH]. • Eines von nur zwei bekannten Exemplaren. • Als Belegexemplar bis zum Tod im Besitz des Künstlers verblieben. • Gratiger, kräftiger Druck der äußerst seltenen Radierung. PROVENIENZ: Nachlass des Künstlers. Christian Anton Laely, Davos (1946 aus vorgenanntem Nachlass entnommen und der fiktiven 'Sammlung Gervais' zugeordnet, verso mit der handschriftlichen Inventarnummer 'KR 80'). Privatsammlung Süddeutschland (2009 bei Hauswedell & Nolte erworben). LITERATUR: Hauswedell & Nolte, Hamburg, 4.12.2009, 420. Auktion, Los-Nr. 33. Aufrufzeit: 12.12.2020 - ca. 18.43 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONErnst Ludwig Kirchner 1880 Aschaffenburg - 1938 Davos Leuchtturm im Grünen, Fehmarn. 1913. Drypoint. Gercken 610/ II (of II). Dube R. 152. Schiefler R. 149. Signed by Erna Schilling on behalf of E. L. Kirchner. Verso with the barely legible stamp 'Unverkäuflich EL Kirchner'. On copper plate printing paper. 33.5 x 24.8 cm (13.1 x 9.7 in). Sheet: 49,5 x 36,5 cm (19,4 x 14,3 in). This is a copy from the artist's archive. Kirchner always marked one proof of his prints as unsellable and kept it for documentation purposes. [EH]. • One of just two known copies. • In the artist's posession up until his death. • Burred, strong print of this very rare etching. PROVENANCE: From the artist's estate. Christian Anton Laely, Davos (taken from aforementioned estate in 1946 and ascribed to the fictitious 'Collection Gervais', verso with hand-written inventory number 'KR 80'). Private collection Southern Germany (acquired from Hauswedell & Nolte in 2009). LITERATURE: Hauswedell & Nolte, Hamburg, December 4, 2009, 420th auction, lot no. 33. Called up: December 12, 2020 - ca. 18.43 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Henri Matisse 1869 Le Cateau/Nordfrankreich - 1954 Cimiez bei Nizza Odalisque au coffret rouge. 1926. Farbaquatinta. Duthuit-Matisse III. Signiert und nummeriert. Aus einer Auflage von 200 Exemplaren. Auf Velin. 41,8 x 55,5 cm (16,4 x 21,8 in). Papier: 46,7 x 59,5 cm (18,3 x 23,4 in). Nach dem gleichnamigen Gemälde des Künstlers von 1926. [SM]. • Matisse ist einer der bedeutendsten Vertreter des Orientalismus des 20. Jahrhunderts. • Die Eindringlichkeit der Körpersprache ist, ohne herausfordernd zu wirken, von großer Präsenz und Nähe. • Neben den Zeichnungen vermitteln vor allem seine rund 800 Druckgrafiken einen Eindruck seiner scheinbar unbegrenzten Produktivität, bei gleichzeitiger thematischer Konzentration. Aufrufzeit: 12.12.2020 - ca. 18.54 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONHenri Matisse 1869 Le Cateau/Nordfrankreich - 1954 Cimiez bei Nizza Odalisque au coffret rouge. 1926. Etching and aquatint in colors. Duthuit-Matisse III. Signed and numbered. From an edition of 200 copies. On wove paper. 41.8 x 55.5 cm (16.4 x 21.8 in). Sheet: 46,7 x 59,5 cm (18,3 x 23,4 in). After the artist's painting of the same name from 1926. [SM]. • Matisse is one of the most important representatives of 20th century Orientalism. • The striking body language is, without appearing challenging, of great presence and closeness. • In addition to the drawings, his around 800 prints testify to his seemingly unlimited productivity, with a simultaneous thematic concentration. Called up: December 12, 2020 - ca. 18.54 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Hermann Nitsch 1938 Wien - lebt und arbeitet in Prinzendorf Architektur des Orgien und Mysterien Theaters (Mappe I). 1956/1987 (übermalt 1987). Radierung (Deckblatt) und Lithografien auf Büttenpapier, von Hand überarbeitet. Signiert, datiert und nummeriert. Die Mappe umfasst 36 Blätter. Aus einer Auflage von 35 Exemplaren. Format der Steine bis zu: 120 x 80 cm (47,2 x 31,4 in). Papier: 106 x 75 cm (41,7 x 29,5 in). [SL]. PROVENIENZ: Sammlung Haniel, Duisburg. LITERATUR: Galerie Fred Jahn, Hermann Nitsch. Die Architektur des Orgien Mysterien Theaters, Band I, München 1993, Mappe I ist vollständig abgebildet, S. 39-113. Die I. Mappe umfasst 36 Blätter. Blatt 1 ist eine Radierung des Künstlers nach Rembrandts „100 Gulden Blatt“, 1956 entstanden und 1987 mit Tusche, Tinte, Stempelfarbe oder Plaka von Hand in den Farben Schwarz, Rot, Blau oder Violett überarbeitet. Alle dem Deckblatt nachfolgenden Blätter der Mappe sind ein- bzw. mehrfarbige Lithografien, darunter sechs Blätter, die zusätzlich noch ein bis vier schwarze oder farbige Radierungen enthalten. Jedem Stockwerk des Orgien und Mysterien Theaters wurde eine Farbe zugeordnet. Diese Zuordnung gilt auch für alle Zusammendrucke unterschiedlicher Stockwerke, es sei denn, das Blatt ist einfarbig schwarz. Für die Zusammendrucke wurden teilweise aber auch Motive aus den folgenden Mappen verwendet. Das Papierformat aller Blätter ist 106 x 75 cm, gedruckt wurde auf 270g BPR Rives Bütten. Die Formate der Steine variieren von 50 x 40 cm bis 120 x 80 cm, die Radierplatten haben eine Größe von 29 X 21 cm Plattenformat des „100 Gulden Blattes“ ist 28,8 x 40 cm. Die Mappe ist in einer Auflage von 35 nummerierten und signierten Exemplaren erschienen. Darüber hinaus gibt es noch fünf AP-Exemplare und zahlreiche Probedrucke. Gedruckt wurde von 1984 bis 1987 bei der D.P. Druck und Publikations GmbH, München.[MvL] Aufrufzeit: 11.12.2020 - ca. 15.00 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONHermann Nitsch 1938 Wien - lebt und arbeitet in Prinzendorf Architektur des Orgien und Mysterien Theaters (Mappe I). 1956/1987 (overpainted in 1987). Etching (cover sheet) and lithographs on laid paper, worked over by hand. Signed, dated and numbered. The portfolio comprises 36 sheets. From an edition of 35 copies. Size of lithostones up to: 120 x 80 cm (47.2 x 31.4 in). Sheet: 106 x 75 cm (41,7 x 29,5 in). [SL]. PROVENANCE: Collection Haniel, Duisburg. LITERATURE: Galerie Fred Jahn, Hermann Nitsch. Die Architektur des Orgien Mysterien Theaters, volume I, Munich 1993, showing complete portfolio I, pp. 39-113. Called up: December 11, 2020 - ca. 15.00 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Een convoluut van drie kunstwerkjes waaronder 2x een ets en een aquarel. Diverse onderwerpen. Geschatte opbrengst: € 10 - € 15. A lot consisting of three artworks. Two etching and one watercolour. Estimate: € 10 - € 15.