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78472 Los(e)/Seite
GRAHAM CLARK (b. 1941) Framed, signed, titled and numbered in pencil to margin, 'Tom Tinker 164/400, coloured etching on paper, with certificate of authenticity from CCA Galleries, London, verso, together with HEMMING. Framed, signed, dated 1988, no. 6/50 and titled, 'Goose Egg Cup' in pencil to margin, woodcut on paper, NORBERT ATTARD. A pair of framed, signed, numbered and titled in pencil to margins, 'Mihrab XV 5/160', 'Mihrab XIV 5/160', limited edition prints, and PADMINI KAMAT. Framed, signed, gouache on silk, Indian study of 'The Imperial Steed of The Raj' from the Franklin Mint, 26.5cm x 31cm, 26cm x 23cm, 53cm x 40cm (x2) and 36.5cm x 47cm, (5).
AFTER HENRY WILKINSON "Study of black Labrador retrieving duck", coloured etching, limited edition No'd. 16/45, signed in pencil lower left, together with "Black Labrador retrieving duck from water", coloured etching, limited edition No'd. 70/75, signed lower right and "Black Labrador retrieving pheasant", coloured etching, limited edition No'd. 6/100, signed lower left (3) (ARR)
AFTER JAMES GILRAY "Clearing a five-bar gate", coloured etching by H Humphrey, together with various other prints AFTER LIONEL EDWARDS, HENRY ALKEN, ARTHUR J ELSLEY, etc CONDITION REPORTS Wear, dirt and stains. Some undulations to paper. Some foxing and some fading. Damage to glass to one picture. The size of "Clearing a five bar gate" is approx 37 x 28cm.
AFTER INGE CLAYTON "On special offer", colour etching, signed and dated '73 bottom right, titled and No'd. 24/35 in pencil, together with another by the same hand "Andante", "Con Motto", "Allegro", a set of three nude studies as one, signed and dated '94 in pencil bottom right, titled centre and No'd. 4/20 bottom left
Charles Downes, by and after, Daffodils In Jugs, proof etching, signed, titled, numbered 24/50 in pencil, 22.5cm x 32cm; Olivero Masi, by and after, Tuscan Farmhouse, etching, signed, numbered 75/200 in pencil, 12.5cm x 11cm; Henry G. Walker, by and after, a pair, Dartmouth, etching, signed in pencil, 21cm x 32cm (4)
B. Blake, by and after, a pair, Haworth Moor and Brontë Bridge, signed in pencil, numbered in pencil 8/15, proof etchings, 14cm x 17.5cm; another, by and after, Crail Harbour I, signed in pencil, numbered in pencil 9/20, proof etching, 17.5cm x 32cm; John Atkinson Grimshaw (1836-1893), after, a pair, Greenock by Lamplight and Greenock Docks on the Clyde at Night 1882, photographic print, 16cm x 22cm, framed; etc (6)
HENRY RUSHBURY. A street scene with figures, pencil signed, etching, Pl. 81/2 x 6 in; an etching by W.J. Walker titled ‘Casting off, Ilfracombe’; and three coloured aquatints by J. Sadler (after A. Pugin) depicting Pembroke College; Pembroke Hall; and Second Court of St John’s College; five (5)
Ernest Herbert Whydale (1886-1956): drypoint etching of 'The Load', signed lower left, 26 by 30cm, together with a Richard Blome map of Warwickshire hand coloured, a pastel on paper portrait of an Airedale, two engravings showing Battle of the Boyne and Battle of Minden pub 1785 for Harrison's Editions of Rapin, a portrait of a man, and miscellaneous framed prints. (q)
A.E.Proctor RI RBA (1864-1913): 'Bude' watercolour, 9 by 16cm, with three further watercolours, a bust of Mrs Hennries,18 by 14cm, a 19th century portrait of a young boy, 21 by 18cm, and Burgh Castle Church Norfolk, two pencil sketches Judges: Corbiere, Jersey,16 by 20cm, and a Courtier, 30 by 25cm, and Biemann: an etching of a seated lady, dated '79, 21 by 15. (7)

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78472 Los(e)/Seite