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78472 Los(e)/Seite
Los 450
Walter Ronald Locke (American 1883-1983)Hickory, Anclote River, FloridaSigned, titled and dated 36Drypoint etching, unframed29 x 23cm; 11½ x 9inWith a further signed Chicago Society of Etchers presentation etching of Bird Creek in Thaw by Arthur W. Hall (2)Lots 450-468 - A collection of prints - The property of a Gentleman++1. Some light mount-staining otherwise good condition
Los 452
William Kent Hagerman (American 1893-1978)Wharfside - ChicagoSigned and titledDrypoint etching, unframed26 x 20.5cm; 10¼ x 8inWith a further signed etching of a tree by Jacob Howard Euston, an un-signed etching of a cathedral interior and 2 small engravings of Rome by A W Montrou (5)Lots 450-468 - A collection of prints - The property of a Gentleman++Good condition
Los 457
James Swann (American 1905-1985)Night in Chicago Signed, titled and stamped Drypoint etching, unframed17.75 x 27.75cm; 7 x 11inWith presentation sheet by the Chicago Society of Etchers dated 1940, 31st publicationLots 450-468 - A collection of prints - The property of a Gentleman++2 or 3 small fox marks to margins, otherwise good condition
Los 459
Gerald Kenneth Geerlings (American 1897-1998)Electrical Building at night, Chicago World~s FairSigned and stamped Chicago Society of EtchersEtching, unframed30 x 22.5cm; 11¾ x 9inLots 450-468 - A collection of prints - The property of a Gentleman++Light mount-staining otherwise good condition
Los 460
James Swann (American 1905-1985)Winter, Lake Shore Drive looking south towards Elm Street; Lincoln Park ChicagoTwo, both etchings, unframedEach 24 x 19cm; 9½ x 7½in With a further etching by the same hand (3)Lots 450-468 - A collection of prints - The property of a Gentleman++1 & 2 good condition; 3 a light crease, good condition
Los 467
Martin Lewis (American 1881-1962)Chance MeetingSignedDrypoint etching, unframed26.75 x 19cm; 10½ x 7½in (plate size)With presentation sheet by the Society of American Etchers dated March 1941, 26th publicationLots 450-468 - A collection of prints - The property of a Gentleman++Good condition
Los 344
TWO LIMITED EDITION MINIATURE ORIGINAL ETCHINGS, viz; Ron Cooney - copper plate line engraving MAN ON A PENNY FARTHING, 3.5cm x 2.8cm) and an OAK IN A LANDSCAPE, oval 1 3/4" (4.4cm) wide and FRANS WESSELMAN, ORIGINAL ETCHING `Canterbury Tales IV` No. 6.50, signed in pencil, 7" x 6" (17.8cm x 15.2cm) EST 30-40
Los 140
The Record of the International Exhibition 1862, a leather and cloth bound volume, published by William Mackenzie, Glasgow, Edinburgh and London, M. MAETERLINCK; Hours of Gladness, illustrated by E.J. Detmold, published 1912 and a single volume inscribed "Modern Masters of Etching, SIR D.Y. CAMERON, published 1925, number 7 (3). CONDITION REPORT: We can confirm that there are 17 numbered and 10 un-numbered plates in Record of the International Exhibition.
Los 103
Pablo Picasso (1881-1973) Deux Femmes Nues Dans un Arbre, 1931, Etching on Arches vellum paper, ""Pablo Picasso (1881-1973) Deux Femmes Nues Dans un Arbre, 1931, Etching on Arches vellum paper, Signed and numbered 1/100 in blue ink lower margin. Plate dimensions: h: 14.8 x w: 11.7 in. Sheet dimensions: h: 24.8 x w: 19 in. Starting Price: $8000
Los 905
British Army 1847 Infantry Pattern Victorian Officer’s sword. A good example retailed through Maynard & Harris of London. Single edged unfullered, slightly curved blade decorated with a VR entwined cypher surmounted by Crown. Gilt metal hilt with crowned VR cypher, shagreen grip and copper twist wire binding. Housed in steel scabbard fitted with two loose rings. Etching remains clear. Gilt worn to base metal some service wear GC.
Los 906
Victorian General Officer’s 1831 pattern Mameluke hilted sword A good example by Robert Mole & Sons Birmingham. The blade is etched with Crowned VR Cypher, General Officer’s device and floral decoration. Gilt cross guard with floral decoration with General Officer’s device to the centre. Two piece Ivorine grips with two floral head gilt studs (one absent). Housed in a brass scabbard, fitted with two loose rings. The etching to the blade is clear and clean. Overall GC ... Accompanied by gold bullion and crimson silk lined sword knot.
Los 907
William IV Coldstream Guards Officer’s Sword. A scarce regimental example of the 1822 pattern Officer’s Sword. The narrow single edged piped back blade with an etched panel depicting the Regimental Garter Star and a WIVR entwined crowned cypher. The hilt of regulation pattern, the guard incorporating a Crowned WIVR cypher, the shagreen grip with twist wire binding. Housed in brass scabbard. The etching to the blade is clean and clear. The sword has been professionally restored to a high standard, the guard regilded. GC.
Los 909
Victorian Coldstream Guards Levee Pattern Officer’s Sword by Wilkinson. A good and scarce regimental pattern. The blade etched with a Crowned VR cypher and bears Regimental Battle Honours the last being for the Crimea. To the forte cutlers details of Wilkinson and to the back of the blade the number 17356 (1871). The hilt with steel guard incorporating the Garter, the grip with shagreen cover and twist wire binding. Housed in correct narrow plated scabbard. GC etching clear clean condition.
Los 490
Tennyson Petrina Edmond Hughina Green, (British, 20th Century), Through the Looking Glass - a self-portrait of the artist inscribed to the reverse "P Tennyson Green" and with title, oil on canvas, 50 x 40cm (20 x 16in). P Tennyson Green entered the Slade School in London in the early years of the First World War. She was a New Zealander of independent means and excelled in oils, watercolour and etching. She travelled widely in Britain and abroad, and her work was shown in London and the provinces and even as far afield as Canada, New Zealand and Austria by, for example, the Cambridge Drawing Society, the Royal Academy, New English Art Club, and Society of Graphic Artists. Tennyson Green provided eight Cambridge scenes, of which five are still unpublished, at the Victoria and Albert Museum, for a wartime project to record the country`s heritage
Los 116
*Callot (Jacques). Siege de la Citadelle de St. Martin dans L’Isle de Re, n.d., late 19th century, large uncoloured etching on six sheets conjoined, overall size 1180 x 1355mm, with separate key plate, both framed and glazed. In 1627 an English armada under the command of George Villiers, The Duke of Buckingham attacked the Isle de Re in order to help relieve the siege of La Rochelle. After a three month campaign the Duke was forced to withdraw in defeat. This large and impressive etching celebrates this French victory. (2).
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78472 Los(e)/Seite