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78475 Los(e)/Seite
Hendrik-Dirk Kruseman Van Elten, (1829 - 1904). "The Ausable River NY" Important American Adirondack Exhibition frame. Hudson River School, Oil on Canvas. Masterful rendering of a rocky stream in a forest setting. Signed lower right under framing. Overall size: 34 1/2 x 38 1/2 in. Sight size: 18 1/4 x 22 in. Hendrik-Dirk Kruseman Van Elten (1829 - 1904) was active/lived in New York / Europe. Hendrik Dirk Van Elten is known for Romantic style landscape and coastal view painting, etching. Hendrik-Dirk Kruseman van Elten was born in Alkmaar, Holland in 1828. His earliest professional training in art was with Cornelius Lieste in Haarlem, Holland. Lieste was a successful landscape painter in the Dutch Romantic School of the nineteenth century. After extensive training with Lieste, van Elten toured Holland and northern Europe with stays in France, Germany and Belgium where he painted and toured museums in the major cities of the area. Shipping records and census information record van Elten in the New York area of the United States by 1865. Records at the National Academy of Design list Van Elten as a regular contributor to exhibitions in America’s premier and most prestigious public space, the National Gallery of Design, from 1866 to 1900. In 1871 van Elten was elected to the rank of Associate. In 1883 he was elected to the full rank of Academician of the National Academy of Design in New York City.
Hedley Fitton (1859 - 1929) England artist. Colored Etching. Hedley Fitton was born in 1859 in Manchester, England and was a pupil at the Warrington School of Art. He worked throughout England, Scotland, France and Italy and is now mostly remembered mainly as an etcher of architectural subjects. He lived in Didsbury in the early 1890s while working as an editor and illustrator for The Daily Chronicle in Manchester. He moved to Shottermill, Surrey around 1898 and he spent his later life living at Haslemere. Fitton worked mainly in printmaking throughout his career. He eventually settled in Surrey and died there aged 72. He exhibited his work at the Royal Academy of London*, Royal Society of Painter-Etchers and Engravers*, R.W.A. and at the Paris Salon*. He became an Associate of the Royal Society of Painter-Etchers and Engravers in 1903 and a full member in 1908. Hedley Fitton died on the 19th of July, 1929. Overall size: 22 3/4 x 24 3/4 in. Sight size: 14 x 16 1/2 in.
"Full Moon Boogie", etching - aquatint - watercolor. Signed & numbered 2/30, framed. McKirdy is a mixed-media artist from Tampa, Florida. Over the years he has experimented with a variety of materials in painstaking processes to create works that engage the viewer through optical illusion. Overall size: 15 x 15 in. Sight size: 6 x 7 1/2 in.
Titled "Late Afternoon", signed black & white etching, numbered 10/100. Framed under plexiglass. Howard Hodgkin was a British artist known for abstract painting and printmaking. His lush, semi-abstract paintings filled with implicit drama, established him as one of the most admired artists of the postwar period. Overall size: 35 x 401/2 in. Sight size: 30 x 39 in.
Titled "Mid-August" etching & watercolor, numbered 11/30, signed in the plate and in pencil in the margin. Overall size: 14 1/2 x 12 1/4 in. Sight size: 8 x 6 1/2 in. McKirdy is a mixed-media artist from Tampa, Florida. Over the years he has experimented with a variety of materials in painstaking processes to create works that engage the viewer through optical illusion.
Johan Balthasar Probst (1673-1748), Vue du Pont Neuf, vers le Louvre, Paris, hand-coloured engraving, 32 x 42.5cm; 51 x 62cm framed; together with François Xavier Habermann after Wilhelm Baur, Vue du Pallais du l'Empereur de Perse avec la Mosquée, ou Eglise à Ispahan, hand-coloured engraving, 43 x 47cm, 38 x 51cm framed; and 2 engravings by Tardieu after David Teniers, La Vie sans chagrin and La Vieillesse Rajeunie, 15 x 11cm; 40 x 36cm framed and and etching of A Veduta Generale delle gran Mole Adriana, e Ponte Elio, by Rossini, 37 x 55cm. framed (5)
JULIAN HARTNOLL. Two Christmas cards signed by Hartnoll and dated 1987 and 1984, one lithograph the other gold paint, together with a wood engraving by GEORGE MACKLEY. 'Coltsfoot', and etching of a squirrel on a branch, a little book of cats by alice and a coloured etching signed in pencil 'Journeys of Icarus I' 95 / 95 title page, smallest 7 x 10 cm, largest 48 x 48 cm
§ PETER DOIG (SCOTTISH 1959-) DRIFTER - 2001 Etching and aquatint, 20/46, from 100 Years Ago, published by The Paragon Press, London, signed and numbered in pencil(the sheet 112.5cm x 167.5cm (44.25in x 66in)) Peter Doig is one of the most renowned contemporary figurative painters and for a while held the record for most expensive artwork sold at auction by a living artist. Based across New York, Dusseldorf and Trinidad, his large-scale works often have a dreamy, imaginative quality. Doig uses found photography and other existing imagery such as film stills, newspaper cuttings and art historical references as a basis for work, then painting expressively in response to them – this approach and his particular painterly technique often generate a sense of slipping and emergence, of things evolving and receding, memory, sensation and remembering. In ‘Drifter,’ there is a sense of the found photograph, with the focal light source bleaching out some of the details. In this haziness, we feel we know this figure but in this moment we can’t remember him, we are overcome with the reaching, the heat and the light.
* Nixon (Kay, 1895-1988). Birds in Durata Erecta, watercolour on paper, signed twice lower right, 52 x 33cm, framed and glazed, together with a collection of watercolours and prints including "Nazareth", indistinctly signed WJ?, 27.5 x 39cm, framed and glazed, an art deco mixed media watercolour on silk showing a dancing couple, 53 x 32, framed and glazed, Margaret Whitaker, "Fantasia", 1965, textured etching, signed and dated lower right, 45.5 x 30cm, David Birtwhistle, "Susanna", trial proof etching, showing a large pig, image size 20 x 30cm, unframed, other artists include Rod Hamer, Doris Ann Goodchild and others plus various oriental art including 4 Japanese woodblock prints, circa 1900, showing chickens, flowers etc, 2 Mughal gouache an others (mostly unframed)Qty: (35)
* Van Dyck (Anthony). The Five Eldest Children of Charles I, London: sold by E. Cooper at ye Pigeon in Bedford Street, c.1680, mezzotint after Van Dyck on laid paper, the third state of three (with E. Cooper's imprint replacing Alexander Browne's), British Museum catalogue number BM 1902-10-11-372, a few chips and creases, narrow margins, sheet size 32.9 x 41.4 cm, together with approximately 60 other engravings, etchings and mezzotints, nearly all late-17th or 18th century, including John Smith after Nicolas de Largillierre, 'Le Prince de Galles et la Princesse sa Soeur' (mezzotint, toned and chipped), 3 oval aquatints of Louis XVI, Louis XVII and Elisabeth de Bourbon (backed on card), numerous portraits of British and European aristocrats after Kneller, Lely, van der Werff and others (a few trimmed to image in oval form), an etching of leopards by Richard Gaywood after Francis Barlow, and similarQty: (approx. 60)

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