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A collection of engravings, etchings, prints, etc to include AFTER MARIUS BAUER "Een feestdag in Delhi" etching, signed and titled indistinctly in pencil, 55 cm x 39 cm, WILLIAM DENATALE "Abstract study of trees", signed lower right, 24 cm x 17 cm, two Japanese studies of "Insects" and "Birds", bearing inscriptions to the right hand side on each, 28 cm x 16 cm and W CROWLEY "Gentleman on horse with whip and two dogs behind", pencil study, signed and dated 6 22 1847, 24 cm x 30 cm
WILLIAM ENFIELD; 'Enfield's History of Liverpool: An Essay to ward the history of Liverpool drawn up from papers left by the late Mr George Perry, and from other materials since collected by William Enfield, with views of the principal public structures, a chart of the harbour, and a map of the environs', Warrington printed MDCCLXXIII (1773), with black and white etching of churches and views of Liverpool harbour and city, and various fold-out maps. CONDITION REPORT All present, some areas of foxing to the pages, maps intact as are the illustrations. Generally in good condition. Has been rebound in 1949 by Stanley Roberts 41 Ribbledale Road Mossley Hill Liverpool 18.
A 19th century engraved glass goblet, initialled 'RAR' in cartouche surrounded by hops and wheat, reverse with a scene of tall masted ship passing under a bridge, 'Sunderland Bridge Over the Wear', on knopped stem and flat foot, height 16.8cm. CONDITION REPORT Overall good condition a few scratches, one large scratch to the right hand side of the ship running through the etching and finishing in the beaded b order by the bridge , other minor scratches commensurate with age
E H KRAUSE (active 1899); four watercolours comprising a pair of maritime scenes, fishing boats in harbour and tanker in the distance, fishing boats in harbour with house on the shore, both signed and dated 1899 lower left, 22 x 52cm, a pair of Welsh castles, shore in the foreground with figures and fishing boats, 22 x 39cm, after R.L. Armitage, an etching of H.M.S. Victory, 25 x 18cm, and after W Hymans, a pair of decorative prints, 'The White Mill' and 'A Devonshire Village', all framed and glazed (7).
NO RESERVE Leskoschek (Axl) Brazilian Miniatures; Miniaturas Brasilieras, number 174 of 250 copies signed by the artist, loose as issued in original wrappers, uncut, card portfolio with ties, Guildford, Circle Press, 1974 § Richards (Anthony) From a Satyric Country: Poems, number 38 of 120 copies signed by the author and artist/printer, woodcuts by Ian Mortimer, loose as issued with prospectus in original cloth-backed board drop-back box, I.M.Imprimit, text printed at the Circle Press, 1971 § Paterson (Alistair) Touchings, one of 10 AC copies from an edition limited to 90, signed by the artist, double-page colour silkscreens by Bracaval, loose as issued in original card portfolio, Guenrouet, 1998 § Lucie-Smith (Edward) The Makers , number 33 of 140 copies signed by the author, etching by Ann Brunskill and wood-engraving by John Lawrence (both numbered & signed in pencil), 2 original photographs, loose as issued, original wrappers, preserved in old roan-backed drop-back box, 1976 § Burnett (David) Vines, number 20 of 50 special copies with an additional suite of signed engravings, signed by the artist, from an edition limited to 200, wood-engravings by Richard Shirley Smith, original cloth-backed boards, additional prints each tipped into wrapper, together in slip-case, Steventon, Rocket Press, 1984; and 8 others, press, 4to & 8vo (13)
Gerald Leslie Brockhurst (British, 1890-1978), Cypriano (a Basque), etching on wove paper, signed in reverse in the plate and in pencil lower right, 1927, from the published edition of 111 impressions, plate size 6 ½ x 3 ¾in. (16.2 x 9.5cm.), sheet size 11 ¼ x 7 7/8in. (28.6 x 20cm.), Wright 59, x/x, unframed. * Very faint time staining indicating window, otherwise in good condition. Not laid down.
Edmund Blampied R.E. (Jersey, 1886-1966), "The Centenarian", drypoint etching, signed "Blampied Jan. 1931" at foot of plate in the centre, signed in pencil lower centre and numbered 18 of an edition of one hundred, 1930-31, 10 5/16 x 10 3/16in. (27 x 26.3cm.). * Appleby & Arnold Catalogue Raisonné 144
Edmund Blampied R.E. (Jersey, 1886-1966), "Loading Vraic, St Malo", drypoint etching, signed in pencil lower right and signed "Blampied Sep. 1926" at the foot of plate, left of centre, edition of one hundred, pub. 1926-27, 6 7/8 x 10in. (17.6 x 25.6cm.), framed. *Provenance: Label on reverse for St Helier Galleries, Jersey **Literature: Appleby & Arnold Catalogue Raisonné No.122. *** Time stained. Acid free mount.
Edmund Blampied R.E. (Jersey, 1886-1966), "Work in the Fields", drypoint etching (plate bevelled), signed in pencil lower left and signed "Blampied 1915" lower right of plate, edition of sixty-five, pub. 1913, 8 ¾ x 11 ¼in. (29.8 x 28.6cm.), framed * Notes: Appleby & Arnold Catalogue Raisonné No.31. Blampied asserted that this plate was executed in 1913 and the engraved date 1915 is erroneous. ** Badly time stained. Acid free mount.
After Jean-Michel Moreau the Younger (French, 1741-1814), engraved by P.L. Moreau, Le Bel Masque & Le Festin Royal, a pair, etching and engraving, 20 ¾ x 15 ¾in. (52.7 x 40cm.). (2) * Notes: The arrival of King Louis XVI of France and the Queen Marie Antoinette, entering the Hotel de Ville in Paris on 21st January 1782 for the feast to celebrate the birth of their son the Dauphin, Louis Joseph. ** The masked ball held in Paris on 23rd January 1782 in the presence of King Louis XVI and Queen Marie Antoinette to celebrate the birth of their son the Dauphin, Louis Joseph.
Edmund Blampied R.E. (Jersey, 1886-1966), "The Cider Barrel", drypoint etching, signed very faintly in ink lower centre, signed "Blampied" at the foot of the plate, right of centre and left of centre, edition of one hundred, pub. in 1928-29, 10 5/8 x 10 ½in. (27 x 26.7cm). * Literature: Appleby & Arnold Catalogue Raisonné No. 134. ** Time stained. Mount foxed.
Edmund Blampied R.E. (Jersey, 1886-1966), "The Stable", drypoint etching on laid paper, signed in pencil lower centre and signed in the plate lower centre, edition of one hundred, pub. 1923, 5 5/8 x 7 7/16in. (14.3 x 18.8 cm.). * Literature: Appleby & Arnold Catalogue Raisonné No.96. ** Badly foxed and time stained.

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78472 Los(e)/Seite