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78472 Los(e)/Seite
Los 356
Three various etchings: Frederick Landseer Griggs (British, 1876 - 1938) The Coopers Arms Inn Yard 1897 Etching Artists initials in the plate Plate size 12cm x 20cm another by the same artist Bridge Street Etching Signed faintly to the margin l.r. 26cm x 15cm together with an etching of a rural high street, signed indistinctly l.r. 11cm x 15cm (3)
Los 487
Erich Wolfsfeld (German 1884-1956) Portrait of a child Signed in pencil in the margin, etching.14 x 11.5cm (framed 49 x 40.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. The paper has browned in areas and there is some minor cockling across the sheet. The print is ornately reframed and glazed.
Los 488
Erich Wolfsfeld (German 1884-1956) Biblical scene Signed in pencil in the margin, etching.35 x 47cm (framed 55 x 66cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The prints is in very good, original condition with no obvious faults to report. The print is framed but not glazed. There are some minor surface marks across the mount board. The frame has some minor scuffs and knocks commensurate with age.
Los 127
λ HANS BELLMER (GERMAN 1902-1975) DORIANE (CHAPEAU-FILLES) Etching, 1969 Signed in pencil and numbered 5/100, published by Galerie A.F. Petit Plate 29 x 22.5cm (11¼ x 8¾ in.) Literature: Denoel, Hans Bellmer, Oeuvre Grave, 1969, illus. p.107Hans Bellmer was a German artist known for his provocative and surrealistic sculptures, drawings, and photographs. Emerging in the 1930s, Bellmer's work often explored themes of desire, sexuality, and the subconscious mind. He gained international recognition for his "La Poupée" series, which featured unsettling and meticulously crafted dolls with interchangeable parts, arranged in surreal and sometimes disturbing compositions. His work was deeply influenced by his own experiences during the war, and his interest in psychoanalysis, particularly the theories of Sigmund Freud. During the Second World War, his work was declared "degenerate" by the Nazi party, and Bellmer fled to France in 1938, where his work was received by André Breton and the Surrealists with interest. He was fascinated by their experimentation of multifaceted planes of perspective, which influenced some of his later works. Bellmer's work has been exhibited in Europe and the United States, with multiple solo shows showcasing his photography, dolls and paintings. Highlights include solo shows at the Museum of Contemporary Art, Chicago in 1975, the Centre Georges Pompidou in 2006, and at the Washington D.C Hirshhorn Museum and Sculpture Garden in 2016. Condition Report: Executed on wove paper. Some slight undulation to the sheet, notably to the edges where it has been mounted. There is some faint discolouration to the sheet throughout. Unexamined out of glazed frame.Condition Report Disclaimer
Los 321
Theophile Chauvel after Corot Soleil Couchant, etching on laid paper, circa 1880, 29 x 43cm (loose sheet); with 4 unframed 20th century landscape and building subject etchings, Broadhurst Manor by Ian Strang (signed edition of 50), The Tithe Barn by Morton Mathews, signed; view of Lancaster, signed indistinctly; and one other (5)
Los 116
After Herbert Thomas Dicksee (1862-1942), 'The Crest of the Hill', unsigned etching, blind stamp to lower left, pub: Frost & Reed Ltd 1911, 44 x 70cm, together with a coloured engraving after J Loder 'William Long, Huntsman to His Grace the Duke of Beaufort.....', engraved by Cha.s Hunt, pub: Ackermann & Co. and J Norton, 56.5 x 74.5cm, (2).
Los 434
After CanalettoIl Bucintoro, pub. Teodoro Viero (1740-1819), etching with hand-colouring, 24 x 34.5cmFrom the Estate of Francis and Larissa Haskell. Francis Haskell (1928-2000) was an art historian, author and professor of Art History at the University of Oxford. His wife Larissa (1931-2024) was a noted Russian art historian, and was curator of Venetian drawings at the Hermitage.
Los 55
Ernest Lumsden (1883-1948)Beached Boats, etching c.1934/46, 17.5 x 37.5cm; three further by the same hand to include: portrait of James McBey c.1923, 25 x 2.5cm; portrait of Marius Bauer, 33 x 25.5cm; and river landscape with buildings, 25 x 35cm; the latter two unframed (4)From a private collection of unframed etchings and lithographs produced as presentation prints to members of the Print Collectors’ Club c.1921-1998. More details available upon request.
Los 58
James Arden GrantThe Smiling Girl, etching, pencil signed in the margin and dated '35', 19 x 14.5cm; two further etchings to include: H.A. Freeth - Merenda, 17 x 25cm; Fred V. Burridge - Alden Bushes, 14.5 x 21cm; and Henry Macbeth Raeburn - Mrs Malcolm, mezzotint, 19 x 15cm, all pencil signed in the margin, unframed (4)From a private collection of unframed etchings and lithographs produced as presentation prints to members of the Print Collectors’ Club c.1921-1998. More details available upon request.
Los 273
William Lionel Wyllie (1851-1931)Sailing vessels, etching, signed in pencil, and another similar, 23 x 36cm (2) From a collection of pictures from a private Oxfordshire Estate (Lots 201-292) The larger work is a bit time stained, both works have some brown staining to the edges from acidic mounts. Smaller work has a couple of small dark spots to the margin.
Los 31
Bernard Picart (1673-1733)'Le Diligent', etching, hand-coloured for 'L'Art de Monter à Cheval' by Baron d'Eisenberg and five further similar from the same series, 20.5 x 30.5cm (6) Light time staining, with a few scattered light spots of foxing. Two have diagonal creases, and some have a couple of paler spots.
Los 83
Print Collectors' Club Publications: vols 1-26, all First Editions except one, complete and including the Edition Deluxe No. 1 containing a signed proof of an original etching by Sir Frank Short issued solely in the publication, numbered 19 of 120 copies and signed by Martin Hardie, cloth bound and hard-backed; together with Modern Masters of Etching, 5 vols. 1925-1929; and Hayter, S.W.: 'About Prints' and 'New Ways of Gravure' (33)
Los 59
Henry Rushbury (1889-1968)Prison and Assize Court, York, etching, pencil signed in the margin, 18 x 25cm; Marion Rhodes - Bamburgh Castle, 20 x 35cm; and Malcolm Osborne - The Valley Farm, Semur, 14 x 33cm, both pencil signed in the margin, unframed (3)From a private collection of unframed etchings and lithographs produced as presentation prints to members of the Print Collectors’ Club c.1921-1998. More details available upon request.
Los 418
Giovanni Benedetto Castiglione (1609-1664)The Feast before the Altar of Terminus, etching, 23 x 18cm Prov: With P & D ColnaghiFrom the Estate of Francis and Larissa Haskell. Francis Haskell (1928-2000) was an art historian, author and professor of Art History at the University of Oxford. His wife Larissa (1931-2024) was a noted Russian art historian, and was curator of Venetian drawings at the Hermitage.
Los 427
Russian school (late 19th century)Landscape with bridge, signed in cyrillic and dated 1893, watercolour, 11.5 x 10cm; three Russian or Eastern European ink drawings; an ink and coloured pencil sketch; a small etching; a watercolour of a library and one other (8)From the Estate of Francis and Larissa Haskell. Francis Haskell (1928-2000) was an art historian, author and professor of Art History at the University of Oxford. His wife Larissa (1931-2024) was a noted Russian art historian, and was curator of Venetian drawings at the Hermitage.
Los 419
Giovanni Benedetto Castiglione (1609-1664)Tobit burying the dead, etching, 20 x 29.5cmFrom the Estate of Francis and Larissa Haskell. Francis Haskell (1928-2000) was an art historian, author and professor of Art History at the University of Oxford. His wife Larissa (1931-2024) was a noted Russian art historian, and was curator of Venetian drawings at the Hermitage.
Los 420
Francis St Clair Miller (b. 1947)Piazzetta San Marco - winter evening, signed, inscribed and numbered 59/100 in pencil to the margin, etching in colours, 60 x 41cmFrom the Estate of Francis and Larissa Haskell. Francis Haskell (1928-2000) was an art historian, author and professor of Art History at the University of Oxford. His wife Larissa (1931-2024) was a noted Russian art historian, and was curator of Venetian drawings at the Hermitage.
Los 67
John Grigsby'Valley Trees', etching with aquatint, pencil signed in the margin, titled and numbered 33/100, 15 x 20.5cm; and three further works by James Beale; June Berry and Anne Joyce, various sizes, all unframed (4)From a private collection of unframed etchings and lithographs produced as presentation prints to members of the Print Collectors’ Club c.1921-1998. More details available upon request.
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78472 Los(e)/Seite