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78472 Los(e)/Seite
Los 1260
Tom Carr (1912 - 1977) "Forward Away!!", a dynamic study of a hunt leader and mount jumping a ditch following the pack, watercolour tinted dry point etching with body colour, limited edition 26/75, signed, in pen lined card mount and ebonised frame under glass, 57 cm x 47 cm overall [Carr originally trained as a blacksmith before turning his hand to painting. He graduated King's College, Newcastle with a certificate in Fine Art.]
Los 1257
Tom Carr (1912 - 1977) "The Whipper - in", a study of the huntsman's assistant calling the pack, watercolour tinted dry point etching with body colour, limited edition 49/75, signed within print and in graphite, in pen lined card mount and ebonised frame under glass, 57 cm x 47 cm overall [Carr originally trained as a blacksmith before turning his hand to painting. He graduated King's College, Newcastle with a certificate in Fine Art.]
Los 1258
Tom Carr (1912 - 1977) "The end of forty minutes", a study of a hunting party gathered after the hunt, watercolour tinted dry point etching with body colour, limited edition 3/75, signed within print and in graphite, in pen lined card mount and wooden frame under glass, 57 cm x 47 cm overall [Carr originally trained as a blacksmith before turning his hand to painting. He graduated King's College, Newcastle with a certificate in Fine Art.]
Los 406
A Pattern 1912 cavalry officer's sword, having a leather-covered guard khaki-painted pommel, sword knot, leather Field Service scabbard and saddle frog / horseshoe pouch, retailed by Wilkinson of Pall Mall and numbered 48745, the blade etching incorporating the monogram ARF, the pouch dated 1906, together with research documents. [Per the Wilkinson archive the sword was supplied to A A [sic] Ferguson of the Scottish Horse, 10 April 1915. 2nd Lieutenant Alexander Robert Ferguson, 1st/3rd Scottish Horse, born Glasgow, killed (accd.) 14 June 1916, interred at Kantara War Memorial Cemetery, Egypt]
Los 1280
Jane Gardiner (Scottish, Contemporary) "The Profile", portrait of a young woman with plaited hair, draped in white, oil on canvas, in gilt slip and wooden frame under glass, 45 cm x 45 cm overall, with artist's receipt [Gardiner is a Glasgow based figurative artist with an interest in the human visage. She produces works in both oils and etching and has exhibited at the Paisley Art Institute and Royal Glasgow Institute of the Fine Arts annual shows. https://www.janegardiner.co.uk/]
Los 208
Hodgson (John) A History of Northumberland, 3 parts in 6 vol. only (lacking part 2 vol. 3), plates and illustrations, occasional foxing and light soiling, contemporary half morocco, vol. 7 with shelf-lean, rubbed, Newcastle, 1820-58 § Young (John) A Catalogue of the Collection of Pictures, of the Most Noble the Marquess of Stafford, at Cleveland House, London, containing an Etching of Every Picture, and accompanied with Historical and Biographical Notices, 2 vol., engraved plates on india paper, plate-guards, occasional foxing, contemporary red straight-grain morocco, gilt, a little scuffed, extremities rubbed, g.e., 1825; and 13 others, illustrated, v.s. (21)
Los 228
Giovanni Battista PIRANESI (1720-1778) 'Veduta del Tempio di Cible a Piazza della Bocca della Verita (The Temple of Portunus (?))' Late 18th/early 19th-c. century b+w etching, plate mark visible, horizontal lines of dark shading added in sky near centre upper margin (Hind, 47), some toning to margins, framed and glazed measures 52cm x 68cm
Los 109
Anita Pegles (20th/21st century) - "Snowdrops", signed artist proof, black and white etching, 6.75" x 4.75" together with three further prints one depicting two Hornbill's, another coloured etching of two puppies, indistinctly signed, also inscribed on a label verso Franz Hanfstengl, Munich, another street scene etching of York depicting the Shambles, by Herbert G. Hampton, and finally a watercolour of a bird on a branch signed Ray Styles and dated 84 (1984), various sizes (5)
Los 108
Dorothy Sweet (20th century) - "The Monument", signed artist proof, also inscribed with the title, black and white etching, unframed, 10.75" x 6.25" together with further etchings by L. Dorothy Greenwood, title of the work Bristol, another etching by A. Dirksen van Angersen Dutch landscape with windmills, another etching by Andrew Watson Turnbull depicting the university in Bristol, a further etching related to Bristol entitled Clifton College, Bristol by W. A. Donald, various sizes (5)
Los 97
William Lionel Wylie (1851 - 1931), Five views of the River Thames, signed in pencil, one inscribed 'London Bridge' in pencil, etching, each framed and glazed; Woolwich? and St Pauls with Monument (a pair) 16 x 37.5 cm, London Bridge 12 x 32.5 cm, Tower of London and St Paul's (a pair) 35 x 25 cmQty: 5
Los 89
Edward Thomas Daniell (1804-1842), four etchings of Norfolk interest, comprising: 'Near Norwich (Heath scene, With Windmill)', pencil signed beneath etching, 7 cm x 10.5 cm, 'Aylsham', 18 cm x 28 cm, (x2) and 'Tasburgh Bridge, near Norwich', 15 cm x 23 cm, all unframed and mounted.Qty: 4Private collection, retained by descendants of John Sell Cotman (1782-1842), from the family collection.
Los 69
John Crome (1768-1821), 'Gillingham Church', etching, titled and monogram to lower left, 11.5 cm x 16 cm, together with two engravings after Crome, 'N.E. View of All Saints Church, Gillingham, Norfolk', published P. Thompson, Norwich, 12 cm x 16 cm and ;N.W. View of St Mary's Church, Hadiscoe', annotation reading 'Theobald 39 First State', 13 cm x 18 cm, each unframed in a card mount.Qty: 3Private collection, retained by descendants of John Sell Cotman (1782-1842), from the family collection.
Los 92
David Hockney RA (b.1937), 'Digging Up Glass', etching and aquatint from 'Illustrations For Six Fairy Tales From The Brothers Grimm', 1969, pencil signed and numbered 'AP III', 12.5 cm x 11 cm with margins, framed and glazed.Private collection, deceased estate. Goldmark Gallery label verso.Appears in good condition, with no damage or repair. Some minor wear to the frame. Sealed in the frame and glazed - not inspected out of the frame.
Los 101
After James Gillray (1756-1815), 'Dilettanti Theatricals - or a Peep at the Green Room - Vide Pic-Nic-Orgies', H. Humphrey, Feb 18th 1803, etching with contemporary hand colouring, 31 cm x 49 cm framed and glazed.Recently framed and glazed, print has not been removed for inspection. Trimmed to a maximum of 4mm to plate line (greatest depth along the bottom edge) . Appears to have been stuck down in places, with rippling evident to the edges (see images). Colours appear generally good. Repair apparent to top left corner of the paper. Slight foxing visible in the title border and some discoluring of the paper evident.
Los 597
John Clue (20th century), Mona Lisa, Akoroa New Zealand, pencil signed limited edition etching on paper, together with Zoe Image, Dandelions, pencil signed coloured limited edition print and Chris Nobel, Return to the Land, pencil signed limited edition coloured print on paper, each framed. H.40 W.30cm largest
Los 64
Alluring etching of a nude woman laying in bed while an admirer peeps through the window.Unframed. Sight: 8in H x 6.50in L. Signed in pencil on bottom right, artist name printed on bottom left. Artist: Otto GoetzeIssued: Late 1800 - Early 1900'sCountry of Origin: GermanyCondition: Age related wear.
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78472 Los(e)/Seite