78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78472 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78472 Los(e)/Seite
Titled Angel Departing From the Family of Tobias. Burin and drypoint etching on paper. Artist signed and dated lower left. Housed in dark brown frame. Sight size: 7"L x 4.75"H with 6"mat. Frame size: 21"L x 1.25"W x 18"H.Artist: Rembrandt van RijnIssued: 1641Dimensions: See descriptionProvenance: Purchased from the Manahattan Chapter of the Leukemia Society, New York; John and Johanna Bass Collection; Bass Museum of Art after 1979. Condition: Good condition.
An impressive Murano chisel-etched vase by the Venetian craftsman Bruno Bertoldini Bruber (b.1931- ), titled Hommage to Paolo Uccello, after the celebrated Renaissance painter, signed and titled by the artist B.B Bruber, approx. 51 cms h x 40 cms. Biography: Born on 15th July 1931 in Venice, Bertoldini studied at the Istituto Statale d'Arte ai Carmini in Venice. He further honed his skills as a decorator on the island of Murano. After a period in Belgium, where he specialized in glass door decoration, he returned to Murano and pioneered new techniques in chisel glass etching and the application of gold and coloured enamels on glass. Provenance: Property of a Kensington lady. -
Samuel Chamberlain (1895-1975), Chartres, signed in pencil lower right margin, number 53/100, etching, 23.5cm x 39cm (61cm x 44cm overall frame size), and another small engraving by Samuel Chamberlain; another, Alexander P. Thomson (Scottish 1887-1962), Paisley Museum, signed in pencil lower right, etching, 28cm x 24cm, (3).
Gigantism.- Human fountain.- Hirschmann (Thomas) Vera Effigies Filippo Giuliani..., etching, an excellent well inked impression on laid paper with indistinct watermark, sheet 300 x 187 mm (11 3/4 x 7 1/4 in), trimmed to or just within the platemark, small loss in the upper left corner, and lower right corner, repaired tear to the head of figure, hinged onto mount, unframed, 1680 *** Portrait of travelling showman Filippo Giuliani, known for his great height, and his ability to spew fountains of water from his mouth, as seen in the back right of the image. An advertisement for Jouliani Scotto, presumably the same performer, read: “The great Scot will drink an unbelievable amount of water, which he will change into wine of every kind, milk, beer, ink and fragrant liquids of different scents . . . He will cause lettuce to come out of his mouth, as fresh as it is when sold in the marketplace, two plates with live fish, roses, carnations, tulips and many other flowers, as lovely and fresh as they grow in a garden in springtime, live birds, 300 or 400 gold pieces, neckties, cuffs, lace, ribbons and a thousand other oddities, which one cannot describe and which appear to go beyond the powers of the imagination” [E. G. Happel, Größte Denkwürdigkeiten der Welt oder Relationes curiosae. Hamburg, 1683] A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.
LGBTQ+ pioneer.- Genderfluid spy fencing with the first classical composer of African descent.- Picot (Victor Marie) The Assault or Fencing-Match Which Took Place Between Mademoiselle La chevalière d’Eon de Beaumont and Monsieur de Saint George, after the painting by Charles Jean Robineau, etching and engraving, 473 x 504 mm (18 3/4 x 19 3/4 in), laid onto old card support, old handling creases and small repaired tears visible, spotting, surface dirt and minor even toning, unframed, 1787 *** 'A print after a painting by Alexandre-Auguste Robineau (1747-1828), now in the Royal Collection (inv. RCIN 400636). It records the fencing match between the Chevalier de Saint-Georges and the Chevaliere d'Eon (the name which had been adopted by the Chevalier d'Eon from 1777, at which date she had begun to live publicly as a woman and to adopt feminine grammar rather than the male grammar she had used to date). The match took place at Carlton House on 9 April 1787 and was attended by numerous members of high society including the Prince of Wales [...] Although the Chevalier was, at this date, living as a woman in London, d'Eon nevertheless continued to give fencing displays and demonstrations, partly as a way to make a living after the ending of the ambassadorial income...' [British Museum] Joseph Bologne, Chevalier de Saint-George(s) (1745-1799) was a French violinist, conductor, composer and soldier. Born in the French colony of Guadeloupe, his father, Georges Bologne de Saint-Georges, was a wealthy, white plantation owner, while his mother was one of the Creole people Georges kept enslaved. He studied in France from the age of 7, excelling as a fencer and a musician and composer. He joined the orchestra Le Concert des Amateurs, which culminated in his appointment as its conductor in 1773, and in 1776, Bologne began conducting the Paris Opera. Bologne was the first classical composer of African descent to attain widespread acclaim in European music. A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.
Quack in London.- [Harrison (Thomas)] [Broadside satirising a quack doctor in London, with street scene of a crowd of people surrounding "Waltho Van Claturbank, High German Doctor"], etching and engraving on laid paper with armorial watermark, vignette in the upper section with three columns of text underneath with the doctor's speech, sheet 385 x 257 mm (15 1/8 x 10 1/8 in), with flap, 430 x 257 mm, the flap with erroneous pen and ink inscription 'The Earl of Rochester's Mountebank Speech on Tower-Hill', trimmed to or just within the platemark, , minor small nicks to extremities, small repaired tear to flap at upper centre, unframed, [circa 1713 to 1765] *** Scarce at auction, with institutional examples held in the Wellcome and British Museum. "Gentlemen, I Waltho Van Claturbank, High German doctor, chymist & dentifricator ... have the Panchymagogon of Hermes-Trisme-giftus, an Incomparable Spagyric Tincture of the Moons Horns, which is the only infallible Antidote against the contagion of Cuckoldom ... [and I] have actually performd such cures as are really beyond human abilities ... [and you will find me] not far from Titter Tatter Fair, and you may see, hear, and return, re-infecta." A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.
Satire, magic and performance.- Cruikshank (George) Ivan Ivanitz Chabert [The Fire King], scarce, with no copy held in the British Museum, etching, on laid paper, 190 x 125 mm (7 1/2 x 4 7/8 in), unframed, SW Fores, 1818; together with 14 further satirical prints, many with subjects of magic, illusion, deception, and extraordinary performance, including a fantastic French satire with the three cups 'Partez Muscade', William Richardson's 'A Baite for the Devil', 'The Destruction of the Elephant at Exeter Change', SW Fores' 'Billy's Raree-Show-or John Bull "en"lightened' [BM 9030], Woodward's 'The Dog & the Devil!', an uncoloured impression of Rowlandson's 'The Infant Hercules', and others similar, etchings, engravings and lithographs, various sizes, largest 310 x 240 mm (12 1/4 x 9 1/4 in), all unframed, [19th century] (15) A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.
Botocudos family from Brazil.- Gear (I.W.) The Wild Indian Chief, Wife & Child, as exhibited at 23 New Bond Street [and] The Wild Indians, as in their Native Country, broadside for a Victorian "Freak show", aquatint with etching, on Whatman wove paper, sheet 315 x 420 mm (12 1/2 x 16 1/2 in), hinged onto paper support, minor spotting and surface dirt, unframed, Zavier Shabert, 1822; together with a hand-coloured lithograph of the family 'Sketched from Life by R. Banks', 285 x 250 mm (11 1/4 x 9 3/4 in), repaired tears, rough edges, minor surface dirt, unframed, [1822] (2) *** Broadside print advertisement for an anthropological exhibition of a family from the Botocudos region of Brazil. A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.
Mermaids.- Cruikshank (Isaac Robert) and others. The Mermaid, now Exhibiting at the Turf Coffee House, St Jame's Street, etching, on wove paper without watermark, sheet 197 x 246 mm (7 3/4 x 9 3/4 in), minor nicks to lower edge, some light toning and minor surface dirt, unframed, John Fairburn, 1822 § Royal Aquarium, Westminster. The Manatee, or, West Indian Mermaid, few short tears repaired, one affecting text but no loss, minor soiling to foot, 190 x 130mm., G. Phipps, [1878] § Extraordinary Phenomenon!! A Sea Lioness to be seen at the Cosmorama Rooms...Captured on the Crozet Island, South Pole..., press notices to lower half, few small stab-holes to inner-edge, faint vertical and central folds, 222 x 141mm., Geo. Nichols, n.d. § "Albert Palace."...The Mythological Living Mermaid, Half a beautiful lady & half fish. Submerged in a Glass Tank with Live Fish from the Brighton Aquarium, ink date March 1886 to head, chips and few short tears to edges, loss to foot, 152 x 124mm., n.d., printed handbills; and 3 other mermaid related items, v.s., [circa 1775-1890] (7) A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.
Charles Mathews.- Heath (Henry) Mathew-Orama for 1827, etching with full original hand-colouring, on wove paper without hand-colouring, sheet 290 x 388 mm (11 1/2 x 15 1/4 in), trimmed to or just outside the platemark, minor surface dirt, unframed, Thomas McLean, 1827; together with a good group of 11 others, including three more of Mathews with one by McLean 'Mr Mathews "At Home" "I like fun_ lets have some fun", and a lithograph 'Mr Mathews in Stories', and another, with 8 further satirical prints, some by John Doyle engravings, lithographs, various sizes, all unframed, 19th century (12) A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.
Conjurors, performers and acrobats.- McLean (Thomas) Mr Matthew's "At Home", etching and aquatint with full hand-colouring, 260 x 165 mm (10 1/4 x 6 1/2 in), minor surface dirt, unframed, 1826; together with 21 further prints, including 'Anthony Madox the surprising English Posture Master', a Gazette du Bon Ton engraving of an English man balancing on his head upside down, a German engraving of Madame Romanini walking on a rope, 'Mr Love the Polyphonist', a French lithograph 'Palais Enchante. Grandes soirées mystérieuses de Mr. Phillipe', several of horse related performances, William Hogarth's 'Columbus Breaking the Egg', and others, engravings, lithographs, some hand-colouring, various sizes, all unframed, 19th century (22) A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.
Conjuring.- Anonymous (circa 1740s) Londons Conduct stands the Test, or Bristol & Nottingham weighed in the Balance & found Light with the Sketch of a M-l Forge, and the Worcester Magician, satire on differences among parliamentary constituencies instructing their members variously to insist on an investigation into the conduct of Robert Walpole's administration, or to desist and to support new government measures, etching, on thin laid paper with armorial watermark, sheet 247 x 317 mm (9 3/4 x 12 1/2 in), trimmed to or just within the platemark, small marginal tear in the centre right edge, tear and small loss to the lower right corner, unframed, [1742] A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.
Howard Hodgkin (British 1923-2017) "Untitled (Morris Car)" Unsigned, an illustration to Julian Barnes’s story 'Evermore', etching and aquatint. 18.5 x 27cm (framed 34 x 42.5cm) Acquired directly from the artist.Gallery 21, Shrewsbury, Shropshire.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in very good, original condition. There is a single surface mark found on the surface on the paper. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Howard Hodgkin (British 1923-2017) "Green Room" Initialled, dated '86 and numbered AP (Artist's Proof), hand embellished etching in colours.51 x 61.5cm (framed 65 x 76cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor spots of foxing in the edges of the plate.
Frank Martin (British 1921-2005) "Paris - Hollywood" Signed, titled and numbered Artist's Proof in pencil in the margin, etching and pencil.plate size 29 x 54.5cm (framed 62 x 85.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some minor spots of foxing in the margins of the print and the edges of the paper have yellowed slightly by the mount board The print is ornately framed and glazed.
Frank Martin (British 1921-2005) "Dolores Costello" Signed, titled and numbered 15/50 in pencil in the margin, etching.plate size 34.5 x 24.5cm (framed 66.5 x 54cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. The paper has yellowed slightly and there are several minor spots of foxing found within the print's margins. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Frank Martin (British 1921-2005) "Joan Warner" Signed, titled and numbered 1/15 in pencil in the margin, etching.plate size 45 x 30cm (framed 72 x 56cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Howard Hodgkin (British 1923-2017) "Blue Listening Ear" Initialled, dated '86 and numbered AP (Artist's Proof'), hand embellished etching and aquatint.48 x 65.5cm (framed 77.5 x 92cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There appears to be areas of mildew on the underside of the glass, but this has not touched the paper beneath it. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Howard Hodgkin (British 1923-2017) "Put Out More Flags" Initialled, dated '92 and numbered 68/75, hand embellished etching and aquatint.44 x 54.5cm (framed 70 x 79.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.
Frank Martin (British 1921-2005) "Jessie Matthews" Signed, titled, numbered Artist's Proof 3 and dedicated in pencil in the margin, etching.plate size 45.5 x 29.5cm (framed 77.5 x 59.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. The paper has yellowed and there are numerous minor spots of foxing found within the print and its margins. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Graham Clarke (British 1941-) "Not So Neither" Signed, titled and numbered 141/300 in pencil in the margin, limited edition etching with aquatint.image size 53.5 x 67.5cm (framed 79.5 x 91.5cm)Exhibited: Meet Graham Clarke at a Midsummer Soirée, Bromley Galleries, Bromley, 26th June 1992Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some minor spots of foxing found across the print and within the margins. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Frank Martin (British 1921-2005) "Glenda Farrell" Signed, titled and numbered iv/vi in pencil in the margin, etching.plate size 54 x 30.5cm (framed 87.5 x 62cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There is some light time staining along the edges of the paper by the mount board. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Frank Martin (British 1921-2005) "Jean Harlow in a Satin Gown" Signed, titled and numbered 54/100 in pencil in the margin, etching.plate size 45.5 x 30cm (framed 81 x 63.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some minor spots of foxing in the edges of the plate and one in the margin of the paper. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Howard Hodgkin (British 1923-2017) "Seafood" Initialled and dated MMI, hand embellished etching and aquatint.42.5 x 52cm (framed 56.5 x 66.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has one or two very minor scuffs commensurate with age.
Chris Orr (British 1943-) "Picnic on the Clifftops" Signed, titled, dated 1968 and numbered 45/75, with gallery blind stamp, etching.51.5 x 68.5cm (framed 62.5 x 77.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are a few minor spots of foxing found across the sheet and some faint areas of yellowing around the edges of the paper. The print is framed and glazed. The print has dropped slightly in its frame. The frame has some scuffs and knocks.
Howard Hodgkin (British 1923-2017) "DH in Hollywood" Initialled, dated '85 and numbered AP (Artist's Proof) in pencil in the margin, hand embellished etching.26.5 x 33cm (framed 50 x 55cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There is a single minor spot of foxing in the margin towards the top right-hand corner of the paper. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Frank Martin (British 1921-2005) "Louise Brooks" Signed, titled and numbered 'Artist's Proof' in pencil in the margin, etching.plate size 37 x 27cm (framed 70 x 57cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are a number of minor spots of foxing found across the paper, in both the margins and the plate. There is also some yellowing along the bottom edge of the paper near the mount board. The print is ornately framed and glazed. The frame has some scuffs and knocks. The bottom left applied Art Deco style brass-effect corner mount is missing a pin and loose.
Howard Hodgkin (British 1923-2017) "Blood" Unsigned, an illustration to Julian Barnes’s story 'Evermore', etching and aquatint. 18.5 x 27cm (framed 32.5 x 41cm) Acquired directly from the artist.Gallery 21, Shrewsbury, Shropshire.Private Collection, U.K. Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in very good, original condition with no obvious faults to report. The painting is framed and glazed.

-
78472 Los(e)/Seite