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Rosebery's
Los 655

Nicky Neate, British, late 20th/early 21st century- Untitled abstract composition; watercolour, gouache and mixed technique, 68x72cm: Nicky Neate, British, late 20th/early 21st century- Untitled abstract composition; gouache and silver coloured paint, 44x32cm., (mounted) (unframed): Pauline Poupko Meehan, Irish b.1963- Untitled; etching with aquatint, signed, numbered `1/10 and dated 95 in pencil on the mount, 49x33cm: together with three hand-coloured monoprints by the same hand of similar subjects, various sizes, 48x36cm., (max): Russian School, late 20th century- Seashell in landscape; batik, bears label attached to the reverse, 70x60cm., (7) (may be subject to Droit de Suite)

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Rosebery's
Los 661

John Brunsdon ARCA, British b.1933- "Gordale Scar"; etching with aquatint printed in colours, signed, titled and numbered 139/150 in pencil, 44x58cm: Mary Ford, British b.1944- Still life by a window; lithograph printed in colours, signed, numbered 12/200 and dated 79 in pencil, 61x51cm: Michael Blaker, British b.1928- "The Bridge at Flatford"; hand-coloured etching, signed within the plate, signed, titled and numbered 11/200 in pencil, 27.5x36.5cm: Ilana Richardson, British, late 20th/early 21st century- "Cool Veranda"; screenprint in colours, signed, titled, numbered 37/200 and dated 82 in pencil, 55x64cm: Alyson Stoneman, British b.1948- "Autumn Evening, Lamorna"; mezzotint printed in colours, signed, titled and numbered 82/200 in pencil, 36.5x42cm: Deirdre Morgan, British b.1933- Courtyard and fountain, Morocco; lithographs printed in colours, two, both signed and numbered 76/195 in pencil, 40.5x30cm., ea: Lilan Richardson, British, late 20th/early 20th century- "Sens Interdit"; screenprint in colours, signed, titled, numbered 38/225 and dated 87 in pencil, 55x45cm: Francois Ledan, Fanch, French b.1949- "Square G Baty" and Tour Eiffel; lithographs printed in colours, two, both signed, one numbered 23/200 and the other 72/200 in pencil, 59.5x79 and 79x59cm., respectively: Mario Fellani, Italian b.1934- Portrait of a woman seated at a table; lithograph printed in colours, signed and numbered 122/200 in pencil, 57x67cm., (11) (may be subject to Droit de Suite)

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Rosebery's
Los 685

Leonard Baskin, American 1922-2000- Woman daydreaming with a bat, raven and other animals; etching, signed and numbered 72/100 in pencil, dated 1972 within the plate, 17.5x12.8cm: Jack Coughlin, Irish/American b.1932- Catwoman; etching, signed and inscribed `AP`, 9.5x7.5cm, (2) (may be subject to Droit de Suite)

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Rosebery's
Los 686

Albany E Howarth ARE, British 1872-1936- "Bamburgh"; etching, signed, titled and dated 1919 within the plate, signed in pencil, 40x55cm: Albany E Howarth ARE, British 1872-1936- Ludlow; etching, signed in pencil, 40x55cm: together with two further etchings by the same hand, one of Seaton and the other of Chiddingstone, the latter signed, titled and dated 1919 within the plate, both signed in pencil, 23.5x40 cm and 27.5x36.5cm., respectively: Stanley Anderson, British 1884-1966- Ruined palace; etching, signed in pencil, 26x35cm: Margaret M Rudge, British, early-mid 20th century- Windswept landscape; etching, signed in pencil, 15x17.5cm: Charles Octavius Wright, British 1874-1964- View of a college; etching with drypoint, signed and numbered 25/50 in pencil, 13.5x19cm., (7) (may be subject to Droit de Suite)

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Tennants Auctioneers
Los 1027

Frank Brangwyn (1867 -1956) A shepherd and his flock signed in pencil, a woodblock print, together with a further etching by the same artist - possibly a biblical scene (2) 15.5cm by 23cm & 9.5cm by 9.5cm respectively

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Tennants Auctioneers
Los 1028

After Edward Bawden (1903 -1989) ``Henry & Eliza`` signed, inscribed and numbered in pencil 1 from an edition of 25, a woodblock print together with a further work After Piers Browne ( b.1942) Rainbow : ``Wensleydale from Cubeck`` signed in pencil, inscribed and numbered 13 from an edition of 25, a coloured etching together with a another mixed media drawing of a cellist by * Gillon and dated `65 (3) 33cm by 28cm, 17.5cm by 21.5cm & 23. 5cm by 19cm respectively

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Tennants Auctioneers
Los 1134

Etching by S.Tushingham; watercolour Off The Calanques Coast Marseilles; and two mezzotints by J C Webb (John Cother Webb)

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Nigel Ward & Company
Los 1807

Three crystal Paperweights featuring Golfer, Aeroplane and Birds plus Whiskey Glass with etching of golfer

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Nigel Ward & Company
Los 1959

A quantity of framed pictures and paintings to include a painting of a Magpie, an etching on steel of Hereford, etc.

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Moore Allen & Innocent
Los 38

MAX UHLIG (1937- ) "Head study", black and white lithograph, dry point etching, limited edition No'd. 4/20, signed and dated "97" in pencil in the margin, 64 cm x 49 cm (ARR)

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Moore Allen & Innocent
Los 54

AFTER THOMAS ROWLANDSON (1756-1827) "The Apostate Jack R..... the political rat catcher NB rats taken alive !", published by W Humphrey N 227 Strand, March 1784, hand-coloured etching, image size 23 cm x 35 cm

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Moore Allen & Innocent
Los 67

AFTER WILLIAM LIONEL WYLLIE (1851-1931) "Battleships and sailing ships on the high seas", black and white etching, signed in pencil in the margin, 16 cm x 24 cm CONDITION REPORTS Etching overall is very slightly browned, a couple of very slight dirty marks towards the top in the skyline which could do with a little bit of tidying up, but otherwise appears reasonably sound. In modern frame with some very minor knocks and bumps.

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Moore Allen & Innocent
Los 68

AFTER LUCY DAWSON "Sealyham terriers", monochrome dry point etching, inscribed and signed in pencil in the margin, bears "Horner Galleries 2 Church Street, Sheffield" label verso, 19.5 cm x 20.4 cm

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Moore Allen & Innocent
Los 70

AFTER REMBRANDT HARMENZ VAN RIJN (1606-1669) "Jan Lutma", study of the goldsmith seated upon a high chair with a table by his side, black and white etching, 21 cm x 16 cm

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Durrants Auction Rooms
Los 431

Henry Wilkinson coloured etching 1953 - Gun Dogs and Pheasant, 11" x 12"

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Durrants Auction Rooms
Los 467

A French oil on canvas, Gleaners and Louis Mece, sepia etching of dancing dogs

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Duke's
Los 6

AFTER GIOVANNI FRANCESCO GRIMALDI (1606-1680) A monochrome etching of a river village scene, 13" x 18.5"This work appears to be mounted and stuck down in place though not fully glued down. Slight discolouration and occasional spotting. The top left corner has a crease mark. It is not laying flat in the mount. Occasional creases. Some damage to the frame. Not inspected out of the frame.

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Duke's
Los 8

AFTER LUCA GOIRDANO (1632-1705) "Christ Disputing with the Doctors", P & D Colnaghi & Co. Ltd label to the reverse stating "second state of two", etching, 11.5" x 16.25"There is a crease line running down the middle of this print. There are also other small crease marks in places especially around the edges. Also occasional spot marks. The work appears to be mounted and stuck to the mount in places although not fully stuck down. Not inspected out of the frame.

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Duke's
Los 12

GIOVANNI BATTISTA PIRANESI (1720-1778) An interior sepulchral chamber, 16" x 12", etching, and two similar works (3)Some spotting and staining to the surface on these engravings. Otherwise no apparent damage or restoration. Not inspected out of the frames. They do not lay completely flat in the mounts.

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Duke's
Los 19

* WILLIAM WALCOT (1874-1943) A view of New York, looking towards the Rockerfeller Centre, signed in pencil, etching, 5.5" x 5.5" (plate) and three further etchings by the same artist (4).

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Duke's
Los 23

* CHARLES FREDERICK TUNNICLIFFE (1901-1979) Three cows resting beneath a tree admiring the view, with printed monogram, further signed in pencil and no. 19/75 in the margin, etching, 8.5" x 10".

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Duke's
Los 30A

* WILLIAM RUSSELL FLINT (1880-1969) "Three Poor Travellers, Madrid", signed in print within the image and further signed in sepia ink to the remarque, dry point etching, 4.25" x 5.75".

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Dominic Winter Auctions
Los 393

Victoria (Queen of England, 1819-1901 & Albert, Prince Consort, 1819-1861). Portrait of Victoria, the Princess Royal, 27th December 1842, original etching on india paper with card mount support, etched by Prince Albert from an ink sketch by Queen Victoria showing the Princess full length under an arch of ivy leaves, date, artist name and initials in the plate impression, 150 x 117mm, mat mount (1).

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Dominic Winter Auctions
Los 394

Victoria (Queen of England, 1819-1901). Study of Queen Victoria’s dachsund Waldmann, drawn and etched by Queen Victoria, 12th October 1840, original etching on india paper with card mount support, with title, initials and date in the plate impression, 99 x 147mm, mat mount (1).

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Dominic Winter Auctions
Los 66

Dugdale (William). The Antiquities of Warwickshire Illustrated; from Records, Leiger-Books, Manuscripts, Charters, Evidences, Tombes, and Armes, 1st ed., pub. Thomas Warren, 1656, EXTRA ILLUSTRATED, containing port frontis. and fifteen engraved plates and maps as called for (mostly engraved by Hollar), numerous engravings to text throughout, with much additional engraved material bound-in including maps of Warwickshire by Charles Smith, Richard Blome, Bowen/Kitchin, Seller/Grose, an Ogilby road map of Oxford to Coventry, three large engraved Kip views, an aquatint etching after Sandby of Kennilworth Castle published by Boydell, a mezzotint of Shakespeare’s bust by William Ward, two small Buck views, and several others, title relaid, some of the additional prints also relaid or with fold tears, contemp. mottled calf, modern reback, folio. Upcott p. 1247. (1).

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Dominic Winter Auctions
Los 251

Etchings. A collection of forty-three etchings by various artists, including prints from Etchings for the Art-Union of London by The Etching Club, 1872, including Seymour Haden, Legros, Lalanne, Thomas Webster, C. W. Cope, Richard Redgrave, Thomas Creswick, W. E. Frost, Slocombe and others, many on india paper, various sizes, all loosely contained in later cloth portfolio (except one by Thomas Webster framed and glazed) (a portfolio).

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Dominic Winter Auctions
Los 340

Albert (Prince Consort to Queen Victoria of England, 1819-1861). Study of Eos (greyhound) and Cairnach (Scottish terrier), August 1844, original etching on india paper with card mount support, etched by Prince Albert after his own sketch from memory of the picture by Edwin Landseer, signed, captioned, and dated in the plate impression, 134 x 177mm, mat mount (1).

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Stroud Auctions Ltd.
Los 674

An etching of Don Quixote reputedly by Prince Albert, signed Albert 1841, together with a silhouette of Queen Victoria

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Stroud Auctions Ltd.
Los 726

Five limited edition etching and engravings including Elizabeth Griffiths.

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High Road Auctions
Los 278

A collection of five framed figural works to include an oil on canvas of a continental elderly gentleman signed bottom right, an over painted print of a young girl in an ornate gilt frame, a framed postcard of a David drawing together with a contemporary etching by Eastern European artist Dusan Polakovic and an engraving

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Gildings Auctioneers
Los 394

Peter Grahame, "High Street, Stratford on Avon", signed and titled, etching, image size 15 x 20cms, two prints after F. Robson and a small watercolour of a ballet dancer, (4).

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Abbotts Auction Rooms
Los 131

Leonard Russell Squirrell, dry point etching, "Paston Barn, Norfolk with all good wishes from Mr & Mrs Leonard Squirrell, Xmas 1935, Greenwood, Crabbe Street, Ipswich", 24.5cm x 28cm

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Boningtons Auctioneers and Valuers
Los 152

Cecil Tatton Winter after Edward King (British, early 20th century): A coloured etching of a busy London street scene before the Monument, hand signed in pencil by both artists

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Jackson's Auctioneers
Los 567

NAPOLEON FRAMED ARTWORK, 19TH CENTURY. Comprising six vintage images of Napoleon at different stages of his life and printed in various techniques including mezzotint engraving and etching, each contained in a finely and professionally matted and glazed frame. Featuring a massive bust portrait engraving after the full length image by David titled "Napoleon Le Grand," contained in a fluted gilt frame with linen liner, overall 37 inches x 29.25 inches (94 x 75 cm). Other framed images include Napoleon amidst burning ruins, overall dimensions 28.25 inches x 24.25 inches (71 x 61.5 cm), Napoleon on horseback, outside dimensions 25.5 inches x 19.5 inches (65 x 50 cm), Napoleon in an interior scene, outside dimensions 16.5 inches x 18.5 inches (42 x 47 cm), Napoleon at Fontainebleau after the painting by Delaroche, outside dimensions 17 inches x 14.25 inches (43 x 36 cm), and Bonaparte 1st Consul, overall 12.75 inches x 10.5 inches (32 x 27 cm).

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Jackson's Auctioneers
Los 722

JOHN JAMES AUDUBON(American 1785-1851)Brown Lark (by W.B. Lizars, Pl. X from The Birds of America)Hand colored engraving with etching12.8 inches x 20.4 inches (32.5 x 51.8 cm), trimmed, no margins

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Jackson's Auctioneers
Los 739

LASAR SEGALL(Brazilian 1891-1957)Group of Immigrants on Deck EtchingSigned in pencil lower right and numbered 17/125 lower left4 inches x 5 inches (10 x 12.5 cm)

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Jackson's Auctioneers
Los 740

REGIONALIST WISCONSIN ARTWORK BY MAX FERNEKES (1905-1984). Comprising a large watercolor and crayon rural landscape with cows and hay wagon, signed lower left and measuring 16 inches x 20 inches; a drypoint etching "Bridge Over Cedar Creek", signed lower right measuring 6 inches x 8.2 inches; a colored woodblock print "The Road Turns Right" signed lower right measuring 6 inches x 3.5 inches; and another drypoint etching depicting row houses in Milwaukee`s 3rd ward, circa 1932, signed lower right measuring 2 inches x 2.25 inches. Each contained in a glazed wood frame.

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Jackson's Auctioneers
Los 743

PIERRE-AUGUSTE RENOIR(French 1841-1919)Le Chapeau Epingle Etching on laid paperSigned in plate4.5 inches x 3.3 inches (11.5 x 8 cm)

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Jackson's Auctioneers
Los 744

THOMAS MORAN(American 1837-1926)Half Dome, View from Moran Point- 1887EtchingSigned in plate and verso with original issuance label11.8 inches x 8.1 inches (30 x 20.6 cm), in original vintage frame

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Shapes Auctioneers & Valuers
Los 778

James McNeill Whistler (1834-1903). `La Vieille aux Loques, 1858 (The Old Rag Seller)`. Etching and dry point on paper, 21 x 15cm. Footnote: Plate 8 of 12 etchings from Nature or `French Set`. The set was a record of the artists tour through Northern France, Luxembourg and the Rhineland in 1858.

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Shapes Auctioneers & Valuers
Los 779

James McBey (1883-1959) (ARR). `The Desert of Sinai, No.2 (1919)`. Etching on paper, signed in pen lower right, inscribed XXI, 19.9 x 35cm.

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Shapes Auctioneers & Valuers
Los 865

CH Clark. `The Old Tollbooth`. Etching, signed in pencil, 23 x 16cm and another of `John Knox`s House` (2).

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The Auction Centre
Los 273

After Herbert Dicksee (1862-1942) an etching depicting a dog seated, signed in pencil to the margin, mounted and framed under glass, image size 24.5 cm (h) x 19.5 cm (w) - included in the lot is a written opinion from Bonhams of Knightsbridge dated 1991- Est £80 - £120

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Arthur Johnson & Sons
Los 6

Framed etching, Tong Waterfall by Piers Browne, watercolour of a cottage, framed, two engravings of Oxford and Holdsworth House, framed

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Arthur Johnson & Sons
Los 13

Emil boblizsar, Haymaking, signed etching with drypoint, framed

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Batemans Auctioneers & Valuers
Los 1273

An etching after W. L. Wylie, ARA, 'The Escape of HMS Calliope', published by the Art Union of London, 1892, 46 by 60cm, framed and glazed.

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Keys Fine Art Auctioneers
Los 19

GRAHAM DUDLEY PAGE, FRSA (1905-1948), SIGNED AND DATED 19/3/25 IN PENCIL TO MARGIN, HAND-COLOURED ETCHING, Inscribed “The Greenland Fishery, Kings Lynn”, 7 ½” x 5”

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Keys Fine Art Auctioneers
Los 39

AFTER R FARREN, BLACK AND WHITE ETCHING (CIRCA 1885), Cow Tower, Norwich, 7” x 10”

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Keys Fine Art Auctioneers
Los 63

HENRY JAMES STARLING, ARE (1905-1996), SIGNED AND NUMBERED 1/75 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “Ponte Vecchio, Venice”, 8” x 11”, mounted but unframed; together with a Coloured Woodblock by the same artist (2)

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Keys Fine Art Auctioneers
Los 64

HENRY JAMES STARLING, ARE (1905-1996), SIGNED, DATED’80 AND NUMBERED 38/75 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Baconsthorpe Castle, Norfolk”, 9 ½” x 11”, mounted but unframed

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Keys Fine Art Auctioneers
Los 66

HENRY JAMES STARLING, ARE (1905-1996), SIGNED AND NUMBERED 5/75 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed “Bishops Bridge, Norwich”, 8” x 10 ½”

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Keys Fine Art Auctioneers
Los 84

ALBANY E HOWARTH (1872-1936), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Mountain Landscape, 6” x 8”; together with ROBERT HOUSTON (1891-1940), SIGNED IN PENCIL TO MARGIN, ARTIST’S COLOURED PROOF WITH PUBLISHER’S BLIND STAMP, “The Falls of Leny”, 6” x 8” (2)

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Keys Fine Art Auctioneers
Los 96

PERCY ROBERTSON (1869-1934), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, London Bridge with Houses of Parliament and Big Ben Beyond, 7” x 12”

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Keys Fine Art Auctioneers
Los 112

HENRY WILKINSON, SIGNED AND NUMBERED 99/100 IN PENCIL TO MARGIN, HAND-COLOURED ETCHING, Hunters and Dogs in Landscape, 10” x 14”

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Keys Fine Art Auctioneers
Los 121

JEAN CHARLES MILLET, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, Figure by a Cottage, 7” x 9”, unframed

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Keys Fine Art Auctioneers
Los 141

WILLIAM LIONEL WYLLIE, RI, RE (1851-1931), SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, “St Malo”, 6” x 9”

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Keys Fine Art Auctioneers
Los 144

VALERIE THORNTON (1931-1991), SIGNED, DATED ’85 AND NUMBERED 29/70 IN PENCIL TO MARGIN, COLOURED ETCHING, Inscribed “Norwich”, 23” x 14”

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Keys Fine Art Auctioneers
Los 145

VALERIE THORNTON (1931-1991), SIGNED, DATED ’86 AND NUMBERED 11/70 IN PENCIL TO MARGIN, COLOURED ETCHING, Inscribed “Tewkesbury, Interior”, 21” x 14”

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Keys Fine Art Auctioneers
Los 146

VALERIE THORNTON (1931-1991), SIGNED, DATED ’84 AND NUMBERED 60/70 IN PENCIL TO MARGIN, COLOURED ETCHING, Inscribed “Southwold”, 10” x 13”

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Keys Fine Art Auctioneers
Los 183

ELYSE ASHE LORD (1900-1971), SIGNED AND NUMBERED 46/75, HAND COLOURED ETCHING, Inscribed “Chinese”, 8”x 12”, mounted but unframed

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