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78472 Los(e)/Seite
Los 884
Full title: Pierre Alechinsky (1927): Composition from the portfolio 'Sans l'ecorce', etching and aquatint, ed. 40/99, dated 1991Description: Work: ca. 111 x 79,5 cmÊ Frame: 141 x 110 cmÊ Condition:Please contact us to let us know which lots are of interest, so we can make the requested report for you.Once complete, it will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
![Full title: Jules De Bruycker (1870-1945): 'Piccadilly Circus Londres', etching, ed. 20/50, [1916]Description: Work: 48,2 x 3](https://cdn.globalauctionplatform.com/ea392bd3-9f80-4217-a8ce-ad11018383db/c41922f2-a1ce-4272-800a-ad13018234e4/468x382.jpg)
Los 906
Full title: Jules De Bruycker (1870-1945): 'Piccadilly Circus Londres', etching, ed. 20/50, [1916]Description: Work: 48,2 x 32,2 cmÊ Frame: 62,2 x 45,7 cmÊ Ê Ref.:Ê - J.D.B. 083 (link)Ê - Le Roy, 62Condition:Please contact us to let us know which lots are of interest, so we can make the requested report for you.Once complete, it will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com
Los 353C
James Chalmers Park (British 1858-?): 'Kirkstall Abbey from the East' and 'Temple Newsam, Leeds', two drypoint etchings signed and titled in pencil; Frank Paton (British 1855-1909): 'Not at Home', etching signed in pencil; and a humorous coloured etching of dogs indistinctly signed in pencil, max 21Click here to view further images, condition reports, sale times & delivery costs for this lot.
Los 225
NO RESERVE Italy.- Venice.- MacLaughlan (Donald Shaw) St Mark's Clocktower (Torre dell'Orologio), Venice, etching with plate tone, on fine laid paper, signed in pencil, platemark 300 x 122 mm (11 3/4 x 4 3/4 in), under glass, small margins, minor cockling, light even toning and surface dirt, framed, 1909.
Los 267
NO RESERVE Blampied (Edmund) The Market Argument, etching with drypoint, signed and numbered 66/100, platemark 270 x 270 mm (10 3/4 x 10 5/8 in), under glass, some toning to edges, minor surface dirt, framed, 1929; together with a Japanese woodblocks print, probably 19th century, and another (3)
Los 276
Rowlandson (Thomas) Bozzy Madame Piozzi, frontispiece from Peter Pindar's (Wolcot's) 'Bozzy and Piozzi', etching on laid paper with partial watermark, platemark 180 x 250 mm (7 x 9 3/4 in), sheet 215 x 265 mm (8 1/2 x 10 1/2 in), some damp-stains, browning and surface dirt, old creases and binding pin holes, unframed, [BM Satires 7051], 1786.
Los 279
NO RESERVE Theatre.- Williams (Charles) Clearing away the rubbish of old Drury, satire showing Richard Brinsley Sheridan being barrowed off, etching with hand-colouring on wove paper, mounted on paper support, sheet 275 x 415 mm (10 3/4 x 16 1/4 in), some inscriptions visible, surface dirt and browning, handling creases, unframed, published by Walker & Knight, 1811Literature:BM Satires 11767
Los 285
NO RESERVE Whistler (James Abbott McNeill).- Rajon (Paul-Adolphe) Portrait of James Abbott McNeill Whistler, soft-ground etching on greyish, cream laid paper, 250 x 195 mm (9 3/4 x 7 3/4 in), under glass, minor spotting and surface dirt, framed, [circa 1880-1889]Provenance:Michael Parkin, Fine Art Ltd., LondonPrivate collection, London
Los 210
A sculpted marble planter in the manner of a Roman marble basin and tripod, 20th century, the basin with everted rim above a waisted band with three lion's masks carved in relief, with fluted underside, held on three rectangular section fluted and foliate cast legs with paw feet, around a central spiral carved baluster supporting column, the waisted triform socle on a circular base, 120cm high, 100cm diameterBidders from the UK and outside of the European Union should be aware that additional import charges may apply The Roman original which this example closely reproduces is currently held at the Capitoline Museum in Rome, and was one of the antiquities in that collection for which Giovanni Battista Piranesi created an etching Cf. Luigi Ficacci, Piranesi, the Complete Etchings, Taschen, 2001, p 650, fig. 830Condition Report: The surface of the marble is in all areas knocked, scuffed, chipped, cracked, and worn overall, this is by design to simulate great age. It is almost certainly of 20th century make simulating antiquity - the 'damages' mentioned above are realistic to simulate both great age and use. There are vacant socket holes to various areas - the ones to the rim filled with lead and again these appear to all be by design and simulating antiquity and historic 'adaptions'. The interior of the recess with discolouration and signs of use, again simulating age. Further discolouration to other areas of the marble Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Los 384
After Briton Rivière, St George on horseback entering the cave, etching, issued April 28th 1898 by the Art Union of London, 112 Strand, F. Goulding printers London, signed in pencil 49.5cm x 66.5cm, The Rowley Gallery label to verso; another monochrome print, signed in pencil, gallery label to verso; together with a folio of sketches and watercolours, The Art Annual 1891, etc (3)Provenance: The late vendor, Helen Park-Rivière, was the granddaughter of Briton Rivière R.A
Los 27
RowlandsonA French Dentist, hand coloured etching published Thomas Tegg 1811, unframed, with margins, 28 x 44.5cm; three others - Woodward, Sailors at a Methodist Sermon, coloured etching published 1807 by Walker, London, 29 x 44cm, (cuttings pasted verso); with a smaller lithograph 'The Convocation' by Rowlandson and another by T F 'Court Discipline' (trimmed), previously mounted (4)
Los 19
A collection of engravings.Guinea Pigs, stipple engraving by Thomas Gaugain after Morland, 51 x 38.5cm, within verre eglomise mount and gilt frame; South West Prospect of Northampton, engraving by S & N Buck, a later impression 31 x 81cm six small size Buck reprints of Northamptonshire views, 19.5 x 37cm (plate) and two male head portraits after Bartolozzi, one a stipple etching dated 1764 (8)
Los 22
Six satirical cartoons. Parsonic Piety,hand coloured satirical etching published by Fores 1794, unframed, 24.5 x 39.5cm; with two other satirical etchings - Cruikshank, A Buz in a Box, 1812, mounted, 24.5 x 36cm; and Gillray, A Bravura Air, Mandane, 1801, 25 x 35cm (upper corners cut away, trimmed); William Holland (publisher) The Regent's Hack, coloured satirical etching published 1812, 28 x 43cm; James Gillray, Inspecting a Volunteer Corps in Hyde Park, hand coloured etching published H. Humphrey 1803, some staining, MS verses stuck to the reverse, 27 x 21.5cm; with another similar - Patern Staff, 25 x 16.5cm (chipped lower edge) (6)
Los 641
Jane Osmond (British, 1952-2017). Fough Farm, etching, limited edition 37/50., signed, 21cm high, 26cm wide., White Nancy, Bollington, limited edition etching 47/100., signed, 30cm high, 23.5cm wide., Shutlingsloe From Hanging Stone, limited edition 84/100., signed, 23cm high, 32.5cm wide., Lamaload Road, Rainow., limited edition etching 39/75., signed, 25.5cm high, 33cm wide. (4)
Los 4
Samuel Palmer (1805-1881) signed etching, 'The Morning of Life' with dedication 'To My Friend R Dunthorne' additional script to base '2 proofs printed in this manner and F Goulding Imp.' script verso 'PL 10 (e) The Morning of Life State vii bistre inking', plate size 14 x 21cm, overall 25.5 x 30.5cm
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78472 Los(e)/Seite