78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Twentieth Century School : Venetian Study with Gondola, drypoint etching, indistinctly signed in pencil, numbered 69/80, with margins, 36 cm x 25 cm, framed.

Edmund Blampied (Edmund, 1886-1966) : Gathering Turnips, drypoint etching, signed in pencil, signed in pencil, with magins, with Bourne Fine Art gallery label verso, 13 cm x 18 cm, framed.

WILLIAM WYLLIE - an etching of sailing off Cowes - signed in pencil by the Artist to the mount - 18cm x 35cm CONDITION REPORT.

Stella Whalley. Etching titled the 'Ecstasy of St. Theresa'. Numbered 14/30. Signed. Framed and glazed. H.53 W.47 cm.

SALVADOR DALÍ (1904-1989)Pensée (Viola cogigans), 1968 Eau-forte, pointe-sèche et pochoir issue de 'Flora Dalinae'. Signée et numérotée XXIV/XXV Ets, droge naald en sjabloon van 'Flora Dalinae'. Getekend en genummerd XXIV/XXVEtching, drypoint and stencil from 'Flora Dalinae'. Signed and numbered XXIV/XXV70 x 50 cm (sheet) FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

PIERRE ALECHINSKY (born 1927)Le rêve de l'Amonite, 1975. La précipitation Eau-forte en couleurs. Signée, titrée et numérotée 31/35Kleurenets. Getekend, getiteld en genummerd 31/35Etching in color. Signed, titled and numbered 31/3531.7 x 49 cm (sheet) FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

SALVADOR DALÍ (1904-1989)Femme fleur / Auvergne, 1974 Eau-forte et aquatinte couleurs. Issue du 'Paradis Terrestre'. Signée, titrée et numérotée VII / XXVKleurenets en aquatint. Uit 'Paradis Terrestre'. Getekend, getiteld en genummerd VII / XXVColour etching and aquatint. From 'Paradis Terrestre'. Signed, titled and numbered VII / XXV 26.5 x 20.5 cm (plate) 54 x 44 cm (visible sheet) FramedFootnotes:[M.&L. 705-713]This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

PIERRE ALECHINSKY (born 1927)Sans l'écorce C, 1991 Eau-forte et aquatinte. Signée, datée et numérotée 43/99Ets en aquatint. Getekend, gedateerd en genummerd 43/99Etching and aquatint. Signed, dated and numbered 43/9980 x 111,5 cm (sheet)This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

SEAN SCULLY (born 1945)Simples, 1993 Eau-forte. Signée, datée et numérotée 13/33Ets. Getekend, gedateerd en genummerd 13/33Etching. Signed, dated and numbered 13/3355 x 41,5 cm (visible sheet) FramedFor further information on this lot please visit Bonhams.com

EDUARDO CHILLIDA (1924-2002)Ahoska II, 1973 Eau-forte. Signée et numérotée 46/50Ets. Getekend en genummerd 46/50Etching. Signed and numbered 46/5063,7 x 71,8 cm (image) 79 x 121 cm (sheet)This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

PIERRE ALECHINSKY (born 1927)Le rêve de l'Amonite, 1975. L'arrestation Eau-forte en couleurs. Signée, titrée et numérotée 31/35Kleurenets. Getekend, getiteld en genummerd 31/35Colour etching. Signed, titled and numbered 31/3531.7 x 49 cm (sheet) FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

MICHAEL BORREMANS (born 1963)De openbaring van de wereld, 1991 Tirage offset d'une eau-forte. Titrée, signée et numérotée 79/100Offset print van een ets. Getiteld, getekend en genummerd 79/100Offset print of an etching. Titled, signed and numbered 79/10021 x 27 cm (visible sheet) 17,5 x 23,5 cm (image) FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

PIERRE ALECHINSKY (born 1927)Le rêve de l'Amonite, 1975. La respiration Eau-forte en couleurs. Signée, titrée et numérotée 31/35Kleurenets. Getekend, getiteld en genummerd 31/35Colour etching. Signed, titled and numbered 31/3531.7 x 49 cm (sheet) FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

PIERRE ALECHINSKY (born 1927)Sans l'écorce E, 1991 Eau-forte et aquatinte. Signée, datée et numérotée 48/99Ets en aquatint. Getekend, gedateerd en genummerd 48/99Etching and aquatint. Signed, dated and numbered 48/9980 x 111,5 cm (sheet)This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

ROBERTO MATTA (1911-2002)Les Ohtomobiles!, 1972 Eau-forte et aquatique sur papier japon. Signée et numérotée 18/100Ets en aquatint op Japans papier. Getekend en genummerd 18/100Etching and aquatint on Japanese paper. Signed and numbered 18/10050 x 64.5 cm (sheet) FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

PIERRE ALECHINSKY (born 1927)Arbre Central à l'orange, 1993 Eau-forte et aquatinte. Signée et numéroté 24/60Ets en aquatint. Getekend en genummerd 24/60Etching and aquatint. Signed and numbered 24/6077 x 61 (sheet) FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

FERNANDEZ ARMAN (1928-2005)Les théières, 1973 Eau-forte en couleurs. Signée et numérotée 19/100Kleurenets. Getekend en genummerd 19/100Colour etching. Signed and numbered 19/10062 x 89.5 cm (sheet) 44.5 x 74 cm (image) FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

FRANÇOIS-XAVIER LALANNE (1927-2008)Canard, 1975 Eau-forte. Signée, datée et numérotée 91/99Ets. Getekend, gedateerd en genummerd 91/99Etching. Signed, dated and numbered 91/9934,8 x 52 cm (sheet)This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

PIERRE ALECHINSKY (born 1927)Le rêve de l'Amonite, 1975 Eau-forte en couleurs. Signée et numérotée 31/35Kleurenets. Getekend en genummerd 31/35Colour etching. Signed and numbered 31/3531.7 x 49 cm (sheet) FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

PIERRE ALECHINSKY (born 1927)Arbre central au rouge, 1993 Eau-forte et aquatinte. Signée et numérotée 22/60Ets en aquatint. Getekend en genummerd 22/60Etching and aquatint. Signed and numbered 22/6095 x 65 cm (sheet) FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

KAREL APPEL (1921-2006)Nostalgie de l'océan, 1998 Eau-forte et aquatinte. Signée et numérotée 23/25Ets en aquatint. Getekend en genummerd 23/25Etching and aquatint. Signed and numbered 23/2534,5 x 24,5 cm (sheet)This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

LARGE CHARCOAL & ONE PAPER - ''BOTTLES'' BY CHARLES BURNS '84 WITH ''TWO SISTERS'' DRAWN BY MISS CATHERINE GULLY 1931 & AN ETCHING PRINT

Six Drawings and Prints: M. Knox - 1930s pencil study of a kneeling nude, label attached verso, 21 x 13 cm; Watercolour sketch of a girl reading, initialled 'C.G.' lower left; George Baxter - Three licensed prints; together with George Cruikshank - hand-tinted etching, all framed and glazed (6)

Julian Williams (Contemporary) - 'Perdita Cat II', limited edition etching signed and numbered 90/100 by the artist, 24 x 27 cm, unframed

Seven prints and paintings to include: Douglas Hutton - 'Blue Vase Still Life', oil on linen, 38 x 28 cm; A 20th century oil on board still life; Graham Penn - 'River Torridge, Bideford', hand coloured limited edition print; watercolour on paper street scene, indistinctly initialled and dated 1988 lower right; Acrylic painting of two boats on the coast, indistinctly signed; M.C. Robinson - 19th century etching of boats; with another etching of Florence, indistinctly signed (7)

Three limited edition prints of dogs, to include: Henry Wilkinson - 'Irish Red Setters', limited edition etching in colours signed and numbered 99/150 in pencil below, 25 x 35 cm; After Philip Stretton - limited edition print 76/500, published by the Keyser Gallery, 1981; together with Pippa Thew - 'Lost and Found', 432/800, signed and numbered below, all framed and glazed (3)

A monochrome etching Ye Olde White Lion, Bishops Stortford

P. Gaskell, pencil signed etching of a river scene; and another etching of a Scottish scene by W,L, Montgomerie

John Brunsdon pencil signed coloured etching "Yellow Chair 16/50"

A pencil signed etching by Arthur Spencer of the cathedral Hereford, a charcoal drawing of a lady sewing and a black and white print

° ° Wright, Harold J.L. - Flint, Sir William Russell -,Etchings and Drypoints: A Catalogue Raisonne, one of 135, signed by the artist, with a dry-point etching frontispiece also signed by the artist, 4to, two tone blue cloth, spine gilt lettered, P. & D. Colnaghi & Co. Ltd., London, 1957

° ° Pennell, Joseph - Pen Drawing and Pen Draughtsmen: Their Work and Their Methods. A study of the Art to-day with Technical Suggestions, London, 1905; Seccombe, Thomas and Nicoll, W. Robertson - The Bookman Illustrated History of English Literature, 3 vols, cloth, London, 1905; Hind, Arthur M. - A History of Engraving and Etching, 1923; Darton, F.J.H - Modern Book-Illustration in Great Britain & America, 1931; Holme, Charles (editor) - Modern Etchings, Mezzotints and Dry-Points, 1913; Humphreys, Henry Noel - A History of the Art of Printing, second issue, folio, almost disbound, 1868; A Book of Printing Types and Ornaments used by Richard Clay and Sons at the Chaucer Press Bungay, 4to, black cloth gilt, 1930 and numerous others relating to printing etc., (in 6 boxes)

Hedley Fitton (1859-1929, British), drypoint etching, 'St Andrew's Castle, Scotland', signed to the lower right, framed, mounted, and under glass, measuring 29cm x 31cm, & 42cm x 44cm overall

*Lake District Interest - Donald Crawford (20th Century, British), drypoint etching, 'Gate Crag, Borrowdale' & 'Head of Derwentwater', signed in pencil to the lower right, framed, mounted, and under glass, measuring 14cm x 17cm, & 29cm x 38cm overall

Willi Kissmer (German 1951-2018): 'White Ribbons', limited edition coloured etching signed in pencil, titled verso 65cm x 35cm

Continental School (Late 19th century): Gentleman in a Hat, etching indistinctly signed in pencil, dated '98 in the margin 36cm x 27cm

JOHN KAY (SCOTTISH 1742 - 1826) MR ALEXANDER WOOD, SURGEON, etching, framed under glass

ABRHAM LINCOLN, printed letter, framed under glass together with a small etching of Luneburg (2)

HUNDERTWASSER, FRIEDENSREICH, "Leben und Werk", 2 Bände mit Farbradierung, 2 Bände: Wieland Schmied, Hundertwasser 1928-2000, Werkverzeichnis, Taschen 2000, im Frontispiz im Druck signiert und num. 01445/10000, mit einer inliegenden Farbradierung, diese mit Signaturstempel und num. 782/2000, die Farbradierung HxB: Platte ca. 17x13 cm, Blatt ca. 25x20,5 cm. Im Schmuckschuber, mit Originalverpackung (Papier part. beschädigt) und Werbedummy von Band 2. ANBEI ZERTIFIKAT und Rechnungskopie von Artes, 2000. DAZU: Pierre Restany, Die Macht der Kunst, Hundertwasser, Taschen 2001. | HUNDERTWASSER, FRIEDENSREICH, "Life and Work", 2 volumes with color etching, 2 volumes: Wieland Schmied, Hundertwasser 1928-2000, catalog raisonné, Taschen 2000, signed in the frontispiece in the print and numbered. 01445/10000, with an enclosed color etching, this with signature stamp and number. 782/2000, the color etching HxW: plate approx. 17x13 cm, sheet approx. 25x20.5 cm. In a decorative slipcase, with original packaging (paper partially damaged) and advertising dummy from Volume 2. ATTACHED CERTIFICATE and copy of invoice from Artes, 2000. ALSO: Pierre Restany, The Power of Art, Hundertwasser, Taschen 2001.

JANSSEN, HORST (1929-1995), "Nigromantanus", 1981, Aquatintaradierung/Bütten, u.re. mit Bleistift von Hand monogrammiert und datiert, u.li. mit Bleistift num. 33/70, HxB: Platte ca. 21,5x14,5 cm, Passepartoutausschnitt ca. 26x17,5 cm, Außenmaße Rahmen ca. 46x36 cm. Altersspuren. Im Passepartout hinter Glas gerahmt.| JANSSEN, HORST (1929-1995), "Nigromantanus", 1981, Aquatint etching/laid paper, bottom right Monogrammed and dated by hand in pencil, bottom left with pencil number. 33/70, HxW: plate approx. 21.5x14.5 cm, passepartout cutout approx. 26x17.5 cm, external dimensions of frame approx. 46x36 cm. Signs of age. Framed in a passe-partout behind glass.

JANSSEN, HORST (1929-1995), "Gruss an ...", 1984, Aquatintaradierung/Bütten, u.re. mit Bleistift von Hand monogrammiert und datiert, u.li. mit Bleistift num. 80/100, HxB: Platte ca. 25x19,5 cm, Passepartoutausschnitt ca. 28,5x22 cm, Außenmaße Rahmen ca. 45x38 cm. Altersspuren, minim. gewellt. Im Passepartout hinter Glas gerahmt.| JANSSEN, HORST (1929-1995), "Gruss an ...", 1984, Aquatint etching/laid paper, bottom right. Monogrammed and dated by hand in pencil, bottom left. with pencil number. 80/100, HxW: plate approx. 25x19.5 cm, passepartout cutout approx. 28.5x22 cm, external dimensions of frame approx. 45x38 cm. Signs of age, minimal. wavy. Framed in a passe-partout behind glass.

JANSSEN, HORST (1929-1995), "Scherzo", 1984 Aquatintaradierung/Bütten, u.re. mit Bleistift von Hand monogrammiert und datiert, u.li. mit Bleistift num. 88/250, HxB: Platte ca. 21x29,5 cm, Blatt ca. 24,5x32,5 cm, Außenmaße Rahmen ca. 44,5x51,5 cm. Altersspuren, minim. gewellt und gebräunt. Mit Passepartout hinter Glas gerahmt.| JANSSEN, HORST (1929-1995), "Scherzo", 1984; Aquatint etching/laid paper, bottom right Monogrammed and dated by hand in pencil, bottom left with pencil number. 88/250, HxW: plate approx. 21x29.5 cm, sheet approx. 24.5x32.5 cm, external dimensions of frame approx. 44.5x51.5 cm. Signs of age, minimal. wavy and browned. Framed behind glass with a passe-partout.

JANSSEN, HORST (1929-1995), "Prestelt", 1983, Aquatintaradierung/Bütten, u.re. mit Bleistift von Hand monogrammiert und datiert, u.li. mit Bleistift num. 64/100, , HxB: Platte ca. 25,5x18 cm, Blatt ca. 27x22 cm, Außenmaße Rahmen ca. 49x40 cm. Altersspuren, minim. gewellt und gebräunt, Knickspuren am Rand. Im Passepartout hinter Glas gerahmt.| JANSSEN, HORST (1929-1995), "Prestelt", 1983, Aquatint etching/laid paper, bottom right monogrammed and dated by hand in pencil, bottom left with pencil number. 64/100, , HxW: plate approx. 25.5x18 cm, sheet approx. 27x22 cm, external dimensions of frame approx. 49x40 cm. Signs of age, minimal. wavy and browned. Framed behind glass in a passe-partout.

STEVENS, NORMAN (1937-1988) British (AR), Dusk, a signed limited edition etching, numbered 91/150 and signed to the margin. 51 x 67 cm.

HRIVNAC, TOMAS (born 1959) Czech, U Zdi (At the Wall), limited edition etching, numbered 5/35, signed and dated 1999, with title in Czech on reverse, framed and glazed. 14 x 18 cm

SARGIESON, ERNEST RA (BORN 1947) British (AR), a collection of pencil studies, a signed limited edition etching and a print. Sizes vary.

John Sell Cotman (British,1782-1842), 'West Front of Castle Acre Priory', etching from 'A Series of Etchings illustrative of the Architectural Antiquities of Norfolk', plate 24 (xxiv), plate dated 1813, published 1818, 31x43cm, framed and glazed. From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman)Conservation: Trumpington Gallery, 2002, stamped on backboard.

John Sell Cotman (British,1782-1842), 'Thorp Chapel, St. Michael's Church', etching, from ' A series of Etchings illustrative of the Architectural Antiquities of Norfolk', plate 42, published 1818, 30x44cm, framed and glazed. From the Cotman Collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman).Willingham Auctions, 2007.Conservation: Ellison, 2008.

John Sell Cotman (British,1782-1842), 'Easby Abbey, Yorkshire', etching taken from Bohn's 1838 (the 2nd) publication, 'Specimens of Architectural Remains', as plate 6 (vi) in series 4, 28x39cm, framed and glazed.From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman).

John Sell Cotman (British,1782-1842), 'Part of East Barsham House', etching from 'A Series of Etchings illustrative of the Architectural Antiquities of Norfolk', un-numbered plate (60), plate dated 1817, published 1818, 23x35cm, framed and glazed. From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman)Willingham Auctions, 2007.Conservation: Ellison, 2008.

John Sell Cotman (British,1782-1842), 'Capitals in the Abbey Church of St Georges de Bocherville, with bas reliefs in the transepts', etching from 'Architectural Antiquities of Normandy', plate 10, plate dated 1819, published 1822, J.& A.Arch, 26x33cm, framed and glazed.

Kieron Williamson (British, contemporary), "Golden Daybreak", limited edition print from an original painting by Williamson, age seventeen. Hahnemuhle German etching paper, matte, textured 31gsm, signed A/P and numbered 22/25 in pencil. Picture Craft Publishing Editions stamp to lower right margin. Published by The Gallery Holt 2020. Certificate of Authenticity provided. Unframed, 40x50cm (sheet dimensions).

John Sell Cotman (1782-1842), 'Walsingham Abbey Gate', etching taken from Bohn's 1838 (the 2nd) publication, 'Specimens of Architectural Remains', as plate 10 (x) in series 1, 24x33cm, framed and glazed. From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman).Yesteryear prints.Conservation, Trumpington Gallery, 2001, stamped on backboard.

John Sell Cotman (British,1782-1842), 'Part of the Refectory of Walsingham Abbey', etching from 'A Series of Etchings illustrative of the Architectural Antiquities of Norfolk', plate XII (12) dated 1812, published 1818, 24x32cm, framed and glazed. From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman).Conservation: Ellison, 2009.

John Sell Cotman (British,1782-1842), 'Castle Acre Priory', etching from 'A Series of Etchings illustrative of the Architectural Antiquities of Norfolk', plate XXVIII (28), dated 1813, published 1818, 24x32cm, framed and glazed. From the Cotman collection belonging to Dr Henry Lowe and his wife Judy (nee Cotman).Conservation: Ellison, 2009.

Frank Paton (1856-1909) - 'Every Dog has his Day', sepia etching, signed in pencil, published 1890 Leggatt Bros, London, 19.5cm x 25cm & three companions similar (4)

William Lionel Wyllie RA (1851-1931)''HMS Revenge, Portsmouth''Signed in pencil, black and white etching, 18.5cm by 39.5cm

William Lionel Wyllie RA (1851-1931)Westminster and Blackfriars Bridge from St Paul'sSigned in pencil, etching, 18.5cm by 38.5cm

Jean Sturgis (1931-2018)"The Mere, Kentmere" Signed, inscribed, dated (19)85 and number 11/30, etching, together with a further work by the same hand "Hallow Bank, Kentmere, Cumbria", 17cm by 17cm and 18cm by 21.5cm resepctively (2)

Piers Browne (b.1949)"Fishermens nets on Atlantic beach, Morocco"Signed inscribed and dated (19)79, numbered 4/30, etching, together with a further etching by the same hand "Fresh goats heads in Moroccan village centre", 18cm by 24.5cm and 19cm by 27cm respectively (2)