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78472 Los(e)/Seite
Axel Herman Haig- 'A Street in Lisieux, Normandie', publ. March 1917 by W. R. Howell & Co., The Gallery, Beford Row Chambers, WC1; etching, signed within the plate and signed in pencil, 46.2x31.3cm: William Renison- Continental street scene, publ. June 1917 by W. R. Howell & C o; etching, signed with initials within the plate, and signed in pencil, 38.5x31.7cm., (2)
Duke, Modern British School, late 20th century- Moored vessels in a tranquil harbour; oil on canvas board, signed, 41x51.5cm: Didier Moreau- 'Enlacement'; etching with aquatint, signed, titled and numbered IV/XX in pencil: together with a still life composition in collage, a pen and ink and wash study of ruins by different hands, and a reproduction print after Aubrey Beardsleyvs5
R. Ashton- 'End of the Dance'; pencil and watercolour on blue paper, signed titled and dated '74, 21.2x21.3cm: German School late 20th century- Portrait of a man; etching, signed a, numbered 10/50 and dated '83 in pencil: together with a quantity of late 20th century works on paper and prints by different hands, various sizes, (a lot), (part unframed)
After Gino Severini- Cubist still life with cards, publ. by The New York Graphic Society; lithograph in colours, 33x46cm: Lieba Siegelmann- 'Syon House'; photograph, signed, titled and numbered 3/100 and dated 1980: together with one other photograph by the same hand, one other photogrpah and an etching by different hands, various sizes, (5)
PRINTS & ENGRAVINGS. 11 vols. including: Lewis, C.T. Courtney. The Story of Picture Printing in England During the 19th Century (1928). --Docker, Alfreed. The Colour Prints of William Dickes. No. 150 of 350 copies, signed. (1924) -- Hind, A.M. A Short History of Engraving & Etching, 1908 (frontis. loosening). -- Layard, G.S. Suppresses Plates., A. & C. Black, 1907. 8vo., orig. cloth, illustrated. (11).
WILTSHIRE, Miles, William Augustus. A Description of the Deverel Barro, opened A.D. 1825. Also, A Minute Account of the Kimmeridge Coal Money. 1826. 8vo., Large Paper, old boards, half red leather. Two engraved titles and 8 plates, one of them an etching. Bookplates of W.W.Cerjet and L.V.Grinsell, with his pencil notes.
A German Nazi Naval dagger with celluloid grip and eagle and swasticker emblems in a lighting bolt patterned scabbard; the blade with Eickhorn logo and etching featuring a fouled anchor and foliage; with black velvet and brass lion head strap and silver bullion portepee; Length 16.5 ins (in scabbard)
William Walcot, R.E. - 'Berkeley Square', 1935, commissioned by the Directors of the Crittall Manufacturing Company Limited; etching, signed in pencil, 13.8x21.5cm: together with two other etchings of London street scenes by the same hand, both signed in pencil, 18x19.5 and 17.3x25cm., (3), (unframed).
Joseph Pennell - 'Bridge of St. Martin Toledo', publ. by The Studio Ltd. from 'Representative Art of our Time'; etching, 19.7x24.5cm: together with a mixed folio of prints by or after different hands, mostly circa 20th century, including: A. Lepere, E. Chahine, H. von Herkomer, W. Vaes, H. H. la Thangue, W. O. J. Nieuwenkamp, P. E. Vibert, L. Bouquet, C. Ricketts, O. Spare and others, various sizes, (a lot), (unframed).

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78472 Los(e)/Seite