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78472 Los(e)/Seite
Los 272
THEATRE: Two Staffordshire Pottery Portrait Figures, including Mr Barton as Gaffler; and John Milton, mid 19th century, Mr Barton in 'The Bride of Abydos', Astley's Circus 1847, standing in ermine robes, painted in colours, 20cm high; Milton, leaning against a plinth, 19cm high, both painted in colours (2) Mr Barton based on an etching by the Toy Theatre publisher William West of Gaffier at the moment in Act 2, scene ii, when Gaffier holds up a scroll. See V&A: S.939-1996 Refer: Harding, p.273, fig.985. Milton Refer: V&A C.417-1928. Mr Barton was purchased Christies 4th May, 1982, lot 134
Los 42
After Daniel King (d.1664), The South Prospect of the Cathedral Church of Bath, coloured etching, visible sheet 18.5 x 31cm, together with by Johann Sebastian Mueller, This View of the Right Honourable Earl of Chesterfield's House near Hyde Park, coloured engraving, visible sheet 16 x 30.5cm (2)
Los 2512
Dieter Stein (1924–2022, Würzburger Künstler), Frauenakt in Rückenansicht, Zeichnung, Kuli/Papier, signiert und datiert '69, 32,5 x 25 cm, Alterspuren; Eduard Bargheer (Hamburg 1901 - 1979), Portrait eines jungen Mannes, Radierung, signiert und datiert ('60?), 31,5 x 23,5 cm. / Dieter Stein (1924-2022, Würzburg artist), Nude woman in back view, drawing, pen/paper, signed and dated ‘69, 32.5 x 25 cm, traces of age; Eduard Bargheer (Hamburg 1901 - 1979), Portrait of a young man, etching, signed and dated (’60?), 31.5 x 23.5 cm.
Los 2527
Christian Schad (1894-1982), Konvolut aus 5 Graphiken: "Bobino", Kaltnadelradierung, signiert, dat. "78", e.a., 14,5 x 10 cm; "Fauniske", Radierung, signiert, dat. "67", e.a., 12,5 x 11,5 cm; "Illustration", Holzschnitt, signiert, dat. "14", e.a., 12 x 16 cm; "Midinette", Holzschnitt, signiert, dat. "15", e.a., numm. 18/22, 18 x 12 cm; "Zirkusprobe", signiert, dat. "25", 12 x 10 cm. / Christian Schad (1894-1982), graphic works: ‘Bobino’, drypoint, signed, dat. ‘78’, e.a., 14.5 x 10 cm; “Fauniske”, etching, signed, dat. ‘67’, e.a., 12.5 x 11.5 cm; “Illustration”, woodcut, signed, dat. ‘14’, e.a., 12 x 16 cm; “Midinette”, woodcut, signed, dat. ‘15’, e.a., numb. 18/22, 18 x 12 cm; ‘Zirkusprobe’, signed, dat. ‘25’, 12 x 10 cm.
Los 2536
Adriaen VAN OSTADE (1610-1685), Zwei Angler auf der Brücke, Radierung, Plattenrand beschnitten, stockfleckig, Motiv: 10,6 x 16 cm. Vgl. B. 26; The New Hollstein 32; Godefroy 26 (in der Expertise der Galería "Ad Insigne Aldi", Cordoba, aus dem Jahr 1943 als Zustand VI von VII). Provenienz: aus dem Besitz Schönburg-Waldenburg / Adriaen VAN OSTADE (1610-1685), Two anglers on the bridge, etching, plate margin trimmed, foxing, motif: 10.6 x 16 cm. Cf. B. 26; The New Hollstein 32; Godefroy 26 (in the expertise of the Galería ‘Ad Insigne Aldi’, Cordoba, from 1943 as condition VI of VII). Provenance: from the Schönburg-Waldenburg estate.
Los 2529
Christian Schad (1894-1982), Konvolut aus 8 Graphiken: "Andy", Radierung, e.a., IV/VII, signiert und dat. "1971", 21,5 x 20 cm; "Die Polin", Farblithographie in vier Farben (schwarz, grau, silber, rot), signiert, 44/50, dat. "71", je 25,5 x 19,5 cm; "Martina", Radierung, e.a., signiert, dat. "77", 30 x 24,5 cm; "Yette", Lithographie, 1921, 59/202, signiert und datiert, ca. 17 x 10 cm; "La Ginestra", signiert, datiert "21", numm. 59/156, ca. 14 x 10 cm. / Christian Schad (1894-1982), 8 graphic works: ‘Andy’, etching, e.a., IV/VII, signed and dat. ‘1971’, 21.5 x 20 cm; “Die Polin”, colour lithograph in four colours (black, grey, silver, red), signed, 44/50, dat. ‘71’, each 25.5 x 19.5 cm; “Martina”, etching, signed, dat. ‘77’, 30 x 24.5 cm; “Yette”, lithograph, 1921, 59/202, signed and dated, approx. 17 x 10 cm; “La Ginestra”, signed, dated “21”, numb. 59/156, ca. 14 x 10 cm.
Los 1814
ENGEL, OTTO HEINRICH (1866-1949), "Spielende Kinder am Seeufer", Radierung/Papier, in der Platte u.li. monogrammiert, u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift num. 2/20, HxB: Platte ca. 14,5x20 cm, Passepartoutausschnitt ca. 17,5x24,5 cm, Außenmaße ca. 22,5x31 cm. Leichte Altersspuren. Im Passepartout hinter Glas gerahmt. | ENGEL, OTTO HEINRICH (1866-1949), ‘Children playing on the lakeshore’, etching/paper, monogrammed in the plate lower left, signed by hand in pencil lower right, numbered 2/20 in pencil lower left, HxW: plate approx. 14.5x20 cm, mat opening approx. 17.5x24.5 cm, outer dimensions approx. 22.5x31 cm. Slight traces of age. Framed behind glass in passepartout.
Los 762
ÉMILE GALLÉ, kleine Art Nouveau Glasvase mit Dekor von Nadelgehölz, Nancy, Frankreich, um 1904-1906, Korpus aus Klarglas braun überfangen und geätzt, im unteren Teil signiert „Gallé“. H: 6 cm. Minimale Alters- und Gebrauchsspuren.| ÉMILE GALLÉ, small Art Nouveau glass vase with conifer decoration, Nancy, France, around 1904-1906, clear glass body with brown overlay and etching, signed ‘Gallé’ in the lower part. H: 6 cm. Minimal signs of age and use.
Los 1823
NÄGELE, REINHOLD (1884-1972), "Murrhardter Wirtshausschilder", 1921, Radierung, u.li. mit Bleistift von Hand betitelt, datiert und bezeichnet 'Vordruck', u.re. mit Bleistift von Hand signiert 'R. Nägele', HxB: Platte ca, 24x17 cm, Blatt ca. 27,5x21 cm, Außenmaße Rahmen ca. 29x23 cm. Alters- und Beriebsspuren, gebräunt. Hinter Acrylscheibe gerahmt (Alters- und Beriebsspuren).| NÄGELE, REINHOLD (1884-1972), ‘Murrhardter Wirtshausschilder’, 1921, Etching, titled, dated and inscribed ‘Vordruck’ in pencil lower left, signed ‘R. Nägele', HxW: plate approx. 24x17 cm, sheet approx. 27.5x21 cm, outer frame dimensions approx. 29x23 cm. Traces of age and wear, browned. Framed behind acrylic disc (traces of age and wear).
Los 1824
NÄGELE, REINHOLD (1884-1972), "Hall", 1920, Radierung, u.li. mit Bleistift von Hand num. '6/40' und betitelt, u.re. in der Platte monogr., dat. und betitelt, u.re. mit Bleistift von Hand signiert und datiert, HxB: Platte ca. 31,5x22 cm, Blatt ca. 34,5x24 cm, Außenmaße Rahmen ca. 37x26,5 cm. Alters- und Beriebsspuren, gebräunt. Mit verglastem Rahmen (Alters- und Beriebsspuren). VERSO handschriftlich bez. "zum Gedenken an meinen edlen Vater".| NÄGELE, REINHOLD (1884-1972), ‘Hall’, 1920, etching, numbered ‘6/40’ and titled by hand in pencil lower left, monogrammed, dated and titled in the plate lower right, signed and dated by hand in pencil lower right, HxW: plate approx. 31.5x22 cm, sheet approx. 34.5x24 cm, outer frame dimensions approx. 37x26.5 cm. Traces of age and wear, browned. With glazed frame (traces of age and wear). VERSO handwritten inscription ‘in memory of my noble father’.
Los 1820
VINCKBOONS, DAVID (1576-1629), "Bäuerliche Gesellschaft", 1606, Radierung, u.li. in der Platte monogrammiert und dat., HxB: Platte ca. 25,5x34,5 cm, Passepartout-Ausschnitt ca. 26,5x35,5 cm, Außenmaße Rahmen ca. 39x48,5 cm mit Rahmen. Alters- und Beriebsspuren, gebräunt, fleckig. Im Passepartout hinter Glas gerahmt (Alters- und Beriebssuren). | VINCKBOONS, DAVID (1576-1629), ‘Bäuerliche Gesellschaft’, 1606, etching, monogrammed and dated in the plate lower left, HxW: plate approx. 25.5x34.5 cm, mat opening approx. 26.5x35.5 cm, outer frame dimensions approx. 39x48.5 cm with frame. Traces of age and wear, browned, stained. Framed behind glass in passepartout (traces of age and wear).
Los 1807
FUCHS, ERNST (1930-2015), Konvolut 3 Graphiken, 1.) "Zyklopische Landschaft", Farbaquatintaradierung/Papier, mit Bleistift num. 190/200 und von Hand signiert, HxB: Platte ca. 22,5x48,5 cm, Passepartoutausschnitt ca. 30x52 cm; 2.) "Samson und Delilah", Farblithographie/violettes Papier, mit Bleistift num. 103/200 und von Hand signiert, u.re. Trockenstempel, HxB: Platte ca. 49x38 cm, Blatt ca. 65x50 cm 3.) Plakat zur Ausstellung "Ernst Fuchs bei Wolfgang Ketterer...", Farblithographie/Papier, u.re. mit Bleistift von Hand signiert (teilw. vom Passepartout verdeckt), HxB: Passepartoutausschnitt ca. 75x52 cm, Außenmaße Rahmen ca. 94x69 cm. Je Altersspuren, part. Knickspuren, gebräunt. Die "Zyklopische Landschaft" im Passepartout und das Plakat im Passepartout hinter Glas gerahmt.| FUCHS, ERNST (1930-2015), mixed lot of 3 prints, 1.) ‘Zyklopische Landschaft’, colour aquatint etching/paper, numbered 190/200 in pencil and signed by hand, HxW: plate approx. 22.5x48.5 cm, mat cut-out approx. 30x52 cm; 2.) ‘Samson und Delilah’, colour lithograph/violet paper, numbered 103/200 in pencil and signed by hand, dry stamp on the lower right. 103/200 and signed by hand, dry stamp lower right, HxW: plate approx. 49x38 cm, sheet approx. 65x50 cm 3.) Poster for the exhibition ‘Ernst Fuchs bei Wolfgang Ketterer...’, colour lithograph/paper, signed by hand in pencil lower right (partly covered by passe-partout), HxW: passe-partout section approx. 75x52 cm, outer frame dimensions approx. 94x69 cm. Each with traces of age, part. Traces of creasing, browned. The ‘Cyclopean Landscape’ framed in passepartout and the poster framed in passepartout behind glass.
Los 1801
HOLLENBERG, FELIX (1868-1945), "Rechberg und Hohenstaufen", 1908, Ätz- und Kaltnadelradierung von der Kupferplatte/Papier, in der Platte monogrammiert und datiert 'FH 08', u.re. mit Bleistift von Hand signiert, HxB: Platte ca. 20x40 cm, Blatt ca. 30x43 cm. Altersspuren, gebräunt und rechtsseitig Lichtrand, wenige Flecken. LITERATUR: Heide Büttenbender, Felix Hollenberg, Das Graphische Werk, 1982, WVZ-Nr. 120.| HOLLENBERG, FELIX (1868-1945), "Rechberg und Hohenstaufen", 1908, Etching and drypoint etching from the copper plate/paper, monogrammed and dated ‘FH 08’ in the plate, signed by hand in pencil lower right, HxW: plate approx. 20x40 cm, sheet approx. 30x43 cm. Traces of age, browned and light-stain to the right, few stains. LITERATURE: Heide Büttenbender, Felix Hollenberg, Das Graphische Werk, 1982, WVZ no. 120.
Los 1806
FUCHS, ERNST (1930-2015), "Akt - Eva", Aquatintaradierung/Papier, mit zwei vertikat verlaufenden Falzen als Triptychon, in jedem der drei Felder von Hand signiert, HxB: Blatt gesamt ca. 30x71 cm, Außenmaße Rahmen ca. 37x83 cm. Leichte Altersspuren. Mit verglastem Rahmen (verso Etikett Kunsthaus Schaller, Stuttgart). | FUCHS, ERNST (1930-2015), "Akt - Eva", Aquatint etching/paper, with two vertical folds as a triptych, signed by hand in each of the three fields, HxW: sheet total approx. 30x71 cm, outer frame dimensions approx. 37x83 cm. Slight signs of age. With glazed frame (label Kunsthaus Schaller, Stuttgart, verso).
![Andrew Watson Turnbull [b.1874]Original etching titled " Liathach from Loch Clair" Frame- 37.5x47.5cm.](https://cdn.globalauctionplatform.com/b1e19db6-f9e8-4677-be17-b28300fe7300/df439d88-d3ca-4459-82e4-b28400bb5f15/468x382.jpg)
Los 331
(ARR) James McIntosh Patrick RSA (Scottish, 1907-1998) - Bruges - Believed early 20th century limited edition drypoint etching on paper of the city of Bruges, Belgium. Number 4 of 50. Signed 'McIntosh Patrick' to lower right in pencil. Mounted, framed & glazed. With Thomas Murray & Son, Dundee label to back. Measures approx. 16cm x 16cm excluding frame.
Los 264
This stunning color offset on paper of the etching by Alexandre Chaponnier, modeled after the original painting by Jean-Frederic Schall, titled Le Modele Dispose. Housed in a carved wooden frame with a blue gilded mat. Sight size: 13.25"L x 18.75"H. Frame dimensions: 21.5"L x 1.5"W x 26.25"H. Artwork can be unframed and rolled for shipment. Artist: After Jean-Frederic Schall (French, 1752-1825)Dimensions: See DescriptionCondition: Age related wear.
Los 250
Rarely offered original etching on paper by American sculptor Paul DiPasquale entitled Connecticut on Connecticut. It depicts DiPasquale's monumental statue of an American Indian with arms over a parapet and looking onto the street below. This iconic sculpture was created originally for a liquor store in Washington D.C., visible in this study. Signature and date in graphite on lower right: Paul Albert DiPasquale, 83. Edition and title on lower left: 9/15 Connecticut on Connecticut. Housed in a wooden frame with an ecru mat. Sight dimensions: 12.25"L x 10"H. Frame size: 20"L x 17.50"H x 1"W. Artwork can be unframed and rolled for shipment. Artist: Paul Albert DiPasquale (American 20th-21st century)Issued: 1983Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
Los 270
Original suite of four black and white etching prints of historical Colombian street views featuring four views by Jorge Posada, and one by Federico Garcia. Also includes one original serigraph featuring butterflies and flora, signed and dated in graphite by an 11 years old Colombian student. Each etching print size: 15.25"L x 11.75"H. Serigraph dimensions: 13"L x 9.50"H. Issued: c. 1980Dimensions: See DescriptionCountry of Origin: ColombiaCondition: Age related wear.
Los 251
Original color etching on handmade paper by American artist and Master papermaker Laurence Barker. Pulled in the small edition of 40 and entitled Hedgerows, it depicts the organic shapes of wild shrubs and trees that Laurence colored in blue-browns and light emerald green. Signature in graphite on lower right: Laurence Barker. Edition and title on lower left: 9/40 Hedgerows. Housed in a chestnut brown wooden frame with an ecru mat. Sight dimensions: 12.50"L x 17"H. Frame size: 20.50"L x 25.50"H x 1.50"W. Artwork can be unframed and rolled for shipment. Artist: Laurence Barker (American b. 1930)Issued: c. 1970Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
Los 76
Wells (H. G.).- Swan (Robert J.) Portrait of H. G. Wells writing, coloured chalks, signed lower right, inscribed with sitter's name lower left, 310 x 230 mm (12 1/4 x 9 in), under glass, framed, [mid-20th century]; together with a signed etching of George Bernard Shaw, 305 x 210 mm (12 x 8 1/4 in), under glass, heavy browning, framed (2)
Los 486
† GRAHAM CLARKE (British, born 1941); coloured etching 'Old Manor', no.48/150, titled and numbered lower left, signed lower right, approx. 34.3 x 54cm, framed and glazed.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
Los 336
A stunning Pickard China lidded creamer featuring an etched gold floral design with blue accents. The piece showcases exquisite craftsmanship with detailed floral etching on the gold surface and a geometric floral pattern in blue iridescence on the lower section. The creamer is octagonal in shape, with a gracefully arched handle and a fitted lid with a knob finial. Marked "Pickard Etched China" on the base, indicating its high-quality production and elegant artistry. Issued: Early 20th centuryDimensions: 4.5"HCountry of Origin: USACondition: Age related wear.
Los 14
Pair of Waterford crystal toasting flutes featuring Mickey Mouse designs, standing 9.25 inches in height. These elegant flutes showcase intricate diamond-cut detailing on the bowls, a classic feature of Waterford craftsmanship. The bases are adorned with a starburst design, adding brilliance to the overall aesthetic. Each flute bears the Waterford etching on the base and comes with the original Waterford box. A charming addition to any Disney or crystal collection, perfect for celebratory occasions. Issued: 20th centuryDimensions: See DescriptionCountry of Origin: IrelandCondition: Age related wear.
Los 15
Pair of Waterford crystal toasting flutes featuring Mickey Mouse designs, standing 9.25 inches in height. These elegant flutes showcase intricate diamond-cut detailing on the bowls, a classic feature of Waterford craftsmanship. The bases are adorned with a starburst design, adding brilliance to the overall aesthetic. Each flute bears the Waterford etching on the base and comes with the original Waterford box. A charming addition to any Disney or crystal collection, perfect for celebratory occasions. Issued: 20th centuryDimensions: See DescriptionCountry of Origin: IrelandCondition: Age related wear.
Los 197
An original photogravure print on paper, entitled Fetch It, Sir after Hamilton Hamilton's etching from a portfolio entitled Ten Original Etchings by the Best American Artists, originally published in Boston by Estes and Lauriat in 1888. Printed by Goupil and Cie, Paris and published by D. Appleton and Co., New York. Artist signature in plate on lower right side. Printer, publisher, and title on lower edge margin. Artist: After Hamilton Hamilton (English, 1847-1928)Dimensions: 12.5"L x 16.75"HCondition: Age related wear. Time stained. Foxing and soiling scattered through out surface. Creases on upper left corner, and lower left corner. Rip on upper and lower left corner and middle of lower edge.
Los 117
ROBERT LILLIE (1867-1949) Victorian schoolmaster addressing his pupils, pen and ink illustration, signed with pencil annotations, 14" x 10" three other signed and annotated illustrations, a portrait, together with HW Brewer, church interior, etching, 9" x 7" an etching of Ullswater by Duckworth, 8.25" x 5.75" and three modern prints of London landmarks
Los 359
ROWLAND LANGMAID "Calm at the Nore", etching, signed in pencil lower right and titled on "Deighton's Strand Gallery" label verso, 8.5 cm x 17 cm, together with "Green Hithe - Training ship Worcester", etching, signed in pencil lower left, bears title on "Deighton's Strand Gallery" label verso, 8.5 cm x 17 cm (2)
Los 302
Jürgen Görg, German b.1951- Untitled; Salome, 1987; Untitled, 1987;(i) etching with aquatint in colours on wove, signed and numbered 70/75 in pencil, plate: 25.6 x 17.8 cm, (ii) lithograph in colours on wove, signed, dated and numbered 74/180 in pencil, sheet: 74.5 x 60.5 cm, (iii) lithograph in colours on wove, signed, dated and inscribed 'EA' in pencil, sheet: 66.5 x 53.7 cm, together with two digital prints on wove after original works by the artist,(unframed)(ARR)(5)
Los 280
Bob Dylan, American b.1941- The Drawn Blank Series (Mexico; Truck; Man On A Bridge; Three Chairs), 2011; each giclée print in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 109/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, (framed) (4) Note: each print comes with its own certificate of authenticity from Washington Green Fine Art.
Los 11
David Hockney OM CH RA, British b. 1937-Two Boys, Aged 23 or 24, 1966;etching with aquatint on Crisbrook handmade paper, from 'Illustrations for Fourteen Poems' by C.P Cavafy, signed and inscribed 'for The Black Dwarf' in pencil, printed at Alecto Studios, published by Editions Alecto sheet: 34.9 x 22.2 cm, (framed) (ARR) Provenance: Fundraising event for The Black Dwarf from the Robert Self Gallery in September 1970. | Provenance: from the collection of Klaus Hinrichsen. Note: Klaus Hinrichsen (1912–2004) was a German-born art historian who fled Nazi Germany in 1938. He was interned at Hutchinsons Camp on the Isle of Man from 1940, where he organised exhibitions featuring refugee artists such as Kurt Schwitters. Prevented from working in public art institutions after his release, he dedicated himself to collecting and researching maps, ethnographic works, and lithographs, meticulously cataloguing his acquisitions. He sourced items from Sotheby’s, Christie’s, and antique dealers, prioritising historical significance and conducted extensive provenance research at the British Library. His archive, including records and ephemera from his time in internment, is now held at the Tate Gallery.
Los 68
Victor Pasmore CH CBE, British 1908-1998,Harmony of Opposites, 1995;etching and aquatint on wove, signed with initials in pencil, dated and numbered 33/35, sheet: 68 x 81 cm, (framed) (ARR) Note: together with the catalogue raisonné on the artist's works by Alan Bowness and Luigi Lambertini, published by Thames and Hudson, 1980.Provenance: Private UK Collection | Marlborough Graphics Ltd, London
Los 133
Robyn Denny, Sir Peter Blake CBE RDI RA & Alexander Hollweg, British 1930-2014, b.1932- & 1936-2020, Untitled; Liberty as a 'Suffolk Child by John Constable R.AA'; Country Dance, all from the portfolio 'For John Constable', 1976; (i) screenprint in colours with collage on paper, signed, numbered '52/100' and dated '76 in pencil, sheet: 63.5 x 102 cm, (ii) etching with collage on wove, signed and numbered 91/100 in pencil, sheet: 65.5 x 50cm, (iii) woodcut printed in colours on wove, signed, dated, titled and numbered 52/100 in pencil, sheet: 56 x 76cm, published by Bernard Jacobson Gallery, London, (all unframed) (ARR) (3) (VAT charged on hammer price)
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78472 Los(e)/Seite