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Los 1

Charles William Cain 1893-1962- 'Baghdad 1919'; etching, signed and numbered 27 90 in pencil, signed with monogram within the plate, 27x34cm: British School early 20th century- Riverside buildings; etching signed in pencil, dated Oct 1909 within the plate, 15.5x25cm., (2)

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A mahogany pole-screen with tripod base, the rectangular screen with humerous etching pub. by G.Humphrey. a/f

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After Ernest George; etching "Dordrecht", 19 x 24cm, framed and glazed

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After Rowland Langmaid, etching, 'HMS Victory and Temeraire', signed in pencil

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C F Tunnicliffe RA limited edition etching of an otter with rabbit being attacked by seagulls signed in pencil number 6 of 50 and another C E Tunicliffe etching of a seal and fish unsigned both 8" by 5.5"

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WILLIAM LIONEL WYLLIE, Herring Fishers, Lowestoft, etching, signed in pencil in the margin, 91/4" x 171/4".

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W. WYLLIE & R. DUNTHORNE Battleship in harbour, etching, signed in pencil in the margin, 12" x 83/4".

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JOAN BEGBIE "Nitson: Dorset", etching, signed and titled in pencil in the margin, 83/4" x 101/2"

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WILLIAM LIONEL WYLLIE Battleship entering Portsmouth Harbour, etching, signed in pencil in the margin, 71/2" x 151/4".

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AFTER L. ABERLI "Vue du Chateau de Wimmis et des Environs", coloured etching, 15" x 21".

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WILLIAM RUSSELL FLINT A naked woman holding a sword by a classical column, etching, signed in the margin, 81/2" x 4" and another work (2)

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Charles F. Tunnicliffe the new born calf etching Charles Frederick Tunnicliffe O.B.E. R.A. R.E. A.R.C.A. H.R.Cam.A. (1901-1979) The New-born Calf signed and inscribed in pencil in the margin etching 20 x 25.5cm.; 8 x 10in.

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W.L. Wyllie the battle of trafalgar etching William Lionel Wyllie R.A. R.E. (1851-1931) The Battle of Trafalgar 2.30pm after a painting by W.L. Wyllie signed in pencil in the margin issued August 1st 1905 by the Art Union of London etching 39.5 x 74cm.; 15.5 x 29in.

Los 1

POGANY, WILLY, illus. Rubaiyat. 1930. Limited Edition, No. 464 of 750 copies of the English issue signed by the artist. 4to., orig. blue morocco gilt with coloured floral onlay, t.e.g., other edges uncut. Original signed etching and 12 tipped in colour plates. Text illustrations, some tipped in. In original box.

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Joseph W. Simpson C.B.E., R.I., R.B.A. (1879-1939). A Portrait of Jimmy Dyer, dry point etching, signed in pencil, 21cm x 30cm, in card mount and ebonised frame under glass.

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Joseph W. Simpson, C.B.E., R.I., R.B.A. (1879-1939). A Portrait of John Peel, coloured dry point etching, signed in pencil, 25cm x 33.5cm, in card mount and ebonised frame under glass.

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Sir Hubert von Herkomer - Portrait of the Artist, etching, dated in the plate Feb 1890, signed in pencil, 23.5 x 16cm ++ In apparently fine condition; unexamined out of the frame

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M.P. Robins - Coastal View with Sailing Barges, early 20th Century monochrome etching, signed in pencil, together with a watercolour by J.E. Howard, Landscape with Shepherd.

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Douglas Ian Smart - View of the Thames, monochrome etching, signed in pencil, within an oak frame.

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J. Alphege Brewer - 'Canterbury (the Weavers)', colour etching, signed and titled in pencil.

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After C.E. Proctor - 'Queen Elizabeth (Old) Grammar School, Barnes', monochrome etching, signed and titled in pencil, together with an aquatint, a watercolour and a pen and ink drawing.

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Henry G. Loacker - 'Brixham Trawlers', colour etching, signed in pencil.

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After Marie Laurencen - Portrait of a Lady wearing a Hat, coloured etching, plate size approx 8cm x 7cm.

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Edward J. Cherry, circa 1920, Golfer returning to the clubhouse, etching, signed in pencil, 14 x 18cm.

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After Edwin Lucas; Guys Hospital, etching, signed and titled in pencil, 24 x 42cm and a colour print of Westminster Abbey Hospital, in a satin birch frame (2).

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Douglas Portway (South African 1922-1993) Reclining nude Etching Pencil signed within the margin lower right Limited edition IV/VI S. 8.5cm x 17.5cm

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Louis Icart (1888-1950) Peonies Colour etching Signed in pencil lower right LI Paris blindstamp lower left Published 1935 P 22cm x 29cm

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Lucian Freud b. 1922 MAN RESTING signed with the initials and numbered 22/30 etching image: 36 by 40cm.; 14.125by 15.75in. sheet: 46.5 by 50cm.; 18.25 by 19.625in. Executed in 1988 and published by James Kirkman Ltd. London and Brooke Alexander New York. Literature Exhibition Catalogue Rome Palazzo Ruspoli Lucian Freud 1991 p. 104 illustration of another example Exhibition Cataloge New York Matthew Marks Gallery Lucian Freud: Recent Paintings & Etchings 1993 unpaged illustration of another example Craig Hartley The Etchings of Lucian Freud: A Catalogue Raisonne 1946-1995 London 1995 p. 98 no. 34 illustration of another example Bruce Bernard & Derek Birdsall (ed.) Lucian Freud London 1996 no. 218 illustration of another example Exhibition Catalogue Venice Museo Correr Lucian Freud 2005 p. 126 no. 47 illustration of another example

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Lucian Freud b. 1922 BELLA signed with the initials and numbered 33/50 etching image: 42 by 34.5cm.; 16 by 13.625in. sheet: 70 by 57cm.; 27.5 by 22.375in. Executed in 1987 and published by James Kirkman Ltd. London and Brooke Alexander New York. Literature Craig Hartley The Etchings of Lucian Freud: A Catalogue Raisonne 1946-1995 London 1995 p. 88 no. 30 illustration of another example

Los 1

Lucian Freud b. 1922 HEAD OF IB signed with the initials and numbered 20/40 etching image: 20.7 by 14.7cm.; 8.25 by 5.75in. sheet: 35.7 by 27.7cm.; 14 by 10.875in. Executed in 1988 and published by James Kirkman Ltd. London and Brooke Alexander New York. Literature Craig Hartley The Etchings of Lucian Freud: A Catalogue Raisonne 1946-1995 London 1995 p. 100 no. 35 illustration of another example Bruce Bernard & Derek Birdsall (ed.) Lucian Freud London 1996 no. 219 illustration of another example

Los 1

Damien Hirst b. 1965 CICLOPIROX OLAMINE signed colour etching image: 85.5 by 85.5cm.; 33.625 by 33 5/8in. sheet: 115 by 112cm.; 45.25 by 44in. Executed in 2004 in an edition of 145. provenance Paragon Press London

Los 1

James Macintyre, early C20th British - ARDROSSAN - black & white etching, 7.5 by 14ins. (P), in glazed ebonised frame - signed lower right; together with another smaller black & white etching by the same artist - STOCKWELL BRIDGE - 2.6 by 3.8ins., in glazed ebonised frame - signed lower right (2).

Los 1

A coloured etching depicting the nave of the International exhibition 1862, 18" x 24", framed.

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EDWARD CHERRY: A framed and glazed etching "Guy's Cliff Mill, Warwick" signed in pencil to mount

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A coloured etching entitled the New Hat showing half length nude, by R. U . Melville, Grenada plus a three quarter length pencil / charcoal study of a female nude from the back signed by the artist lower left in pencil Thebaud…(?) 38cm by 51cm (two)

Los 1

WILLIAM MONK, RE. A Coastal Landscape with fishing village. etching,Pl. 7 1/4 x 10 1/4 in; and a small group of unframed prints and drawings, principally landscapes (qty)

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SAM GARRAT, 1st Proof Etching: Fishing Boats, St Ives, 7 x 9in, signed in pencil

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Sir Henry George Rushbury (1889-1968) View on the Thames Etching Signed in pencil 21.5cm x 27.5cm

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Eileen Alice Soper (1905-1990) The Stray Etching Signed 19cm x 14.5cm

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Eileen Alice Soper (1905-1990) The Wet Sands Etching Signed in pencil 15cm x 20cm

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William Lionel Wyllie (1851-1931) View towards the Royal Naval College Drypoint etching Signed in pencil 8.5cm x 35cm

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William Lionel Wyllie (1851-1931) The Scouts' training vessel 'Northampton' off the Temple Drypoint etching Signed in pencil 31cm x 21.5cm

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William Lionel Wyllie (1851-1931) View toward St Paul's Cathedral over The Thames from the South Bank Drypoint etching Signed in pencil 16cm x 38cm

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William Lionel Wyllie (1851-1931) Victory's last journey Drypoint etching Signed in pencil 21.5cm x 31cm

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William Lionel Wyllie (1851-1931) View from Greenwich Park toward The Thames Drypoint etching Signed in pencil 15.5cm x 37cm

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Herbert Dicksee (1862-1942) etching on vellum The Twilight Hour signed in pencil 19 x 23 ins.

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Harold Wyllie (1880-1973) etching Shipping in harbour signed in pencil 6 x 10 ins.

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Sir Frank Brangwyn (1864-1956) etching Docker signed in pencil 7.5 x 5 ins.

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Sir Frank Brangwyn (1864-1956) etching Pigs in a yard initialled 4.75 x 3.25 ins. and a woodcut of trumpeters signed in pencil 4 x 5.25 ins.

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Sir Frank Brangwyn (1864-1956) etching Church of St Nicholas Paris signed in pencil full plate 20 x 24.5 ins.

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Sir Frank Brangwyn (1864-1956) etching St Martins Bridge at Toledo signed in pencil full plate 20 x 23.5 ins.

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BRANGWYN (F) THE BRITISH EMPIRE PANELS DESIGNED FOR THE HOUSE OF LORDS ... signed ltd ed lacking etching 1933; SPARROW (W) PRINTS AND DRAWINGS BY FRANK BRANGWYN ...; FURST (H) THE DECORATIVE ART OF FRANK BRANGWYN 1st ed 1924; and SANDILANDS (G) FRANK BRANGWYN 'The Studio' 1928 (4)

Los 1

Harry Morley (1881-1943) etching Textile workshop signed in pencil 7.5 x 5.75 ins.

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William Lionel Wyllie etching Brighton Chain Pier signed in pencil 7.25 x 13.5 ins.

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Charles Rowles etching The Pilot Ship Pathfinder leaving Dover signed in pencil 9 x 9.5 ins.

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David Strang (b.1887) etching Portrait of Rudyard Kipling signed in pencil 14 x 10 ins.

Los 1

Flint (Sir William Russell). Etchings and Dry Points. Catalogue Raisonne, by Harold J.L. Wright, 1st ed., 1937, orig. dry point etching frontis., signed in ink by the artist, b & w illusts., t.e.g., orig. cloth in slightly chipped glassine d.j., tall 8vo Limited signed edition 124/135. (1)

Los 1

Flint (William Russell). Modern Masters of Etching. W. Russell Flint, A.R.A., Introduction by Malcolm C. Salaman, pub. The Studio Ltd., 1931, twelve tipped-in reprod. etchings, orig. boards in somewhat torn d.j. (spine and corners of d.j. repaired with tape), oblong folio, together with The Golden Years. Outstanding Paintings by Sir William Russell Flint, R.A., P.P.R.W.S., A Jubilee Exhibition by Frost & Reid Ltd. in association with Christopher Wade Gallery, 1977, thirty-one col. reprods., orig. black cloth, upper cover lettered in gilt, with card envelope, slim 4to, (Special Edition, no. 271, of 500?), with another copy of the same catalogue bound in orig. printed wrappers, and four other catalogues (7)

Los 1

Caricatures. McLean (Thomas, fl. 1816-32), 'A Parliamentary Game of Shuttlecock', c.1820s, hand coloured etching, approx. 240 x 345 mm, together with 'Patent Penny Knowledge Mill', c.1830s, hand coloured litho., approx. 255 x 355 mm, and 'A Scene in the Court of Chancery', c.1830s, hand coloured litho., approx. 235 x 330 mm, plus 'Run Neighbours Run - St Al-n's Is Quadrilling It', 1829, hand coloured etching, approx. 250 x 360 mm, together with Heath (Henry, fl.1822-42), Captain Dick Demi-Solde on a Wild Goose Flight to the Swan River, pub. S.Gans, c.1830, and 'The Bull in Jeopardy; or, The Curs Triumphant', pub. S.Gans, 1829, and 'Protestant Descendency! A Pull at the Church', 1829, plus 'The Tory Band', pub. S.Gans, c.1830, four hand coloured etchings, approx. 255 x 350 mm, and two more similar etched carictaures, all framed and glazed (10)

Los 1

Caricatures. Four caricatures all including Ernest Augustus, King I of Hanover and Duke of Cumberland (1771-1851), including Humphrey (George, fl.1783-1831), 'The Poser; or, a New Light from an Old Law Luminary', 1831, hand coloured etching, approx. 255 x 360 mm, together with McLean (Thomas, fl. 1816-32), 'Hint Dropping, or Sapping & Mining', 3 Aug 1829, 'The Vindication', 21 November 1829, 'The Woolsack', 8 April 1830, three hand coloured lithos., each approx. 260 x 360 mm, all framed and glazed (4)

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