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78472 Los(e)/Seite
Los 830
An 18th century hunting hanger, curved, fullered blade 20” (slightly shortened during its working life), with narrow back fuller, etched with flower heads in foliate panels (etching worn), brass hilt, the turn down shell guard embossed with classical figure in stylized foliage, with quillon, loop to knuckelbow and flattened cap shaped pommel, the top (split) embossed with running deer and dogs, horn grip. Basically GC for age (hilt loose). Plate 5
Los 232
*After Bernard Buffet, `POISSON` Lithograph printed in colours, numbered 42/220 in pencil; Hans Fischer (Swiss 1909-1958), `LE CHAT` Lithograph, signed and numbered 182/200 in pencil; Gabriel Zendel (French 1906-1992), STILL LIFE Lithograph printed in colours, signed and numbered 54/200 in pencil, with blind stamp for Guy Spitzer; Francis Tailleux (French 1913-1981), INTERIOR WITH A GIRL IN A CHAIR Lithograph printed in colours, signed and numbered 179/200 in pencil, with Guilde de la Gravure blindstamp; Jacques Houplain (French b.1920), KNIGHTS FIGHTING ON HORSEBACK Etching, signed and numbered 51/900 in pencil, with Guilde de la Gravure blindstamp, various image and paper sizes, unframed (5)
Los 1274
Louis Icart (1888-1950 French) ``Symphony in White (Blancheurs)``, 1932, signed in pencil lower right: Louis Icart, colored etching on paper under glass, plate size: 20`` H x 15.5`` WLiterature: W.R. Holland, ``Louis Icart: The Complete Etchings``, Atglen, PA, 1990, p. 202, fig. 426. With Icart`s `Windmill` embossed seal lower left. Provenance: Private Collection, Sherman Oaks, CA; by descent in the family. Condition: Visual: The paper heavily toned and with mat burn. Not examined out of the frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
Los 1275
Louis Icart (1888-1950 French) ``Lady of the Camellias (La Dame aux Camelias)``, 1927, signed in pencil lower right: Louis Icart, colored etching on paper under glass, image size: 16.25`` H x 20.25`` WLiterature: W.R. Holland, ``Louis Icart: The Complete Etchings``, Atglen, PA, 1990, p. 152 fig. 321. Note: Printed upper left: Copyright 1927 by les Graveurs Modernes 194 Rue de Rivoli, Paris and with Icart`s `Windmill` embossed seal lower left. Provenance: Private Collection, Sherman Oaks, CA; by descent in the family. Condition: Visual: The paper heavily toned and with mat burn. Not examined out of the frame. Your bid indicates acceptance of our Conditions of Sale. AS-IS. ALL SALES FINAL
Los 344
OLD MASTERS ETCHING - `Studies of the Head of Saskia and Other Women` by Harmensz van Rijn Rembrandt (Dutch, 1606-1669), signed in plate lower left and dated 1636, Saskia (top center) was Rembrandt`s wife, printed on laid paper, probably an early 18th c restrike from the original plate, unframed, trimmed, sheet size 5 5/8" x 4 5/8", toned, lower left corner bent, very short tear to left edge. (Usticke 12, B. 365).
Los 691
ETCHING - `Ceci n`est pas Une Pipe` or `Les Deux Mysteres` by Rene Magritte (Belgian, 1898-1967), pencil signed and numbered 77/77 in lower margin, Plate VII from `Aube a l`Antipode`, a suite of seven etchings printed at Atelier Rigal, Paris as illustrations for a book of poems by Alain Jouffrey, Editions de Soleil Noir, Paris, 1966, this from Version II of the deluxe edition, Pasquale Iannetti Art Galleries of San Francisco label verso, in gilt molded panel frame, linen mat, glazed, 7 1/16" x 5 1/16" impression, OS: 21" x 18", fine condition.
Los 693
ETCHING - `Le Sourire de Diable` by Rene Magritte (Belgian, 1898-1967), pencil signed and numbered 1/17 in lower margin, Plate II from the suite `Aube a l`Antipode`, a suite of seven etchings printed at Atelier Rigal, Paris as illustrations for a book of poems by Alain Jouffrey, Editions de Soleil Noir, Paris, 1966, Pasquale Iannetti Art Galleries of San Francisco label verso, in gilt and black lacquered mitered frame, matted and glazed, 7" x 5" impression, OS: 20 1/4" x 17 3/4", fine condition.
Los 694
ETCHING - `Usage Externe` or `Le Bouchon d`Epouvante` by Rene Magritte (Belgian, 1898-1967), pencil signed and numbered 12/17 in lower margin, from an edition of 87, the first 17 deluxe, of which this is one, Plate IV from `Aube a l`Antipode`, a suite of seven etchings printed at Atelier Rigal, Paris as illustrations for a book of poems by Alain Jouffrey, Editions de Soleil Noir, Paris, 1966, R.S. Johnson - International Gallery of Chicago label verso, in gilt molded frame, linen mat, glazed, 7 1/16" x 5 1/16" impression, OS: 22" x 18", single brown spot lr.
Los 1058
(3) WPA ARTIST PRINTS - Including: Lithograph `Maine Lobsterman`, 1944 by Stow Wengenroth (NY, 1906-1978), Stuckey 144, from an edition of 210 for the Print Club of Cleveland, signed in pencil, with original label, 8" x 12" image, on 12" x 16" sheet; PLUS Etching, `Trout Water`, state IV, no 6, by William Martin Larkins (UK, 1901-1974), pencil signed and titled, with limitation, 6 3/8" x 9 7/8" image on 8" x 11" sheet; PLUS Miniature Etching `Plumed Serpent, Chichen Itza` by John Taylor Arms, pencil signed and titled, with inscription `To my friend Reynold H Weidener, with admiration, John Taylor Arms`, 2" x 2 1/2" image on 5" x 7 3/4" sheet, all tipped into mats, unframed, light bends to margins of the last, others are fine.
Los 322
ROSEMARY A. PETTET "Patiently Waiting" a saddled donkey, limited edition etching no.3/25, signed, numbered and titled in pencil, 10cm x 12.5cm. A similar etching of a Skewbald Pony, signed and dated 2005, 11 x 16cm. A pair of pencil sketches of Donk eys, initialled, 11 x 11cm and two Watercolours, one titled "Stone Window, North Cyprus" signed, 20 x 14cm the other unframed (6) (footnote: Rosemary Pettet, born 1937 was the grand-daughter of Sir Arthur Henry Rostron, Captain of The Carpathia whic h answered the distress call of The Titanic)
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78472 Los(e)/Seite