78472 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenAlfred Hartley ''In the Forest'', signed aquatint; together with D.C Mackinlay, four highland views, framed as one, watercolour; a watercolour of a London street scene; a print after Frank Paton; a map of Cumberland; a signed etching by Kenneth Steel; and a further indistinctly signed watercolour (7)
CHARLES-ALBERT WALTNER (1846-1925) AFTER SIR EDWARD COLEY BURNE-JONES (1833-1898) 'The Cumaean Sibyl' signed in pencil to the margin by both Waltner and Burne-Jones, Printseller's Association blindstamp lower left marked 'FP', published by Thos. Agnew and Sons, November 1st 1882, etching and drypoint, apparently from an edition of 250, the image 43.6cm x 17.4cm
Sledge (Sarah, London-based publisher, active 1771-1781) The Politician, after Samuel Hieronymus Grimm, etching and engraving on laid paper, platemark 365 x 260 mm. (14 1/4 x 10 1/4 in), good margins, some surface dirt and light browning, unframed, 1771; together with a small group of 5 other caricatures, including 3 by Thomas Colley, A Sentimental Highlander in Paris [Not in BM Satires], The French Spy c. 1781, Anglais et Ecossais, and two others relating to Queen Victoria, various sizes, all unframed, c. 1780 and later (6)
Gillray (James) Phaeton alarm'd!, caricature showing George Canning as Phaeton, who drives his chariot with four horses abreast on a curving track across the heavens, below is a globe showing the northern hemisphere engulfed in flames, with a double-headed eagle rising, and Napoleon holding a sabre while riding a Russian bear, etching with hand-colouring, platemark 342 x 372 in (13 1/2 x 14 5/8 in), sheet 353 x 387 mm. (13 7/8 x 15 1/4 in), some residue verso from album leaf that it has been lifted from, not effecting recto, numbered '198' in brown ink in upper left margin, some scattered marginal surface dirt, unframed, Hannah Humphrey, 1808.Literature:BM Satires 10972
Brooke (Rupert), Robert Graves, Edward Thomas etc.- Gosse (Sir Edmund, writer, 1849-1928) 11 Autograph Letters signed to John Drinkwater, 38pp., 8vo, Regent's Park & elsewhere in London, 6th April 1913 - 21st October 1926, on their mutual interest in Swinburne, "I wish you had remembered that since Swinburne's death, no one has done so much for his memory as this same obscure 'Edward' [Edmund Gosse]", on Rupert Brooke, "There is rather comforting news about our poor Rupert. It appears that he entirely recovered, and reached the Dardanelles happy and well. He seems to have got blood-poisoning... . How he came to the French hospital is still obscure. But he neither died nor was buried in Lemnos, but, it appears, in Tenedos" [actually Skyros], and "I shall look forward very eagerly for your article on Rupert. It is desirable that his friend should record the truth, because already one of those odious 'legends' which British sentimentality is always ready to form is being wound about his name. A little more, and those who really loved and comprehended him will be elbowed out of court by those who never saw him or contemplated his real nature", on the dedication to Gilbert Cannan, a conscientious objector, of his Great War play X=O, "... at this dreadful moment, the peace-at-all price and conscientious cowards should be kicked out of all honorable stations. The blood of poor Edward Thomas, itself, cried out against them", and Robert Graves, "Robert Graves announced to us yesterday that he is going to be married to a very young daughter of the painter W. Nicholson. It seems rash, but all life is an adventure: he goes out to Mesopotamia (or Palestine) immediately afterwards", folds; Gosse (Edmund) The Songs of Shakespeare, corrected proof copy with presentation inscription from Gosse to Drinkwater and an etching of Gosse in his study by Sylvia Gosse inserted, 1916; and a small quantity of other letters to Drinkwater, including: Laurence Housman, Harold Monro, John Masefield, Clement Shorter, Humbert Wolfe and John Galsworthy, folds v.s., v.d. (qty).⁂ "The blood of poor Edward Thomas, itself, cried out against them." - Edmund Gosse.Included with this lot is an ALs from Galsworthy to Drinkwater and some copies of correspondence between Edmund Gosse and Drinkwater concerning James Joyce's Ulysses, "E.G. is dead and Joyce is alive - incidentally I understand he is going blind... . The appearance of Gosse's use of the words 'infamous', 'disgusting', 'outrage', 'nightmare of obscenity and chaotic babble' will I imagine rouse, if not Joyce, his disciples to a counter fury. Is it desired to to raise a battle round this ill starred book? If so, of course, print." - Galsworthy.
Gillray (James) Confederated-Coalition;-or-The Giants storming heaven;-with, the Gods alarmed for their everlasting-abodes, a 'parody of the Grand Manner, as applied to the sordid realities of contemporary power struggles' [Timothy Hyman], contrasting a Baroque heaven with the army of Neo-Classical male nudes who are assailing it, etching with hand-colouring on wove paper without watermark, sheet 475 x 340 mm. (18 3/4 x 13 3/8 in), trimmed to or just within the platemark, old fold with repairs to splitting, light surface dirt, Hannah Humphrey, 1804Literature:BM Satires 10240
Gillray (James) French democrats surprizing the Royal runaways, caricature showing Louis XVI and Marie Antoinette seated on chairs at Varennes while an armed and ferocious mob invades the room through an open door, etching with hand-colouring on laid paper with armorial watermark, 255 x 355 mm. (10 x 14 in), unframed, Hannah Humphrey, 1791Literature:BM Satires 7882
Cruikshank (Isaac) The political locust, John Pitt, 2nd Earl of Chatham, with the body of a gigantic locust, etching with hand-colouring on J. Whatman laid paper, sheet 280 x 400 mm. (11 x 15 3/4 in), unframed, [BM Satires 8672], SW Fores, 1795; together with The delegates in council or beggars on horseback, etching with hand-colouring, unframed, [BM Satires 9021], 1797 (2)Provenance:(Cruikshank, The delegates) inscribed 'By my Father Isaac Cruikshank when I was 5 years old GCK [George Cruikshank (1792-1878)]'
Native Americans.- Bodmer (Karl) Péhriska-Rúhpa [A Minatarre or Big-Bellied Indian], portrait of the warrior and chief of the Hidatsa, from 'Travels in the Interior of North America', an early state with the three figures in the background still present, etching and aquatint by Paul Legrand, with hand-colouring and heightened with white, on cream wove paper without watermark, platemark 513 x 367 mm. (20 1/4 x 14 1/2 in), sheet 620 x 450 mm. (24 1/4 x 17 3/4 in), Bodmer blindstamp in the lower centre, some surface dirt and minor spotting, some mainly marginal handling creases and printers' creases within the plate, marginal nicks and tears, unframed, [Ackermann & Co., circa 1838-1842].
Gillray (James) Disciples Catching the Mantle - The Spirit of Darkness Overshadowing the Priests of Baal, William Pitt the Younger is borne upwards in a chariot of swirling clouds of flame drawn by four horses abreast, and snorting fire, while his eyes are fixed on a broad beam of light inscribed 'Immortality', numerous figures below, etching with hand-colouring, printed on wove paper and mounted on buff laid paper support, sheet 407 x 355 mm. (16 x 14 in), small loss to lower left corner, scattered surface dirt and minor cockling in the upper margin, unframed, Hannah Humphrey, 1808.Literature:BM Satires 10992
Napoleon.- Dent (William, caricaturist active c. 1783-1793) Democratic Arms, or, Emblems of Gallic Liberty, mock coat of arms with explanation below, etching with hand-colouring, on laid paper with Strasbourg lily watermark, sheet 375 x 265 mm. (14 3/4 x 10 1/2 in), minor surface dirt, unframed, [Not in BM Satires, but a copy is held in the Bodleian, see Curzon b.9(57)], 1792 [or slightly later]; together with two others by Dent, including A Scotch Reel, or, Sawny's Joyfull Turn into Office [Not in BM Satires], and French Ambassador [Not in BM Satires], 270 x 375 mm. (11 5/8 x 14 3/4 in), and 260 x 165 mm. (10 1/4 x 6 1/2 in), respectively, 1792-1793 (3)
δ Salvador Dali (1904-1989)Le Cosmonaute (from The Hippies) (M&L 380b; Field 69-13-C)Etching with pochoir in colours, 1969, signed, and numbered from the edition of 100 in pencil in roman numerals, on Japan paper, printed by Graphic Europa, Anstalt, Switzerland, with full margins, sheet 650 x 550mm (25 5/8 x 21 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Ed Ruscha (b.1937)Columbus, Sunset (from Los Francisco San Angeles portfolio)Etching printed in colours, 2001, signed, dated and numbered from the edition of 45 in pencil, printed and published by Crown Point Press, San Francisco, with full margins, sheet 205 x 246mm (8 1/8 x 9 3/4in) (framed)
δ Joan Miró (1893-1983)A Poem for Diane Bouchard (See Duthuit Vol. 1 p.16-17)The rare soft-ground etching with engraving, 1947, a fine proof impression aside from those within the Ruthven Todd Album, signed, dated and inscribed épreuve d'essai pour Todd, printed by the artist and Stanley William Hayter at Atelier 17, New York, on sturdy wove paper, with full margins, sheet 330 x 210mm (13 x 8 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)L'Etalon Blanc (Hommage au cheval) (Field 74-9; M & L 639b)The scarce etching printed in sepia, 1973-1974, signed and inscribed 'AP.' in pencil, an artist's proof aside from the edition of 50, on japan paper, printed by Torrents, published by Ärzte-Sammlerkreis, with full margins, plate 495 x 645mm (19 1/2 x 25 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Sculpteur et Trois Danseuses Sculptees (Bloch 217)Etching, 1934, signed in pencil, from the total edition of 310, on on Montval laid paper, published by A. Vollard, Paris, with full margins, plate 220 x 310mm (8 5/8 x 12 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Apocalyptische Reiter (Field 74-18; M&L 722c)Etching in sepia, 1974, signed and inscribed 'P.A.', a proof aside from the edition of 50, on Japon paper, published by Arztesammlerkreis/Graphos Verlag, with full margins, image 490 x 640mm (19 1/4 x 25 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Return of the Prodigal SonEtching, 1636, an excellent dark and richly inked impression of New Hollstein's first state (of three) before any rework with the delicate landscape details printing clearly, on laid paper without watermark, platemark 155 x 132 mm. (6 1/8 x 5 1/4 in), sheet 169 x 145 mm. (6 5/8 x 5 3/4 in), faint vertical crease running down the left side, handling creases, minor spotting (unframed)Provenance:Paul Davidsohn, Berlin (1839-1924) [Lugt 654]Literature:Hind 147; NH 159 i/iii
Rembrandt van Rijn (1606-1669)Naked woman on a moundEtching with engraving, circa 1631, a very good detailed impression of New Hollstein's second (final) state, on laid paper without watermark, 180 x 164 mm. (7 x 6 1/2 in), trimmed to or just within the platemark (unframed)Literature:Hind 43; New Hollstein 88 ii/ii
δ Pablo Picasso (1881-1973)Neuf Têtes (Bloch 285)Etching with drypoint, 1934, a fine proof impression with delicately wiped plate tone, signed, dated Paris 26 Novembre XXXIV and inscribed Pour mon ami Benno, Paris, one of only two known proofs, aside from the edition printed in 1961, sheet 450 x 315mm (17 3/4 x 12 3/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Le Jugement de Paris (from Mythologie) (Field 71-8-F)Etching with pochoir in colours, 1971, signed and numbered from the edition of 50 in pencil in roman numerals, on Richard de Bas paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 790 x 575mm (31 x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Antony Gormley (b.1950)From the CavePhotogravure etching, 2010, signed, titled, dated and numbered from the edition of 50 in pencil, on Fabriano paper, with full margins, 254 x 339mm (10 x 13 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Abraham Caressing IsaacEtching, circa 1637, New Hollstein's fourth state (of four) on wove paper, platemark 115 x 87 mm. (4 1/2 x 3 1/2 in), sheet 131 x 102 mm. (5 1/4 x 4 in), import duty 'Seine Colportage' blue ink stamp verso, marginal printers' crease to centre left, light toning (unframed)Literature:Hind 148; New Hollstein 165 iv/iv
Rembrandt van Rijn (1606-1669)A Peasant in a High Cap, Standing Leaning on a StickEtching, 1639, an excellent well inked impression of New Hollstein's second state (of two) with delicate plate tone, without any re-working but with the two dots in the upper right corner, on laid paper without watermark, platemark 83 x 46 mm. (3 1/4 x 1 3/4 in), sheet 91 x 54 mm. (3 5/8 x 2 1/8 in), good margins with minor damp-stain to centre left (unframed)Literature:Hind 164; New Hollstein 178 ii/ii
δ David Hockney (b.1937)The Poet (S.A.C 190)Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, 456 x 525mm (18 x 20 5/8in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Abraham and IsaacEtching and drypoint, 1645, a detailed impression of New Hollstein's first state (of two) with contrast and depth, on laid paper with armorial watermark [See Hinterding ???], sheet 157 x 130 mm. (6 1/4 x 5 1/8 in), trimmed to or just within the platemark, two small areas of discolouration in the upper two corners, small spot in the lower right quadrant (unframed)Literature:Hind 34; New Hollstein 224 i/ii"And He said, Take now thy son, thine only son Isaac, whom thou lovest, and get thee into the land of Moriah; and offer him there for a burnt offering upon one of the mountains which I will tell thee of." [Genesis 22:2 KJV]"Faith begins precisely where thinking leaves off." Søren Kierkegaard, Fear and Trembling, 1843
δ Joan Miró (1893-1983)A Poem for Joan Miró (See Duthuit Vol. 1 p.17)The rare soft-ground etching with engraving, 1947, a fine proof impression aside from those within the Ruthven Todd Album, signed, dated and inscribed épreuve d'essai pour Todd, printed by the artist and Stanley William Hayter at Atelier 17, New York, on sturdy wove paper, with full margins, sheet 330 x 255mm (13 x 10in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Le Portique (Field 73-1-G; M&L 519a)Etching with aquatint printed in colours, 1973, signed and numbered from the edition of 250 in pencil, on Richard de Bas paper, with full margins, sheet 575 x 777mm (22 5/8 x 30 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Salvador Dali (1904-1989)Cheval Royal (M&L 429b)Etching with aquatint and extensive hand-colouring in blue and yellow, 1970, signed and numbered from the edition of 100 in pencil, on Arches wove paper, printed by Visat, with full margins, 315 x 245mm (12 3/8 x 9 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Erik Desmazières (b. 1948) Intérieur à PressyEtching, aquatint and roulette, 1991, signed and dated in pencil, from an edition of 90, on cream wove paper, platemark 623 x 1050 mm (24 1/2 x 41 1/4 in) (framed)Literature:Fitch-Febvrel 125δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face darkEtching, 1633, a good but slightly later impression of New Hollstein's fourth state (of five), platemark 133 x 105 mm. (5 1/4 x 4 1/8 in), sheet 148 x 119 mm. (5 3/4 x 4 5/8 in), even toning (unframed)Literature:Hind 108; New Hollstein 120 iv/v
δ Salvador Dali (1904-1989)Venus, Mars et Cupidon (from Mythologie Nouvelle) (Field 71-8-H; M&L 487a)Etching with pochoir in colours, 1971, signed and numbered from the edition of 150 in pencil, on BFK Rives watermarked wove paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 760 x 560mm (30 x 22in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, an even impression of New Hollstein's third state (of six) on laid paper with watermark of a crown, sheet 264 x 225 mm. (10 3/8 x 8 7/8 in), small margins, several minor marginal repairs, faint central horizontal fold and light crease in upper quadrant, other handling creases, minor browning and surface dirt in the lower left half (unframed)Provenance:Unidentified collector's initials in ink verso 'BvR' [Not in Lugt]Literature:Hind 120; New Hollstein 125 iii/vi
Rembrandt van Rijn (1606-1669)A Scholar in his Study ('Faust')Etching and drypoint, 1652, a slightly later impression of New Hollstein's fifth state (of seven), a good impression on laid paper without watermark, with light re-working in burin in places and with the two dots in the lower right corner, faint touches of brush and blackish-grey ink, sheet 213 x 162 mm. (8 3/8 x 6 3/8 in), thread margins, small repaired tear in the centre left, one or two spots (unframed)Provenance:August Artaria (1807-1893), Vienna [Lugt 33]Literature:Hind 260; New Hollstein 270 v/vii
δ Salvador Dali (1904-1989)Sorcière au Balai (Field 69-1C; M&L 300g)Etching with hand colouring in gold, 1968/1969, signed and inscribed 'EA', one of very small number printed in black on tinted Arches paper, together with a second etching on silk, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with full margins, plate 318 x 238mm (12 1/2 x 9 2/5in) (unframed) (2)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Jim Dine (b.1935)Lost Shells (D'Oench & Feinberg 186)Diptych etching with drypoint and hand-colouring in colours, 1985, signed and numbered from the edition of 32 in pencil, on two sheets of BFK Rives wove paper, printed by Atelier Crommelynck, Paris, published by Pace, New York, each the full sheet, each sheet 762 x 540mm (30 x 21 1/4in) (framed)
Man Ray (1890-1976)Mon Premier Amour (Anselmino 63)Etching with aquatint printed in colours, 1971, signed and numbered from the edition of 100 in pencil, on watermarked Arches wove paper, printed by Jacques David, Paris, published by Richard Binder, Brussels, the full sheet, 663 x 502mm (26 x 19 3/4in) (unframed)
Loading...
![Native Americans.- Bodmer (Karl) Péhriska-Rúhpa [A Minatarre or Big-Bellied Indian], portrait of the warrior and chief of the](https://cdn.globalauctionplatform.com/d9be7778-42d8-4646-8671-ab2700ead06d/e2c66944-1a35-45c5-96f5-ab27017a53b5/468x382.jpg)
