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78475 Los(e)/Seite
Andrew Geddes, Scottish (1783-1844), Portrait of Colonel Molesworth Phillips (1755-1832), a rare and unique set of 'progress proofs', in etching and drypoint, 23cm x 15cm (4 different 'states). The colonel was a Lieutenant of Marines when he accompanied Captain Cook on his final voyage and was on shore when Cook was killed in 1779. In the second state Cooks death has been added to the etching. Provenance: Bourne Fine Art.
Chagall, Marc, 1887 Peskowatik-1985 Saint-Paul-de-Vence: Radierung "Die Wölfe und die Schafe", FontaineAuf Bütten rechts voll signiert sowie bez. "37", möglicherweise später, 31x23,5 cm, breitrandig, im Rahmen.Marc Chagall, "Les loups et les brebis" / The wolves and the sheep. (H. 183, S. 130). Original etching, 1927-30. Plate 37 of "The Fables of La Fontaine," commissioned by Vollard after Chagall completed the etchings for "Dead Souls".
Valerie Thornton (1931-1991) - Pisa IV, etching and aquatint in colours, signed, titled, numbered '48/75' and dated '80 in pencil to the lower margin, the full sheet 39.5 x 28cm, together with H.J. Jackson - Beached, woodblock, signed, titled, numbered '37/100' and dated '88 in pencil to the lower margin, the full sheet 28.5 x 23.5cm, Dr Lockyer at Southward Cathedral lithograph, indistinctly signed, tilted and numbered '9/10' in pencil to the lower margin, the full sheet 40 x 48.5cm, and a tiny etching of a street scene, monogrammed, numbered '23/120' and dated '87 in pencil, the full sheet 16 x 14.5cm (each unframed) (4)
Southwell Palace near Newark in the County of Nottingham, 1726, engraving on laid paper by Samuel & Nathaniel Buck, framed & glazed. Together with a collection of 16 framed 20th-century framed prints, to include a signed etching of Highgate School by Wallace Hester, three botanical prints after Charles Rennie Mackintosh, two collotype prints after Hans Holbein the Younger, and others (17)
Collection of five framed & glazed maps and prints, comprising: a 17th-century map of Huntingdonshire, by Joan Blaeu, uncoloured engraving on laid paper; an 18th-century map of the South Part of Scotland, by Andrew Johnston, hand-coloured engraving on laid paper; a sheet of engraved designs for a bridge to cross the Thames from Blackfriars to Southwark, submitted to The Rt. Hon. Slingsby Bethell Esq., published 1756; a 19th-century French architectural lithograph of a hotel design by E. Duquesne, and an etching of two girls carrying branches over a mound, 'Annie & Christine', numbered 8/10, signed indistinctly & dated 1978 at lower margin (5)
India.- Daniell (William), Attributed to. Figures beside a monument, etching with monochrome wash, initialled in ink 'WD', further inscribed twice below in pencil 'W. Daniell', on wove paper without watermark, sheet 265 x 340 mm (10 1/2 x 13 1/4 in), handling creases and surface dirt, minor spotting, hinged into mount, unframed, [circa 1790s or slightly later]⁂ We have been unable to trace another example of the present subject, which appears to possibly be an intermediate state with only an etched outline and no aquatint.
ERIC HESKERTH HUBBARD (1892-1957) 'The Round-About' Etching Signed, titled and numbered 36/50 in pencil to the mount 17.5cm x 17.5cm; MARGERY RYERSON (AMERICAN 1886-1989) 'Allegro' Etching 20cm x 25cm (plate size); together with another Dutch Master style etching (3) Condition Report : generally good, slight foxing/discolouration throughout Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

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78475 Los(e)/Seite