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Los 10

Rembrandt van Rijn (1606-1669)The Baptism of the EunuchEtching with touches of drypoint, 1641, a good but later impression of New Hollstein's third state (of four), some faint signs of burr visible, with the accidental scratch behind St Philip's head and with the small cross in the lower left corner, on laid paper without watermark, sheet 188 x 220 mm (7 1/4 x 8 3/4 in), expert restoration to blank area above horse at centre left, restored marginal loss to lower left and lower right corners, minor surface dirt (unframed)Literature:New Hollstein 186 iii/iv

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Forum Auctions
Los 92

δ Salvador Dalí (1904-1989)Don Quixote (Field 71-1-A)Etching printed in colours, 1971, signed in pencil, numbered from the edition of 100, on Auvergne hand-made paper, with full margins, sheet 790 x 573mm (31 1/8 x 22 ½ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 97

δ Salvador Dalí (1904-1989)San Francisco. City Hall (Field 70-4-A)Etching, a proof without the lithographic colouring, 1970, signed and inscribed E.A., an artist's proof there was an edition of 150 printed in colours, published by Jean Schneider, Basel, on BFK Rives paper, with full margins, sheet 660 x 500mm (26 x 19 ¾ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 18

Rembrandt van Rijn (1606-1669)Abraham Francen, ApothecaryEtching, drypoint and burin, circa 1657, a good but later impression of New Hollstein's eleventh state (of twelve) before later reworking, on thin buff laid paper without watermark, platemark 160 x 206 mm (6 1/4 x 8 1/8 in), small repaired tear upper centre, even toning to sheet (unframed)Literature:New Hollstein 301 xi/xii

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Forum Auctions
Los 93

δ Salvador Dalí (1904-1989)Piensa en el Angelus de Millet (Field 77-3-40)Etching with aquatint with pochoir colouring, 1977, signed in pencil, numbered from the edition of 200, as included in Les Caprices de Goya, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 ½ x 12 ¼ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 123

δ Salvador Dalí (1904-1989)Nube Infinitesimal (Field 77-3-20)Etching with aquatint with pochoir colouring, 1977, signed in pencil, numbered from the edition of 200, as included in Les Caprices de Goya, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 ½ x 12 ¼ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 108

δ Salvador Dalí (1904-1989)The Mirror of Chivalry (Field 80-1-I)Etching with aquatint printed in colours, 1980, signed in pencil, numbered from the edition of 125, as included in the portfolio Historia de Don Quichotte de la Mancha, published by Levine and Levine, New York, with the DALART blindstamp, on Arches paper, with full margins, sheet 760 x 565mm (29 7/8 x 22 ¼ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 114

δ Salvador Dalí (1904-1989)Zootrope et Tour Boullée(Field 73-20-IJ)Etching printed in colours with engraving, 1973, signed in pencil, numbered from the edition of 210, as included in the portfolio Dix Recettes D'Immortalité, published by Audouin-Descharnes, Paris, on Auvergne Vélin Narcisse Richard de Bas with a watermark designed by the artist, the full sheet printed to the edges, sheet 393 x 570mm (15 ¾ x 22 ½ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 15

Rembrandt van Rijn (1606-1669)Christ Disputing with the Doctors: A SketchEtching and drypoint, 1652, but a later impression of New Hollstein's second state (of two), delicate details printing clearly with good contrasts, on wove paper without watermark, sheet 95 x 144mm (3 3/4 x 5 7/8 in), trimmed to platemark with some thread margins, small marginal nicks and loss to upper left and lower right corner (unframed)Literature:Hind 277; New Hollstein 281 ii/ii

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Forum Auctions
Los 13

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, a later impression of New Hollstein's final state (of 5), on ivory laid paper without watermark and printing with plate tone, platemark 104 x 128 mm (4 1/8 x 5 in), sheet 114 x 140 mm (4 1/2 x 5 1/2 in) (unframed)Literature:New Hollstein 251 v/v

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Forum Auctions
Los 120

δ Salvador Dali (1904-1989)Marguerite (Field 69-1A; M&L 298k)Etching with hand colouring in watercolour and gold, 1968/1969, signed and inscribed 'E.A.' in pencil, an artist's proof aside from the edition of 145, on Japan paper, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with the Dali watermark, with full margins, sheet 384 x 283mm (15 1/8 x 11 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 186

δ Stanley William Hayter (1901-1988)Rideau (Black and Moorehead 388)Engraving, etching, and soft-ground etching printed in colours, 1976-1977, signed, dated and inscribed 'Trial Proof' in pencil, a proof aside from the edition of 75, on Rives BFK paper, printed by Hector Saunier, with full margins, 750 x 535mm (29 1/2 x 21in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 98

** δ Salvador Dalí (1904-1989)San Francisco. Chinatown (Field 70-4-D)Etching, signed and inscribed E.A. in pencil, an artist's proof before the colour plate, on BFK Rives paper, with full margins, 650 x 495mm (25 5/8 x 19 ½ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Forum Auctions
Los 4

Rembrandt van Rijn (1606-1669) Old Bearded Man in a High Fur Cap with Eyes ClosedEtching, circa 1635, but a later impression on laid paper without watermark, platemark 111 x 102 mm (4 1/4 x 4 in), sheet 122 x 110 mm (4 3/4 x 4 1/4 in), minor even toning, some minor wear within the plate (unframed)Literature:New Hollstein 148 iv/iv

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Forum Auctions
Los 95

δ Salvador Dalí (1904-1989)Querubines (Field 77-3-32)Etching with aquatint with pochoir colouring, 1977, signed in pencil, numbered from the edition of 200, as included in Les Caprices de Goya, on BFK Rives paper, with full margins, sheet 445 x 310mm (17 ½ x 12 ¼ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 110

δ Salvador Dalí (1904-1989)The Golden Helmet of Madrino (Field 80-1-F)Etching with aquatint printed in colours, 1980, signed in pencil, numbered from the edition of 125, as included in the portfolio Historia de Don Quichotte de la Mancha, published by Levine and Levine, New York, with the DALART blindstamp, on Arches paper, with full margins, sheet 760 x 565mm (29 7/8 x 22 ¼ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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Forum Auctions
Los 19

Monogrammist G.N. (active 1550-1650)Reclining nude [?Ulysses], possibly after Francesco Primaticcio (1503-1570)Etching, late 16th century or early 17th century, printing with delicate plate tone and inky edges, wiping marks visible, on laid paper without watermark, sheet 109 x 158 mm (4 1/4 x 6 1/4 in), hinged onto mount bearing attribution 'Parmaticcio', with further pencil inscription verso 'Primaticcio', trimmed to or just within the platemark, spit to lower centre, repaired (unframed)⁂ The present author has been unable to trace another impression, or any other work by the Monogrammist G.N. A highly intriguing etching, both in its distinctive style and application of line, as well as its unique perspective. Attributions to mid- to late-16th century Italian engravers, and printmakers associated with the School of Fontainebleau suggest associations and influences, but do not appear to yield firm attributions; apparently a "forgotten" 16th century peintre-graveur.

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Forum Auctions
Los 8

** Rembrandt van Rijn (1606-1669)Self Portrait in a Velvet Cap and PlumeEtching, 1638, a good but later impression of New Hollstein's third state (of four), on laid paper affixed onto support, sheet 132 x 104 mm (5 1/4 x 4 1/8 in), mounted on card support, careful restoration to loss of upper third section of the sheet, restored just above the line of the cap (unframed)Literature:New Hollstein 170 iii/iv** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

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Forum Auctions
Los 138

δ Marino Marini (1901-1980)Miracolo (A.210)Etching with aquatint printed in colours, 1978, signed and numbered from the edition of 75 in pencil, published/printed by ZWR, London, on Arches paper, with full margins, sheet 760 x 565mm (30 x 22 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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John Nicholson's
Los 129

Henry Rayner (1902-1957) Australian, An etching of the Lombard caf and restaurant, signed in pencil, 7.5" x 4.5".

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John Nicholson's
Los 8

Brian Blow, "Leah Weeping", etching, artist's proof, initialled and dated in pencil, 7" x 5"

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John Nicholson's
Los 10

An etching of a female nude, indistinctly signed in the plate, 6.5" x 2", along with a similar etching by the same hand, 8" x 5.5" and a further print of female nude figures bathing, 11" x 9", (3).

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John Nicholson's
Los 11

Cathal Brendan O'Toole, Irish/American, 'Dancers 1939', etching, signed and inscribed in pencil, 8.5" x 10".

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John Nicholson's
Los 16

Frederick Charles Richards, 'Sempre Venezia', etching, signed and inscribed, 8.5" x 7.5", along with 4 further views by different hands, (5).

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John Nicholson's
Los 175

Franz Everbag (1877-1947) A bridge over a canal in Amsterdam, an etching, aquatint, signed and inscribed in pencil, numbered '6/25', 6.5" x 19".

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John Nicholson's
Los 183

Headley Fitton (1857-1929) 'Church of St. Jean, Troyes', etching, signed in pencil, 15" x 16".

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John Nicholson's
Los 160

James Gillray (1756-1815) British, 'Farmer Giles and his wife' coloured etching, 12.25" x 18.5" and a black and white etching, 'News from Calabria' 9.75" x 13.5", (2).

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John Nicholson's
Los 15

Job Nixon, 'Glanworth Castle, Ireland', etching, signed, dated, and inscribed in pencil, 9" x 16", along with two continental European views, (3).

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John Nicholson's
Los 17

Maud Sharp, 'The Smugglers Cottage, Polperro', etching, signed and inscribed, 7.5" x 5", along with a signed etching by Miles Balmford Sharp, 5.5" x 8.5", and a woodblock print of Deal Luggers, 5" x 7" (3).

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John Nicholson's
Los 155

Charles Keene (1823-1891) British, 'French Gandarme Trotting', etching, 6" x 4".

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John Nicholson's
Los 187

Frank Harding (19th /20th Century) 'Waterloo Bridge', etching, signed and inscribed in pencil, 6" x 14", and three further etchings by the same hand of 'Westminster Bridge', 'Below Tower Bridge' and 'Portsmouth', all signed and inscribed in pencil. (4)

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John Nicholson's
Los 156

Lucy Dawson (1875-1954) British, Sleeping puppy 'Played Out', etching, signed in pencil, 7" x 10".

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John Nicholson's
Los 159

19th Century caricature, 'A Publican and Sinner', 9.75" x 16.25" and a hand-coloured etching of a carriage outside an inn, 14" x 14.5" 10" x 14.5", (2).

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John Nicholson's
Los 198

Erich Wolfsfield (1885-1956) German, A North African scene of figures on a street, etching, signed in pencil, 10.5" x 13.5".

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John Nicholson's
Los 19

John Stanton Ward, 'San Marco Piazzetta, Venice', etching, signed and numbered 31/250 in pencil, 15" x 22".

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Mellors & Kirk
Los 426

An 1897 Pattern infantry officer’s sword and scabbard, GVR, the etched blade inscribed Flights Ltd London Aldershot and Camberley, and stamped 1422, blade 81.5cm Hilt slightly loose, grip wire detached at one end, etching on blade slightly worn, plating on scabbard slightly nicked in places

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Ashley Waller Auctioneers
Los 750

A 19TH CENTURY LIQUER GLASS WITH LATER ETCHING AND PONTIL MARK

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Ashley Waller Auctioneers
Los 330

A FRAMED ETCHING OF SIR RICHARD HUTTON AND THE QUORN HOUNDS

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Cheffins
Los 37

The Palace of Westminster from the Thamessigned 'W L Wyllie' (lower left)etching on paper11 x 33cm pl.Provenance:A.A. Bailey, Kensington Gallery, LondonCondition report: 37 x 53cm (framed)

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Peter Francis
Los 135

Lesley Jones Italianate rooftop scene, uncoloured etching signed in pencil. 13 x 13 cm approx. Framed and glazed.(B.P. 21 + VAT)

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Peter Francis
Los 226

Large file/port folio of assorted coloured and other etching of local interest including Carmarthen, opening of the South Wales railway, the Ivy Bush, etc.(B.P. 21% + VAT)

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Peter Francis
Los 152

Group of assorted furnishing pictures to include landscapes, study of a Red Kite, Mollinson, 'Lake walk Buttermere', artist's proof, coloured etching, coaching scene, architectural studies, etc. Framed and glazed. (12)(B.P. 21 + VAT)

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Queens Road Auctions
Los 554

F/G PRINT LATE 19TH & EARLY 20TH CENTURY PANORAMIC VIEW OF THE CITY OF EXETER & A F/G ETCHING 20TH CENTURY MOLLS COFFEE HOUSE BY C. RUSSELL

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Wallis & Wallis
Los 261

A naval officer’s dress sword for Lieutenant, c 1812-1825, tapering shallow diamond section blade 27½”, with traces of etching beneath langets, gilt stirrup hilt with flat ground and plain edged langets bearing crowned fouled anchor, round section knucklebow, lion’s head pommel and backstrap, diced and ribbed dark horn grip, in a well restored leather scabbard, the original locket and chape with traces of gilt. Good Condition Plate. £300-500

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Wallis & Wallis
Los 230

A scarce naval midshipman’s sword c 1850, fullered blade 24” with spear point and traces of etching, the regulation pattern hilt having folding guard and white fishskin covered grip, in its brass mounted leather scabbard. Basically GC, the hilt retaining traces of gilt (dark staining to blade, grip wire slightly AF, some cracking to scabbard leather). £350-500 Note: Midshipmen were entitled to wear swords up until 1856.

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Wallis & Wallis
Los 274

A George V 1897 pattern Infantry officer’s sword, etched blade 31½” by “Weyersberg Kirschbaum & Cie Solingen” with regulation pattern steel hilt, in its leather FS scabbard. QGC (worn and lightly pitted overall, cleaned, blade etching faint). £40-50.

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Barbara Kirk Auctions
Los 193

E. SHARLAND ETC. Two coloured etchings by E. Sharland of Boulogne & The Bridge of Sighs, Venice. Both signed in pencil & titled beneath the mount. Each 41 x 28cm & 45 x 28cm. Also, one other coloured etching by A. Dupont, 31 x 21.5cm.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk

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John Taylors Auction Rooms
Los 442

Selection of maps Derbyshire 22 cm x 29 cm, road from Oxford to Coventry, road from London to Carlisle, Staffordshire and Darby shire together with a framed etching of her Majesty the Queen

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Aldridges of Bath Ltd.
Los 291

JOHN BRANGWYN (20th century). A black & white etching of sailing vessels in calm waters, with figures on the bench; signed in pencil lower margin; 5¾” x 11½”; another etching “Sunset on the Broads”, singed K. Vernon, 4” x 9¾”; & a watercolour sketch of trees, 8” x 12” (the etchings framed & glazed; watercolour un-glazed).

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Aldridges of Bath Ltd.
Los 290

JOSEPH KIRKPATRICK (1872-1936). “This England”. Sepia etching, signed & titled in pencil lower margin; 9” x 15¾” (image); together with a coloured etching by MABEL CATHERINE ROBINSON (1875-1953), a Stratford-on-Avon street scene, signed in pencil lower margin; 8½” x 11” (image), (2).

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Aldridges of Bath Ltd.
Los 293

S. R. C. WALMSLEY (20th century). A black & white etching titled: “The Shingler”; signed in pencil lower margin, 9” x 7¼”; another by F. ROBSON (1880-1936) “The Gateway, St. Johns Hospital, Canterbury”, 10” x 5”; & another by GEO. A. WESETON “Lincoln Cathedral”, 6¼” x 8½”; each framed & glazed. (3).

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Aldridges of Bath Ltd.
Los 278

FRANK SHORT, RA, PPRE (1857-1945), after J.M.W. Turner. A classical landscape with ruins & figures to the fore. Sepia etching, dated 1893, signed “Frank Short” in pencil lower margin; 8” x 11”, in glazed frame.

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Gorringes
Los 463

Edgar Chahine (1874-1947)SimoneDrypoint etching with aquatintSigned in pencil46 x 32 cm.

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Gorringes
Los 469

Edgar Chahine (1874-1947)La PromenadeDrypoint etching with aquatintsigned in pencil 1902, from the edition of 100,46 x 66cm.

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Gorringes
Los 470

Edgar Chahine (1874-1947)Demoiselle au tennisDrypoint etching with aquatintsigned in pencil, from the edition of 70,38 x 15cm.

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Gorringes
Los 510

§ Dame Elisabeth Frink (1930-1993)Sparrow Hawketching and aquatintsigned and numbered 26/5052 x 46cm.

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Gorringes
Los 531

§ Tracy Emin (1963-)Self portrait as a small birdetching on woveSigned and titled in pencil, 129/20027.5 x 33cm.

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Keys Fine Art Auctioneers
Los 251

BOX OF MIXED PICTURES TO INCLUDE T H STEGGLES, 'BOLTED', OIL ON BOARD STUDY, FURTHER BLACK AND WHITE ETCHING, A BLACK AND WHITE PHOTOGRAPH OF A WEDDING CAKE ETC

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Clarke and Simpson Auctions
Los 29

A pencil signed coloured limited edition etching entitled "September"

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