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Los 161

HENRY GEORGE RUSHBURY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, St Olave`s, Tooley Street, London, 11" x 8"

Los 162

MARTIN HARDIE, SIGNED IN PEN TO MARGIN, BLACK AND WHITE ETCHING, Venetian Scene, 8" x 12"

Los 163

PERCY ROBERTSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "Piccadilly Circus" (see label verso), 7" x 10" 164. E BERRY, SIGNED IN PENCIL TO MARGIN, GROUP OF THREE BLACK AND WHITE ETCHINGS, Scottish subjects, assorted sizes (3)

Los 170

WINIFRED AUSTEN, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Coletit", 6 ½" x 5"

Los 172

WILLIAM WALCOT, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, "Changing London, Euston Road at St Pancras", 6" x 9 ½"

Los 185

CLAUDE H ROWBOTHAM, SIGNED IN PENCIL TO MARGIN, HAND COLOURED ETCHING, Inscribed "Polperro", 2 ½" x 2"

Los 211

STANLEY ANDERSON, SIGNED IN PEN TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Strand Houses", 8" x 4"; plus five assorted PRINTS (6)

Los 229

JOHN CYRIL HARRISON, SIGNED IN PENCIL TO MARGIN, TWO COLOURED PRINTS, Bird Studies, 9" x 12" and 4 ½" x 6"; and one further framed COLOURED PRINT AFTER THE SAME ARTIST (3) 230. ALFRED H PAGE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Danseuse Antique", 7" x 4 ¾"; plus two further PENCIL DRAWINGS by the same artist (3)

Los 317

DAVID HOCKNEY, AQUATINT AND ETCHING, The Haunted Castle (Edition D), 13 ½" x 8" Provenance: Gold Mark Art, Uppingham, Rutland

Los 320

ANTHONY GROSS, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (29/50) BLACK AND WHITE ETCHING, Inscribed "Le Buisson Ardent", 15" x 19 ½" (mounted but unframed)

Los 339

ATTRIBUTED TO JIM DINE, BLACK AND WHITE ETCHING, Abstract Composition, 7" x 7"

Los 340

INDISTINCTLY SIGNED AND DATED 1964 IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Portrait of a Seated Gent, 11" x 8"

Los 350

JOHN COPLEY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, A Dancer, 12" x 6 ½"

Los 417

HENRY WILKINSON, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION (117/150) COLOURED ETCHING, Setters, 9" x 11 ½"

Los 580

After Rembrandt; etching "Death Of A Virgin", 42 x 32cm, framed and glazed.

Los 585

Philippe Mohlitz (French, born 1941); etching, Surrealist view of a shipwreck, signed in pencil and dated 1971, 29 x 29.5cm, framed and glazed.

Los 587

J Fereday; artists proof etching "From Studio Windsor, Yarbridge, Isle of Wight", signed and dated 1978, also seven small colour prints of Isle of Wight scenes, booklet of prints etc.

Los 153

Jacques Villon - Three-quarter Length Portrait of a Lady, early 20th Century drypoint etching, signed in pencil, approx 45cm x 29.5cm, within a gilt frame.

Los 160

James Abbot McNeill Whistler - `La Soupe a Trois Sous`, monochrome etching, circa 1859, artist`s name and titled to William Weston Gallery label verso, approx 19cm x 25cm.

Los 167

John Crome - `Hall Moor Road, near Hingham`, monochrome etching on chine appliqué, proof plate of 2nd state, circa 1812, approx 19cm x 24cm, within a gilt frame.

Los 168

John Crome - `Footbridge at Cringleford`, monochrome etching on chine appliqué, first issue, circa 1810, approx 25cm x 19.5cm, within a gilt frame.

Los 169

John Crome - `Bixley`, monochrome softground etching on chine appliqué, first issue, circa 1812, approx 17.5cm x 25.5cm, within a gilt frame.

Los 171

Norman Wilkinson - Merchant Steam Ship in Coastal Waters, monochrome etching, inscribed in the plate `With Best Wishes for the New Year....`, approx 17.5cm x 23.5cm.

Los 172

Leonard Griffith Brammer - View of a Continental Fortified Town, possibly Italy, monochrome etching, signed and dated 1931, approx 18.5cm x 28cm.

Los 176

Francis Kelly - `Broken Mirror`, 20th Century monochrome etching, signed, titled and editioned 7/12 in pencil, approx 20cm x 15.5cm, within a gilt frame.

Los 180

Allan Gwynne-Jones - View of the River Thames with Canon Street Bridge and Blackfriars Bridge, early 20th Century monochrome etching, signed in pencil, approx 18cm x 31cm, within a gilt frame.

Los 181

Allan Gwynne-Jones - `Southwold Fair (1912)` (View of the Fairground), monochrome etching, signed, titled and dated 1927, approx 22cm x 34.5cm, within a gilt frame.

Los 702

HENRY WILKINSON, 19th/20th century, Hunting Dogs, a pair, coloured dry point etching, limited editions signed in pencil, 10 3/4" x 14 3/4", framed

Los 703

HAROLD WYLLIE (1851-1931), Estuary Scene with Sailboats, etching signed in pencil and numbered LXXVII, 7 1/2" x 9 1/2", ebonised frame

Los 658

* Féclicien Rops, Belgian 1833-1898- "L`Incantation"; hand-coloured etching with extensive rocker-work, signed and numbered 169/200, collectors stamp for Gustave Pellet bottom right, the full sheet on wove paper, 48x31cm: After Alexander Theophile Steinlen 1859-1923- "A Saint-Lazare" par Aristide Bruant, frontispiece, lithograph and others, (a lot) (unframed)

Los 680

* Circle of Stanley William Hayter 1901-1988- Conquest of Time; dry point etching printed with tone, on cream wove, signed, titled and numbered 2/50 in pencil, signed and dated 34 within the plate, full margins, 47x35cm: together with other 20th century etchings and engravings by and after various hands, (a lot) (unframed)

Los 695

* James Abbott McNeil Whistler 1834-1903- "Soupe à Trois Sous"; (K.49) drypoint etching, c.1859, 1st & final state, on thin laid paper, fine impression, 15.5x22.5cm., (unframed)

Los 696

* James Abbott McNeil Whistler 1834-1903- "Hurlingham" (K.181) etching and drypoint, c.1879, on cream wove, full margins, two examples, each with surface dirt and creasing, condition poor, 13.5x20cm, ea., (2) (unframed)

Los 697

* James Abbott McNeil Whistler 1834-1903- "Bibi Lalouette" (K.51) 1859. Etching and drypoint, on thin laid paper, fine impression, printed with tone, signed and dated 1859 within the plate, minor defects, scattered foxing, staining etc, 23x15.2cm. Note: In the first state there were two heads in the lower part of the plate. They were removed and Whistler turned the plate upside down.

Los 699

* James Abbott McNeil Whistler 1834-1903- Seymour, Seated; (K.29) etching and drypoint, printed with tone, on cream laid paper, c.1857-8 good impression, with margins, creasing and surface dirt, image largely unaffected, 14x9.8cm. Note: This was among the earliest etchings that Whistler made whilst staying with the family of his half-sister Deborah and her husband Seymour Haden. Whistler`s nephew Seymour was about seven years old at the time. (unframed)

Los 701

* James Abbott McNeil Whistler 1834-1903- "Nursemaid and Child"; (K.37) etching and drypoint, c.1859, on thin laid cream paper, with good margins, hinged into a card mount, pale lightstaining, occasional scattered staining and foxing mainly in the margins, 10x13cm, (unframed)

Los 705

* After Marc Chagall 1887-1985 & Jacgues Combet, act. 1960 -Portrait of Marc Chagall; circa 1960, etched by Jacques Combet and additionally "Peintre au chevalet"; painter at the easel, etching by Marc Chagall within the plate, signed within the plate in reverse, on wove, full margins, appears in good condition, unexamined out of the frame, 50x37cm

Los 737

* Frank Martin 1921-2005- "Carol Lombard" circa 1968, etching with aquatint, artist`s proof, 40x54cm, (unframed)

Los 739

* James Abbott McNeil Whistler 1834-1903- "The Music Room"; (K.33) etching, printed with tone, c.1858, with margins, good impression with rich contrasts, appears pinned on all four corners, generally good condition. (unframed) Note: Deborah Haden is reading by lamplight, she is joined by her husband Seymour (left) and his medical partner James Reeves Traer. The setting is the music room at the Hadens` house in Sloane Street. Using the press installed at the top of the house, Whistler printed proofs on a wide variety of papers, leaving a varied amount of ink on the surface of the plate. Most of the impressions where printed on laid paper that Whistler preferred (with Japanese paper) for its golden tone and quality.

Los 755

John Allen, (Allin Road) 1934-1991- Teatime; oil on canvas, signed, 56.7x56cm: British School, mid 20th century- "Author`s Sketch for Jacket Design for `The Hills were Joyful Together`"; oil on canvas laid down on board, signed with initials `RM` and dated 52, 37x50cm: John Allen 1934-1991- Horse grazing on a hillside; charcoal, signed and dated 73, 29.3x41.5cm: together with two metal etching plates for photo-engraving, (5)

Los 883

Andre Derain 1880-1954- "L`Homme et la Femme", (Adhemar 111), from the portfolio `Heroides` by Ovid, 1938; etching, signed and numbered 4/25 in pencil, 29x24.5cm., (mounted) (unframed)

Los 884

Hans Bellmer, Polish/French 1902-1975- "La Cephalopode aux Bas Rayes", (Denoel 60); etching, signed and numbered 20/100 in pencil, 24x22cm., (mounted) (unframed)

Los 548

Davril `Bruxelles` Coloured Etching, signed proof, Limited Edition 2/20, in modern frame

Los 575

Framed Etching Richmond Castle from the River, signed proof, Harry Howard and Two Coloured Prints Market Place and Redmire Feast (3)

Los 1029

Robert Walker Macbeth RA RWS RI (1848-1910); The Fisherman`s wife, etching, signed in pencil 20x16cm.

Los 1086

William Walcott RBA, RE (1874-1943); Trafalgar, pencil signed etching, 9x13cm.

Los 1104

FOLIO - Frank Brangwyn (1867-1956); four pencil signed lithographs depicting a group of male workers, three blind elderly women, a cathedral interior and a country landscape, and eight unsigned lithographs. - K Boes (20th century), seven signed pencil life studies and a lithograph. - Captain Edward Handley-Read (20th century), After our Somme, pencil signed artists proof print. - Sir Hubert Von Herkomer (1849-1914), bearded male figure, pencil signed etching, and other works (illustrated).

Los 236

A quantity of pictures and prints to include an etching by Joyce Berridge, an advertising poster for The Damned.

Los 330

An etching by R Nagele, 1923, 7" x 9 1/2", together with a circular watercolour, 6" diameter and a further watercolour (3).

Los 172

JOHN HOYLAND R.A. (b.1934), BANDA ORIENTAL, c.1989, etching and aquatint on paper, signed limited edition print 6/65, framed. 72cm by 56cm

Los 174

EDWARD HARTLEY MOONEY (c.1878-1938), "RICHMOND CASTLE FROM THE GREEN", etching, signed and inscribed in pencil, framed. 22cm by 25cm

Los 519

After Cezanne Still life, with a chair, bottles and apples, Ganymed facsimile and Bryden The Old Brig, Ayr, etching (2)

Los 592

Anthony Paine-Barker (20th century) Three Windmills Signed etching, 23x34cm

Los 618

Sir David Young Cameron RA RSA RWS RSW RE (1865-1945) Mar`s work, Stirling Signed etching, 25x17cm Label reads `From Lady Cameron`s collection`

Los 619

Sir David Young Cameron RA RSA RWS RSW RE (1865-1945) Castle Moyle Signed etching, 18x27.5cm

Los 620

Sir David Young Cameron RA RSA RWS RSW RE (1865-1945) The Palace, Stirling Castle Signed etching, 27x14cm an a Stirling landscape (2)

Los 621

After P Rose (20th century) Grey Duiker, Springbuck, Nyala, Bushbuck and Kudu prints and an Arhur Clery etching (6)

Los 633

William Renison (1868-1939) John Knox`s house, signed etching, 45x34cm Sanders Boats tied up, oil on board and Cynthia Wall, Still life, watercolour (3)

Los 658

Robert Snodgrass (20th century) High Alter, signed etching 21x15cm EJ Dernold, parrot, etching 20x20cm Seven various prints, Clifford James portrait Ellen Jowett, portrait Charles Clark, Shrine Mantague Dawson, sea battle, prints

Los 689

Alexander Martin (20th century) `A Deb`, Collage on board, circa 1965, 30.5x30.5cm Janet Paterson Circus Rider, Signed etching 1/6, 15x19.5cm, Alphabet and Parts of a Horse (4)

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