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78472 Los(e)/Seite
JOHN CYRIL HARRISON, SIGNED IN PENCIL TO MARGIN, TWO COLOURED PRINTS, Bird Studies, 9" x 12" and 4 ½" x 6"; and one further framed COLOURED PRINT AFTER THE SAME ARTIST (3) 230. ALFRED H PAGE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Inscribed "Danseuse Antique", 7" x 4 ¾"; plus two further PENCIL DRAWINGS by the same artist (3)
* Féclicien Rops, Belgian 1833-1898- "L`Incantation"; hand-coloured etching with extensive rocker-work, signed and numbered 169/200, collectors stamp for Gustave Pellet bottom right, the full sheet on wove paper, 48x31cm: After Alexander Theophile Steinlen 1859-1923- "A Saint-Lazare" par Aristide Bruant, frontispiece, lithograph and others, (a lot) (unframed)
* Circle of Stanley William Hayter 1901-1988- Conquest of Time; dry point etching printed with tone, on cream wove, signed, titled and numbered 2/50 in pencil, signed and dated 34 within the plate, full margins, 47x35cm: together with other 20th century etchings and engravings by and after various hands, (a lot) (unframed)
* James Abbott McNeil Whistler 1834-1903- "Bibi Lalouette" (K.51) 1859. Etching and drypoint, on thin laid paper, fine impression, printed with tone, signed and dated 1859 within the plate, minor defects, scattered foxing, staining etc, 23x15.2cm. Note: In the first state there were two heads in the lower part of the plate. They were removed and Whistler turned the plate upside down.
* James Abbott McNeil Whistler 1834-1903- Seymour, Seated; (K.29) etching and drypoint, printed with tone, on cream laid paper, c.1857-8 good impression, with margins, creasing and surface dirt, image largely unaffected, 14x9.8cm. Note: This was among the earliest etchings that Whistler made whilst staying with the family of his half-sister Deborah and her husband Seymour Haden. Whistler`s nephew Seymour was about seven years old at the time. (unframed)
* After Marc Chagall 1887-1985 & Jacgues Combet, act. 1960 -Portrait of Marc Chagall; circa 1960, etched by Jacques Combet and additionally "Peintre au chevalet"; painter at the easel, etching by Marc Chagall within the plate, signed within the plate in reverse, on wove, full margins, appears in good condition, unexamined out of the frame, 50x37cm
* James Abbott McNeil Whistler 1834-1903- "The Music Room"; (K.33) etching, printed with tone, c.1858, with margins, good impression with rich contrasts, appears pinned on all four corners, generally good condition. (unframed) Note: Deborah Haden is reading by lamplight, she is joined by her husband Seymour (left) and his medical partner James Reeves Traer. The setting is the music room at the Hadens` house in Sloane Street. Using the press installed at the top of the house, Whistler printed proofs on a wide variety of papers, leaving a varied amount of ink on the surface of the plate. Most of the impressions where printed on laid paper that Whistler preferred (with Japanese paper) for its golden tone and quality.
John Allen, (Allin Road) 1934-1991- Teatime; oil on canvas, signed, 56.7x56cm: British School, mid 20th century- "Author`s Sketch for Jacket Design for `The Hills were Joyful Together`"; oil on canvas laid down on board, signed with initials `RM` and dated 52, 37x50cm: John Allen 1934-1991- Horse grazing on a hillside; charcoal, signed and dated 73, 29.3x41.5cm: together with two metal etching plates for photo-engraving, (5)
FOLIO - Frank Brangwyn (1867-1956); four pencil signed lithographs depicting a group of male workers, three blind elderly women, a cathedral interior and a country landscape, and eight unsigned lithographs. - K Boes (20th century), seven signed pencil life studies and a lithograph. - Captain Edward Handley-Read (20th century), After our Somme, pencil signed artists proof print. - Sir Hubert Von Herkomer (1849-1914), bearded male figure, pencil signed etching, and other works (illustrated).

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78472 Los(e)/Seite