78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

*LEON KOSSOFF (1926-2019) 'Mother', 1982, signed, dated, titled and numbered 41/100 in pencil to the margin, etching, the sheet 59.7cm x 50.2cm (unframed)

*KATHARINE CAMERON (1874-1965) 'The Mountain Fern', signed in plate lower left, signed in pencil to the margin, etching, the image 42.5cm x 19cm,  Framed dimensions: 62.5cm x 37.3cmNote: The younger sister of fellow artist David Young Cameron, Katharine Cameron RWS RE was a Scottish artist, watercolourist, and printmaker, best known for her paintings and etchings of flowers. She was associated with the group of artists known as the Glasgow Girls.

*STANLEY DONWOOD (b. 1968) 'A fucked etching that I started again', signed titled and inscribed 'St Barnabas Press, Cambridge, 2007' in pencil to the margin, etching, the image 56cm x 46.5cm, Framed dimensions: 91cm x 74cmNote: Stanley Donwood is an English artist and writer best known for his collaborations with the band Radiohead, for whom he has created all of their album covers since 1995. Donwood, born Dan Rickwood on October 29th 1968 in Essex, studied at the University of Exeter where he met Radiohead frontman Thom Yorke, beginning a creative partnership that has lasted over a quarter of a century. Yorke stated on meeting Donwood “When I met him, first day, he sat there with a book, totally aloof. I thought, I’m either really going to hate this bloke or I’m going to end up working with him forever. One of the two.”

*CHARLES FREDERICK TUNNICLIFFE (1901-1979) 'The Mowing Machine', 1928, signed and titled in pencil to the margin, etching, the image 16cm x 23.75cm, Framed dimensions: 36.5cm x 42.5cm

*DAME ELISABETH FRINK (1930-1993) 'Bull', 1986, signed and numbered 35/100 in pencil to the margin, etching with aquatint in grey, printed at Kelpra Studio and with their blindstamp, on Velin Arches paper, 29.8cm x 27.4cm (sheet), Framed dimensions: 37.5cm x 36cmpublished by Harpvale Books as the frontispiece for the 1984 deluxe edition of 'Elisabeth Frink: Sculpture', a copy of which is included in this lot, signed to the frontispiece and further inscribed "Brian and Dorothy, with love from Alex and Lis" to the flyleaf, both in the hand of the artist (2), Provenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024)Literature: 'Elisabeth Frink, Original Prints, Catalogue Raisonne', Caroline Wiseman, 1998, number 136

*NORMAN STEVENS (1937-1988) 'Orchard Gate', 1976, signed, dated, titled and inscribed "For Brian with best wishes" in pencil to the margin, etching, the image 11.4cm x 16.1cm,  Framed dimensions: 45cm x 39cmProvenance: The estate of the late Brian Phelan (1934-2024) and Dorothy Bromiley Phelan (1930-2024).Note: Lifelong friends with David Hockney, Norman Stevens was described as "one of the most particular and distinguished painters and printmakers of his generation" by William Packer. His prizewinning prints were the focus of solo exhibitions at the Arnolfini and Tate during the 1970s, and a posthumous retrospective was held at the Royal Academy of Arts in 2014.

*CHARLES FREDERICK TUNNICLIFFE (1901-1979) 'The New Rick', signed and numbered 56/75 in pencil to the margin, etching, the image 19.5cm x 25.5cm, Framed dimensions: 39cm x 44cm

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Bragg Apartment, New York City',signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity, Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

*CHARLES FREDERICK TUNNICLIFFE (1901-1979) 'The Singing Ploughman', signed in pencil to the margin, etching, the image 20cm x 27.6cm, Framed dimensions: 40cm x 46cm

*DIABLO (aka Bob Cosford) 'Buy Me And Stop One - Drone Attack', signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 42cm x 59.5cm, Framed dimensions: 63.5cm x 78cmProvenance: The Bob Cosford Collection of Contemporary and Street Art.Note: DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art. 'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertising. Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"

*JAMES MCINTOSH PATRICK (1907-1998) 'Cottages in the Snow', signed in pencil to the margin, etching, the image 14.75cm x 21.25cm, Framed dimensions: 31.2cm x 36.9cm

*ROBIN TANNER (1904-1988) 'The Hazel Copse', 1986, stamped initials to the margin, apparently number 2 from the edition of 25, etching, the image 17cm x 15cm, Framed dimensions: 43.5cm x 33.5cmNote: This work was Tanner's last completed etching.

*CHARLES FREDERICK TUNNICLIFFE (1901-1979) 'The Old Quarry Road', signed and numbered 20/75 in pencil to the margin, etching, the image 22.1cm x 30.3cm, Framed dimensions: 42.4cm x 48.8cm

*ROBIN TANNER (1904-1988) 'Flowers of May', signed in pencil to the margin, etching, the image 26.75cm x 18.7cm,Framed dimensions: 46.8cm x 37cm Provenance: Purchased from Robin Garton, New Bond Street, London, 17th March 1982.

*DIABLO (aka Bob Cosford) 'Buy Me And Stop One - Riot', signed limited edition of 75, blind stamped and with certificate of authenticity, giclee print on 301gsm German etching paper, the image 52cm x 69.5cm,Framed dimensions: 63.5cm x 78cmProvenance: The Bob Cosford Collection of Contemporary and Street Art.Note: DIABLO is one of four pseudonyms used by the Artist Bob Cosford to develop new areas of work, particularly in the field of urban, street art, tattoo design, alt and outsider art. 'Buy Me And Stop One' art uses unique socio-political narratives and ironic references to mainstream entertainment all based around an ice cream van. 'Buy Me And Stop One' also references the easy days of condom advertising. Bob Cosford is an artist who for many years worked as a creative director for film and television companies, developing branding for the likes of the BBC, ITV, Disney and UEFA. One of Cosford's most notable productions was the famous 'comic book' opening sequence of the BBC children's television series 'Grange Hill', described by a Radio Times article as being a "Pop Art masterpiece"

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Cassandra', signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity, Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Lakeside Cabin', signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 56cm x 70cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity, Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Sidewalk Cafe', signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity, Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Statue of Liberty', signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity, Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

*PAUL DRURY (1903-1987) 'September', signed in pencil to the margin, numbered "47/100 pbld edtn" in pencil lower left (under mount), etching, the image 10cm x 13cm,  Framed dimensions: 29cm x 31.8cmProvenance: Purchased from Garton & Cooke, New Bond Street, London, 17th November 1987

BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Dad's Restaurant',signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity, Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset

*ADRIAN BARTLETT (1939-2024) 'Café Lepetit', signed and numbered 7/75 in pencil to the margin, etching and aquatint, the image 45.5cm x 30cm, Framed dimensions: 84.8cm x 64.2cm

James Priddy (1916-1980) - Coloured etching - Quay Hill Tenby, together with another, 31cm x 23cm and smaller, both framed under glass (2)

§ Patrick Procktor RA (1936-2003) Cat Isigned 'Patrick Procktor' (lower right); numbered 4/13etching and aquatint29.5 x 36cmExhibited:London, Royal Academy of Arts, Summer Exhibition, 1995

§ Anthony Gross CBE, RA (1905-1984) The Valley 2, 1959signed 'anty gross' (lower right); numbered 40/50etching42 x 54cmThe largest of the two pictures has discoloured and the other one has slightly discoloured

§ Julian Trevelyan RA (1910-1988) St James' Parksigned 'Julian Trevelyan' (lower right); artist's proofetching and aquatint41.5 x 54cm

§ Richard Bawden RWS, NEAC, RE (1936-2024) The Parloursigned 'Richard Bawden' (lower right); numbered 24/85etching with aquatint43.5 x 61cmNot examined out of the frame, outermost margins are obscured by the mount so not available for inspection. Perhaps some slight acid mat burn where the margins meet the mount board, some slight discolouration commensurate with age and use, otherwise in very nice and presentable condition.

§ Anthony Gross CBE, RA (1905-1984) The Valley 1, 1956signed 'anty gross' (lower right); numbered 44/50etching45 x 64cm

Pierre-Auguste Renoir (1841-1919) Femme Nue Couchee etching 14.5 x 21cm

Lovis Corinth (1858-1925) Tanzerinnen (Dancers)signed 'Lovis Corinth' (lower right); further signed and dated 95 within the plateetching, bearing watermark of 'JW Zanders', unframed23 x 31cm

§ Gerald Leslie Brockhurst RA (1890-1978) Chiquitasigned 'GL Brockhurst' (lower right); further plate signed; unnumbered from the edition of 76etching19 x 16cmProvenance:With CCA Galleries, London

§ Evelyn Gibbs (1905-1991) Portrait of Elisabeth Vellacott, circa 1930etching14.5 x 10cmProvenance:With The Rowley Gallery, LondonThe collection of Quentin StevensonNot examined out of the frame, the outermost margins are obscured by the mount and are, therefore, not available for inspection. Under raking light there are some light handling creases to the top corners and bottom right corner. Some overall age toning, though this is uniform in appearance throughout. Otherwise in nice, clean and presentable condition.

§ Anthony Gross CBE, RA (1905-1984) Vendage a Vire signed 'ants gross' (lower right); numbered 35/50etching24.5 x 36cm'together with La Jetiesigned 'ants gross' (lower right); numbered 36/45etching21.5 x 29cm (2)etchings

§ John Piper OM, CH (1903-1992) Scotney Castle no.Isigned 'John Piper' (lower right); numbered 23/50etching24 x 42.5cmProvenance:With Goldmark Art, UppinghamDiscolouration to the mount

§ Richard Bawden RWS, NEAC, RE (1936-2024) The White Jugsigned 'Richard Bawden' (lower right); numbered 74/80etching with aquatint36 x 46cmThe margin is slightly discoloured

§ John Piper OM, CH (1903-1992) Scotney Castle no.Vsigned 'John Piper' (lower right); numbered 28/50etching24 x 42.5cmProvenance:With Goldmark Art, UppinghamGood condition

§ Stanley William Hayter CBE (1901-1988) Plate I; from the Death of Hector suitesigned and dated 'SWHayter79' (lower right); numbered 40/300etching37.5 x 27.5cm

§ Terry Frost RA (1915-2003) Arbole, Arbole [Kemp 107]; from the Federico Garcia Lorca suitesigned 'Terry Frost' (lower right), numbered 1/5etching with aquatint and hand-colouring in colours on wove paper, printed at the Print Centre, published by Austin Desmond Contemporary, London75 x 57cmProvenance: The Collection of Lord Myners, former Chairman of the Board of Trustees at the Tate

§ John Piper OM, CH (1903-1992) Gothic Folly, Stowesigned 'John Piper' (lower right); numbered 22/70etching40 x 48cmProvenance:With Goldmark Art, UppinghamWork has not been examined out of the frame, outermost margins are obscured by the mount so not available for inspection. Lightly toned throughout, though this is uniform in nature,one very slight and faded blemish to the right hand margin, otherwise in very nice, clean condition.

§ John Piper OM, CH (1903-1992) Scotney Castle no.IIsigned 'John Piper' (lower right); numbered 6/50etching23 x 41.5cmProvenance:With Goldmark Art, UppinghamFoxing to the mount, especially at the top

A coloured etching "Ocean Race" by E. Bouverie Hoyton, signed

A black and white etching depicting a street in Toledo signed by E. Howarth, framed and glazed

Daphne Skinner - watercolour"Geese from a Tomb at Medum", signed, labelled to verso, 3" x 18½"; a limited-edition etching of a farmyard scene by Barry Owen and one other limited-edition coloured print "Winter" (3)

* JUNE CAREY RSW RGI (SCOTTISH b. 1942), GIRL WITH A BIRD artist's proof colour etching on paper, signed, titled and numbered A/Pframed and under glassimage size 18cm x 20cm, overall size 41cm x 44cm Note: June Carey began her art education in the 1960s at The Glasgow School of Art. She has been exhibiting her work widely throughout Britain and abroad ever since. Her awards include The Scottish Arts Council 1998, McGrigor Donald Trust 1989, European City of Culture Woman 2000 (First Prize) 1990, Dundee District Council Purchase Prize 1991, British Council Assistance Grant 1992, The Hope Scott Trust Award 1993, Scottish Arts Club Award 1993, McDonald Orr Ltd 1993, Anne Redpath Award 1996, BP Aberdeen Assistance Grant 2002, Connell & Connell Sponsorship and in 2004, a Research Grant from the Scottish Arts Council, to visit India. June Carey's work can be found in the collections of Lady Thyne; Peter Gabriel, BBC Television, The Royal Bank of Scotland, The Scottish Arts Council, Oxford University, Teachers Whisky, Highland Region, Edwins Gallery Jakarta, Barclay Lennie Fine Art Ltd, MacTaggart & Mickel Ltd. Eastern General Hospital, McDonald Orr Ltd, Dundee District Council, Arts in Fife and Private Collectors at home and abroad.

HERBERT DICKSEE (ENGLISH 1862-1942) 'Coming Home - Shepherd and his dog driving his sheep along a country lane, etching on paper, signed and initialled, published by Frost & Reed, Ltd., Bristol 1901, framed and glazed, frame size 84 x 100 cm

Clay (Arthur Lloyd), Leaves from a Diary in Lower Bengal by C S (Retired), first edn, frontis and 42 (of 43) plts, including nine etchings, (p.70 etching missing), two maps, teg, cl gt, bevelled bds, some staining, 4to, 1896.

WW2 Era Kriegsmarine Officers Dagger by WKC with brass fittings and etched blade bearing WKC maker mark with Knights helmet and celluloid handle in brass scabbard The blade has surface corrosion to the blade below the etching, brass scabbard has some dings and dents, celluloid handle bears some cracks and brass fittings have wear associated with polishing

GURLITT, Fritz "Almanach auf das Jahr 1920" mit OriginalgrafikenVerlag Fritz Gurlitt. Berlin. 22,5 x 16,5 cm. Nummeriertes Exemplar 454/750. Mit 3 Originalgrafiken: Lovis Corinth Lithografie und Radierung (etwas stockfleckig im Randbereich), Max Pechstein, Holzschnitt. Sowie Kalendarium und viele weitere Texte und Abbildungen von Künstlern der Zeit. 216 Seiten, im gelben Pappeinband. Aufrufzeit 24. | Okt. 2024 | voraussichtlich 14:21 Uhr (CET) GURLITT, Fritz "Almanach auf das Jahr 1920" mit OriginalgrafikenVerlag Fritz Gurlitt. Berlin. 22.5 x 16.5 cm. Numbered copy 454/750. With 3 original prints: Lovis Corinth lithograph and etching (somewhat foxed in margins), Max Pechstein, woodcut. As well as a calendar and many other texts and illustrations by artists of the time. 216 pages, in yellow paperback. Aufrufzeit 24. | Oct. 2024 | probably 14:21 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MAENNCHEN, Albert(1873 Rudolstadt - 1935 Berlin) "Bildnis meines Bruders Adolf Maennchen"Radierung. Bleistiftsignatur unten rechts. 1922. Druckplatte: 40 x 35 cm. Gerahmt & hinter Glas : 63,5 x 59,5 cm. Porträt eines Herren mit Bart und schütterem Haar als Bruststück, es handelt sich um den 12 Jahre älteren Bruder des Künstlers. Deutscher Freskenmaler, Schüler des Berliner Malers Carl Lange, studierte zwischen 1890 und 1898 an der Unterrichtsanstalt des Kunstgewerbemuseum Berlin und der Hochschule für die Bildenden Künste. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:21 Uhr (CET) MAENNCHEN, Albert(1873 Rudolstadt - 1935 Berlin) "Portrait of my brother Adolf Maennchen"Etching. Pencil signature lower right. 1922. Print plate: 40 x 35 cm. Framed & behind glass : 63.5 x 59.5 cm. Portrait of a gentleman with a beard and thinning hair as a chest piece, this is the artist's brother who is 12 years older. German fresco painter, pupil of the Berlin painter Carl Lange, studied between 1890 and 1898 at the Kunstgewerbemuseum Berlin and the Hochschule für die Bildenden Künste. Aufrufzeit 26. | Oct. 2024 | probably 10:21 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ORLIK, Emil(1870 Prag - 1932 Berlin) Japanerin im WinterkleidAquatinta Radierung. Bleistiftsignatur unten rechts. Druckstock 24 x 16 cm. Gerahmt & hinter Glas : 52,5 x 42,5 cm. Verhüllte Frau im Profil vor kahlen Zweigen. Böhmischer Maler, Grafiker, Fotograf und Medailleur, studierte 1889 bis 1893 an der Akademie der Bildenden Künste München. Er war von 1899 bis 1905 Mitglied der Wiener Secession neben Gustav Klimt, ab 1905 Professor an die Staatliche Lehranstalt des Berliner Kunstgewerbemuseums, Lehrer von u.a. George Grosz und Hannah Höch. Literatur : https://kulturstiftung.org/biographien/orlik-emil. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:23 Uhr (CET) ORLIK, Emil(1870 Prague - 1932 Berlin) Japanese woman in winter dressAquatinta etching. Pencil signature lower right. Imprint block 24 x 16 cm. Framed & behind glass : 52.5 x 42.5 cm. Shrouded woman in profile in front of bare branches. Bohemian painter, graphic artist, photographer and medalist, studied at the Academy of Fine Arts in Munich from 1889 to 1893. From 1899 to 1905 he was a member of the Vienna Secession alongside Gustav Klimt, from 1905 professor at the State Teaching Institute of the Berlin Museum of Decorative Arts, teacher of George Grosz and Hannah Höch, among others. Literature : https://kulturstiftung.org/biographien/orlik-emil. Aufrufzeit 26. | Oct. 2024 | probably 10:23 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ORLIK, Emil(1870 Prag - 1932 Berlin) "Blinder Orientale"Radierung. Bleistiftsignatur unten rechts, Blindstempel. Druckstock: 20,5 x 12,5 cm; Blattmaß: 32 x 22 cm. Gerahmt & hinter Glas : 41,5 x 31 cm. Alter Mann mit Turban, zerschlissener Kleidung und Stock. An der Hand ein Kleinkind mit verbundenen Augen. Handschriftlich mit Bleistift unter dem Motiv "Probedruck s/l Wellenstein mit Dank und Grusse 21/7 25 Orlik 18". Leichte Knickspuren. Böhmischer Maler, Grafiker, Fotograf und Medailleur, studierte 1889 bis 1893 an der Akademie der Bildenden Künste München. Er war von 1899 bis 1905 Mitglied der Wiener Secession neben Gustav Klimt, ab 1905 Professor an die Staatliche Lehranstalt des Berliner Kunstgewerbemuseums. Literatur : https://kulturstiftung.org/biographien/orlik-emil. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:24 Uhr (CET) ORLIK, Emil(1870 Prague - 1932 Berlin) "Blinder Orientale"Etching. Pencil signature lower right, blindstamp. Imprint block: 20.5 x 12.5 cm; sheet size: 32 x 22 cm. Framed & behind glass : 41.5 x 31 cm. Old man with turban, tattered clothes and stick. Holding a blindfolded infant. Handwritten in pencil under the motif "Probedruck s/l Wellenstein mit Dank und Grusse 21/7 25 Orlik 18". Slight traces of creasing. Bohemian painter, graphic artist, photographer and medalist, studied at the Academy of Fine Arts in Munich from 1889 to 1893. From 1899 to 1905 he was a member of the Vienna Secession alongside Gustav Klimt, from 1905 professor at the State Teaching Institute of the Berlin Museum of Decorative Arts. Literature : https://kulturstiftung.org/biographien/orlik-emil. Aufrufzeit 26. | Oct. 2024 | probably 10:24 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

BLOOS, Richard(1878 Brühl - 1956 Düsseldorf) "Der fliegende Fisch"Radierung. Bleistiftsignatur rechts unten. Probedruck. 65 x 18 cm. Gerahmt & hinter Glas : 83,5 x 32,5 cm. Karikierende Darstellung eines Anglers. Mit Widmung des Künstlers an R. Fischer, Probedruck. Blatt mit Lichtbräunung. Maler und Druckgrafiker der Düsseldorfer Schule, eigentlich Maler in impressionistischer Manier, war bereits zu Lebzeiten besonders für seine satirischen Radierungen bekannt. Literatur : https://www.stiftung-volmer.de/artist/painting/all/12. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:28 Uhr (CET) BLOOS, Richard(1878 Brühl - 1956 Düsseldorf) "Der fliegende Fisch"Etching. Pencil signature lower right. Proof print. 65 x 18 cm. Framed & behind glass : 83.5 x 32.5 cm. Caricaturing depiction of an angler. With dedication by the artist to R. Fischer, proof. Sheet with light browning. Painter and printmaker of the Düsseldorf School, actually a painter in the Impressionist manner, was already known during his lifetime for his satirical etchings. Literature : https://www.stiftung-volmer.de/artist/painting/all/12. Aufrufzeit 26. | Oct. 2024 | probably 10:28 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ZELLER, Magnus(1888 Biesenrode - 1972 Berlin) Im GewächshausRadierung. Bleistiftsignatur unten rechts. 23,5 x 18 cm. Gerahmt & hinter Glas : 40,5 x 29,5 cm. Kleine Figur in Rückenansicht mit Hut und Mantel zwischen großen Gewächsen in Töpfen und Kübeln, darüber oben rechts angedeutet ein Glasdach. Zeller war Maler und Graphiker im expressionistischen Stil. Von 1908 bis 1911 war er in Berlin Schüler bei Lovis Corinth. Zeller galt in der NS-Zeit als "entarteter Künstler" und wurde als solcher, auch wegen seiner Kriegssatiren, verfolgt. Nach Ende des Zweiten Weltkriegs war er in der DDR wieder als Künstler aktiv. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:29 Uhr (CET) ZELLER, Magnus(1888 Biesenrode - 1972 Berlin) In the greenhouseEtching. Pencil signature lower right. 23.5 x 18 cm. Framed & behind glass : 40.5 x 29.5 cm. Small figure in back view with hat and coat between large plants in pots and tubs, with a glass roof indicated in the upper right. Zeller was a painter and graphic artist in the expressionist style. He was a student of Lovis Corinth in Berlin from 1908 to 1911. During the Nazi era, Zeller was considered a "degenerate artist" and was persecuted as such, partly because of his war satires. After the end of the Second World War, he was once again active as an artist in the GDR. Call time Oct. 26 | 2024 | probably 10:29 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FINGESTEN, Michel(1884 Buczkowitz, Österreichisch-Schlesien - 1943 Cerisano, Kalabrien) "Pfui! baba!"Radierung auf Büttenpapier, gebräunt. Bleistiftsignatur unten rechts. 11 x 11,5 cm. Gerahmt & hinter Glas : 27.5 x 22,5 cm. Weinendes Kleinkind, neben dem ein kleiner Hund in dessen Nachttopf pinkelt. Papier mit Wasserzeichen. Fingesten, geboren als Finkelstein, begann sein Studium an der Kunstakademie Wien bereits im Alter von 16 Jahren. Während einer Studienreise von 1902 bis 1906 beschäftigte er sich zunehmend mit kleinformatigen Graphiken, wobei er sich ab 1913 vor allem auf Radierungen konzentrierte. Aufgrund seiner jüdischen Herkunft und seiner Kunst, die als "entartet" gewertet wurde, wurde Fingesten 1940 verhaftet und angeklagt. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:30 Uhr (CET) FINGESTEN, Michel(1884 Buczkowitz, Austrian Silesia - 1943 Cerisano, Calabria) "Pfui! baba!"Etching on laid paper, browned. Pencil signature lower right. 11 x 11.5 cm. Framed & behind glass : 27.5 x 22.5 cm. Crying toddler, next to whom a small dog is peeing in his chamber pot. Paper with watermark. Fingesten, born Finkelstein, began his studies at the Vienna Academy of Fine Arts at the age of 16. During a study trip from 1902 to 1906, he increasingly focused on small-format prints, concentrating primarily on etchings from 1913 onwards. Due to his Jewish origins and his art, which was deemed "degenerate", Fingesten was arrested and charged in 1940. Call time Oct. 26 | 2024 | probably 10:30 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

LIEBERMANN, Max(1847 Berlin - 1935 ebenda) "Amsterdamer Judengasse"Radierung. Platte: 15 x 20 cm. Gerahmt & hinter Glas : 23,5 x 29 cm. Ansicht eines Straßenzugs voller Menschen mit Karren, vor allem Frauen und Kinder. Wohl aus dem Buch: Hermann Struck: "Die Kunst des Radierens", mit 6 Original-Radierungen. Berlin, Cassirer, 1920. Unten links mit Bleistift "921-[...]". Liebermann gehört zu den bedeutendsten Vertretern des deutschen Impressionismus. Er wurde an der Großherzoglich-Sächsischen Kunstschule in Weimar ausgebildet, war ab 1892 in der Berliner Secession tätig und vertrat 1895 Deutschland auf der ersten Biennale in Venedig. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:31 Uhr (CET) LIEBERMANN, Max(1847 Berlin - 1935 ibid.) "Amsterdamer Judengasse"Etching. Plate: 15 x 20 cm. Framed & behind glass : 23.5 x 29 cm. View of a street full of people with carts, mainly women and children. Probably from the book: Hermann Struck: "Die Kunst des Radierens", with 6 original etchings. Berlin, Cassirer, 1920. "921-[...]". Liebermann is one of the most important representatives of German Impressionism. He trained at the Grand Ducal Saxon School of Art in Weimar, was active in the Berlin Secession from 1892 and represented Germany at the first Venice Biennale in 1895. Call time Oct. 26 | 2024 | probably 10:31 a.m. (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Beim ObsthändlerRadierung. Undeutlich signiert. Platte 15,5 x 16 cm. Gerahmt & hinter Glas : 35 x 35 cm. Darstellung einer Dame im Profil mit gezückter Geldbörse, zögerlich nach Früchten greifend, unten bezeichnet: "Roma", "Piazza Campo di Fiore". Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:31 Uhr (CET) At the fruit merchant Etching. Indistinctly signed. Plate 15.5 x 16 cm. Framed & behind glass : 35 x 35 cm. Depiction of a lady in profile with drawn purse, hesitantly reaching for fruit, inscribed below: "Roma", "Piazza Campo di Fiore". Aufrufzeit 26. | Oct. 2024 | probably 10:31 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ENDE, Hans am(1864 Trier - 1918 Stettin) Birken mit KateRadierung. Signatur unten rechts in der Druckplatte. Platte: 35,5 x 35 cm. Gerahmt & hinter Glas : 48 x 46,5 cm. Bachlauf mit Birken in der Abenddämmerung. Papier unten leicht fleckig. Hans am Ende war ein impressionistischer Maler. Er studierte an der Königlich Bayrischen Akademisch der Bildenden Künste München und der Großherzoglich Badischen Kunstschule Karlsruhe. Neben Fritz Overbeck und Otto Modersohn gehört er zu den Begründern der Künstlerkolonie Worpswede 1889. Am Ende meldete sich freiwillig für den Ersten Weltkrieg - während seines Einsatzes an der Westfront entstanden weiterhin Tuscheskizzen und Gemälde. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:35 Uhr (CET) ENDE, Hans am(1864 Trier - 1918 Stettin) Birches with KateEtching. Signature lower right in the printing plate. Plate: 35.5 x 35 cm. Framed & behind glass : 48 x 46.5 cm. Stream with birch trees at dusk. Paper slightly stained at bottom. Hans am Ende was an impressionist painter. He studied at the Königlich Bayrische Akademisch der Bildenden Künste in Munich and the Großherzoglich Badische Kunstschule in Karlsruhe. Alongside Fritz Overbeck and Otto Modersohn, he was one of the founders of the Worpswede artists' colony in 1889. Am Ende volunteered for the First World War - during his deployment on the Western Front, he continued to produce ink sketches and paintings. Call time Oct. 26 | 2024 | probably 10:35 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KLEMM, Fritz(1902 Mannheim - 1990 Karlsruhe) Gehöft in WinterlandschaftOriginal-Radierung. Bleistiftsignatur, in der Platte monogrammiert. In der Platte datiert: [19]30. Druckplatte: 9 x 12 cm. Gerahmt & hinter Glas : 31 x 34 cm. Ansicht eines kleinen Hofes mit Fachwerkhäusern und Weidenbäumen. Deutscher Maler und Professor, später an der Staatlichen Akademie der Bildenden Künste in Karlsruhe. Widmete sich dem künstlerischen Schaffen vollständig nach der Emeritierung 1970. Literatur : https://www.leonhardi-museum.de/ausstellungen/fritz-klemm/. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:37 Uhr (CET) KLEMM, Fritz(1902 Mannheim - 1990 Karlsruhe) Gehöft in WinterlandschaftOriginal etching. Pencil signature, monogrammed in the plate. Dated in the plate: [19]30. Print plate: 9 x 12 cm. Framed & behind glass : 31 x 34 cm. View of a small courtyard with half-timbered houses and willow trees. German painter and professor, later at the State Academy of Fine Arts in Karlsruhe. Dedicated himself entirely to his artistic work after his retirement in 1970. Literature : https://www.leonhardi-museum.de/ausstellungen/fritz-klemm/. Aufrufzeit 26. | Oct. 2024 | probably 10:37 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

ENDE, Hans am(1864 Trier - 1918 Stettin) Kanal in flacher Landschaft bei WorpswedeRadierung. In der Platte signiert. Fenster: 24 x 40 cm; Platte: 22,5 x 37,5 cm. Gerahmt & hinter Glas : 40 x 56 cm. Ansicht einer Weidelandschaft mit grasenden Schafen und einem Bauern am Kanal. Hans am Ende war ein impressionistischer Maler. Er studierte an der Königlich Bayrischen Akademisch der Bildenden Künste München und der Großherzoglich Badischen Kunstschule Karlsruhe. Neben Fritz Overbeck und Otto Modersohn gehört er zu den Begründern der Künstlerkolonie Worpswede 1889. Am Ende meldete sich freiwillig für den Ersten Weltkrieg - während seines Einsatzes an der Westfront entstanden weiterhin Tuscheskizzen und Gemälde. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:37 Uhr (CET) ENDE, Hans am(1864 Trier - 1918 Stettin) Canal in a flat landscape near WorpswedeEtching. Signed in the plate. Window: 24 x 40 cm; plate: 22.5 x 37.5 cm. Framed & behind glass : 40 x 56 cm. View of a pasture landscape with grazing sheep and a farmer by the canal. Hans am Ende was an Impressionist painter. He studied at the Royal Bavarian Academy of Fine Arts in Munich and the Grand Ducal Baden School of Art in Karlsruhe. Alongside Fritz Overbeck and Otto Modersohn, he was one of the founders of the Worpswede artists' colony in 1889. Am Ende volunteered for the First World War - during his deployment on the Western Front, he continued to produce ink sketches and paintings. Call time Oct. 26 | 2024 | probably 10:37 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 München) FohlenFarbradierung. Rechts unten Bleistiftsignatur. 29,5 x 24,5 cm. Gerahmt & hinter Glas : 52 x 39 cm. Detaillierte Darstellung eines jungen Pferdes mit weißen Strümpfen und weißer Blesse vor leerem Hintergrund; Radierung in Schwarz und Braun, erscheint wie eine Skizze oder Studie. Papier vereinzelt fleckig. Meyer-Eberhardt studierte 1912 bis 1917 an der Hochschule für Bildende Kunst in Weimar bei u.a. Theodor Hagen und Walther Klemm. Besonders bekannt ist er für eine Kaltnadelfarbradierungen von Tier- und Jagdmotiven. Literatur : Vollmer 1956, S. 383. Aufrufzeit 26. | Okt. 2024 | voraussichtlich 10:44 Uhr (CET) MEYER-EBERHARDT, Kurt(1895 Leipzig - 1977 Munich) FohlenColor etching. Pencil signature lower right. 29.5 x 24.5 cm. Framed & behind glass : 52 x 39 cm. Detailed depiction of a young horse with white stockings and white blaze against an empty background; etching in black and brown, appears like a sketch or study. Paper sporadically stained. Meyer-Eberhardt studied from 1912 to 1917 at the Academy of Fine Arts in Weimar under Theodor Hagen and Walther Klemm, among others. He is particularly known for his drypoint etchings of animal and hunting motifs. Literature : Vollmer 1956, p. 383. Aufrufzeit 26. | Oct. 2024 | probably 10:44 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.