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78472 Los(e)/Seite
Los 226
λ LAURA KNIGHT (BRITISH 1877-1970)STARGAZING Etching and aquatintSigned in pencil (lower right) and inscribed 'aquatint' (lower left)22.5 x 15cm (8¾ x 5¾ in.) (plate size)Please note measurements are excluding frame unless otherwise stated.Please note the measurements of this works have updated.
Los 257
A group of five modern prints;to include Paul Beck, Partridge, signed, numbered 17/50, linocut, 55 x 42cm; Pamela Hughes, Butterfly Bush, signed, artist's proof, etching and aquatint, 37 x 32cm; Richard Sell, Farmer's Glory, signed and dated 1987, numbered 3/17 (3rd state), etching and aquatint, 37.5 x 30cm; and Nicholas Barnham, Norfolk Church, Interior, signed, numbered 24/50, linocut, 19 x 14.5cm; together with another print by the same hand
Los 267
Three prints. Dolf Rieser, A framed Artist's Proof etching of a cityscape with orange wash, signed 'Dolf Rieser' lower right, 38 x 47cm; together with a coloured etching of a house in fields, edition print '112/150', signed indistinctly lower left, 49 x 46cm; A print of 'A Royal Salute', 45 x 72.5cm (3)
Los 318
AFTER WALLIS JAMES "Moorland landscape with grouse in foreground", black and white etching, signed in pencil to margin, impression size 15 cm x 35.5 cm, AFTER M M RUDGE "Fishing village with boats in foreground", black and white etching, signed in pencil to the margin, 22 cm x 24 cm, AFTER JOHN DAVIDSON "Windmill", black and white etching, signed in pencil to margin, 12.3 cm x 17.2 cm, together with another by the same hand "Strand-on-the-Green, Kew", a river landscape with barges, black and white etching, titled and signed to the margin, 14 cm x 19 cm, another by the same hand "Village scene with church in background", black and white etching, signed in pencil to the margin, 17 cm x 12.5 cm, a framed and glazed "Perspective View of the City of Gloucester in Gloucestershire", engraved for The Complete English Traveller, black and white engraving, unsigned, 19 cm x 30 cm, AFTER C E HOLLOWAY "The Old Chelsea Church", a river landscape, black and white etching, circa 1890, 22 cm x 29 cm, a black and white engraving of "Coles Hill House, Berkshire" and a black and white engraved etching "Old Cheyne Walk", together with AFTER B TEMPEST "Niobe", study of buildings, coloured artist's proof etching, signed, titled and initialed "A/P" to the margin, 29.5 cm x 24.5 cm (unframed) together with three mixed media studies of street scenes, Russian, indistinctly signed and dated 2003/4, approx 29 cm x 39 cm (x 2) and 39 cm x 29 cm (x 1) (12)
Los 6
MANOLO VALDÉS (Valencia, 1942).Untitled.Etching and collage, copy 32/35.Signed and justified in pencil.Size: 30 x 21 cm (print); 56,5 x 73,5 cm (paper); 85 x 66 cm (frame).Manolo Valdés, both through Equipo Crónica and on his own, considered that images from mass culture and high culture, decontextualised and recontextualised, were bearers of new meanings. The subject of advertising, as in this collage engraving, thus appears committed to unforeseen semantic contents.Manolo Valdés introduced in Spain a form of artistic expression that combines political and social commitment with humour and irony. He began his training in 1957, when he entered the San Carlos School of Fine Arts in Valencia. However, two years later he abandoned his studies to devote himself fully to painting. In 1964 he founded the artistic group Equipo Crónica, together with Juan Antonio Toledo and Rafael Solbes, in which he remained until the latter's death in 1981, despite the fact that Toledo had left the group two years after its foundation. Since then he has settled in New York, where he currently lives and where he has continued to experiment with new forms of expression, including sculpture. Among the numerous awards Manolo Valdés has won are the Lissone and Biella awards in Milan, the silver medal at the 2nd International Biennial of Engravings in Tokyo, the Bridgestone Art Museum prize in Lisbon, the National Prize for Plastic Arts, the medal of the International Festival of Fine Arts, and the medal of the International Festival of Fine Arts in Paris, among others, the medal of the International Festival of Plastic Artists of Baghdad, the Decoration of the Order of Andrés Bello in Venezuela, the prize of the National Council of Monaco, the Gold Medal for Merit in Fine Arts, the Prize of the Spanish Association of Art Critics and the Prize for the Best Print Artist, among others. Formally, Valdés produces a large-format work in which the lights and colours express tactile values, due to the treatment given to the materials. His work forces the viewer to delve into memory and search for significant images from the history of art. He is represented in some of the world's leading museums, such as the Reina Sofía in Madrid, the Metropolitan, the MoMA and the Guggenheim in New York, the Centre Georges Pompidou and the Fons National d'Arts Plastiques in Paris, the Kusnthalle in Hamburg, the Kunstmuseum in Berlin and the Museo de Bellas Artes in Bilbao, among many others.
Los 350
Edith Ilesseaux, French, early to mid 20th century, ‘A Tranquil River’, signed, dated 1956, watercolour, 39cm x 29cm; another by the same artist, ‘Cottage interior’; Hanquet, Fauvist study, French street scene; Jean-François Millet (1814-1875), by and after, French village, signed in pencil to margin, limited edition number 2/50, etching, 37.5cm x 27.5cm; Marcel Jacque (1906-1981), by and after, ‘The Woodsman’, etching; other engravings, (qty).
Los 139
Alphonse Legros (1837-1911) 'Sans Titre', etching, 22cm x 15cm; Reginald Bush (1869-1956), 'The Grim Reaper', etching, signed in pencil and dated 1908, 31cm x 25cm; J. Jungtwo, 'Grim Reaper', print, 30cm x 27cm and 'Blossom and Decay', print (4)At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
Los 431
Hope, W.H. St John. The Stall Plates of the Order of Knights of the Garter 1348-1485 with ninety full sized coloured facsimiles. Archibald Constable, Westminster 1901. 4to. (340 x 210mm). Finely bound in red morocco by Zaehnsdorf 1905 with tipped in etching of St Georges Chapel, Windsor Castle by Herbert Railton and b/p for George Heath Viner (1864-1955) minor foxing and bumps
Los 811
WW2 German Naval (Kriegsmarine) Officers Dress Dagger by E & F Horster Solingen, fine example with white celluloid grip with wire binding still in place. Gilt metal eagle pommel with swastika to the centre. Cross guard with press button release to the reverse. Housed in its original gilt metal scabbard with two hanging rings. Excellent condition double edged blade with standard pattern etching. Makers trademark to the base of the blade. The blade retains much of its original finish.
Los 812
WW2 German Naval (Kriegsmarine) Officers Dress Dagger by Carl Eickhorn Solingen, example with denazified eagle pommel, white celluloid grip having wire binding, standard cross guard with press button to the reverse. Original Kriegsmarine issue officers portepee (knot). Housed in its original scabbard with two hanging rings. Blade etched with standard etching and Carl Eickhorn Solingen makers mark to the base. The blade tip has been rounded but otherwise good example.
Los 120
Sir Alfred East RA (British, 1844-1913)'A Flooded River' ('The Swollen River'), c. 1908, etching signed in pencil lower right and bearing inscription lower left 'With kind regards from your **********', framed and mounted, together with a copy of the Alfred East Art Gallery Permanent Collection Guide bookoverall 39cm x 31cm, within frame 26.3cm x 19.3cm Condition: Unexamined out of frame - some browning to print edges, foxing to paper particularly visible to top right margin, frame later. For a similar example see Alfred East Art Gallery. This work is believed to have been a gift to the artists nephew - thence by descent.
Los 140
A Northern European rapier smallsword, 18th century, with a triangular 60.5cm long blade with remains of etching, a double shell guard with pierced floral scrolls, D-shaped knuckle bow, pierced and chiselled ball pommel, wire-bound grip, in a brown leather scabbard with white metal locket engraved with foliate panels, overall length 78cm(at fault, lower portion of blade missing, guard detached and pommel loose)PLEASE NOTE ALL BLADED ITEMS ARE SUBJECT TO OVER 18 CHECKS ON COLLECTION OR DELIVERY. If you require delivery, please contact us for details of an appropriate courier.
Los 435
James Gillray (British, 1756-1815)The Pigs Possessed:–or–the Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition (BM 10719) Etching with hand-colouring, 1807, on wove, published by H. Humphrey, London, with trimmed margins, 419 x 317mm (16 1/2 x 12 1/2in)(SH)For further information on this lot please visit Bonhams.com
Los 76
A memorial etching of 'Old Scarlett',18th century, a memorial etching of Robert Scarlett, Sexton of Peterborough Cathedral, who passed away on 2 July 1594 at the age of 98, inscribed:'You see old Scarlets picture stand on hie,But at your feete there doth his body lye,His gravestone doth his age and death time show,His office by these tokens you may know,Second to none for strength and sturdye limm,A scarebabe mighty voice with visage grim,He had interd two Queens within this place,And this towns householders in his lifes space,Twice over, but at length his own turn came,What he for others for him the same,Was done. No doubt his soule doth live for aye,In heaven tho here his body clad in clay.',35 x 30cmIt is widely believed that Robert Scarlett served as the inspiration for the gravedigger scene in Shakespeare's 'Hamlet'. This is further supported by the epitaph on the etching being attributed to John Fletcher who was a known associate of William Shakespeare.Condition ReportWith some staining and fading to the sheet.
Los 316
W Westley Manning, Sorrento, aquatint, signed in the margin, 31x41cm; and another by the same hand, Truro, mounted, unframed; together with soft ground etching, of Norwich Thorpe after J S Cotman.Qty: 3Condition report:There is some foxing and yellowing to paper to the top edge and sky areas, they are a little grubby in places. not tears to the paper. Please see the added photos online.
![Six Antiquarian topographical prints, including an etching of Stuttgart, and an etching of Festung [Hohensalzburg], Salzburg](https://cdn.globalauctionplatform.com/1b525177-45cd-4139-9c79-af9400f68899/5cc3e38a-ea63-4561-9fef-af9700a39e8d/468x382.jpg)
Los 176
Four prints and a watercolour to include: Attributed to John Shirley Fox (1860-1939) - sailboats on the water, signed 'J.S. Fox' lower right, with artist attribution in pen verso sleeve, 24 x 37 cm, gilt mounted; Reginald Smallridge - 'Whitby' etching in colours, signed in pencil and blindstamped below, labelled verso, 29.5 x 21 cm; Theophile Narcisse Chauvel (1831-1909/10) after Benjamin Williams Leader - 'Stratford Lock', etching, label inscribed 'Arthur Tooth Published 1 Sept. 1888', 33 x 48 cm; and two engravings: William Strickland - 'Boat used on the Grand Trunk, and Birmingham Canals', 23 x 41 cm; Nicolas de Launay after Sigmund Freudeberg - 'La Complaisance Maternelle', 26 x 36 cm, all framed and glazed (5)
Los 184
Sixteen framed works: Three large etchings in colours published by Arthur Tooth & Sons: After Benjamin Williams Leader - 'In a Welsh Valley', 'Conway Bay' and; Auguste II Boulard (1852-1927) 'Where the Brook and River meet' all approx. 45 x 69 cm each; Peter Partington (b.1941) - 'Riverside Days', limited edition etching in colours, signed, titled and numbered 89/150 in pencil below, 10 x 14 cm; and A quantity of decoratively framed prints of figurative sketches, botanical studies and two prints of watercolour landscapes, all mounted, framed and glazed (16)
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78472 Los(e)/Seite