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78472 Los(e)/Seite
Los 2066
Rembrandt Harmensz. van Rijn (Leiden 1606 - 1669 Amsterdam)Selbstbildnis, zeichnend - Self-Portrait Etching at a Window1648Radierung und Kaltnadel auf Bütten15,8/16,1x13,2 cm, BlattgrösseWerkverzeichnisThe New Hollstein (Hinterding/Rutgers) 240/IV (v. IX)White/Boon 22ProvenienzPrivatsammlung USAZustandHervorragender Druck. In ganz ausgezeichnetem Zustand, mit umlaufendem Rändchen. In dieser Qualität von äusserster SeltenheitErläuterungenRembrandt war ein Meister der Selbstbeobachtung. Er hat etwa 40 gemalte und über 30 radierte Selbstporträts hinterlassen. Dieses sehr formale, ja geradezu programmatische Blatt von 1648 ist das letzte voll durchkomponierte graphische Selbstporträt und zeigt den Künstler im warmen Arbeitskittel mit Hut am offenen Fenster sitzend. Der Blick führt hinaus auf einen baumbestandenen Hügel, an dessen Fuss ein stattliches Gebäude auszumachen ist. Durchaus nicht die zu erwartende niederländische Szenerie und sicherlich nicht ein Blick aus seinem Atelier in Amsterdams Breestraat, handelt es sich hier um eine Fantasielandschaft, vergleichbar der Szenerie, in der er nur wenige Jahre später in der ersten Hälfte der 1650er Jahre seinen „Hl. Hieronymus in einer italienischen Landschaft“ (The New Hollstein 275) einbetten sollte.Rembrandt stellt sich bei der graphischen Arbeit dar. Der Stift lässt sich als Graviernadel lesen. Das vor ihm liegende Buch wäre dann die Stütze für die auf ein gefaltetes Filztuch gelegte Druckplatte. Unsere eigene Betrachterebene bildet gleichsam den Spiegel, in den der Künstler aufmerksam schaut. Der komplexe Einsatz von Ätzradierung, Grabstichel und Kaltnadeltechnik zeigt die grosse Sorgfalt, die Rembrandt der Komposition widmete, wobei ein besonderes Augenmerk zweifellos auf sein eigenes, aus dem Dunkel auftauchende Gesicht lag, das er in feinst differenzierenden Zwischentönen zu erfassen suchte. Der Mantel ist demgegenüber mit kräftigen Kaltnadelakzenten artikuliert, die in solch hervorragenden Drucken wie dem hier vorliegenden ihre charakteristisch weiche Gratwirkung voll entfalten können.MWST / VATMehrwertsteuer auf dem Zuschalgspreis plus AufgeldErwartete Ausrufzeit (+/- 15min)12.09.2024; 19:45 h (MEST)VersandkostenSchweiz: CHF 165.-Europa: CHF 280.-Übrige Länder: CHF 335.-
Los 352
Highly detailed etching derived from the book titled De Ontleedkundige Plaaten van B.Eustachius. Demonstrates six views of the anatomy of the human head and neck. Notes written on left side are handwritten in a flowing brown ink fountain pen script identifying the different parts of the head and neck. Plates based off the artist Bartolomeo Eustachi (Italian, 1500-1577), who was one of the founders of the science of human anatomy. Mounted to matte board measuring 16"W x 20"H. Actual print measures 10"W x 14"H. Artist: Bartolomeo EustachiIssued: 1798Condition: Age related wear.
Los 313
Etching print attributed from book titled Travels, or Observations Relating to Several Parts of Barbary and the Levant by Thomas Shaw. Print depicts The Peutinger Map which displays the road network of the Roman Empire. The heraldic cartouche on the top left corner reads, Auspiciis Viri Reverendi Ioannis Burton S.T.P. Issued: 18th c. Dimensions: 18"W x 13.75"HCondition: Age related wear.
Los 351
Antique etching print of the human skeleton with two figures displaying split dissections of what appears to be parts of the hip. Mounted to paper. Attributed to prints from the book titled De Ontleedkundige Plaaten van B.Eustachius. Plates based on artist and founder of the science of human anatomy Bartolomeo Eustachi's (1500-1577) etchings. Issued: 1798Dimensions: 9.5"W x 14"HCondition: Age related wear, stains, fountain pen markings, and tears.
Los 224
* ANDA PATERSON RSW RGI PAI (SCOTTISH 1935 - 2022), SUNDAY AFTERNOON limited edition etching on paper, signed, titled, dated '89 and numbered 2/20mounted, framed and under glassimage size 23cm x 45cm, overall size 52cm x 72cm Note: Painter and administrator, born in Glasgow, married to the artist James Spence. With him she founded the Glasgow Group in the late 1950s, which did much to promote an interest in contemporary art in the west of Scotland and elsewhere. Paterson studied at Glasgow School of Art, in Spain and Portugal. She was elected RSW in 1966 and to Royal Glasgow Institute of the Fine Arts in 1978, and was a winner of the Anne Redpath and Latimer Awards. She showed in mixed exhibitions in Scotland and abroad and had a solo show at Compass Gallery, Glasgow, in 1971, being included in The Compass Contribution at Tramway, Glasgow, in 1990. Paterson was noted for her unusual pictures of ordinary people, often old, lonely and hard-up, which she treated with sympathy. Her work is held by Scottish Arts Council, Arts Council of Northern Ireland and New York Print Workshop.
Los 235
* ANDA PATERSON RSW RGI PAI (SCOTTISH 1935 - 2022), THE PATRIARCHS artist's proof etching on paper, signed, titled and numbered A/P label versomounted, framed and under glassimage size 24cm x 48cm, overall size 49cm x 70cm Note: Painter and administrator, born in Glasgow, married to the artist James Spence. With him she founded the Glasgow Group in the late 1950s, which did much to promote an interest in contemporary art in the west of Scotland and elsewhere. Paterson studied at Glasgow School of Art, in Spain and Portugal. She was elected RSW in 1966 and to Royal Glasgow Institute of the Fine Arts in 1978, and was a winner of the Anne Redpath and Latimer Awards. She showed in mixed exhibitions in Scotland and abroad and had a solo show at Compass Gallery, Glasgow, in 1971, being included in The Compass Contribution at Tramway, Glasgow, in 1990. Paterson was noted for her unusual pictures of ordinary people, often old, lonely and hard-up, which she treated with sympathy. Her work is held by Scottish Arts Council, Arts Council of Northern Ireland and New York Print Workshop.
Los 131
* KATHLEEN CADDICK (BRITISH b. 1937), WOODED LANDSCAPE acrylic on board, monogrammedframedimage size 72cm x 95cm, overall size 83cm x 108cmNote: Although born in Liverpool, Kathleen spent her childhood in Buckinghamshire where the beech woods and far reaching views across the Chiltern Hills must have subconsciously implanted her love of trees. She trained at High Wycombe College of Art and graduated with NDD Hons. in painting. She worked as a freelance designer and art teacher while her son was growing up. She then returned to run a graphics design studio, during which time she was also an examiner for the City and Guilds London. She started painting full time in 1968 exhibiting mainly in London. In 1976 she began etching, working with the Reich British Art in Germany and CCA Galleries, London. Since then her work has been widely exhibited and collected in this country as well as in Germany, USA, Canada, the Far East and Australia. She has worked on commissions for the National Trust and the Woodland Trust. Kathleen's vision of landscape is the subject matter of her work expressing feelings of space, peace and tranquillity through her use of muted colours.
Los 540
Oleg Kudryashov, Russian 1932-2022 - Untitled, Plate #440, 1983; watercolour and drypoint etching, signed, titled, dated and number in lower margin '82 1/1 n 440', 11.4 x 8.6 cm (image) Provenance: with Francis Graham-Dixon Gallery, London; private collection, London, purchased from the above in 2001
Los 241
Albert Alcalay, American 1917-2008 - Cityscape, 1953; pencil on paper, signed and dated lower right in ink 'Alcalay 53', 34.3 x 26.7 cm: together with 2 other works by the same artist, a hand-signed and dedicated poster for 'Albert Alcalay Recent Paintings Krasner Gallery, 1964' and an etching on paper, 'Self-Portrait', from an edition of 50 (3)
Los 400
After Rembrandt van Rijn (Dutch, 1606-1669), Bust of an old man with flowing beard, Etching on paper, a 19th century copy of the 17th century original, possibly by Charles Amand Durand (1831-1905), Unsigned, The plate 9cm x 7.5cm, Framed and glazed, With a further etching on paper after Rembrandt depicting beggars, the plate 8cm x 6cm, framed and glazed (2)
Los 217
AR * Drury (Paul, 1903-1988). Forms in a Wood, 1950, etching and aquatint on cream wove paper, signed, a proof before the unnumbered edition, with margins, tipped-on to backing board, plate size 16.4 x 22.5 cm (6 1/2 x 8 3/4 ins), sheet size 35.5 x 43.5 cm, framed and glazed (46.5 x 52 cm)QTY: (1)
Los 245
* Van der Leeuw (Willem, (c.1603-c.1665). Mariana (Portrait of an unknown woman with veil), after Rembrandt, circa 1650, etching on thick cream laid paper, published by Cornelis Danckerts, with collector's mark to lower left corner (stamped five pointed star shape within a circle), and old number 379 in brown ink to lower right corner, verso inscribed in an old hand in brown ink 'XIV AIV 2d time', margins close-trimmed, plate size, 237 mm × 167 mm, sheet sizeQTY: (1)NOTE:L'Admiral, Lucas van Leyden, 15; Hollstein Dutch 15. After the original portrait by Rembrandt of 1633.
Los 226
* Holloway (Edgar, 1914-2008). Benson Vermont, Christmas Greetings 1972, wood engraving on cream laid paper, signed, titled and dated by the artist, image size 69 x 101 mm (2 11/16 x 3 15/16 ins), sheet size 97 x 144 mm (3 13/16 x 5 5/8 ins), together with another similar size copper engraving by Holloway, signed in pencil to lower margin inscribed 'Christmas Greetings' in black ink by the artist, plate size 72 x 95 mm (2 12/15 x 3 3/4 ins), sheet size 108 x 127 mm (4 3/16 x 5 ins), plus seven other various modern prints, comprising: three etchings by Simeón Sáiz Ruiz (1956-), all signed in pencil and numbered from additions of 50 or 75 to lower margin; three engravings with aquatint by Eliška Fu?íková, all signed in pencil to lower margin, and one etching by André Masson (Christmas Greetings card from Galerie Sagot-Le Garrec, Paris, 1973), unsigned, various sizes (largest sheet size 32 x 22.5 cm), and an original pen brown ink and brown wash landscape study attributed to Eugenio Lucas y Padilla (1824-1870), unsigned, sheet size 163 x 229 mm, (6 3/8 x 9 ins), the latter gifted to John Rowlands by Fernando ZobelQTY: (10)NOTE:Provenance: Collection of John Rowlands (1931-2016), former Keeper of Prints and Drawings at the British Museum.
Los 273
Foxe (John). [An Abridgement of the Booke of Acts and Monumentes of the Church. Written by that Reverend Father, Maister John Fox and now abridged by Timothe Bright, Doctour of Phisicke, for such as either through want of leysure, or abilitie, have not the use of so necessary an history, Imprinted at London: By I. Windet, at the assignment of Master Tim. Bright, and are to be sold at Pauls wharf, at the signe of the Crosse-keyes 1589], black-letter text, lacking title, following 8 pages and final 8 pages also lacking, title supplied in manuscript facsimile in red and black ink with incorrect wording and imprint details, woodcut initials, 17th-century calf, worn with upper board detached, 8vo, together with three other antiquarian interest including Salmon (William). Polygraphice: or the Arts of Drawing, Engraving, Etching, Limning, Painting, Washing, Varnishing, Gilding, Colouring, Dying, Beautifying and Perfuming..., 5th edition, enlarged, London: Thomas Passinger and Thomas Sawbridge, 1685, lacking portrait frontispiece and additional engraved title, first word of letterpress title overwritten in ink, 19 engraved plates only of 25 (one torn with loss), contemporary calf, gilt decorated spine with red morocco title label, worn with boards detached and spine cracked, 8vo, and Recentiorum disceptationes de motu cordis, sanguinis, et chyli, in animalibus, Leiden: ex officina Joannis Maire, 1647, final two leaves provided in manuscript facsimile, later rear endpaper, contemporary calf, rebacked, some wear to spine and extremities, 4to, plus [Cousin, Jehan, illust.]. Figures des histoires de la Saincte Bible, accompagnees de briefs discourse, contenans la plus grande partie des histoires sacre?es du Vieil & Nouveau Testament, & des oeuvres admirables du Dieu viuant, createur de ciel & de la terre, & de Jesu-Christ son fils unique nostre sauueur & redemteur. Pour l'exercice ordinaire des ames deuotes & contemplatives. Le tout dedie? au Roy tres-chrestien, Paris: Guillaume le Be?, 1653, title in red and black, numerous woodcut illustrations, heavy worming to first and last few leaves, some damp-staining, dust-soiling and marks, margins frayed and sprung, contemporary vellum, old paper reback, worn, folioQTY: (4)NOTE:Foxe - STC 11229.
Los 210
* Cattle. Landseer (Thomas), Portrait of the Celebrated Short Horned Cow Bracelet. The Property of John Booth Esqre. Killerby Yorkshire, published by M. Bell, Richmond, Yorkshire, circa 1843, uncoloured mezzotint on India wove, slight marginal fraying and staining, 460 x 555 mm, together with Garrard (George). Seven Portraits of Cattle. A Devonshire Cow, A Devonshire Bull, Sussex Bull, An African Bull, A Bull, A Cow [and] A Bull, 1801, etchings with contemporary hand-colouring, slight marginal fraying, each approximately 330 x 480 mm, with Baudement (Emile). A collection of 18 lithographs, originally published in 'Les Races Bovines au Concours Universel...,' Paris, 1856 - 1864, uncoloured lithographs of cattle, titles in French, slight marginal staining, each approximately 265 x 350 mm, plus another thirty-seven engravings, etching and lithographs of cattle, including examples by or after Hills, Whessell, Vauthier, Masquelier, De Penne, Scott, McKenzie, Edwards, Morland and T. S. Cooper, various sizes and condition QTY: (63)
Los 549
Joseph Pennell (American, 1857-1926) Porch Gate, St Mary-the-Virgins, Oxford, etching on laid paper, signed, titled and dated 1884 in the plate, unframed, 36.8 x 26.7cm., together with a collection of sixteen unframed 19th century etchings by various artists of mostly architectural subjects, some signed in pencil, largest 36.8 x 26.7cm., and twenty-six hand coloured etchings and engravings, various artists and subjects. (43)
Los 877
Hedley Fitton (1857-1929), an etching Little Market Vicenza, signed. 41 x 29 cm, framed and mounted. CONDITION REPORT: The etching is in extremely good order. It is very well framed and flat with no ripples and no significant discolouration. The image is strong and not faded. The mount is in good order. The frame has some very minor nibbles to the extremities but basically the picture could be hung in its current condition with out the need for any work.
Los 68
A framed and glazed etching, 'Aging of Wine', signed Walter Dendy Sadler, 70cm (h) x 83cm (w) / All lots are located at Gower Reclamation, Unit 17b, Crofty Industrial Estate, Gower, Swansea, SA4 3RS. Regretfully Wellers are unable to offer any type of shipping, please see our important information for collections information.
Los 68
Clear glass beer mug featuring an etching of galleon and a banner marked: Salem, Ship Grand Turk, 1786. Compass embossed on the top of the pewter hinged lid. Alwe embossed on the bottom of the glass. Old Spice and W. Germany impressed on the side of the pewter shank. Dimensions: 5.25"L x 4"W x 7.25"HManufacturer: AlweCountry of Origin: GermanyCondition: Age related wear.
Los 173
After Thomas Daniell (1749-1840) Etching and aquatint "Western Entrance of Shere Shah's Fort, Delhi", published by Thomas and William Daniell, framed and glazed, plate size 18cm x 25cm, together with a Persian school gouache on paper depicting an Interior with figures and pair of lovers, framed and glazed, image size 23cm x 17cm, and a watercolour drawing of a Middle Eastern/Persian warrior on horseback, framed and glazed, image size 13.5cm x 21cm (3)
![Old Master Prints. Jan Galle (1600–1676) after Johannes Stradanus (1523-1605) - [Quail Hunt] Sic Autumnali cap](https://cdn.globalauctionplatform.com/f71f8b78-1b16-4661-a4f2-b1d3010e96f0/d07e2604-1435-4224-98b8-b1d3011b18c7/468x382.jpg)
Los 847
Old Master Prints. Jan Galle (1600–1676) after Johannes Stradanus (1523-1605) - [Quail Hunt] Sic Autumnali capitur peregrina Coturnix / Tempore, et excipulis effundit sibila linguis, numbered 78 within the plate, s.l., n.d. [Antwerp, c. 1578], engraving, trimmed to just outside of the platemark, 22 x 29.6cm; Adriaen van der Cabel (1631-1705) - Rugged Landscape, with figures and a herd of cattle, trees and a rocky outcrop, [published by] N. Robert, s.l., n.d., [Paris?, c. 1660-1700], etching, trimmed to just within the platemark and affecting some lettering, 16 x 24.5cm; Allaert van Everdingen (1621-1675) - Figure Crossing a Wooden Bridge, the rugged landscape with further figures, rocks and trees, monogrammed AVE within the plate, n.d. [c. mid-17th c], etching, 10.9 x 15cm; idem., Figures Approaching a Town, signed Everdingen within the plate, 10 x 14.5cm, (4) Quail Hunt trimmed to just outside of the platemark and retaining a margin; thinned lower-left re-cornered; signs of former hinge-mounting; slight repair at base of tree. The others in mixed, but OK-good condition; the framed print unexamined out of its frame.
Los 785
Edward Bouverie Hoyton RS, FRSA (1900–1988) - The Upper Teign, Dartmoor, signed and titled in pencil by the artist, etching with hand-colouring, 26 x 32cm Provenance: Purchased from the Lizard Art Club, [Cornwall], July 1974; inscribed label to verso. Good condition. Unexamined out of frame.
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78472 Los(e)/Seite