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Los 530

Arthur John Trevor Briscoe RE (1873-1943) "The Shadow of the Mainsail" Signed in pencil, black and white etching, together with a further signed black and white etching by George Soper "Landing Fish, St Ives", 16cm by 29.5cm and 18.5cm by 27cm respectively (2) a) The Shadow of the Mainsail: Undulations across image runing top to bottom. Yellow/brown timestaining around edges strongest where in contact wiht mount, slight darkening of paper throughout.b) Landing Fish, St Ives: Slighty bumpy/uneven picture plane. Slight darkening of paper with brown timestaining at the mount. A few minor foxing spots.

Los 534

Norman Wilkinson (1878-1971)"The Haunt of the Brown Trout, River Garry"Signed in pencil, etching, together with a further work by the same hand, "The Spanish Main", 19cm by 26.5cm and 31cm by 32cm respectively (2)

Los 562

William Strang RA, RPE (1859-1921) ScottishNymphs and Shepherds Signed, a black and white etching, 37.5cm by 44cm

Los 344

Seymour Haden, rural landscape, etching, dated 1871, framed

Los 348

Maarten Langbroek (1918-1985), Amsterdam canal, etching, unframed

Los 280

Two pieces: 1. William Barnes (British, 1916-c.1990) Wells Cathedral from Market Cross watercolour, signed lower right 11¾ x 17½ in (29.8 x 44.5 cm), painted frame (47.5 x 62 cm) 2. Edward Sharland (1884-1967) 'King's College Chapel, Cambridge' coloured etching, signed and inscribed, 16¾ x 9¼ in (42.5 x 23.5 cm), plain ebonised frame. 

Los 283

Jo Barry (British, b.1944) 'Where the Children Play' colour etching, signed and numbered 104/150 to lower margin 5¼ x 5 in (13.3 x 12.7 cm), brass frame (26 x 24.5 cm)

Los 5171

Ethel Miriam Found (British 1885-1971): 'Blue Tit', etching signed titled and dated '16 in pencil; James Arthur Found (British early 20th century): 'The Last Furrow', etching signed and titled in pencil, together with two further watercolours and an oil on board by the same hand (5)

Los 5070

After Edmund George Fuller (British 1858-1940): 'The Trials of a Tyro', set six golfing chromolithographs, framed as one in bespoke oak frame; Reginald Green etching, 19th century landscape watercolour, and a further print (4)

Los 6

Luke Sullivan (Irish, 1705-1711), Satire on False Perspective: Frontispiece to "Kirby's Perspective", after William Hogarth, etching and engraving, circa 1820,18x22cm, framed and glazed.

Los 2

Ignace Joseph de Claussin (1766-1844) after Rembrandt, a group of figures surround Solomon (?), etching on paper, dated 1799, 20x28.5cm, framed and glazed

Los 55

Follower of Edward Hopper (American,1882-1967), etching, bears signature 'E.Hopper' and pencil inscription "The Little Gardener by Edward Hopper" on backboard, 10x19cm, framed and glazed

Los 46

Pierre Boffin (German, 1907-1992), limited edition etching, numbered 1 /50 and signed in pencil, framed and glazed, 18x20cm. Plus three charcoal / graphite studies on paper, signed , unframed (4)

Los 280

Liliane Lijn (American b. 1939), Beta, sugarlift aquatint etching, signed and dated 1977 lower right, inscribed P/P for printers proof besides the edition of 25, published by Editions Alecto, plate 22x 22cm. Unframed. Condition Report: Good clean condition.

Los 216

Herbert Dicksee (1862-1942), Sleeping Lion cub, etching, signed, together with 'A Labour of love' after Archibald Thorburn, a modern oil beach scenr by Tony Black, a pastel of sheep resting and two others.(6) Framed and glazed.

Los 290

Richard Davison Winter (1890-1915), River Scene with boats and church, etching, signed in pencil lower right, 27 x 68cm.

Los 1442

Peter Ford, 'Wanderers', artists proof etching, pencil signed, 6 x 3.8cm; two Middle Eastern ewers. (3)

Los 1506

Graham Evenden 'Furnace Stream and Pond' Limited Edition Colour Etchings of 150, both signed 17.5 x 11.5cm. Peter Eastham 'Summer Breeze IV' etching signed. Lantern scene woodcut, one other print. (5).

Los 414

Attributed to Ludovico or Lodovico Carracci (Bologna, 1555-1619) - Study of Madonna with Child - A sepia etching or aquatint on paper of Madonna with child. Digned ' L. Carracci ' in pencil to bottom right. Label to back reading: Lod. Carracci delt. Mounted, unframed. The aquaforte measuring approx. 21.5cm x 15.5cm.

Los 294

After Michael Drayton (British, 1563-1631) - An etching on paper and hand coloured map of Glocestershyre (sic - Gloucestershire), from the poetic travelogue 'Poly-Olbion'. Mounted framed & glazed. Inscription to back of frame. Measures approx. 23cm x 32cm unframed.

Los 4076

John Bruce (British Contemporary): 'Woodland Path at Old Wives Lees', pastel signed, titled on label verso 37cm x 30cm; Della Chapman (British 1931 - 2022): 'Rosebay Willowherb II', artist's proof coloured etching with aquatint signed and titled in pencil 50cm x 38cm (2)

Los 4103

After William Hogarth (British 1697-1794): 'Hogarth Painting the Comic Muse', etching and engraving, Heath 1822 edition 40cm x 36cm (unframed)

Los 4101

Jean-François Millet (French 1814-1875): Shepherdess and Her Flock in the Shade of Trees, etching c.1854/55 signed in the plate 24cm x 18.5cmProvenance: private collection, purchased David Duggleby Ltd 18th June 2021 Lot 170

Los 4100

Edmund Blampied (British 1886-1966): 'Gathering Turnips', drypoint etching signed in pencil 12cm x 17cm

Los 3317

Bedeutender Bidenhänder der Trabantengarde des Salzburger Fürsterzbischofes Markus Sittikus, um 1612 Zweischneidige geflammte Klinge mit abgeflachtem Mittelgrat. Im oberen Drittel beidseitige Zierätzung mit dem persönlichen Wappen des Fürsterzbischofs, darüber ungedeutete Schmiedemarke. Lange Fehlschärfe mit originaler Belederung, die zwei seitlichen Parierhaken jeweils gemarkt mit "Z.H." (Zeughaus), dem königlich bayerischen Wappen und der Jahreszahl 1849. Original geschwärzte Parierstange mit beidseitig doppelten Parierringen und Fingerbügeln. Beidseitig fein gravierter Rankendekor. Gestufte lederbezogene Hilze mit eiserner Zierbenagelung und Resten von Fransenaufputz. Geschwärzter, doppelt konischer Knauf. Länge 177 cm.Markus Sittikus von Hohenems (1574 - 1619) war von 1612 bis 1619 Fürsterzbischof des Erzstifts Salzburg. Die zu seinem Amtsantritt für seine Garde geschaffenen Bidenhänder sind vom Typus sehr unterschiedlich, weisen aber alle die identische Wappenätzung auf. Es wird daher heute davon ausgegangen, dass es sich um ältere, bereits im Salzburger Inventar vorhandene Schwerter handelt, die 1612 der Trabantengarde zugewiesen wurden.Die Inventarstempel auf den Parierhaken stammen von der Inventarisierung der Bestände des Zeughauses der Stadt München im Jahr 1849. Salzburg war 1810-16 von bayerischen Trupen unter Napoleon besetzt. Zu dieser Zeit wurde ein großer Teil der dortigen Zeughausbestände nach München überführt, wo er bis heute aufbewahrt wird. A distinguished two-handed sword from the trabant guard of Prince-Archbishop Markus Sittikus, Salzburg, circa 1612 A distinguished two-handed sword from the trabant guard of Prince-Archbishop Markus Sittikus, Salzburg, circa 1612The double-edged blade of flattened hexagonal section, with undulating edges. Decorative etching with the Prince-Archbishop's personal coat of arms on both sides of the upper third, above which an unidentified smith's mark. The long ricasso with the original leather cover, the two lateral guards both stamped "Z.H." (Zeughaus or armoury), the Royal Bavarian coat of arms and the year 1849. Original blackened quillons with large, double guard rings and finger rests on both sides. Both sides embellished with finely etched tendrils. Stepped, leather-covered grip with ornamental iron studs and remnants of decorative fringe. Blackened, double tapered pommel. Length 177 cm.Markus Sittikus von Hohenems (1574 - 1619) was Prince-Archbishop of the Archbishopric of Salzburg from 1612 to 1619. The two-handed swords that were designed for his guard to mark his inauguration are very different types but all etched with the identical coat of arms. It is therefore believed today that they were older swords that were already part of the Salzburg inventory when they were assigned to his trabant guard in 1612.The inventory stamps on the guards can be traced to the holdings of the armoury of the city of Munich in 1849. Salzburg was occupied by Bavarian troops under Napoleon from 1810 to 1816. At this time, a large part of the local arsenal stock was transferred to Munich, where it remains to this day.Condition: II +

Los 1222

Leslie Moffat Ward - etching Bournemouth Pier with paddle steamer, with gallery label to verso, 20 x 27cm

Los 1953

†R.O. Lenkiewicz: an unframed signed limited edition monochrome etching entitled 'Self Portrait with Tree' - No. 32 of 75 - details attached

Los 174

* MARY ROSE O'NEILL, DUX limited edition coloured etching on paper, signed, titled, dated 1987 and numbered 16/30mounted, framed and under glassoverall size 77cm x 61cm

Los 483

CATHERINE GROSS, EVE coloured etching, signed and inscribed in pencilframed50cm x 60cm

Los 291

BRITISH SCHOOL, STREET SCENE coloured etching on paper, signed and titled indistinctlyframed and under glassoverall size 33cm x 43cm

Los 340A

KAROLY - ZOLD GYONGYI (ROMANIAN, CONTEMPORARY) - 'No:1 Intaglio 2006', etching with aquatint, bears Royal College of Art label verso, framed, 15cm x 10cm, frame size 30cm x 26cm also two others - a set of three (3)

Los 364

ISLWYN WATKINS (WELSH, 1938-2018) - 'Wisconsin Suite I', etching, signed in pencil and dated '66, artist's proof, framed, 24cm x 33cm, frame size 43cm x 55cm, also the companion 'Wisconsin Suite II' - a pair. (2) NB - This lot may be subject to Artist's Resale Right levy

Los 16

Luigi Kasimir (1881 – 1962), Minoritenkirche, Vienna. Etching on paper. Framed under glass. 70 x 45 cm.

Los 105

John Byrne (British, 1940-2023)'Beachboy with Cat & Fish' signed, editioned, and titled in pencil '23/30 Byrne' (lower edge)hand-coloured etchingplate 27.5 x 20cm (10 13/16 x 7 7/8in); sheet 52 x 40cm (20 1/2 x 15 3/4in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Los 1293

CHARLES FREDERICK TUNNICLIFFE (BRITISH, 1901-1979) (2)The New Rick signed and numbered in pencil 'C. F. Tunnicliffe 42/75' (in lower margin) etching 20 x 26cm together with another etching by the same hand, Carting Hay, signed and numbered in pencil 'C. F. Tunnicliffe 31/75' (in lower margin), 17.5 x 22.5cm (2) ARRCondition reportThe New Rick - The sheet is sound and the medium surface in good condition throughout.  Framed and under glass, unexamined out of frame.Carting Hay - The sheet is sound; a few scattered spots of foxing in the sky, otherwise sound.  Framed and under glass, unexamined out of frame.

Los 1493

JOCK MCFADYEN (BRITISH, B. 1950)Canary D'Wharf signed, titled and dated in pencil 'Jock McFadyen AP. '91' (in lower margin) etching with aquatint 38 x 31cm ARR Provenance Private collection, UK

Los 1492

WILL MACLEAN (BRITISH, B. 1941)Study for Bird Totem signed, dated, titled and inscribed in pencil 'Wmaclean 88 A/P To Sylvia with love from Will and Marian' (in lower margin) etching 17 x 15.5cm ARR Provenance Private collection, UK

Los 206

* Gabbuggiani (Balthasar). Bases antiqui operis è candido marmore elegantissimè scilptae quae in Basilicâ proecipuâ sive Aulâ Regiâ Domûs Tiberiance in Palatio..., 1724, uncoloured etching of an architectural capital, occasional marginal closed tears, old folds, but not affecting the printed image, 460 x 590 mmQTY: (1)

Los 238

* Van Heemskerck (Maarten). Seven allegorical engravings of Processions, from the series 'Circulus Vicissitudines rerum Humanorum' (The Vicissitudes of Human Life...,), Omnibus amissis post mille Pericula rebus..., Sustinet Impositum veluti virtute Camelus..., Invidia Bellimater occupant rhedam..., Auriga Mundi tempus..., Impia facta Fratrum macra Invidia..., David magnanimus fortem virtute Leonem..., [and] En pietate virum insignem virtute decorum Clemente Stephan?..., Coornhert, originally published in 1564 but these examples circa 1601, hand-coloured engravings with etching on laid after H. Cock, large margins, each approximately 210 x 255 mm, together with Halma (Francois). Naumachiae, Id Est Navalis Pugnae, Lucus Onuphrii Panvinii, Veronensis..., Rome 1699, uncoloured engraving, old folds, some water staining, 335 x 445 mmQTY: (8)NOTE:Maerten van Heemskerck or Marten Jacobsz Heemskerk van Veen was a Dutch portrait and religious painter, who spent most of his career in Haarlem. He was a pupil of Jan van Scorel and adopted his teacher's Italian-influenced style. He spent the years 1532–6 in Italy. He produced many designs which were subsequently engraved and is especially known for his depictions of the Wonders of the World. The second item depicts the re-enactment of a naval battle at the Colosseum, showing numerous ships and galleys engaged in mock combat. A 'Naumachiae' was a simulated naval engagement, often representing a classical Greek battle which inaugurated large festivals and tournaments at the Colosseum. This engraving was published in Francois Halma's De Aaloudheden van Rome. . ., an illustrated work on the ecclesiastical history of Rome. It was first published in 1699, but there is also a 1704 edition which has the page number 435 removed from the upper right corner.

Los 56

David Donald – Grand Canal, Venice, early 20th century etching on laid paper, signed in pencil, sheet size 43cm x 26.5cm, together with a collection 25 etchings, engravings and mezzotints including examples by William Douglas Macleod and Wilfred Huggins.

Los 29

Charles Maurice Detmold and Edward Julius Detmold – Peacocks, etching, signed by both artists in pencil, sheet size 10cm x 18.5cm, together with a wood engraving by Anne Jope.

Los 25

After Richard Newton – ‘A Battle out of the House; or the Best Way of Settling the Dispute’, 18th century etching with later hand-colouring on laid paper, 18.5cm x 23cm, within a silvered frame, together with two 19th century natural history prints.

Los 31

Sébastian Leclerc, after Charles Lebrun – ‘Défaite de l'armée espagnole près de Bruges sous la Condivite de Marsin, Parles Trouppes Du Roy Louis XIV en Lannée 1667’, etching with engraving, sheet size 41.5cm x 58cm, together with twenty-three 18th century engravings and two 19th century lithographs.

Los 96

Inge Clayton – ‘The Poet and the Actress’, 20th century mixed method etching, signed, dated ’92, titled and editioned 33/50 in pencil, 31cm x 30cm, within a silvered frame.

Los 58

Joseph Paul Busuttil – ‘Old Covent Garden’, 20th century etching with aquatint, signed, titled and editioned 34/35 in pencil, sheet size 57cm x 73cm, within a metal frame.

Los 26

Walter Sickert – ‘Sonia Alomis’, etching with drypoint, signed in pencil, circa 1922, 15cm x 11cm, within a painted wood frame.

Los 41

William Woollett – Shooting, a pair of 18th century engravings with etching, each 40cm x 55cm, both within gilt composition frames.

Los 28

Walter Sickert – ‘Sally’, etching on laid paper, published by Carfax & Co circa 1915, 17cm x 11cm, within a gilt frame, together with three related books.

Los 70

Fiona Pienkowska – ‘Forever blowing Bubbles’, 21st century etching with hand-colouring, signed, titled and editioned 2/10 in pencil, 32cm x 23.5cm, within an ebonized wood frame, together with three other contemporary etchings including examples by Steffan Gnosspelius and Lucy Willis.

Los 126

Boris O’Klein – ‘Chacun son Tour’, 20th century etching with aquatint and hand-colouring, signed and titled in pencil, 18cm x 45cm, within a stained wood frame, together with six similar humorous dog cartoon etchings by the same hand.

Los 21

Johann Theodor De Bry – ‘Regis & Reginae prodembulatio recreandi XXXIX animi gratia’ (Native American Chief Saturiwa), etching with engraving on laid paper, plate 39 from ‘Brevis Narratio eorum quae in florida Americae provi[n]cia Gallis acciderunt’, published circa 1591, sheet size 33cm x 24cm.

Los 85

Margaret Dorothy Barker – ‘Woman in Garden’, early 20th century lithograph, signed in pencil recto, Liss Fine Art gallery labels verso, 18.5cm x 17cm, within an ebonized wood frame, together with an etching by Robert Sargent Austin, ‘Woman Giving Alms’ and a lithograph by William Rothenstein, ‘’Rodin in his Studio’.

Los 65

Clementine Neild – ‘Ohayou’, 21st century etching with aquatint, signed, dated ’15, titled and editioned 4/30 in pencil, 20cm x 20cm, within an ebonized wood frame, together with two other etchings by Kay Watanabe and Tatsumasa Watanabe.

Los 88

Charles Samuel Keene – ‘Mrs Edwin Edwards’, 19th century etching, labels verso, 11.5cm x 10cm, within a stained wood frame, together with another etching by the same hand, ‘Interior of Birket Foster’s House’, and a wood engraving, ‘Woman with Fishing Basket’.

Los 66

Mark Ryan – ‘Resolve’, 21st century etching with aquatint, signed, titled and editioned 7/9 in pencil, 44.5cm x 32.5cm, within a cardboard mount, together with a screenprint by Patricia McIntyre, a linocut by Jessica Jane, an etching by Clare Grossman and three other contemporary prints.

Los 52

Charles Mottram, after Henry Courtney Selous – ‘Jerusalem in Her Fall’, etching with engraving, published by George Lord Beeforth, Scarborough, and Hayward & Leggatt, London, 1860, 80.5cm x 110.5cm, within an ebonized frame.

Los 78

Victoria Arney – ‘Sea with a Ruler III’, etching with aquatint and hand-colouring, signed, titled and editioned 5/10 in pencil, 27cm x 26cm, within a painted wood frame, together with an etching by Helen O’Sullivan, ‘Four Greens’.

Los 27

Walter Sickert – ‘Mother and Daughter, etching in red ink on laid paper, third state published by Carfax & Co circa 1915, 17cm x 9.5cm, within a painted wood frame.

Los 19

French School – Erotic Boudoir Scene, late 18th/early 19th century stipple engraving with hand-colouring, 12.5cm x 15cm, within a gilt frame, together with a late 19th/early 20th century hand-coloured etching of similar interest.

Los 145

Sue Whitmore – ‘Apple Woman’, 21st century etching, signed, titled and editioned ‘A/P’ in pencil recto, label verso, 12.5cm x 12.5cm, within a painted wood frame, together with eleven other etchings by Mike Middleton, Michelle Elwell, Nicholas Ward, Peter Ford, Jill Vigus, Heather Power, Ann Gordon, Carol Edgar and Lorena Herrero.

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