Joseph Constantine Stadler (act.1780-1819) after Joseph Farington (1747-1821)Richmond; From Richmond Hill up the River; From Richmond Hill down the River; View of Richmond Hill from Twickenham; The Late Mr Garrick's VillaFive, each etching and aquatint with hand-colouringLargest 30.1 x 43cm; 11¾ x 17in; Smallest 30.2 x 39.4cm; 12 x 15½in (sheet)Unframed (5)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
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After Anthony Vandyke Copley Fielding (1787-1855)View from Richmond HillAquatint with hand colouring36.9 x 47.9cm; 14½ x 18¾in (sheet)UnframedTogether with Charles Heath (1785-1848) after Thomas Hofland (1777-1843); A View from Richmond Hill; Etching; 42.7 x 59.7cm; 16¾ x 23½in; Unframed; and Robert Havell Snr (1769-1832) after William Havell (1782-1857); A View from Richmond Hill; Coloured aquatint with hand colouring; 33 x 45.5cm; 13 x 18in; Unframed (3)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
A Collection of 18th, 19th and 20th Century Prints Depicting RichmondIncluding William Elliot (1727–1766) after Samuel Wale (c.1721-1786); Sion House, view'd from Richmond Gardens; Etching and engraving; 12.2 x 20cm; 4¾ x 7¾in (sheet); Unframed; Andrew Watson Turnbull (1874-1957); The Tow Path; Etching; 29.4 x 46.6cm; 11½ x 18¼in; Unframed; and twenty-six further unframed prints (28)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s
Henry Moore OM CH FBA, British 1898-1986, Dromedary, 1981; etching on Arches paper, signed in the plate, signed and numbered 'PL. II' and ‘23/65' in pencil, printed by James Collyer and John Crossley, published by Raymond Spencer Company for The Henry Moore Foundation, Much Hadham, image: 21.1 × 27.6 cm, (framed) (ARR) Note: part of 'Animals in the Zoo', 1981-2, pub. 1983, an album of fifteen etchings, of various sizes, on Arches paper.
Henry Moore OM CH FBA,British 1898-1986,Sculptural Ideas 5, 1980;etching with aquatint in colours on wove,signed and numbered 30/50 in pencil,printed by Vigna Antonia Stamperia D'Arte 2RC, Rome, with blindstamps to lower left,published by Raymond Spencer Company, Ltd., for The Henry Moore Foundation, Much Hadham,sheet: 42 x 58 cm,(unframed)(ARR)
Bob Dylan, American b. 1941-The Asia Series, 2021 (Portfolio - Hunan Province; Opium; Shanghai; The Bridge);each giclée print in colours on 350gsm Hahnemühle Museum Etching wove, each signed and numbered 69/295 in pencil, each printed by GTZ Fine Art Editions, New York, each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 76.2 x 67.2 cm, (framed) Note: together with COA issued by Washington Green Fine Art.
Bob Dylan,American b. 1941-Train Tracks (Portfolio - Set of 4), 2018;each giclée print in colours on 350gsm Hahnemühle Museum Etching wove,each signed and numbered 226/295 in pencil,each printed by GTZ Fine Art Editions, New York,each published by Washington Green Fine Art in association with Black Buffalo Artworks,each sheet: 70 x 56 cm,(unframed)Note: each together with COA issued by Washington Green Fine Art.
Bob Dylan, American b. 1941-Vista From Balcony, 2012; giclée print in colours on 350gsm Hahnemühle Museum Etching wove, signed and numbered 152/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, (framed) Note: together with COA issued by Washington Green Fine Art.
Bob Dylan,American b.1941-The Brazil Series (Portfolio Set of 3), 2015; each giclée in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 282/295 in pencil, each printed by GTZ Fine Art Editions, New York,each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 65.4 x 76.2 cm, (unframed)(3)Note: each together with COA issued by Washington Green Fine Art.
Bob Dylan, American b.1941-The Drawn Blank Series (House on Union Street; Sunflowers; Sunday Afternoon; Truck Stop; Man on a Bridge; Bicycle; Vista From Balcony; Dad's Restaurant), 2012; each giclée in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 37/295 in pencil, each printed by GTZ Fine Art Editions, New York, each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, (unframed) (8) Note: each together with COA issued by Washington Green Fine Art. Complete boxed set in presentation wallets.
Bob Dylan, American b.1941- Woman In Red Lion Pub, 2008 (portfolio);set of four giclée prints in colours on 350gsm Hahnemühle Museum Etching wove, each signed and numbered 181/295 in pencil, each printed by GTZ Fine Art Editions, New York, each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, (framed) (4)Note: together with COA issued by Washington Green Fine Art.
Sir Howard Hodgkin CH CBE, British 1932-2017, Green Room, 1986;lift-ground etching and aquatint from two copper plates printed in green and red, with hand colouring in veronese green and green egg tempera on BFK Rives wove paper (240 gsm), signed with initials, dated and numbered 39/100 in pencil, printed and hand coloured by Jack Shirreff at the 107 Workshop, Wiltshire, published by Bernard Jacobson Ltd, London, sheet: 50.5 x 61 cm, (framed) (ARR)Provenance: Saatchi & Saatchi London
Salvador Dali, Spanish 1904-1989, Lady sitting, from Les amours de Cassandre, 1968; etching on Japan paper with hand coloured highlights in pen, signed in pencil and numbered 68/95, image: 11 x 15 cm, (framed) (ARR) Note: Under no.s 248-265 (g) Dali, the catalogue raisonne of etchings and mixed media prints by Michler and Lopsinger, 1994.
Graham Sutherland OM, British 1903-1980, 15. Ibis (from Apollinaire. Le Bestiaire ou Cortège d'Orphée), 1978-9; etching and aquatint on wove, signed and numbered 72/75 in pencil, printed by Eleonora and Valter Rossi at 2RC Editrice, Rome, co-published by Marlborough Fine Art and 2RC Editrice, Milan, image: 37.8 × 63.8 cm, (framed)(ARR)
British School, 18th century'Major Charles Stuart'engraving after a painting by George Romney47 x 35cm,together with another portrait etching of William, Earl of Mansfield, another engraving of a gentleman, and a pair of engravings of ladies (5)The Estate of the Late Malcolm Frazer.Condition ReportAll framed and glazed. Discolouration, creases and small tears throughout commensurate with age.
Frederick Landseer Griggs RA RE FSA (1876-1938)'Laneham'etching, dated 1923 and signed in pencil l.r.13 x 12cm,together with two other etchings and an engraving by Griggs (4)The Accumulations of a Cotswold Antiques Dealer: The David Pickup Edit.Condition ReportLargest (unframed) - 28 x 23cm.
Vincent Guiro (French, b. 1935). Green & Grey Composition, épreuve d'artiste, signed l.r., inscribed with dedication to Walter Strachan, etching, 237mm by 510mm (plate-mark), 64.5cm by 37.5cm (sheet), framed & glazed with label verso for The Heffner Gallery, Cambridge Provenance: By descent of Walter J. Strachan (1903-1994), poet, translator and champion of the arts. Strachan taught at Bishop's Stortford College and was the author of numerous works, including A Relationship with Henry Moore 1942-1976 [Elliott Group, 1988]; Towards Sculpture: Drawings and Maquettes from Rodin to Oldenburg [Thames & Hudson, 1976]; Apollinaire to Aragon: Thirty Modern French Poets [Methuen, 1948]. Much of his personal collection went to the Tate, the V&A and the Taylor Institution, as well as forming the basis of The Walter Strachan Collection, University of Manchester Library
Richard Bawden (British, b. 1936). Small Dried Plants, signed l.r., aquatint etching, numbered 57/85, 16.5cm by 14cm (plate-mark), framed & glazed Provenance: By descent of Walter J. Strachan (1903-1994), poet, translator and champion of the arts. Strachan taught at Bishop's Stortford College and was the author of numerous works, including A Relationship with Henry Moore 1942-1976 [Elliott Group, 1988]; Towards Sculpture: Drawings and Maquettes from Rodin to Oldenburg [Thames & Hudson, 1976]; Apollinaire to Aragon: Thirty Modern French Poets [Methuen, 1948]. Much of his personal collection went to the Tate, the V&A and the Taylor Institution, as well as forming the basis of The Walter Strachan Collection, University of Manchester Library
Hans Hartung (German-French, 1904-1989). Gravure 3, abstract composition, signed l.r., etching, [1953], 98mm by 282mm, framed & glazed Provenance: By descent of Walter J. Strachan (1903-1994), poet, translator and champion of the arts. Strachan taught at Bishop's Stortford College and was the author of numerous works, including A Relationship with Henry Moore 1942-1976 [Elliott Group, 1988]; Towards Sculpture: Drawings and Maquettes from Rodin to Oldenburg [Thames & Hudson, 1976]; Apollinaire to Aragon: Thirty Modern French Poets [Methuen, 1948]. Much of his personal collection went to the Tate, the V&A and the Taylor Institution, as well as forming the basis of The Walter Strachan Collection, University of Manchester Library
Hanns Lautensack [by or after]. Landscape with Wooden Bridge to a City, dated 1553 on the plate, etching, 12cm by 17cm, framed & glazed, appears to be on Japan rather than laid paper but unexamined out of frame. The initials in the monogram could suggest Hans Sebald Beham (1500-1550), but this same composition with monogram is in the collections of The British Museum [1856,0209.173], where it is attributed to Lautensack
Twenty Artworks (mostly prints) to include: Mike Poge - Pastel study on a cat, signed, 34 x 47 cm; 19th century pencil study of a milkman sitting on his cart, 15 x 20 cm, unsigned,; W. Burnett Japp - 'St Peter's Hospital', limited edition etching 46/75; Two tapestries of women in the garden; Two 20th century tapestries of apples and plants; Fiona Owen - limited edition print, signed and numbered 56/750 in pencil below; Anne Cotterill - three limited edition prints, signed and numbered in pencil below, 27 x 22 cm each; three prints after Alejandro Rangel Hidalgo; After Sue Wales - print of bouquet of flowers in vase, frame: 70 x 61 cm; and five others (20)
Four works by different artists: British School, Early 20th Century - Farmer on a Hay Cart, watercolour, signed J.A.S. and dated 1911 lower left, 24 x 34 cm; c.1780 hand coloured engraving showing 'View of Gravesend in Kent' and 'View of Woolwich in Kent', published by Alexander Hogg, 24 x 34.5 cm; Walsh - figurative pastel and ink study, signed lower right, 60 x 32.5 cm; 'Plonlein, Rothenburg', hand coloured etching, indistinctly signed in pencil below, 31 x 34 cm; all framed and glazed (4)
Eight Contemporary Framed Artworks by Different Artists to Include: Jane Maurice - mixed media on paper, signed below; Gradwell - artist's proof etching; Bettina Mack - 'Breeze I', hand-coloured drypoint etching; Cath Bloomfield - mixed media collage on card; two other unsigned mixed media works, print on silk and one other print indistinctly signed, largest frame: 40.6 x 38.6 cm (8)
Three prints to include: Claude Allin Shepperson (1867-1921) Two World War I themed lithographs: Casualty Clearing Station in France, blindstamped, unsigned, together with one other depicting death on horseback on the battlefield, signed and dated 1916 in pencil below, 44 x 55 cm; Marcel Schmitte - 'Ypress Before the Great War, 1914-1918', limited edition etching 28/150, signed, titled and dated 1929 in pencil below, 32.5 x 50.5 cm, all framed and glazed (3)
A collection of pictures to include watercolours, prints and a reverse glass painting, consisting of: Freda Marston, dry point etching; B Robertson, landscape with a farm below mountains, signed ‘B Robertson’ lower right; various prints after old masters; and a monochrome by Niall Denny, signed and dated lower rightQty: qty

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78475 Los(e)/Seite