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Los 224

Joseph Constantine Stadler (act.1780-1819) after Joseph Farington (1747-1821)Richmond; From Richmond Hill up the River; From Richmond Hill down the River; View of Richmond Hill from Twickenham; The Late Mr Garrick's VillaFive, each etching and aquatint with hand-colouringLargest 30.1 x 43cm; 11¾ x 17in; Smallest 30.2 x 39.4cm; 12 x 15½in (sheet)Unframed (5)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s

Los 229

After Anthony Vandyke Copley Fielding (1787-1855)View from Richmond HillAquatint with hand colouring36.9 x 47.9cm; 14½ x 18¾in (sheet)UnframedTogether with Charles Heath (1785-1848) after Thomas Hofland (1777-1843); A View from Richmond Hill; Etching; 42.7 x 59.7cm; 16¾ x 23½in; Unframed; and Robert Havell Snr (1769-1832) after William Havell (1782-1857); A View from Richmond Hill; Coloured aquatint with hand colouring; 33 x 45.5cm; 13 x 18in; Unframed (3)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s

Los 230

A Collection of 18th, 19th and 20th Century Prints Depicting RichmondIncluding William Elliot (1727–1766) after Samuel Wale (c.1721-1786); Sion House, view'd from Richmond Gardens; Etching and engraving; 12.2 x 20cm; 4¾ x 7¾in (sheet); Unframed; Andrew Watson Turnbull (1874-1957); The Tow Path; Etching; 29.4 x 46.6cm; 11½ x 18¼in; Unframed; and twenty-six further unframed prints (28)Provenance:Property of a former museum keeper, collected between the 1930s and 1970s

Los 236

Paul Renouard (French 1845-1921)Batterie de l'OrchestraSigned and indistinctly inscribed Batterie de l'orchestra/P. Renouard (in pencil to margin)Etching42.1 x 31.5cm; 16½ x 12½in (sheet)UnframedProvenance:Property of a former museum keeper, collected between the 1930s and 1970s

Los 487

*George Soper (British 1870-1942), a shire horse, dry point etching, signed bottom right, gallery label to verso, framed, glazed and mounted, frame size 36.5cm x 31cm *ARR may apply to this lot

Los 562

Sidney Mackenzie Litten (British), The Flowered Balcony, etching, signed lower right and to the verso, framed, glazed and mounted, frame size 43.5cm x 50.5cm

Los 563

Andrew F. Affleck (British 20th century), A Venice Scene, etching, signed lower right in pencil, framed, glazed and mounted, frame size 44.5cm x 53cm

Los 433

An etching of Venice signed by the artist Cyril Anning. 21.5cm x 16cm, framed and glazed Condition Report: Meaurement including frame: 39.5cm x 33.5cm

Los 412

Oak framed prints 'Puss in Boots' by E.G. Grideout, 'Outward Bound' E.J Poynter, 'A Flood' J.E. Millias and pencil signed W Dendy Sadler and James Dobie etching  

Los 359

After Landseer, The Dog and The Shadow, print, 19x23cm;Enid Tyndale, Entrance to Abbey Churchyard, Bath, etching, 18.5x16cm;Sharland, Temple Gate, Bristol, signed etching, 18.5x27cm; and another 'Redcliffe Gate', unsigned.Qty: 4

Los 595

EUGENE BEJOT (1867-1931), PARIS 1910 a river scene, signed, etching, wood frame

Los 619

RICHARD HANCOCK, PATTERNS OF TWILIGHT signed, etching, ebonised frame

Los 101

Henry Moore OM CH FBA, British 1898-1986, Dromedary, 1981;  etching on Arches paper, signed in the plate, signed and numbered 'PL. II' and ‘23/65' in pencil,  printed by James Collyer and John Crossley, published by Raymond Spencer Company for The Henry Moore Foundation, Much Hadham, image: 21.1 × 27.6 cm, (framed) (ARR) Note: part of 'Animals in the Zoo', 1981-2, pub. 1983, an album of fifteen etchings, of various sizes, on Arches paper.

Los 104

Henry Moore OM CH FBA,British 1898-1986,Sculptural Ideas 5, 1980;etching with aquatint in colours on wove,signed and numbered 30/50 in pencil,printed by Vigna Antonia Stamperia D'Arte 2RC, Rome, with blindstamps to lower left,published by Raymond Spencer Company, Ltd., for The Henry Moore Foundation, Much Hadham,sheet: 42 x 58 cm,(unframed)(ARR)

Los 13

Marc Chagall, French/Russian 1887-1985, Eiffel Tower (from VVV Portfolio), 1942;etching on wove, signed in pencil, published by VVV, New York, 1943, sheet: 45.4 x 35.2 cm, (framed)(ARR) 

Los 193

Bob Dylan, American b. 1941-The Asia Series, 2021 (Portfolio - Hunan Province; Opium; Shanghai; The Bridge);each giclée print in colours on 350gsm Hahnemühle Museum Etching wove, each signed and numbered 69/295 in pencil, each printed by GTZ Fine Art Editions, New York, each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 76.2 x 67.2 cm, (framed) Note: together with COA issued by Washington Green Fine Art. 

Los 194

Bob Dylan,American b. 1941-Train Tracks (Portfolio - Set of 4), 2018;each giclée print in colours on 350gsm Hahnemühle Museum Etching wove,each signed and numbered 226/295 in pencil,each printed by GTZ Fine Art Editions, New York,each published by Washington Green Fine Art in association with Black Buffalo Artworks,each sheet: 70 x 56 cm,(unframed)Note: each together with COA issued by Washington Green Fine Art. 

Los 196

Bob Dylan, American b. 1941-Vista From Balcony, 2012; giclée print in colours on 350gsm Hahnemühle Museum Etching wove, signed and numbered 152/295 in pencil, printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks, sheet: 70 x 56 cm, (framed) Note: together with COA issued by Washington Green Fine Art.

Los 199

Bob Dylan,American b.1941-The Brazil Series (Portfolio Set of 3), 2015; each giclée in colours on Hahnemühle 350gsm Museum Etching wove, each signed and numbered 282/295 in pencil, each printed by GTZ Fine Art Editions, New York,each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 65.4 x 76.2 cm, (unframed)(3)Note: each together with COA issued by Washington Green Fine Art. 

Los 200

Bob Dylan, American b.1941-The Drawn Blank Series (House on Union Street; Sunflowers; Sunday Afternoon; Truck Stop; Man on a Bridge; Bicycle; Vista From Balcony; Dad's Restaurant), 2012; each giclée in colours on Hahnemühle 350gsm Museum Etching wove,  each signed and numbered 37/295 in pencil,  each printed by GTZ Fine Art Editions, New York, each published by Washington Green Fine Art in association with Black Buffalo Artworks,  each sheet: 70 x 56 cm,  (unframed) (8)  Note: each together with COA issued by Washington Green Fine Art.  Complete boxed set in presentation wallets.

Los 201

Bob Dylan, American b.1941- Woman In Red Lion Pub, 2008 (portfolio);set of four giclée prints in colours on 350gsm Hahnemühle Museum Etching wove, each signed and numbered 181/295 in pencil, each printed by GTZ Fine Art Editions, New York, each published by Washington Green Fine Art in association with Black Buffalo Artworks, each sheet: 70 x 56 cm, (framed) (4)Note: together with COA issued by Washington Green Fine Art. 

Los 234

Sir Howard Hodgkin CH CBE, British 1932-2017, Green Room, 1986;lift-ground etching and aquatint from two copper plates printed in green and red, with hand colouring in veronese green and green egg tempera on BFK Rives wove paper (240 gsm), signed with initials, dated and numbered 39/100 in pencil, printed and hand coloured by Jack Shirreff at the 107 Workshop, Wiltshire, published by Bernard Jacobson Ltd, London, sheet: 50.5 x 61 cm, (framed) (ARR)Provenance: Saatchi & Saatchi London

Los 25

Salvador Dali, Spanish 1904-1989, Lady sitting, from Les amours de Cassandre, 1968; etching on Japan paper with hand coloured highlights in pen, signed in pencil and numbered 68/95, image: 11 x 15 cm, (framed) (ARR) Note: Under no.s 248-265 (g) Dali, the catalogue raisonne of etchings and mixed media prints by Michler and Lopsinger, 1994.

Los 264

Alexander MacKenzie,British 1923-2002,Scrimshaw (Mary Rose), 2002; etching and aquatint on wove,signed, dated and numbered 16/20 in pencil, printed by Hugh Stoneman, sheet: 38 x 56.1 cm, (framed)(ARR)

Los 300

Graham Sutherland OM, British 1903-1980, 15. Ibis (from Apollinaire. Le Bestiaire ou Cortège d'Orphée), 1978-9; etching and aquatint on wove, signed and numbered 72/75 in pencil, printed by Eleonora and Valter Rossi at 2RC Editrice, Rome, co-published by Marlborough Fine Art and 2RC Editrice, Milan, image: 37.8 × 63.8 cm, (framed)(ARR)

Los 309

Peter Howson OBE, Scottish b.1958-Johnie (from the series Saracen Heads), 1987; etching on wove, signed, dated and numbered 5/30 in pencil,  plate: 33 x 24.8 cm,  (framed) (ARR)

Los 384

Stephen Buckley, British b.1944-Crazy Paving, 1991;  etching with aquatint in colours on wove,  signed, dated and numbered 33/50 in pencil,  sheet: 57 x 76 cm,  (unframed) (ARR)

Los 39

Max Beckmann, German 1884-1950, Selbstbildnis, 1918; drypoint etching on Japan paper, signed in pencil, published by Marées Gesellschaft, R. Piper & Co., Munich, plate: 28 x 25.8 cm, (framed) (ARR)

Los 55

Antoni Tàpies,Spanish 1923-2012, Claus i ditades, 1971;etching with carborundum in colours and embossing on wove, signed and numbered 16/75 in pencil, printed and published by Polígrafa, Barcelona, sheet: 58 x 77.6 cm,(unframed)(ARR)

Los 59

Frank Auerbach, German/British b.1931- Head of R.B Kitaj (Marlborough 10) 1980; etching on Arches wove, signed, inscribed, dated and numbered 35/50 in pencil, image: 14.8 x 13.5 cm, (framed) (ARR) Provenance: The Gallery at John Jones framing. 

Los 60

Frank Auerbach, German/British b.1931- Leon Kossoff [Marlborough 11], 1980; etching on Arches wove, signed, dated, titled and numbered 28/50 in pencil, printed by Palm Tree Studios, with their blind stamp, published by Bernard Jacobson, London, plate: 15.1 x 13.5 cm, (unframed) (ARR)

Los 9

James Abbott McNeill Whistler RBA, American 1834-1903, La Vieille aux loques (from Twelve Etchings from Nature), 1858; etching and drypoint on paper,  signed in the plate,  plate: 20.6 × 14.8 cm,  (framed)

Los 84

Eileen Soper (British, 1905-1990) cricketer in the dunes, 1920s, etching, signed in pencil lower margin, mounted, glazed and framed, 37 x 40cm., glass broken in frame

Los 42

British School, 18th century'Major Charles Stuart'engraving after a painting by George Romney47 x 35cm,together with another portrait etching of William, Earl of Mansfield, another engraving of a gentleman, and a pair of engravings of ladies (5)The Estate of the Late Malcolm Frazer.Condition ReportAll framed and glazed. Discolouration, creases and small tears throughout commensurate with age.

Los 61

After Basilius Besler'Cistusflore albo'a hand-coloured etching from 'Hortus Eystettensis'49 x 40cm, framed and glazedThe Estate of the Late Malcolm Frazer.

Los 407

Frederick Landseer Griggs RA RE FSA (1876-1938)'Laneham'etching, dated 1923 and signed in pencil l.r.13 x 12cm,together with two other etchings and an engraving by Griggs (4)The Accumulations of a Cotswold Antiques Dealer: The David Pickup Edit.Condition ReportLargest (unframed) - 28 x 23cm.

Los 16

British School, 18th century'The arms, crests and quarterings of Elizabeth, Countess of Northumberland',hand-coloured etching,45 x 52cm, framed and glazedThe Estate of the Late Malcolm Frazer.

Los 1023

Edward Bouverie Hoyton, coloured etching ' Mousehole ', signed and inscribed to the margin, 29 x 44.5cm, gilt framed

Los 1026

Graham Clarke, signed Limited Edition coloured etching, ' The Varmintry ' No. 241 of 400, 34 x 53cm together with another, ' Winter Fuel ' No. 237 of 400, 13.5 x 17cm, both framedBoth in good overall condition

Los 1041

John Howard, artist signed Limited Edition drypoint etching, ' The Foundry ', 56 x 44cm, framed

Los 1106

George Belcher, signed charcoal drawing, study of a gentleman together with a George Belcher signed etching of a seated gentleman, 28cm x 16cm

Los 1124

Charles Bartlett, signed coloured etching, abstract study entitled 'Harbour Entrance', number 9 of an edition of 45, 53cm x 58cm

Los 1130

Edward Hill Lacey, signed etching, 'The Barrow Woman', 27cm x 17cm

Los 1184

Raoul Dufy, etching ' Baigneuse ', inscribed verso ' Postumus Impression ', signed within the plate, 19.5 x 29cm, gilt framed

Los 1242

William Tatton Winter, signed etching, St. Margaret Street, Canterbury, with blind stamps, 36 x 25cm

Los 1245

William Tatton Winter, signed etching of Stonehenge, unframed, 27 x 36cm

Los 1246

William Tatton Winter, signed etching, sheep in a landscape, 30 x 37cm, framed, together with another

Los 103

Vincent Guiro (French, b. 1935). Green & Grey Composition, épreuve d'artiste, signed l.r., inscribed with dedication to Walter Strachan, etching, 237mm by 510mm (plate-mark), 64.5cm by 37.5cm (sheet), framed & glazed with label verso for The Heffner Gallery, Cambridge Provenance: By descent of Walter J. Strachan (1903-1994), poet, translator and champion of the arts. Strachan taught at Bishop's Stortford College and was the author of numerous works, including A Relationship with Henry Moore 1942-1976 [Elliott Group, 1988]; Towards Sculpture: Drawings and Maquettes from Rodin to Oldenburg [Thames & Hudson, 1976]; Apollinaire to Aragon: Thirty Modern French Poets [Methuen, 1948]. Much of his personal collection went to the Tate, the V&A and the Taylor Institution, as well as forming the basis of The Walter Strachan Collection, University of Manchester Library

Los 105

Richard Bawden (British, b. 1936). Small Dried Plants, signed l.r., aquatint etching, numbered 57/85, 16.5cm by 14cm (plate-mark), framed & glazed Provenance: By descent of Walter J. Strachan (1903-1994), poet, translator and champion of the arts. Strachan taught at Bishop's Stortford College and was the author of numerous works, including A Relationship with Henry Moore 1942-1976 [Elliott Group, 1988]; Towards Sculpture: Drawings and Maquettes from Rodin to Oldenburg [Thames & Hudson, 1976]; Apollinaire to Aragon: Thirty Modern French Poets [Methuen, 1948]. Much of his personal collection went to the Tate, the V&A and the Taylor Institution, as well as forming the basis of The Walter Strachan Collection, University of Manchester Library

Los 111

Hans Hartung (German-French, 1904-1989). Gravure 3, abstract composition, signed l.r., etching, [1953], 98mm by 282mm, framed & glazed Provenance: By descent of Walter J. Strachan (1903-1994), poet, translator and champion of the arts. Strachan taught at Bishop's Stortford College and was the author of numerous works, including A Relationship with Henry Moore 1942-1976 [Elliott Group, 1988]; Towards Sculpture: Drawings and Maquettes from Rodin to Oldenburg [Thames & Hudson, 1976]; Apollinaire to Aragon: Thirty Modern French Poets [Methuen, 1948]. Much of his personal collection went to the Tate, the V&A and the Taylor Institution, as well as forming the basis of The Walter Strachan Collection, University of Manchester Library

Los 116

Julian Williams (Contemporary). Antelope, signed l.l., limited edition numbered 8/100, etching, 46.5cm by 27.5cm, framed & glazed

Los 118

Hanns Lautensack [by or after]. Landscape with Wooden Bridge to a City, dated 1553 on the plate, etching, 12cm by 17cm, framed & glazed, appears to be on Japan rather than laid paper but unexamined out of frame. The initials in the monogram could suggest Hans Sebald Beham (1500-1550), but this same composition with monogram is in the collections of The British Museum [1856,0209.173], where it is attributed to Lautensack

Los 52

Twenty Artworks (mostly prints) to include: Mike Poge - Pastel study on a cat, signed, 34 x 47 cm; 19th century pencil study of a milkman sitting on his cart, 15 x 20 cm, unsigned,; W. Burnett Japp - 'St Peter's Hospital', limited edition etching 46/75; Two tapestries of women in the garden; Two 20th century tapestries of apples and plants; Fiona Owen - limited edition print, signed and numbered 56/750 in pencil below; Anne Cotterill - three limited edition prints, signed and numbered in pencil below, 27 x 22 cm each; three prints after Alejandro Rangel Hidalgo; After Sue Wales - print of bouquet of flowers in vase, frame: 70 x 61 cm; and five others (20)

Los 54

Emile Frederic Nicolle (1830-1894) - Late 19th century etching on paper, signed and dated 1877 with blindstamp below, 12 x 8 cm, mounted, framed and glazed

Los 83

Four works by different artists: British School, Early 20th Century - Farmer on a Hay Cart, watercolour, signed J.A.S. and dated 1911 lower left, 24 x 34 cm; c.1780 hand coloured engraving showing 'View of Gravesend in Kent' and 'View of Woolwich in Kent', published by Alexander Hogg, 24 x 34.5 cm; Walsh - figurative pastel and ink study, signed lower right, 60 x 32.5 cm; 'Plonlein, Rothenburg', hand coloured etching, indistinctly signed in pencil below, 31 x 34 cm; all framed and glazed (4)

Los 1711

A hanging cloche lantern with grape and vine etching, with a smoke cover, 40cm high

Los 23

Eight Contemporary Framed Artworks by Different Artists to Include: Jane Maurice - mixed media on paper, signed below; Gradwell - artist's proof etching; Bettina Mack - 'Breeze I', hand-coloured drypoint etching; Cath Bloomfield - mixed media collage on card; two other unsigned mixed media works, print on silk and one other print indistinctly signed, largest frame: 40.6 x 38.6 cm (8)

Los 110

Three prints to include: Claude Allin Shepperson (1867-1921) Two World War I themed lithographs: Casualty Clearing Station in France, blindstamped, unsigned, together with one other depicting death on horseback on the battlefield, signed and dated 1916 in pencil below, 44 x 55 cm; Marcel Schmitte - 'Ypress Before the Great War, 1914-1918', limited edition etching 28/150, signed, titled and dated 1929 in pencil below, 32.5 x 50.5 cm, all framed and glazed (3)

Los 223

After Holloway, monochrome etching The Victory at Rest together with a further study on canvas (2)

Los 92

A collection of pictures to include watercolours, prints and a reverse glass painting, consisting of: Freda Marston, dry point etching; B Robertson, landscape with a farm below mountains, signed ‘B Robertson’ lower right; various prints after old masters; and a monochrome by Niall Denny, signed and dated lower rightQty: qty

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