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78472 Los(e)/Seite
M. Shields : Sea Song, lithograph in colours, numbered 5/30, signed in pencil, 32 cm x 44 cm, together with a multiple of the same print and numbered 10/30, two signed screenprints by Marie Wright, two signed screenprints by Mark Wilson, two signed etchings by Paul Rogers, an indistinctly signed etching and aquatint titled "The Pianomovers thank The Angel", a signed lithograph by Alan Stones and an unsigned screenprint by Shirley Neil, all parts unframed. (11)
Peter Winslow Milton (Pennsylvania, New Hampshire, born 1930) Numbered (18-50) lower left. Etching Titled "Julie at Window" lower middle. Signed and dated ('65) lower right. Ferdinand Roten Galleries (Baltimore, Maryland) label verso. Image Size 11.5 x 17.5 in. Overall Size: 21.5 x 27.5 in. Milton is considered "The Print-makers' Print-maker". One of the best graphic artists' in the United States, this is one of his earlier works.
Pierre Bonnard (French, 1867-1947) Drypoint Etching in surrealistic style. Ca 1930. Created for the printed version of the play "Simili". On "la Fuma" wove paper. Reference: "Bonnard, the Complete Graphics Work, by Francis Bouvet" pages 283-286. Numbered (22/50) and signed in pencil lower left. Sight Size: 5.25 x 3.25 in.
Louis Icart (New York / France, 1888 - 1950) Colored etching of a reclining nude female holding a tangerine with a serpent wrapped around her left arm. Pencil signed lower right. Pencil marked E 2/2. Image Size: 18.5 x 13 in. Overall Size: in. Framed behind glass. Condition: foxing to paper. Icart's portrayal of women is usually sensuous, often erotic, yet always imbued an element of humor, which is as important as the implied or direct sexuality. The beautiful courtesans cavort on rich, thick pillows; their facial expressions projecting passion, dismay or surprise, for the women of Louis Icart are the women of France as we have imagined them to be Eve, Leda, Venus, Scheherazade and Joan of Arc, all wrapped up into an irresistible package.

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78472 Los(e)/Seite