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78472 Los(e)/Seite
Los 1137
Cotman (John Sell), The Architectural Antiquities of Normandy, London: Printed for John and Arthur Arch, Yarmouth: J.S. Cotman, 1821, defective, 25 copperplate etchings only, various divisional titles, portions of text, etc., disbound, earlier 17th c Dutch vellum binding, gilt panelled, blocked and tooled with scrolling foliage, worn, folio (53 x 36.5cm), with [Mary Dawson Turner (1774-1850)], after John Scarlett Davis (1804-1845), John Sell Cotman, author of Antiquities &c., portrait, etching, s.l., s.n., 1818, 31.5 x 23.5cm, three topographical named-view prints by Cotman, lithographed by Vincent Brooks, etc., (6) The folio defective as catalogued and sold as a collection of plates not subject to return; its binding with wear and worn losses. The mixed media prints unexamined our of their respective frames &/or mounts, some foxing, other faults apparent from image.
Los 89
An 1827 Pattern Naval officer's sword, the pipe back blade with a spear point, etched with a coat of arms and an anchor, the brass hilt with a hinged guard and lion head pommel enclosing a fish skin grip, complete with bullion sword knot and leather scabbard, blade 79cm total 94cmShipping disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition ReportBlade with wear to the etching, some minor knocks to the blade edge. Wear and some losses of colour to the scabbard. The top portion of the scabbard bends when the sword in present, although no splits or holes can be seen. Grip appears to have a painted finish. General knocks and wear commensurate with age.
Los 90
An 1846 pattern officer's naval sword, the shagreen handle, with engraved initials, with its field case, 91.5cm long, blade 74cm longShipping disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country. Condition ReportThe blade does not appear to be plated, but heavily polished. As a result, the etching is nearly entirely missing, with only remnants visible towards the grip. Please see the additional images.
Los 1300
Bob Dylan (American 1941-) Train Tracks (red), from The Drawn Blank Series 2014. A giclée print on 350gsm Hahnemühle Museum Etching paper ,signed and numbered 256/295 in pencil. Printed by GTZ Fine Art Editions, New York, published by Washington Green Fine Art in association with Black Buffalo Artworks. Image size 76.5 x 58cm, paper size 91.5 x 71cm. With certificate of authenticity from Washington Green Fine Art. In contemporary silver toned frame.
Los 1301
Bob Dylan (American 1941-) Brooklyn Heights, from the series The Beaten Path, 2016. A giclée print, signed and numbered 142/295 in pencil on Hahnemühle 350gsm Museum etching paper. Published by Washington Green Fine Art in association with Black Buffalo Artworks. Image size 61 x39.4cm, paper size 76.2 x 58.5cm. Framed.
Los 1331
Henry G Walker, two original etchings, 'The Fish Quay, Brixham' and 'Morning Breezes, Sheringham', both with labels to the reverse stating 'Strictly limited editions of artist's signed proofs, in colour.' 22 x 27.5cm and 21 x 32cm. Both with pencil signatures lower right. Also a colour etching by James D. Carter of a quayside, pencil signature lower right. 24 x 30.5cm
Los 319
Twelve pictures and prints to include: Henry Walker (1876-1932): a Hogarth framed and glazed coloured etching 'Landing Fish, Brixham', signed in pencil; a pair of gilt-framed and glazed engravings after George Morland 'Morning or the Benevolent Sportsman' and 'Evening or The Sportsman's Return'; a gilt-framed cud still life by Anne Cotterill; still life floral prints by Adelene Fletcher; watercolour study 'Le Petit Moulin' by Perigueux; two gilt-framed coloured Naval prints after JW Carmichael; a 19th century gilt-framed and glazed (later) hand-coloured map engraving 'Gloucestershire'; a gilt-framed and glazed monochrome engraving 'Hever Castle' (from an original sketch); a small gilt-framed and glazed engraving '1632- Old Houses Evesham'.
Los 6605
Malcolm Osborne (British 1880-1963): Portrait of Dr Robert Spence FRS (1905-1976), drypoint etching signed in pencil 36cm x 29cm (unframed) Notes: Robert Spence, born South Shields 7th October 1905, an acclaimed army scientist and leading researcher in atomic weaponry, would later turn his skills to the successful development of nuclear power, becoming Deputy Director of the Atomic Energy Research Establishment at Harwell, Oxfordshire. Please note the photograph of Spence is not included in the lot and is shown for reference only.
Los 2680
Adriaen van Ostade (1610 Haarlem - 1684 ebenda) "Das Konzert". OriginaltitelRadierung/Papier, um 1644. R. u. in der Platte monogrammiert. Verso mit Bleistift bez.; Wasserzeichen (wohl Lilienwappen). Nahe am Plattenrand beschnitten. Darstellung 12,1 cm x 8,9 cm. Blatt 12,8 cm x 9,3 cm.Vgl. Hollstein Dutch and Flemish, XV.37.30; Bartsch 1802-1821, I.366.30; Godefroy 1990, 106.30.Etching on paper, circa 1644. Monogrammed in the plate. Trimmed to the plate marks.
Los 2681
Adriaen van Ostade (1610 Haarlem - 1684 ebenda)"Das Tischgebet". OriginaltitelRadierung/Papier, 1653. R. o. auf dem Kaminvorsprung in der Platte sign. u. dat.; Verso bez. sowie mit Sammlungsstempel (Lugt 1687). Nahe am Plattenrand beschnitten. Darstellung 14,9 cm x 12,5 cm. Blatt 15,2 cm x 12,7 cm. Vgl. Hollstein Dutch and Flemish, XV.44.34; Bartsch 1802-1821, I.369.34; Godefroy 1990, 118.34Provenienz: Sammlung Karl Eduard von Liphart (1808 - 1891).Etching on paper, 1653. Signed and dated in the plate. Trimmed to the plate marks.
Los 2682
Rembrandt Harmenszoon van Rijn (1606 Leiden - 1669 Amsterdam) Christus am ÖlbergRadierung und Kaltnadel/Papier, kaschiert auf Japanpapier, um 1657. R. u. in der Platte sign. und unvollständig dat. "Rembrandt f. 165...". Wvz. Bartsch 75; New Hollstein Dutch and Flemish Rembrandt II.269. Bis kurz vor den Plattenrand beschnitten. Plattenmaß 11,1 cm x 8,4 cm. Blatt 11,2 cm x 8,6 cm. Während Christus kurz vor seiner Verhaftung im Garten Gethsemane betete, wurde er von einem Engel besucht, der ihn in seinem Entschluss bestärkte, den Tod durch die Kreuzigung zu erleiden. In dieser kleinen, aber aussagekräftigen Radierung vermenschlicht Rembrandt das Ereignis, indem er die Körperlichkeit der Umarmung durch den Engel hervorhebt.Etching and drypoint on paper, circa 1657. Signed and dated in the plate. Trimmed to platemark.
Los 645
Eduard Bargheer (1901 Finkenwerder - 1979 Hamburg)Küstenlandschaft mit Dreimaster im HafenRadierung/Papier. Sign.; Frühes, seltenes, expressionistisches Blatt. Stark gebräunt, im alten Passepartoutauschnitt, lichtrandig. Plattenmaß ca. 27,8 cm x 35 cm; Blatt ca. 33 cm x 41 cm.Etching on paper. Hand-signed. Major light toning.
Los 660
Hans am Ende (1864 Trier - 1918 Stettin)Worpsweder Landschaft mit Birken und Kate im MoorRadierung u. Aquatinta/Bütten, um 1895. R. u. sign. u. mit Ortsangabe Worpswede; Plattenmaß 23,8 cm x 17,5 cm. Darstellung 19,9 cm x 13,9 cm. Rahmen.Etching and aquatint on paper. Hand-signed and inscribed with location Worpswede.
Los 661
Hans am Ende (1864 Trier - 1918 Stettin)"Kinderkopf". OriginaltitelRadierung/Papier, 1897. In der Platte monogr.; Seltenes Blatt des Worpsweder Künstlers mit einfühlsamem Mädchenbildnis, erschienen in 160 Exemplaren in der Mappe "Aus Worpswede. Neue Folge" (Berlin: Fischer und Franke 1897) mit einer radierten Titelvignette und 12 Originalradierungen von Hans am Ende, Fritz Mackensen, Fritz Overbeck und Heinrich Vogeler. Plattenmaß ca. 28,2 cm x 20,2 cm; Blatt ca. 34,5 cm x 24,5 cm. Etching on paper, 1897. Monogrammed on the plate.
Los 686
Heinrich Vogeler (1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Der Fischer". OriginaltitelRadierung und Aquatinta in Schwarz/Papier, 1899. Wvz. Rief 29 II. R. u. sign.; L. u. in der Platte monogr. mit Worpsweder Wappenschild. Darstellung 14,4 cm x 14,9 cm. Rahmen. Etching and aquatint in black on paper, 1899. Hand-signed and signed with initials in the plate.
Los 687
Heinrich Vogeler (1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Tod bricht Rosen" ("Liebespaar und Tod"). OriginaltitelRadierung/hellgrünes Papier, 1904. Sign. mit Worpsweder Wappenschild, zudem sign. vom Drucker Otto Felsing, Berlin. In der Platte sign. "H. Vogeler" sowie monogr. "H. V. W" mit Worpsweder Wappenschild. Wvz. Rief 37. Im breiten Blattrand ger. stockfleckig u. knickfaltig. Plattenmaß ca. 11,1 cm x 15,4 cm; Blatt 20,2 cm x 26 cm.Etching on light green paper, 1904. Hand-signed with artist's sign, further hand-signed by the printer Otto Felsing, Berlin. Minor foxing and creases to the wide margins.
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78472 Los(e)/Seite