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Los 2053

Artist: Pierre-Auguste Renoir (French, 1841 - 1919). Title: "Femme nue assise". Medium: Etching & softground. Date: Composed 1906. Printed later from the original plate. Dimensions: Overall size: 14 7/8 x 11 1/8 in. (378 x 283 mm). Image size: 7 3/8 x 5 9/16 in. (187 x 141 mm).Lot Note(s): Cream wove paper. Full margins, deckle edges. Fine impression. Fine condition. Literature/catalogue raisonne: Delteil 12. Comment(s): Earlier impressions of this print regularly sell at auction for well over $1,000. [25684-3-300]

Los 2066

Artist: Karima Muyaes (Mexican, b.1960). Title: "Encanto Nocturno". Medium: White line color etching with aquatint. Date: Composed 2007. Dimensions: Image size: 11 3/16 x 15 3/4 in. (284 x 400 mm).Lot Note(s): Signed, titled, dated and numbered in pencil. Edition of 30. Pale cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: James Orr's provisional catalogue number PR157. Provenance: Private collection, New Canaan, Connecticut. A Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [18288-0-400]

Los 1050

Charlie Downes (British Contemporary): 'Jugs and a Bowl with Daffodils', coloured etching with aquatint signed, titled and numbered 32/50 in pencil 22cm x 27cm - Condition Report

Los 1057

Henry Wilkinson (British 1921-2011): Shooting Snipe, coloured drypoint etching signed and numbered 56/200 in pencil 27cm x 36cm - Condition Report

Los 1095

Douglas Ian Smart (British 1879-1970): 'Limoges', drypoint etching signed in pencil, titled verso on gallery label, and another coastal etching signed Walter Towers, max (2) - Condition Report

Los 298B

`Modern masters of etching W.RUSSELL FLINT A.R.A'number 27 1931

Los 391

R.H. Small ridge, Porlock, etching, Lynmouth etching and four prints

Los 394

Stanley Anderson C.B.E., R.A. (1884-1966), Etching on paper, Boaters by a riverside ruin, Signed in pencil lower right margin, FATG blind stamp lower left margin, 30cm x 38.54cm, Framed, With after Mose Bianchi (Italian 1840-1904), Etching on paper, 'Pifferaio', Unsigned, titled and numbered '9/80' to lower margin, 17cm x 12.5cm, Framed and glazed (2)

Los 413

Artist: Edouard Vuillard (French, 1868 - 1940). Title: "Le Square Vintimille". Medium: Etching & drypoint. Date: Composed 1937. Printed later. Dimensions: Overall size: 19 1/2 x 13 5/8 in. (495 x 346 mm). Image size: 13 1/4 x 10 1/16 in. (337 x 256 mm).Lot Note(s): Signed in the plate, lower right. Edition of 500. Cream wove paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: RM66. Comment(s): According to 'Gordon's Art Reference' the auction record for this print is $1,546 (Bassenge, Germany, 2006). Image copyright © Artists Rights Society (ARS), New York. [25689-3-400]

Los 415

Artist: Pierre Bonnard (French, 1867 - 1947). Title: "Le Parc Monceau". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 7/8 x 13 in. (454 x 330 mm). Image size: 13 1/4 x 10 1/8 in. (337 x 257 mm).Lot Note(s): Signed in the plate, lower left. Edition of 500. Cream laid paper. Very wide (full?) margins. Fine impression. Very good condition; would be fine condition but for a crease in upper right and left margin, well away from image, would be matted out when framed. Literature/catalogue raisonne: Francis Bouvet, “Bonnard: The Complete Graphic Work” #114. Comment(s): This print is sometimes erroneously called “Jardin public” or “Les Champs-Elysees.” Image copyright © Artists Rights Society (ARS), New York. [25685-3-300]

Los 424

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "L'Age de Soleil (Pour Roby)". Medium: Etching. Date: Composed 1960. Printed later. Dimensions: Overall size: 16 1/8 x 13 1/16 in. (410 x 332 mm). Image size: 9 1/8 x 7 1/8 in. (232 x 181 mm).Lot Note(s): Signed in reverse in the plate. The original edition was 114. Cream wove paper. Full margins (deckle edges four sides). Fine impression. Fine condition. Literature/catalogue raisonne: Bloch 680. Comment(s): A similar example to ours sold at an auction high of $1,880 in 2008. Image copyright © Artists Rights Society (ARS), New York. [25683-3-300]

Los 440

Artist: James Rizzi (American, 1950-2011). Title: "Kiss - Kiss - Bang - Bang". Medium: Color silkscreen and lithograph. Date: Composed 1997. Dimensions: Overall size: 6 5/8 x 14 in. (168 x 356 mm). Image size: 4 x 11 5/8 in. (102 x 295 mm).Lot Note(s): Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27817-3-400]

Los 445

Artist: James Rizzi (American, 1950-2011). Title: "Junk Yard". Medium: Color lithograph. Date: Composed 1995. Dimensions: Overall size: 14 3/4 x 9 5/8 in. (375 x 244 mm). Image size: 10 x 6 1/2 in. (254 x 165 mm).Lot Note(s): Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27802-3-400]

Los 452

Artist: James Rizzi (American, 1950-2011). Title: "It Ain't Over Till It's Over". Medium: Color silkscreen. Date: Composed 1992. Dimensions: Overall size: 11 11/16 x 12 in. (297 x 305 mm). Image size: 8 1/2 x 9 in. (216 x 229 mm).Lot Note(s): Bears signature in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27791-3-400]

Los 477

Artist: Karima Muyaes (Mexican, b.1960). Title: "Historia del Quijote". Medium: Etching with aquatint. Date: Composed c1980s. Dimensions: Overall size: 15 x 11 1/16 in. (381 x 281 mm). Image size: 13 3/4 x 9 5/8 in. (349 x 244 mm).Lot Note(s): Signed in pencil, lower right; titled in pencil, lower center; editioned in pencil, lower left. Very good to fine condition. Upon request, a Letter of Authenticity (LOA) from the Artist accompanies this lot. Comment(s): A listed artist, Karima Muyaes is currently one of the most innovative and talented international painters/printmakers. A major monograph on her work authored by Avelina Lesper, the foremost contemporary Mexican art critic, will be published early in 2021. Muyaes’s work has sold at Sotheby's (New York City), Swann Auction Galleries (New York City), Martin Gordon Auctions (Phoenix), Louis C. Morton (Mexico City), and Casa de Subastas Odalys (Madrid/Caracas), among others. In April of 2013 and again in 2018 she was chosen by the prestigious Mexican newspaper "Milenio" as one of the top 34 currently active Mexican artists and featured in a series of newspaper articles and TV appearances. Muyaes has an extensive worldwide exhibition history which includes a show that travelled throughout Sweden for two years, 2010-2012. Image copyright © Karima Muyaes. [19251-0-250]

Los 545

Artist: James Rizzi (American, 1950-2011). Title: "Everyone Wants to Win the World Cup". Medium: Color silkscreen and lithograph. Date: Composed 1992. Dimensions: Overall size: 11 3/4 x 12 in. (298 x 305 mm). Image size: 8 1/2 x 9 in. (216 x 229 mm).Lot Note(s): Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27787-3-400]

Los 578

Artist: James Rizzi (American, 1950-2011). Title: "Drawing Attention". Medium: Color lithograph. Date: Composed 1997. Dimensions: Overall size: 29 1/4 x 10 1/8 in. (743 x 257 mm). Image size: 25 5/8 x 7 1/4 in. (651 x 184 mm).Lot Note(s): Signed in pencil, lower right; titled and dated in the plate. A proof aside from the regular edition. Light cream wove paper. Full margins. Fine impression. Fine condition. Provenance: Estate of a private collector, New York City (Manhattan), acquired directly from the artist. Comment(s): A rare "flat-print" proof for a proposed "3-D" edition, not intended for sale or distribution. Rizzi was an American pop artist who was born and raised in Brooklyn, New York. While at the University of Florida he came up with the idea of 3D multiples now mostly associated with his name. Having taken classes in painting, printmaking, and sculpture, he had to hand in grade work for all three subjects, but only had time for doing one. So he created an etching, printed it twice, handcolored it, and mounted parts of the one print on top of the other, using wire as a means of adding depth. Printer unknown, edition published by John Szoke Editions, New York. [27755-5-600]

Los 639

Artist: Henri Matisse (French, 1869 - 1954). Title: "Cite - Notre Dame". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 20 x 15 1/16 in. (508 x 383 mm). Image size: 13 1/8 x 10 1/4 in. (333 x 260 mm).Lot Note(s): Signed in reverse in the plate, lower right. Cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: D248. Comment(s): An example from the original printing has sold at auction for as high as $2,585 (Christie's, East [19th & 20th Century, Contemporary Prints & Multiples, Sale #8423] - 09/20/2000 - Lot #71). The original edition was 500. [17489-4-300]

Los 653

Artist: Edouard Manet (French, 1832 - 1883). Title: "Chat et les Fleurs". Medium: Etching with aquatint. Date: Composed 1869. Printed later. Dimensions: Overall size: 13 x 8 1/8 in. (330 x 206 mm). Image size: 8 x 6 in. (203 x 152 mm).Lot Note(s): Signed in the plate, lower left. Cream wove paper. Very wide margins. Fine impression. Excellent condition. Literature/catalogue raisonne: Guerin 53; Harris 65. Comment(s): This print has sold as high as $863 at auction (Swann Galleries, NYC, Discovery Sale: Prints & Drawings, Sale #1993, 01/22/2004, lot #76). [2919-3-400]

Los 209

Artist: Maurice de Vlaminck (French, 1876 - 1958). Title: "Rue de la Glaciere". Medium: Original etching. Date: Composed 1937. Printed later. Dimensions: Overall size: 17 5/8 x 13 in. (448 x 330 mm). Image size: 13 1/8 x 10 1/8 in. (333 x 257 mm).Lot Note(s): Signed in the plate, lower right. Edition of 500. Cream laid paper. Very wide margins. Fine impression. Fine condition. Literature/catalogue raisonne: W146. Comment(s): Image copyright © Artists Rights Society (ARS), New York. [25686-3-200]

Los 1052

A pencil signed etching of a Terrier puppy, framed and glazed, 24cm x 19cm

Los 1078

Alfred Blundell: The High Street, Kersey, Suffolk. Framed and glazed etching. 36cm x 29cm

Los 1258

A packet of etchings, engravings, drawings etc including William Strang etching of a girl sewing, Benjamin Wrench M.D engraved portrait, late 18th Century hand coloured engravings of African tribes people etc

Los 1283

Harry Becker (1865-1928, Suffolk artist) experimental etching of heads and hand, 8"x12"

Los 1747

WILLIAM LIONEL WYLLIE, RA (1851-1931) TRAFALGAR DAY: HMS VICTORY FIRING A SALUTE Etching, signed in pencil, unframed 9 x 33.5cm. ++ Slight time-toning of the paper

Los 1753

•LUCY WILLIS (b.1954) PRAA SANDS Aquatint, 1989, signed, dated, titled and numbered 26/175 59 x 41.5cm.; with another modern etching, `Three French Cats`, by Eileen Greenwood, signed and inscribed, 24 x 16cm. (2) ++ Each in good condition

Los 1755

SIR FRANK WILLIAM BRANGWYN, RA, RWS (1867-1956) THREE PRINTS including `The Gate of the Farm` (Gaunt 90), etching, unsigned; `The Rialto, Venice` (Gaunt 72), etching, signed; and `Canadians entering Cambrai`, lithograph, signed, all unframed (3) ++ Some surface marks, foxing and time toning

Los 1757

•VALERIE THORNTON (1931-1991) NORTHLEACH; CLOISTER, ARLES Two, colour aquatints with etching, 1972 and 1980, each signed, titled, dated and numbered 7/70 and 68/75 39.5 x 61.5cm.; and 65.5 x 41cm. (2) ++ The former very good; the latter with some light-staining

Los 1759

•STEPHEN CONROY (b.1964) (MAN, HANDS CLASPED) Etching, on wove, signed and inscribed BAT, the full sheet Image 50 x 37.5cm. ++ Good condition; very slight time toning of the paper

Los 389

§ Victor Pasmore C.B.E. C.H. (British 1908-1998) Senza Titolo 5, 1989 6/90, signed, numbered and dated in pencil (in the margin), etching and aquatint on wove paper(visible sheet 70.5cm x 136.5cm (27.75in x 53.5in))

Los 427

§ Sir Howard Hodgkin C.H., C.B.E. (British 1932-2017) Untitled (After Lunch), 1981 initialled and dated 'HH '81', inscribed 'After Lunch, 1980, overpainted 80-81' in pencil (to reverse), oil, gouache, soft ground etching on Arches mould made paper(56.6cm x 76cm (22.25in x 30in))Footnote: Provenance: Acquired by the sculptor Jean Gibson (1927-1991) from the artist in 1981, and thence by descent. This work will be included in the forthcoming catalogue raisonné of Howard Hodgkin's work, to be edited by Dr. Marla Price and Guy Robertson. We would like to thank the Howard Hodgkin Estate for their assistance in helping to catalogue this lot.

Los 459

JOHFRA BOSSCHART. DUTCH 1919-1998 A surrealist etching. Signed in pencil, dated 1947 and inscribed to his friend Auguste Gaudin. Image size 16' x 14'

Los 465

ROSAMUND C. JONES. BRITISH bn. 1944 Study of animals and tree. Signed in pencil and numbered 8/15. Etching 17' x 12'

Los 552

An impressionist street scene oil on canvas, an oil on canvas of fishing boats and an Alfonse Lafitte etching

Los 584

WILLIAM LIONEL WYLLIE. BRITISH 1851-1931 Shipping near a coastal town. Signed in pencil. Etching 4½' x 10'. Foxed

Los 585

WILLIAM LIONEL WYLLIE. BRITISH 1851-1931 An estuary with shipping. Signed in pencil. Etching 6½' x 10'. Foxed

Los 627

CORNELIS BEGA. DUTCH 1620-1664 Three peasants in a tavern. Etching (1816 Lewis edition) 4' x 4'

Los 628

SAMUEL WILLIAM HOWITT. BRITISH 1756-1822 Dog worrying a Sow. Etching 5½' x 7¼'

Los 109

λ Diana Armfield (British b. 1920) Gesuati on the Zattere, Venice Pencil Signed with initials lower left 21 x 13cm (8¼ x 5 in.) Provenance: From the collection of Tom CoatesTogether with an etching of The Band on San Marco Piazza, initialled in pencil and numbered 3/30, plate: 15 x 10cm. (2)

Los 275

λ Marc Chagall (French/Russian 1887-1985)Joseph et ses frères (pl. 18 from La Bible) (Sorlier 216)Etching and aquatint with hand-colouring, 1931-39Signed in pencil and numbered 76/100, published by Amboise Vollard, Paris29 x 24cm (11¼ x 9¼ in.)

Los 278

λ Henri Matisse (French 1869-1954) Tete de jeune fille aux sourcils rectangulaires (Duthuit 222) Etching, 1930 Signed in pencil and numbered 8/25 12.5 x 10cm (4¾ x 3¾ in.)Provenance: Sale, Sotheby's London, 27 March 2007, lot 92 The Collection of Jo Wood (acquired from the above) Condition Report: Sheet has slipped in its mount. Light handling creases to the framing edges. Otherwise the work appears to be in good condition. Unexamined out of glazed frame.Condition Report Disclaimer

Los 283

λ Jan Hladik (Slovak 1927-2008)Trojice (Trinity)Etching, 2008Signed in pencil, titled, dated and numbered 3/20 Plate: 21 x 25cm (8¼ x 9¾ in.)Condition Report: In very good original condition. Under glass and unexamined out of frame.Condition Report Disclaimer

Los 288

λ Graham Sutherland (British 1903-1980)Clegyr-Boia II, Landscape in Wales (Tassi 34)Etching and aquatint, 1938From the edition of circa 1000, printed by Walsh, London, bound in 'Signature no. 9', as issuedPlate: 19.5 x 15cm (7½ x 5¾ in.)

Los 451

John Duffin (b.1965), "'Double Life' (Waterloo Station London)", etching, numbered 20/90, inscribed and signed in pencil, 39cm by 25cm

Los 1468

An oak framed Platinotype print of HMS Victory, Portsmouth - sold with Jenkins figurative etching J.D.L, three framed bookplates and a signed limited edition Mary King coloured print

Los 1578

E.J. Maybery: an original etching of old Market Place, Dunstar - signed and inscribed in pencil below the plate mark

Los 1658

†Valerie Thornton: a framed coloured artist's proof etching, entitled St. Gilles, Carvings - signed, titled and dated '80

Los 316A

ANN BRUNSKILL (1926-2018); pencil signed etching “Goodbye” 21.5 x 17.5cm. Additional InformationFrame with minimal wear, image is good. 

Los 320A

EILEEN COOPER OBE, RA (B.1953); pencil signed etching “figure beside tree and boat” signed lower right 13 x 13cm, framed and glazed. Additional InformationGood overall condition.

Los 622

ISRAEL; oil on board, blossoming trees, signed and dated 77, 14 x 22cm, framed, a watercolour of hens by Isabel Barbour, a black and white etching and unusual textured acrylic (4).Additional InformationThe textured acrylic is in poor condition with the damages and losses, the other three are in good order.

Los 969

SIR FRANCIS DODD RA RWS (1874-1949); drypoint etching, 'The Strand (with Sky)', signed lower right, 35 x 25.5cm, framed and glazed.

Los 972

SIR FRANCIS DODD RA RWS (1874-1949); drypoint etching, 'Soho Square', signed lower right, 29 x 22cm, framed and glazed.Additional InformationSome light marks, frame worn.

Los 973

SIR FRANCIS DODD RA RWS (1874-1949); drypoint etching, portrait of a society lady wearing hat, signed lower right, 33 x 25cm, framed and glazed.Additional InformationSome light marks, frame worn.

Los 974

KEN CURRIE (Scottish, Born 1960); a black and white signed limited edition etching, 'Reprisal', numbered 37/40 lower left and signed lower right, 30.5 x 21cm, unframed. (D)Additional InformationHas a very large mount but is unframed, bears blind stamp lower right, some creases and marks to the mount, but the image itself is in good order. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Los 975

KEN CURRIE (Scottish, Born 1960); a black and white signed limited edition etching, 'War Worries', numbered 19/40 and signed in pencil lower right, 30.5 x 21cm, unframed. (D)Additional InformationBroad mount which is slightly rippled and creased in parts, bears blind stamp lower right, but the image itself is in good order. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Los 909

George Vernon Stokes (1873 - 1954) - Border terriers, signed limited edition coloured dry point etching, numbered 28/75 26.5cms x 29cms

Los 910

George Vernon Stokes (1873 - 1954) Kingfisher perched on a branch, signed limited edition coloured dry point etching, numbered 6/75 31cms x 23cms

Los 543

Incisione acquerellata su carta, in cornice di noce (segni di muffa). Secolo XIX. Cm 41x32.Etching watercolored on paper, in a walnut frame (signs of mold). 19th century. Cm 41x32. 

Los 757

JENIFER DICKSON, RA - THE TRYSTING PLACE (ATHELHAMPTON), SIGNED IN PENCIL, ETCHING AND WATERCOLOUR, SIGNED BY THE ARTIST IN PENCIL, INSCRIBED AND NUMBERED 21 / 30, ETCHING AND WATERCOLOUR, 31 X 45CM, PROVENANCE: THE CITY GALLERY, LONDON Condition report  Good condition

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