Luigi Rossini, Italian 1790-1850- "Veduta della Piramide di C, Cestio", 1822; etching, 44x61cm: together with three other etchings by the same hand titled: "Veduta del Ponte Molle sul Tevere", 1822, 46x62.5cm; "Veduta della rovina del Gran Arco trionfale della nve traversa", 1823, 49.5x59cm; Veduta dell` interno del Panteon di Marco Agrippa", 1823, 50.5x58cm., (4) (mounted) (unframed)
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* John Piper (1903-1992) Modern British Limited Edition coloured Etching 61/70 `Holme, Nottinghamshire` 1985 Signed and numbered in pencil under 21 1/4" x 27 1/4" . Piper studied at Richmond School of Art, The Royal College of Art and The Slade School of Fine Art. His work is in many important collections including The Tate Gallery, The Victoria and Albert Museum, The Guggenheim Museum and The Museum of Modern Art in New York
* Bernard Alligand (b.1953) French Carborundum Etching 95/95 Unknown Signed and numbered in pencil lower International Art Consultants Label Verso 29 1/4" x 22" . Alligand was born in France and studied painting and sculpture in Angers. His painting is an exciting encounter of the tactile and the visual; a fragile dialogue between form , content and colour. In 1987 his meeting with caborundum engraver Goetz propelled him towards using the engraving techniques so ideally suited to his artistic vision.
REVEREND JOHNS "Flowers of the field", published London 1908, one volume Punch`s Pocketbook 1858-61, a set of four botanical studies, watercolours, AFTER P G MATTHEWS "Portrait study of a gentleman", black and white dry point etching, signed and inscribed in pencil in the margin, a large 19th Century black and white photograph of a gentleman in regal dress by W & D Downey and a large quantity of miscellaneous 18th and 19th Century engravings and a folio of letters and receipts, etc
AFTER W STEWART COLLIE "Running for harbour", black and white etching, limited edition no`d. 27/40, signed and inscribed in pencil in the margin, AFTER OLIVER HEYWOOD "Harvest, Slad Valley", coloured print, signed in ink in the margin, AFTER GERALD A C HARDEN "Chickens and a farm labourer in a barn interior", black and white engraving, signed in pencil in the margin, PG MORSE "Lobster pots", black and white photograph signed in pencil in the margin, a Winnie the Pooh print, reproduction map
JAMES GILLRAY (1756-1815) [JOHN BULL`S EXAMINATION] etching, trimmed to within plate mark and to within image in the lower margin, in bright contemporary colour, 23 x 35cm and various other caricatures by Gillray`s contemporaries and followers including The Guardian ANGEL and Cruikshank`s THE YORK AUCTIONEER and his CLARK [sic], generally all coloured, sold in portfolio (53)
JAMES GILLRAY (1756-1815) "A BEGGING WE WILL GO!" etching with margins and slight marginal tear, in contemporary colour, 567 in upper right corner, 27 x 36cm, five other early 19th c caricatures, all coloured and a French caricature, La Desolation des Filles de Joie, sold in portfolio (7) ++Some handling marks, stains, repairs and creases. In variable condition, the French print in satisfactory condition, hinged to an acid free card window mount
E HOWORTH AFTER JOHN BAPTISTE MALCHAIR (1731-1812) A VIEW FROM ST GILES OF NORTH GATE OXFORD; A VIEW FROM THE CORN MARKET OF NORTH GATE OXFORD a pair, aquatints, trimmed to within or near plate mark with creases, etc, 1789, 43 x 32.5cm, an engraving of Jack Shepherd by T Bowles, various prints after Hogarth, an etching of Newgate Prison by Ian Strang, RE (1886-1952) and two printer`s proofs of caricatures by `Quiz` for the Saturday Review 1922 & 24, sold in portfolio (15) ++In generally good condition, several hinged to acid free card window mounts
DAME ELISABETH FRINK, DBE, CH, RA (1930-1993) THE REEVE`S TALE FROM THE CANTERBURY TALES I (WISEMAN 30a) etching with aquatint on wove with wide margins, published by Leslie Waddington Prints Ltd in 1970, signed, inscribed and numbered 30/70 by the artist in pencil, 27 x 30cm ++In fine condition
SIR FRANK WILLIAM BRANGWYN, RA, RWS, RE (1867-1956) [DISMANTLING THE CALEDONIA] etching, with margins, signed in pencil, 27 x 36.5cm, with various other 20th c British prints, including a folio of Original Designs in Typography, Wood Engraving, Lithography and Etching, printed by ...The Hornsea School of Art & Crafts, Sept 1933, sold in portfolio

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