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Los 611

Luigi Rossini, Italian 1790-1850- "Veduta della Piramide di C, Cestio", 1822; etching, 44x61cm: together with three other etchings by the same hand titled: "Veduta del Ponte Molle sul Tevere", 1822, 46x62.5cm; "Veduta della rovina del Gran Arco trionfale della nve traversa", 1823, 49.5x59cm; Veduta dell` interno del Panteon di Marco Agrippa", 1823, 50.5x58cm., (4) (mounted) (unframed)

Los 714

Antoni Tàpies, Spanish b.1923- `Taches et Chiffres` 1972; etching in colours and lithograph, on Arches, signed and numbered 24/75 in pencil, titled to verso in pencil, 74.5x104cm (sheet) (unframed) (may be subject to Droit de Suite)

Los 777

Julian Trevelyan RA, British 1910-1988- "Me and my Cats"; etching with aquatint printed in colours, signed, titled and numbered 30/50 in pencil, 47x34cm Provenance: Acquired directly from the artist by the current owner

Los 780

Julian Trevelyan RA, British 1910-1988- "Thames Barge"; etching with aquatint printed in colours, signed, titled and numbered 50/50 in pencil, 47x34.5cm Provenance: Acquired directly from the artist by the current owner

Los 143

OROVIDA CAMILLE PISSARRO (1893-1968) WHITE RABBIT etching, state 2 proof, signed and dated 1915 14cm x 14cm Provenance: Redfern Gallery label verso

Los 144

OROVIDA CAMILLE PISSARRO (1893-1968) BLACK LEOPARD etching, signed and dated 1914 9.5cm x 11.5cm Provenance: Redfern Gallery label verso

Los 145

OROVIDA CAMILLE PISSARRO (1893-1968) FEAR etching, working proof, signed and dated 1917 19cm x 13.5cm Provenance: Redfern Gallery label verso

Los 146

OROVIDA CAMILLE PISSARRO (1893-1968) MARE AND FOAL etching, first state No 8 of 9, signed and dated 1923 17cm high x 21.5cm wide Provenance: Redfern gallery label verso

Los 149

JAMES ABBOTT MCNEILL WHISTLER (1843-1927) LA SALUTE, VENICE etching, signed in pencil with butterfly 14cm x 22cm Prov: Colnaghi & Co label verso

Los 275

SIR WILLIAM RUSSELL FLINT WORKING WOMEN etching and drypoint numbered iv and signed in ink 24cm x 37cm

Los 358

¥ * JOHN BELLANY CBE RA HRSA WOMAN WITH DOG etching, 11/20, 1994, signed Framed 25cm x 25cm this lot is subject to VAT at the standard rate

Los 359

¥ * JOHN BELLANY CBE RA HRSA THE RUFF BIRD BIDS YOU WELCOME etching, edition of 50, 1986, signed Framed 46cm x 29.5cm this lot is subject to VAT at the standard rate

Los 362

¥ * JOHN BELLANY CBE RA HRSA JEUNE FILLE. LE TRETPORT etching, 10/25, 1986, signed Framed 32.5cm x 24.5cm this lot is subject to VAT at the standard rate

Los 363

¥ * JOHN BELLANY CBE RA HRSA WHITHER DO WE GO etching, 9/20, 1993, signed Framed 55cm x 38cm this lot is subject to VAT at the standard rate

Los 365

¥ * JOHN BELLANY CBE RA HRSA THE CAPERCAILLE SINGS HIS LOVE SONG etching, edition of 25, 1985, signed Framed 16cm x 24cm this lot is subject to VAT at the standard rate

Los 368

* JOHN BELLANY THE FISHHEAD RETURN etching, signed and numbered 21/75 48cm x 40cm

Los 371

¥ * JOHN BELLANY THE LOVERS etching , signed and numbered in pencil 29/50 79cm x 53cm

Los 454

Continental School, Figure on a pack horse, monochrome etching, indistinctly initialled, numbered 7/30 and other similar monochrome etchings.

Los 1304

Watercolour, village street scene, signed with monogram V.R., watercolour estuary scene, signed Spencer and a signed etching, ladies beside a spinnet

Los 1305

George Soper, signed etching, team of three horses pulling a log wagon

Los 1444

Small coloured etching, entitled ‘The Gondolier’ together with another framed etching, signed Sidney Taviere

Los 1473

Roland Batchelor, signed Limited Edition etching, inscribed ‘The One he Missed’

Los 1486

19th Century G. Cruickshank etching, ‘Dover Coach, 5 O’Clock, Morning’

Los 118

William Lionel Wyllie (1851-1931): `St Paul`s from the River Thames`, dry point etching signed 37cm x 26cm

Los 119

William Lionel Wyllie (1851-1931): `Westminster` from the Thames, dry point etching signed 25cm x 38cm

Los 120

William Lionel Wyllie (1851-1931): `The Tower Bridge`, dry point etching signed, issued in one state only limited to 150, 26cm x 36cm

Los 121

William Lionel Wyllie (1851-1931): `Looking East from London Bridge`, dry point etching signed 19cm x 40cm

Los 335

JAMES ABBOTT MCNEILL WHISTLER (1834-1903), `Eagle wharf`, original etching, 1859, 19cm x 26cm, signed in plate, framed, published by Thomas Agnew and Sons.

Los 156

* John Piper (1903-1992) Modern British Limited Edition coloured Etching 61/70 `Holme, Nottinghamshire` 1985 Signed and numbered in pencil under 21 1/4" x 27 1/4" . Piper studied at Richmond School of Art, The Royal College of Art and The Slade School of Fine Art. His work is in many important collections including The Tate Gallery, The Victoria and Albert Museum, The Guggenheim Museum and The Museum of Modern Art in New York

Los 157

* John Piper (1903-1992) Modern British Coloured Etching , Artists proof ` Ruishton 1986 ` Signed and labelled lower 28 5/8" x 20"

Los 159

* John Piper (1903-1992) Modern British Ltd Ed. coloured etching 49/70 ` Old Church of Mynachlogddu St Dogmael 1987 ` Signed in pencil and numbered under 16 7/8" x 22"

Los 160

* John Piper (1903-1992) Modern British Ltd. Ed. Coloured etching 45 / 70 ` Teffont Evias 1988 ` Signed and numbered in pencil under 22 3/4" x 17 5/8"

Los 180

* Bernard Alligand (b.1953) French Carborundum Etching 95/95 Unknown Signed and numbered in pencil lower International Art Consultants Label Verso 29 1/4" x 22" . Alligand was born in France and studied painting and sculpture in Angers. His painting is an exciting encounter of the tactile and the visual; a fragile dialogue between form , content and colour. In 1987 his meeting with caborundum engraver Goetz propelled him towards using the engraving techniques so ideally suited to his artistic vision.

Los 28

`The Province of Mounster` Irish hand coloured map published John Speede and George Humble 1610; engraving of Parliament Square, Trinity College Dublin and an etching of Royal School Enniskillen

Los 43

Wooded landscape signed etching by David Waterson with Brechin framers label verso; `Kings College Aberdeen` signed and titled etching by Huxton Smith

Los 325F

Bevel edged wall mirror in gilt frame, tapestry panel, etching by Tom Whitehead and other pictures

Los 132

A coloured print of golden breasted starling together with a coloured etching J Stewart Del Peacocks and pheasant, modern print of a Kingfisher, black and white picture of an owl and another (5)

Los 547

AFTER W L WYLLIE "Tower Bridge", black and white etching, signed in pencil in the margin, contained within a birdseye maple frame

Los 549A

REVEREND JOHNS "Flowers of the field", published London 1908, one volume Punch`s Pocketbook 1858-61, a set of four botanical studies, watercolours, AFTER P G MATTHEWS "Portrait study of a gentleman", black and white dry point etching, signed and inscribed in pencil in the margin, a large 19th Century black and white photograph of a gentleman in regal dress by W & D Downey and a large quantity of miscellaneous 18th and 19th Century engravings and a folio of letters and receipts, etc

Los 556A

AFTER HAROLD THORNTON "Derwent Water", black and white dry point etching, signed and inscribed in pencil in margin, and three further prints, together with two boxes of boxes of books to include "The History of the Great European War"

Los 589

AFTER W STEWART COLLIE "Running for harbour", black and white etching, limited edition no`d. 27/40, signed and inscribed in pencil in the margin, AFTER OLIVER HEYWOOD "Harvest, Slad Valley", coloured print, signed in ink in the margin, AFTER GERALD A C HARDEN "Chickens and a farm labourer in a barn interior", black and white engraving, signed in pencil in the margin, PG MORSE "Lobster pots", black and white photograph signed in pencil in the margin, a Winnie the Pooh print, reproduction map

Los 23

H.A. Freeth `To Church` artists proof etching signed and titled in pencil. Defects damages and restorations have not been mentioned within the catalogue, for condition reports please email auctions@peterwilson.co.uk

Los 405

A group of watercolours by John S Spence, circa 1940`s, depicting Swanston Village and Edinburgh Castle together with an associated facsimile etching of Bakehouse Close (5) approx 19 x 23cm

Los 665

JAMES GILLRAY (1756-1815) [JOHN BULL`S EXAMINATION] etching, trimmed to within plate mark and to within image in the lower margin, in bright contemporary colour, 23 x 35cm and various other caricatures by Gillray`s contemporaries and followers including The Guardian ANGEL and Cruikshank`s THE YORK AUCTIONEER and his CLARK [sic], generally all coloured, sold in portfolio (53)

Los 666

JAMES GILLRAY (1756-1815) "A BEGGING WE WILL GO!" etching with margins and slight marginal tear, in contemporary colour, 567 in upper right corner, 27 x 36cm, five other early 19th c caricatures, all coloured and a French caricature, La Desolation des Filles de Joie, sold in portfolio (7) ++Some handling marks, stains, repairs and creases. In variable condition, the French print in satisfactory condition, hinged to an acid free card window mount

Los 671

E HOWORTH AFTER JOHN BAPTISTE MALCHAIR (1731-1812) A VIEW FROM ST GILES OF NORTH GATE OXFORD; A VIEW FROM THE CORN MARKET OF NORTH GATE OXFORD a pair, aquatints, trimmed to within or near plate mark with creases, etc, 1789, 43 x 32.5cm, an engraving of Jack Shepherd by T Bowles, various prints after Hogarth, an etching of Newgate Prison by Ian Strang, RE (1886-1952) and two printer`s proofs of caricatures by `Quiz` for the Saturday Review 1922 & 24, sold in portfolio (15) ++In generally good condition, several hinged to acid free card window mounts

Los 677

JIM DINE (1935-) GIRL AND DOG I etching and aquatint, signed, dated 1970 and inscribed A/P by the artist in pencil, 68.5 x 54.5cm ++In fine condition, in brushed aluminium frame

Los 679

WILLIAM TILLYER (1938-) TV ROOM etching, signed and numbered 47/60 by the artist in pencil, 48 x 80cm ++In fine condition in brushed aluminium frame

Los 683

DAME ELISABETH FRINK, DBE, CH, RA (1930-1993) THE REEVE`S TALE FROM THE CANTERBURY TALES I (WISEMAN 30a) etching with aquatint on wove with wide margins, published by Leslie Waddington Prints Ltd in 1970, signed, inscribed and numbered 30/70 by the artist in pencil, 27 x 30cm ++In fine condition

Los 690

JAMES GILLRAY (1757-1815) MATRIMONIAL-HARMONICS etching, trimmed to plate mark, in vivid colour, 539 upper right, 1845-51, 26 x 35.5cm and three other caricatures (unframed, 4)

Los 692

SIR FRANK WILLIAM BRANGWYN, RA, RWS, RE (1867-1956) [DISMANTLING THE CALEDONIA] etching, with margins, signed in pencil, 27 x 36.5cm, with various other 20th c British prints, including a folio of Original Designs in Typography, Wood Engraving, Lithography and Etching, printed by ...The Hornsea School of Art & Crafts, Sept 1933, sold in portfolio

Los 671

GIOVANNI BATTISTA PIRANESE, ITALIAN (1720-1778) Veduta di Prazza Navona Sopra le rovine del Circo Agonale, etching with engraving, c. 1773 or later, plate mark, 47cms x 71cms. See illustration

Los 561

David Koster (British, b.1928) Brahminy Kite, signed lower right "David Koster" and numbered 1/10, etching with engraving, 57 x 39cm (22.23 x 15.21in) . Literature: David Koster, Artist, Printmaker and Naturalist, edited by Christine Johnson, pub. 1988 by Wildside Books, Illus, p.33

Los 538

Alison Read, "Ernie" uncoloured etching, signed in pencil. Framed & glazed.

Los 549

Francis Wells, Evening on Snowdon, coloured etching, signed in pencil. Framed & glazed.

Los 332

A pastel of a young tawny owl, a watercolour of a village by a river and an etching of Penhurst, Kent.

Los 233

An early 19th century etching after John Constable, framed and measuring 42 by 54cm.

Los 2017

A framed etching titled ``Cowdray`` by Sir F. Seymour Haden 1882

Los 2018

A small etching of Knaresborough Castle, an etching of Richmond, signed E.A. Tunstall and two other etchings and a framed print God in the Shadows.

Los 2020

A signed Etching of a lake and mountains, a signed etching of a fortified building and a signed etching of a ship on fire, signed A. Brunet-Debaines.

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