Salmon (William). Polygraphice; or The Arts of Drawing, Engraving, Etching, Limning, Painting, Washing, Varnishing, Gilding, Colouring, Dying, Beautifying and Perfuming, Second Edition, with many large additions, printed by E.T. & R.H. for R. Jones, 1673, additional engraved title by William Sherwin (dated 1672), title printed in red and black, 10 (of 15) engraved plates only, lacks two leaves of text: B5 and B6 (pages 9-12), the following two leaves with fore-margins trimmed, some occasional ink marks, later 18th-century half calf, gilt spine, rubbed to joints and edges, 8vo, together with Book of Common Prayer, and Administration of the Sacraments, and other Rites and Ceremonies of the Church, Cambridge, Joseph Bentham, 1759, bound with Whole Book of Psalms, Cambridge, 1754, at rear, all edges gilt, marbled endpapers, contemporary gilt-decorated red full morocco, rubbed and some marks, 8vo, plus The Life of Petrarch. Collected from Memoires pour la Vie de Petrarch, 2 volumes, 1775, engraved frontispiece to first volume, ownership signature of Lord Rawcliffe to head of title of each volume, some light spotting to preliminary leaves, contemporary calf, later reback, 8vo, and other miscellaneous antiquarian interest, all 18th and 19th century, leather bound, mainly 8vo (80)
78475 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78475 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78475 Los(e)/Seite
A large Bohemian ruby glass trumpet vase with an etched woodland scene with deer and further scrolling foliate etching, to spreading fluted circular base, height 56cm. CONDITION REPORT: There is a chip to the base, general very slight abrasions commensurate with age otherwise in good condition with no sign of damage or repair.
MALCOLM OSBORNE CBE RA (1880-1963); etching, 'Trekkers of the Plain, Salonika', a rural scene with cart to foreground, titled and signed in pencil with further detail verso, 13 x 34.5cm, framed and glazed. (D) CONDITION REPORT: Some minor foxing/staining to surround and mount but etching ok. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk We would not be able to send this item via our in house service and would recommend Mailboxes, Etc. Their contact details can be found http://www.adampartridge.co.uk/postage.php
ANDREW WATSON TURNBULL (1874-1957); etching, London landmark with central neoclassical facade, with monogram and full signature to bottom right and 'Academy Proof' blind stamp to lower left, 25 x 38cm, framed and glazed, with another unframed etching by the same artist "February Fill Dyke", signed, titled and with artist's proof blindstamp (2). (D) CONDITION REPORT: Generally clean with only some very minor marks, paper has raised slightly from damp or cold. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
Four etchings depicting castles to include Corfe Castle after S Dobson, Castle Combe after TS Allan, and two further etchings depicting Stowe School, all framed and glazed (6). CONDITION REPORT: One etching of Stowe School heavily stained and foxed, otherwise general staining/foxing with some minor marks throughout, wear to frames and mounts.
Five etchings depicting France including two coloured examples depicting Boulogne after E Sharland and Old Arbois after L David, and a further faintly coloured etching depicting Bruges after W Huggins, all framed and glazed (6). CONDITION REPORT: Some foxing/spotting and staining to the etchings, mounts and frames generally wo0rn.
A George III Naval Dirk, the 43.5 cm curved, single edge blade retaining some of original etching, including part maker's name (***OCK'S Warranted), foliage and martial trophies, gilt brass hilt, dished oval guard with pierced, interlacing border, chequered ivory grip, the pommel with vacant ring, the leather scabbard with gilt brass mounts, twin suspension ringsBlade with scattered patches of rust. Etching considerably fainter towards edge. Some evidence of sharpening. Wear to gilding on guard and hilt. Natural cracks to ivory grip. Scabbard leather very dry with one crack and other faults. Gilding to brass mounts on scabbard very worn.
A Late 19th Century Court Sword, the 78.5 cm blade with foliate etching, the cast brass, shell-shaped guard, knucklebow and hilt decorated with beading, gilt thread bullion knot, brass-mounted leather scabbardBlade with scattered patches of light rust and pitting. Scabbard leather cracked below top mount, with losses to black finish and with overall dryness.
A Victorian 1887 Pattern Heavy Cavalry Officer's Undress Sword, the 80.5cm single edge fullered steel blade etched with Royal cypher and scrolling foliage, with original owner's initials JT, by Folkard, 69 Jermyn St., London, with Proof poincon, the steel hilt pierced and engraved with honeysuckle, with wire bound fish skin grip and steel scabbardBlade very greasy, etching quite faint. Some wear to fish skin. Scabbard lacks suspension rings and two large split dents
A Late 19th Century Prussian Officer's Sword, the 83cm single edge fullered steel blade etched with crowned eagle, martial trophies and foliage, the brass stirrup hilt with rounded langets, wire bound fish skin grip and dove head pommel, with brass mounted leather scabbard; a Similar Later Sword, the blade marked for Paul Weyersberg, the brass stirrup hilt with wire bound black plastic grip, lacks scabbard 1 - Blade has areas of black patching, etching is rather faint. Wire binding of hilt is coming loose in places. Some scuffing to leather scabbard. 2 - Minor dings to quillon, otherwise in good condition. Lacks scabbard
An Edward VIII 1897 Pattern Infantry Officer's Sword, the 83cm single edge fullered steel blade etched with Royal cypher, by Wm. Anderson & Sons, Edinburgh, the steel hilt pierced with Royal cypher, with wire bound fishskin grip, leather sword knot and scabbard; a Victorian 1822 Pattern Infantry Officer's Sword, the 78cm pipe back steel blade faintly etched, the brass gothic hilt pierced with Royal cypher, with wire bound fishskin grip, lacks hinged guard, with steel scabbard (2-af)1 - Blade and hilt has orange rust pitting 2 - Etching is very faint on the blade, the hinged guard has broken off and is missing. Some damage to grip under pommel
‡ Bernard Leach (1887-1979) Self Scrutiny, 1916 etching on paper, framed signed in the print BL, titled and dated, pencil to mount 14/25. 14.5 x 8.5cm (image) Provenance Contemporary Ceramics Bonhams, London, 2nd April 1998 lot 49. Literature Simon Olding The Etchings of Bernard Leach, Crafts Study Centre/Leach Pottery, page 106 catalogue number 77 for a comparable print.
*Gillray (James). Farmer Giles & his Wife shewing off their daughter Betty to their Neighbours on her return from school, published H. Humphrey, January 1st. 1809, etching with contemporary hand colouring, repaired closed tear affecting image, some dust and finger soiling to margins, a little toned, 315 x 470 mm A plump and distinctly bovine young girl sits at a square piano whilst her parents stand in rapt admiration of her newly aquired social graces. A satire on the agricultural classes who attempt to ape the manners of the gentry. (1)
Taranman Gallery. Rory McEwen, Preface by Fenella Crichton, Taranman, 12 December 1979-14 January 1980, original etching of a leaf as frontispiece, colour plates, original printed wrappers, slim 8vo, limited edition 24/40, signed with original etching, from the total edition of 300, together with Raoul Ubac, Ardoises, Taranman, 9 October-8 November 1980, monochrome plates, original printed wrappers, 8vo, limited edition of 300 copies, plus Genevieve Asse, Preface by Roland Penrose, Taranman, 15 January-14 February 1981, signed colour etching frontispiece, numbered 21/30, colour plates, original printed wrappers, 8vo, one of 30 copies with original drypoint, from the total edition of 300, and Brigitte Simon, Recent Paintings, Taranman, 3 December-31 December 1977, original drypoint etching, monochrome plates, original printed wrappers, 8vo, limited edition of 300 copies, this being number 25 of the first forty with original drypoint, and signed by the artist, plus other Taranman exhibition catalogues and publications, including The Lithographs of Charles Shannon by Paul Delaney, 1978, Kenneth Armitage, 1982, Nicolas De Stael, Lettres a Jacques Duborg, 1981, Nicolas De Stael, Drawings and Engraved Work, 1981, Victor Segalen, 1978, Christopher Hewett, 1938-1983, 1984, Brian, etc., mostly original printed wrappers, including many duplicates, some signed limited editions, 8vo, VG (approx. 80)
*Food and drink. Cook (H.), How much! Seven & Eight pence! Cod sounds!! 2s. Joint, 2s 6d Pickle, Cheese & Pint o' Wine 3s 2d, published T. Gillard, 1827, etching with contemporary hand colouring, 255 x 200 mm, together with Hunt (George), The Wrong Box. Capital joint this Landlord 'pon my soul, here's cut and come again. Yes Sir ther's cut to be sure but I'll be ___ if ever you come again, published G.Hunt, circa 1830, aquatint with contemporary hand colouring, trimmed to plate mark, 245 x 210 mm, with Divertissement des Anglais en Belgique. Ou le soup‚ chez Mamour, published Paris, circa 1800, hand coloured engraving, trimmed to image and laid on later paper, 200 x 270 mm, with one other similar (4)
*Phillips (John, pseud. A. Sharpshooter). The Stroke Oar to the Royal George, published T. Gans, 1829, etching with contemporary hand colouring, 345 x 250 mm, together with Cruikshank (George), The four Mr. Prices, published G. Humphrey, 1825 [and] Anglo-Parisian Salutations..., published G. Humphrey, 1822, two etchings with contemporary hand colouring, each approximately 250 x 355 mm, with Marks (J. Lewis), The Lame Duel. The 10th do Fight!! take the town by surprise and Folly by the Ears (sic itur ad astra), published S. W. Fores, 1824, etching with contemporary hand colouring, some abrasion and wear to each corner caused by earlier adhesion, 240 x 350 mm (4)
Etching of the Cunard Line Ocean Liner RMS Berengaria Which Earned the 14 Year Old Artist a Trip to New York in 1933, the frame and glazed etching shows the ship in dry dock waiting to be repaired and is signed J L Skeggs to the corner. Reverse of the frame has two newspaper clippings from 1933 explaining that his picture was sent to the offices at Cunard Line and they were so impressed with the picture that they sent him on a trip to New York on RMS Berengaria and then a return on RMS Aquitania. Accompanying the etching is a portfolio of images relating to RMS Aquitania, something acquired on his trip home. An interesting item.
Loading...-
78475 Los(e)/Seite