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78475 Los(e)/Seite
Los 135
Hollar (Wencesalus, 1607-1677) Portrait of Alathea Talbot, Countess of Arundel, after Anthony Van Dyck, from the series 'Icones Principum Virorum', etching and engraving, a good impression of the lettered state with wear to publishers name lower right, before the name 'Iacobus de Man' added, platemark 270 x 200 mm. (10 3/4 x 7 7/8 in), good margins, under glass, Antwerp, 1646.
Los 136
Hollar (Wenceslaus, 1607-1677) Portrait of a woman traditionally identified as Marie de Medici, bust-length, in profile, etching, an excellent impression, on laid paper without watermark, sheet 75 x 51 mm. (3 x 2 in), trimmed just within, and in places on, the platemark, unframed, 1648.Provenance:Reverend J. Burleigh James (19th century) [Lugt 1425];Indistinct collector's signature in brown ink [not found in Lugt]Literature:New Hollstein 1022
Los 138
Piranesi (Francesco, 1758-1810) Veduta della porta e peristilio del Tempio di Vesta detto volgarm della Sibilla in Tivoli, from 'Raccolta di Tempi Antichi', etching, well inked, on thick laid paper without watermark, platemark 672 x 476 mm. (26 1/2 x 18 3/4 in), sheet 715 x 510 mm. (28 1/4 x 20 1/8 in), central horizontal crease, even browning, minor handling creases, unframed, [1778].Provenance:Sammlung Hamburgensien-Meyer [not in Lugt]
Los 141
Rossini (Luigi, 1790-1857) Veduta del' Avanzi della Casa Aurea di Nerone, sul Monte Palatino, from 'Le Antichita Romane', etching, on wove paper, platemark 395 x 540 mm. (15 1/2 x 21 1/4 in), sheet 530 x 735 mm. (20 7/8 x 28 7/8 in), minor nicks and tears to extremities, some spotting and light surface dirt, unframed, 1823.
Los 147
Bourdin (Sébastien, 1616-1671), After. Persée les mains teintes encore du sang du monstre dont il vient de délivrer Andromède..., etching and engraving, on laid paper without watermark, platemark 365 x 445 mm. (14 3/8 x 17 1/2 in), sheet 405 x 487 mm. (16 x 19 1/4 in), two small damp-stains lower right, light surface dirt, unframed, published by François Basan, [circa 1738-1754].
![America.- Bodmer (Karl, 1809-1893) Massika (Saki Indian) - Wakusasse (Musquake Indian) [Tab.3], etching and aquatint with fin](https://cdn.globalauctionplatform.com/6bc7eec9-6cda-49a3-91ef-a8b7012366be/05dc7863-c3b3-45cc-9f59-891e089c0da6/468x382.jpg)
Los 39
America.- Bodmer (Karl, 1809-1893) Massika (Saki Indian) - Wakusasse (Musquake Indian) [Tab.3], etching and aquatint with fine original hand-colouring, heightened with gum arabic, by Hurlimann after Bodmer, on cream wove paper without watermark, tiled in French, German, and English, platemark 395 x 495 mm. (15 1/2 x 19 1/2 in), sheet 445 x 620 mm. (17 1/2 x 24 1/4 in), with C. Bodmer blindstamp, some spotting and browning, minor nicks to extremities, unframed, Ackermann & Co., [1839-1844].
![America.- Bodmer (Karl, 1809-1893) Mehkskeme-Sukahs (Blackfoot chief) - Tatsicki-Stomick (Piekann chief) [Tab. 45], etching a](https://cdn.globalauctionplatform.com/6bc7eec9-6cda-49a3-91ef-a8b7012366be/9431f913-d712-4119-addc-9c571689ee51/468x382.jpg)
Los 40
America.- Bodmer (Karl, 1809-1893) Mehkskeme-Sukahs (Blackfoot chief) - Tatsicki-Stomick (Piekann chief) [Tab. 45], etching and aquatint with fine original hand-colouring, heightened with gum arabic, by Allais after Bodmer, on cream wove paper without watermark, tiled in French, German, and English, platemark 350 x 460 mm. (13 3/4 x 18 1/8 in), sheet 460 x 625 mm. (18 1/8 x 24 1/2 in), with C. Bodmer blindstamp, some spotting and browning, minor nicks to extremities, unframed, Ackermann & Co., [1839-1844].
Los 47
Russia.- Oberkogler (Georg, 1774-1856) Vue des montagnes de glace pendant le Carnevale à Moscou, after Gérard de La Barthe, view in Moscow in winter with wooden slides erected onto the river, [?]proof lacking publisher's details, from a series of twelve views, etching and engraving, sheet 438 x 695 mm. (17 1/4 x 27 3/8 in), thin margins, surface dirt, with mark across right side, light spotting, light handling creases, unframed, published by Jean Walser, [1799].
![[§] ELYSE ASHE LORD (1900-1971) 'NEWSBOY' coloured etching, signed and inscribed in pencil lower right ELYSE ASHE LORD/ 52](https://cdn.globalauctionplatform.com/af568c59-41ae-4c97-9a68-a8aa00f15387/e926a78c-701a-4015-c6d7-99fd9845056c/468x382.jpg)
Los 59
PHILIP GREENWOOD (BRITISH B.1943), Lakeshore, a colour etching, limited edition No.140/180, titled, numbered and signed in pencil, approximately 25cm x 28.5cm, together with Joan Bates, 'Polydorns, Backyard', a colour print, limited edition No.8/75, titled, numbered and signed in pencil, approximately 23cm x 33.5cm (2)
Los 328
*** Pablo Picasso (1881-1973) - Etching - "Le Repos du Sculpteur II", from "La Suite Vollard", 1933, on laid paper with Vollard watermark, from the edition of 260, published by A. Vollard, Paris 1939, plate 7.5ins x 10.375ins, sheet 13.25ins x 17.75ins, signed in pencil to margin (mounted but unframed) Provenance: Sold in 1938 through The Bragaglia Galerie, Rome to collector Arturo Tonnarelli Gracetti, and thence by family descent to his Grandson.
Los 329
*** Pablo Picasso (1881-1973) - Etching - "Femme Assise Au Chapeau et Femme Debout Drapee", from "La Suite Vollard", etching 1934, on laid paper, with Vollard watermark, signed in pencil from the edition of 260, published by A. Vollard, Paris 1939, plate 10.75ins x 7.75ins, sheet 17.5ins x 13.25ins (mounted but unframed) Provenance: Sold in 1938 through The Bragaglia Galerie, Rome to collector Arturo Tonnarelli Gracetti, and thence by family descent to his Grandson.
Los 401
A Watteau Fan' from the painting by Dudley Hardy, printed on canvas (30x45cm), together with collection of Fan inspired artwork including a framed etching by A. Riera after an illustration by Alessandro Zezzos (36x48cm), a framed print by Dorothy Lovett Fowler, signed (63x91cm) and two framed etchings by Jenny Tapping (23x26cm) (5)
Los 4
Two Hallmarked Silver condiment fork and scraper. Sheffield by Henry Wigfull 1904 and 1951. Both in the same floral pattern and etching to bowl of each. Along with a Caddy style Spoon, Sheffield 1917, Hallmarked Silver condiment spoon, Exeter 1870 by Thomas Hart Stone. Pair of hallmarked silver sugar nips, Birmingham 1906. Hallmarked silver mustard spoon and one other. Total approx weight - 95.1g
Los 575
Alan Oliver (British, 20th century): 'Rialto Bridge', oil pastel on paper, signed lower right, 10 by 14cm, framed, 30 by 32cm, together with a pair of etchings of Venice, unsigned, 15 by 10cm, framed together in one frame, 24 by 30cm, and an etching titled 'Malham Moor', dated 1992, and indistinctly signed, 25 by 32cm, framed, 38 by 44cm. (3)
Los 1099
Mukul Dey (1895-1989), Boats on the Ganges; Pilgrim in a landscape, two etchings, both signed, inscribed and dated 1923 and 1930, the larger 25cm x 35cm.; together with a further woodcut by Rani Dey, an etching of an elephant, and an etching street scene signed F. Sheppard, all unframed.(5)
Los 237
'The End of the Skein', 19th century etching hand finished after W Dendy Saddler by W.H. Boucher pub. 1898, 'My Love to You' and 'Same to you, Dear', coloured etchings after the same hand by same hand pub. 1898/1903 max 37cm x 48.5cm (3) Condition Report Click here for further images, condition, auction times & delivery costs
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78475 Los(e)/Seite