78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

William Lionel Wyllie (1851-1931), etching, 'Bay of Naples', signed in pencil, 19 x 39cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

English School, c.1800, watercolour gouache and etching, View of St. Pauls Cathedral from Ludgate, 15cm diameter***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

William Lionel Wyllie (1851-1931), etching, 'Antwerp', signed in pencil, 15 x 32cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

William Lionel Wyllie (1851-1931), etching, 'Boulogne fishing luggers', signed in pencil, 22 x 29cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

William Lionel Wyllie (1851-1931), etching, 'Clyde and Govan', signed in pencil, 22 x 51cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

William Lionel Wyllie (1851-1931), etching, 'Fishing boats', signed in pencil, 22 x 27cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

* * Sir Herbert Thomas Dicksee (1862-1942), dry point etching on Japanese vellum, "The Old Garden", signed in pencil, publ. by Frost & Reed 1921 46 x 66.5cm Provenance: Private collection Guernsey Please note this lot attracts an additional import tax of 5% on the hammer price***CONDITION REPORT***Honest untouched condition, the main print itself has slightly discoloured paper, a little bit more to the left than the right but overall looks to be in good order, with some slight undulation of the paper, the mount is heavily foxed and original glazed frame has lost much of its black paint, labels verso for A. Knott Framer of Oldham and label from the printer's stating artist signed proof impression upon Japanese vellum, edition strictly limited.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

William Lionel Wyllie (1851-1931), etching, 'The Clyde, Glasgow', signed in pencil, 25 x 39cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

William Lionel Wyllie (1851-1931), etching, 'Bay of Naples', signed in pencil, 18 x 39cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

William Lionel Wyllie (1851-1931), etching, 'London Bridge with St Paul's in the distance, signed in pencil, 25 x 39cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

William Lionel Wyllie (1851-1931), etching, 'Thames', signed in pencil, 18 x 38cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

William Lionel Wyllie (1851-1931), etching, 'The Nile', signed in pencil, 14 x 38cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

William Lionel Wyllie (1851-1931), etching, 'The Return of the Fishing Fleet, Portsmouth Harbour', signed in pencil, 18 x 36cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

EDWARD T. DAVIS (1883-1867) TWO BOYS AT WATER PUMP, initialled bottom right, pencil on paper, approximate size of visible image 13.5cm x 9.5cm, Condition Report: corners of the paper missing, some discolouration and foxing, together with AFTER OZIAS HUMPHRY (1742-1810) 'MRS ANNE PITT', an unsigned copy of the portrait of the Sister of the Earl of Chatham, pencil on paper, approximate size 26cm x 18cm, full text to the picture reads 'Mrs. Anne Pitt, sister to the Earl of Chatham from a smaller etching by O. Humphry, Rome 1777, Condition Report: dirty marks to the paper, spot of foxing, creases to top right corner (PROVENANCE: Arnold Fellows Collection)

FRANCIS KELLY (1927-2012) 'BACK STUDY', a monochrome artist proof etching depicting a nude female figure study, signed bottom right, approximate size 63cm x 52cm including visible margins, Condition Report: some paper discolouration visible to the margins, print has slipped in the mount, frame marked (1)

PHIL GREENWOOD (1943-) 'HILLTOP', an aquatint etching depicting a copse of trees in a field, signed titled, dated (19)80 and numbered 212/250 to lower margin, approximate size 44cm x 33cm, Condition Report: the print is in good condition, frame marked

A collection of pictures to include a limited edition Peter Partington etching entitled Snipe In The Meadow Pool, numbered 34/150 and signed in pencil by the artist, floral still life, Cafieri oil landscape and other, various image sizes. [W] NOTE: THIS LOT IS NOT AVAILABLE FOR IN HOUSE SHIPPING, PLEASE CONTACT CLIENT SERVICES FOR A LIST OF SUITABLE COURIERS AND A QUOTE. PLEASE NOTE: ALL ITEMS MUST BE PAID FOR AND COLLECTED OR DESPATCHED BY WEDNESDAY THE 13TH DECEMBER DUE TO THE HOLIDAY PERIOD.

PAUL A RAJON (1843-1888) REMBRANT AT WORK IN HIS STUDIO. AFTER GEROME. ARTIST PROOF ETCHING INSCRIBED VERSO. 21 X 25 cm. TOGETHER WITH FURTHER ETCHINGS BY JOHN WALKDEN, K. VERNON, F MIRANDA & G HAMPTON AND A PEN AND INK SKETCH OF A SHEEP MARKET. (7) SIZES VARY.

SIR FRANK SHORT (1857-1945). COASTAL WINDMILL. ETCHING. PENCIL SIGNED . 28 X 19 cm. TOGETHER WITH HOWARD ROY ASTON. "LEGHORN" ETCHING. 18 X 13 cm & THOMAS TODD BLAYLOCK (1876-1929) HOEING ON THE HILL. PENCIL SIGNED AND TITLED NUMBERED 19/100. 24 X 19.5 cm (3)

MORTIMER MEMPES, ENGLISH 1855-1938, THE OLD BRUSHMAKER. ETCHING, 14 X 10 CM

S. TUSHINGHAM (1884-1968) TOLEDO A PENCIL SIGNED DRY POINT ETCHING. 26 x 35cms

PHIL WHITING, ENGLISH B. 1948. NIGHT STORM AT MOUSEHOLE CORNWALL, NUMBERED 2 OF 35. ETCHING, 23 X 27 CM

ANN THORNYCROFT, BRITISH B. 1944, "WALL" ABSTRACT COMPOSITION. NUMBERED 2 OF 20. ETCHING, 49.5 X 57.5 CM

ROBERT CHARLES GOFF (1837-1922) COFFEE HOUSE AND ENTRANCE TO MOSQUE- BOULAG CAIRO. ETCHING. PNCIL SIGNED AND TITLED 28 X 20 cm. TOGETHER WIH CONSTANCE DE WITT.- A HILLSIDE PATH (TITLED INDISTINCTLY) AND PENCIL SIGNED . ETCHING. 30 X 24cm (2).

PHILLIP PIMLOTT (20TH CENTURY) ARR. WIER LANE WHITCHURCH BUCKS. ETCHING PENCIL SIGNED AND TITLED, 28 X 21 cm, TOGETHER WITH A SECOND WORK BY THE SAME HAND DTAED IN THE PLATE 1928. 18 X 24 cm. (2)

LAURA SYLVIA GOSSE. (1881-1968) ARR. SIR EDMUND GOSS (THE ARTISTS FATHER ) IN HIS STUDY. ETCHING. PENCIL SIGNED L/R, LABELLED VERSO. 16 X 19 cm. TOGETHER WITH - "GIRL COMBING HER HAIR IN THE MIRROR" BY THE SAME HAND . PENCIL SIGNED ETCHING 20 X 25 cm (2)

PERCY BULCOCK.(D.1914) SHEPHERDS IN RIVERSIDE MEADOW BELOW A ROCK GIANT. ETCHING. SIGNED AND DATED 1910. 17 X 18 cm.

EDWARD J CHERRY. (1886-1960) ARR. THE HOUSES OF PARLIAMENT . ETCHING. PENCIL SIGNED ARTIST PROOF TOGETHER WITH A DOCKLAND VIEW BY THE SAME HAND .15 X 12.5 cm (2)

TERRY WILLSON, ENGLISH 1948-2023, "THE ENTERTAINER", ARTISTS PROOF DATED 1976. ETCHING, 16 X 13 CM

FEATHERSTONE ROBSON (1880-1936) THE CHURCHGREEN HIGH WYCOME. ETCHING. TOGETHER WITH SEVEN FURTHER ETCHINGS BY OTHER HANDS (8) SIZES VARY.

JOHN BRUNSDON, ENGLISH 1933-2014, "DUNWICH HEATH", SUFFOLK COASTAL COTTAGES AND CLIFFS. EDITION 74 OF 150, WITH CHRISTIES CONTEMPORARY ART CERTIFICATE TO REVERSE. ETCHING 25 X 33 cm.

FRANK MARTIN ( 1921-2005) ARR. MARIE. PENCIL SIGNED ARTISTS PROOF ETCHING 40 X 29 cm (SHEET SIZE) TOGETHER WITH ANOTHER BY THE SAME HAND -TWO NUDES , SIGNED LTD EDITION 4/15 . 45 X 40 cm (SHEET SIZE)

D. SMITH (DATED 1930) THE FORGE. ETCHING. SIGNED AND TITLED. 14.5 X 11 cm.

GIOVANNI B PIRANESI (1720-1778) 'Veduta deglis avanzi del Foro di Nerva', etching, 62cm x 82cm overall, framed.

Sir Lionel Lindsay Etching and Drypoints books Ure Smith Miniature series

Giovanni Battista Piranesi (1720-1778) Chimney Piece in the Egyptian style , etching , lower left "Cavalier Piranei inv. e inc. , 25cm x 39cmChimney Piece in the Egyptian style, from Diverse Maniere d'adornare i cammini (...) (Different Ways of ornamenting chimney pieces and all other parts of houses)

Giovanni Battista Piranesi (1720-1778) Chimney Piece in the Egyptian style , etching , lower left "Cavalier Piranei inv. e inc. , 25cm x 39cmChimney Piece in the Egyptian style, from Diverse Maniere d'adornare i cammini (...) (Different Ways of ornamenting chimney pieces and all other parts of houses)

Giovanni Battista Piranesi (1720-1778) Chimneypiece in the Egyptian style , Etching , lower left "Cavalier Piranei inv. e inc. , 39cm x 25cmChimney Piece in the Egyptian style, from Diverse Maniere d'adornare i cammini (...) (Different Ways of ornamenting chimney pieces and all other parts of houses)

Giovanni Battista Piranesi (1720-1778) Chimney Piece in the Egyptian style , etching , lower left "Cavalier Piranei inv. e inc. , 25cm x 39cmChimney Piece in the Egyptian style, from Diverse Maniere d'adornare i cammini (...) (Different Ways of ornamenting chimney pieces and all other parts of houses)

Giovanni Battista Piranesi (1720-1778) Chimney Piece in the Egyptian style , etching , lower left "Cavalier Piranei inv. e inc. , 39 x 25cmChimney Piece in the Egyptian style, from Diverse Maniere d'adornare i cammini (...) (Different Ways of ornamenting chimney pieces and all other parts of houses)

Giovanni Battista Piranesi (1720-1778) Chimney Piece in the Egyptian style , etching , lower left "Cavalier Piranei inv. e inc. , 25cm x 39cmChimney Piece in the Egyptian style, from Diverse Maniere d'adornare i cammini (...) (Different Ways of ornamenting chimney pieces and all other parts of houses)

Giovanni Battista Piranesi (1720-1778) Chimney Piece in the Egyptian style , etching , lower left "Cavalier Piranei inv. e inc. , 25cm x 39cmChimney Piece in the Egyptian style, from Diverse Maniere d'adornare i cammini (...) (Different Ways of ornamenting chimney pieces and all other parts of houses)

William Walcot (Scottish, 1874-1943), The Giudecca, Venice, etching, signed in pencil, framed; together with Andrew Fairbairn Affleck (Scottish, 1874-1935), The Rialto Bridge, Venice, etching, signed in pencil, framed. Plates 13cm by 19.75cm and 27cm by 20.5cm (2)

Graham Clarke, A Rather Cordial Entente, limited edition etching, signed lower right, titled lower left and numbered 190/250, 29.5 x 35.5cm, Helen Wakefield, Stonebridge - Rhubarb Patch I, linocut, signed lower right, titled lower centre and numbered 3/3 lower left, 27 x 31.5cm, framed and glazed and English School, street scene, watercolour, signed indistinctly lower left, possibly Keavale and dated 1916, 35 x 24cm, all framed and glazed

BARBARA E POLLOCK, God Bless Our Home, limited edition etching, numbered 1/8, signed in pencil to the margin, framed and glazed. 46 x 40.5 cm.

JOHN BRUNSDON, Southwold, limited edition etching and aquatint, signed in pencil to the margin, numbered 29/150, framed and glazed, together with Christie's certificate of authentication. 61 x 44 cm overall.

Large collection of Frost & Reed etching/engraving prints - mainly Bristol together with an array of interesting pages from the Illustrated London News 1870's

Leon Kossoff (1926-2019), etching 86/100, 'Fidelma 4' signed and dated 1984 lower right,aperture 19 x 11.5 cm has blind stamp 'Studio prints' lower right Condition Report: really good order, Gallery order. there are no marks to report at all. a better photo is necessary it is notr framed and glazed but is loose.

'Mann 47' monochrome etching, Lancet shaped cloister, signed and dated in charcoal/pencil lower right, aperture 29 x 18 cm

Leon Kossoff (1926-2019), etching 88/100, 'Fidelma II' signed and dated 1984 lower right,aperture 10 x 13 cm has blind stamp 'Studio prints' lower right Condition Report: absolutely no faults to report, i feel a better photo is needed ! lose ,no frame or glass. nicely blind stamped lower right in gallery order

A signed limited edition Peter Partington (b.1941) etching, Fox On The Trail, framed

A pair of signed limited edition Peter Partington (b.1941) etching, Mallards and Goldeneye, framed

After John MacWhirter (1839-1911) Lowland flock, shepherd and sheepdogs monochrome etching, signed in pencil and QJC blind stamp (l.l.) 53 x 71 cm (Frame 87 x 105 cm)

Two sporting prints: 1. After Henry Wilkinson - 'Black Labrador and Shoveller' -  drypoint etching signed and numbered 7/100 in pencil (12 x 11 cm) 2. 'The Sagacious Hare' - early 19th century hand-coloured etching (12 x 16.5 cm)

T. J. Greenwood (British, contemporary) 'Blue Tit' etching, signed and inscribed 13.2 x 11.7cm.; together with three small 19th century botanical engravings with hand colouring in maple frames. (4)

Two pieces by Florence Weston (British, 1868-1942) 1. 'Ford's Hospital, Coventry, from the garden' pen and ink, signed and inscribed, further inscribed to artist's label verso plain ebonised frame (22.5 x 22.5 cm); 2. 'Anne Hathaway's Cottage, Shottery' etching ebonised frame (29.5 x 39.5 cm)

Alan Lumsden, etching 'Tennis' limited edition 11/100, signed in pencil in the margin, 66cm x 50.5cm

City river landscape, etching, pencil signed.

Erich Heckel 1883 Döbeln/Sachsen - 1970 Radolfzell/Bodensee Akrobatinnen. 1911. Radierung. Signiert und nachträglich datiert. Am unteren Rand links von Sidi Heckel betitelt und erneut datiert. Eines von 6 bekannten Exemplaren. Auf festem Velin. 16,5 x 14 cm (6,4 x 5,5 in). Papier: 31,5 x 29 cm (12,4 x 11,4 in). [KT]. • Erstmals auf dem Auktionsmarkt angebotener Zustand mit lebhafter Flächenätzung (Quelle: artprice.com). • Von 7 registrierten Abzügen des Motivs befinden sich 4 in Museen und einer im Nachlass. • Entstanden nach dem Umzug in die Metropole Berlin 1911, wo sich Heckel einem neuen Motivrepertoire der Cabarets, Varieté und Tanz zuwendet. • Als Mitglied der 'Brücke' verhilft Heckel der Druckgrafik zu neuer, einzigartiger Bedeutung für den Expressionismus. Das Werk ist im Nachlass Erich Heckel, Hemmenhofen am Bodensee, verzeichnet. Wir danken Frau Renate Ebner und Herrn Hans Geissler für die freundliche Unterstützung. PROVENIENZ: Aus dem Nachlass des Künstlers. Privatsammlung Süddeutschland. LITERATUR: Renate Ebner/Andreas Gabelmann/Hans Geissler, Erich Heckel. Werkverzeichnis der Druckgraphik, hrsg. von der Erich-Heckel-Stiftung, München 2021, Bd. 1: 1903-1913, Nr. 517 R II. Annemarie und Wolf-Dieter Dube, Erich Heckel. Das graphische Werk, Bd. II: Radierungen, Lithographien, New York 1965, Nr. 94 II (von II). Aufrufzeit: 09.12.2023 - ca. 17.55 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONErich Heckel 1883 Döbeln/Sachsen - 1970 Radolfzell/Bodensee Akrobatinnen. 1911. Etching. Signed and belatedly dated. Signed and once more dated by Sidi Heckel in bottom margin. One of 6 known copies. On firm wove paper. 16.5 x 14 cm (6.4 x 5.5 in). Sheet: 31,5 x 29 cm (12,4 x 11,4 in). [KT]. • A copy from this state with vivid surface etching has never been offered on the auction market before (source: artprice.com). • Of 7 registered prints of the motif, 4 are in museums and one in the estate. • Created after the artist had moved to Berlin in 1911, where Heckel encountered a new repertoire of motifs in cabarets, theaters and ballrooms. • As a member of the Brücke, Heckel helped printmaking to a new, unique importance for Expressionism. The work is registered in the Erich Heckel Estate, Hemmenhofen on Lake Constance. We are grateful to Mrs Renate Ebner and Mr Hans Geissler for the kind support in cataloging this lot. PROVENANCE: From the artist's estate. Private collection Southern Germany. LITERATURE: Renate Ebner, Andreas Gabelmann, Hans Geissler, Werkverzeichnis der Druckgraphik, ed. by Erich-Heckel Foundation, Munich 2021, vol. 1: 1903-1913, no. 517 R II. Annemarie and Wolf-Dieter Dube, Erich Heckel: Das graphische Werk, vol. 2: Radierungen, Lithographien, New York 1965, no. 94 II (of II). Called up: December 9, 2023 - ca. 17.55 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

Enoch Fairhurst (1874-1945), The Cordwainer, dry-point etching 10/50, signed and titled bellow, artist label verso, in a wooden glazed frame. (33cmx27cm)