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78472 Los(e)/Seite
ELAINE BARRAN (XIX-XX) An ink and watercolour of hillside street scene, signed lower left, 31cm x 36.5cm, J.W. WILLIAMS (XIX-XX): A watercolour of river scene and marshland, 32.5cm x 51.5cm, WILLIAM J. KING (XIX): A watercolour of figure beside beached sailing vessel on coastline, signed lower left, 8.5cm x 12.5cm and REGINALD GREEN (1884-1971): An etching "Cromer Evening", 12cm x 24.5cm. All framed and glazed (4)
Mary Farnell (1926-2014) "Penhill", signed etching, together with two further etchings by the artist "Two Bottles" and "Garden Millgate House, Richmond", and two woodblock still life prints (5) (unframed)Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
After George Cruikshank"The Fiend's Frying Pan - Or Annual Festival of Tom Foolery and Vice"Coloured print, together with a further coloured print "An Exquisite" Published by Tegg, "Dr Syntax at a Review", "Dr Syntax at Liverpool" and "Dr Syntax Reading his Tour" After Thomas Rowlandson, two black and white lithographs after Delacroix, an engraving depicting Corelius, general view of the ruins of Luxor from the Nile after David Roberts and a further black and white etching depicting George Bernard Shaw after Edward Sullivan (a collection) (some unframed)
Charles Johnson Payne ''Snaffles'' (1884-1967) "Old Tawney", a coloured reproduction, together with a further coloured engraving, "The Cambridge Telegraph Hunt" after Pollard, and another coloured engraving "The Pick of the Pack, Stormer and Grasper", and a T Hamilton Crawford mezzotint, and a coloured etching by Tatton Winter (5)Artist's Resale Rights/Droit de Suite may apply to this lot
After Holbein, a series of 15 historical head portraits, engraved by Houbraken and Vertue, including Henry VIII, Robert Cecil, George Morley etc, most circa 42 x 27cm (sheet); also - Isabella Clara Eugenie, etching after Rubens, 30 x 26cm; and Maria Beatrix Duchess of York, by Vanderbank, engraving, 47 x 27cm; few others (20)
[Duke of Wellington] John Phillips, The Man Wot Can Change The Sovereign, coloured satirical etching published by G. Humphrey 1829, slightly trimmed, 35 x 24cm; After James Gillray, 'Stealing Off - or - Prudent Session', reduced size coloured print, 17.5 x 22.5cm; together with 11 other small size caricatures and cartoons, including some reproductions, all framed (13)Condition report: Wellington colour is strong, trimmed to edge of printed border, light horizontal crease across upper third of image, possibly laid down.Stealing Off, general toning, vertical crease through main character.Pillars of Church, aquatint, some discolouration, light vertical crease.Manner of Rownadson caricature, discolouiration to sheet.Lord Grizzle... light discolouration and tear to top left corner.John Bull few creases, light foxing.Rest Ok. 4 are repro or facsimile strikes including Giraffe subject.
A collection of expansive landscapes. Thomas Girtin, with aquatint by J. B. Harraden, Waterworks at Marli, pub. Jan 15 1803, etching, [formerly with Christopher Mendez], 23 x 55cm (pl.); James G Seymour Lucas (fl. 1831-34), Sampson carrying off the gates of Gaza, and The Destruction of the Cities of the Plain, two mezzotints of biblical scenes, 20 x 28cm (pl.); Amos Green (1735-1807) A Welsh cave, 20 x 27cm (pl.), [formerly with Abbot & Holder] (4)
James Gillray, The Salute, - Vide The Parade, coloured etching published by Humphrey 1797, 26.5 x 36cm; Charles Williams, A New Mode of Presenting Two Addresses at Once, published 1818 by Fores, 22 x 31.5cm; F. Reilly (publisher) The Cock Pitt Royal, 1784, 22 x 31.5cm; Rowlandson, A Little Bigger, 1791, 34 x 26cm (some damage); W. Heath, The Waiter at a Tea Garden, no.12, 1831, 36 x 24.5cm (5)Condition report: I think the Vide Parade is an earlier strike with contemporary colour. There is a small repair patch to the lower right corner. Not examined out of frame.Little Bigger with old colouring; discoloured, possinbly laid down. Tears and losses mainly in title area. Some slight vertical creasing.Heath is faded, colour looks old. Discolouration to sheet.New Mode probably contemp. colour. Cockpit Royal with later hand colour.
Satirical prints, French subjects. After James Gillray, The National Assembly Petrified; The National Assembly Revivified, both 15 x 20cm; Life of Buonaparte, six plates framed in pairs, each pair 14 x 27.5cm; also - H. Bunbury, A Tour to Foreign Parts, coloured etching, 24 x 33cm; all framed and mounted (6)
Satirical Cartoons.After James Gillray, A Democrat or Reason for Philosophy, hand coloured etching 1793 [or later], pl.98, 36 x 26cm; Shrine at St Anne's Hill, originally publ. 1798 [but this a later impression]; Cruikshank after Woodward, A view of Queen Eleanor's Cross, hand coloured etching, 1796, 24 x 19cm; Dighton, A Temple near Buckingham, 1811, 25.5 x 15.5cm; one other by Bunbury (5)
James Gillray, St George and the Dragon, coloured etching published by H. Humphrey 1805 [but later], pl. 300, 41 x 40.5cm; The Tree of Liberty, coloured etching 1798, [this a later impression], 37 x 27cm; Carlo Khan, 'Wife or no Wife - A Trip to the Continent', coloured etching for W. Holland, a later impression, numbered in pencil 816/2500, 37 x 47cm (3)
British School, 19th Century - watercolours, Three works comprising: Madeline Green, Figures on a Street, signed, etching, 15 x 20cms, in gilt frame; a 19th Century miniature view of a street, unsigned, watercolour en grisaille, 4 x 6cms, in gilt frame; and one further caricature of two figures talking, indistinctly signed and entitled; "As promised, Lt Lionel C*, 23rd Feb 1901", pen and ink, 8.5 x 13cms, in gilt frame. (3)
*A varied selection of framed and glazed etchings etc. to include 'An Artist's Proof, High Street, Burford' signed by Claire Dalby, together with two limited edition (17/50 and 9/50) monochrome etchings by Miriam MacGregor depicting felines, a box framed and glazed limited edition monochrome etching (5/100) 'Cat in a Chair' signed lower right by the artist Sarah van Niekerk and one further late 18th century hand-coloured engraving 'L'ours de mer' by C.de Bouffon, provenance: Talbot Court Galleries, Stow on the Wold (5)
After ANDREW AFFLECK, Amsterdam, signed etching (printed image 11½ x 10½ ins, 29cm x 27cm), Provenance: The property of a lady by descent and formerly in the Abberley Hall Collection, WorcestershireCondition Report: The picture appears to be in the original frame and looks very slightly discoloured around the edges/margin (signed lower right). The etching is in good original condition with very minor 'browning'.

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78472 Los(e)/Seite