78472 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
78472 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
78472 Los(e)/Seite
CHARLES HOLME (ed): MODERN ETCHING AND ENGRAVING, “The Studio” 1902, 1st edn, 4to, orig wraps worn + A P OPPE: THE WATER-COLOUR DRAWINGS OF JOHN SELL COTMAN, “The Studio” 1923, 1st edn, 4to, orig cl gt soiled + MALCOLM C SALAMAN: THE NEW WOODCUT, “The Studio” 1930, 4to, orig cl gt worn + eight other Art (11)
Pablo Picasso - `Le Bain` from the Saltimbanques Suite 1904-1905 (Block 12), monochrome etching produced in an edition of 250 published by Vollard in 1913 following the steel facing of the plate on Van Gelder laid paper, San Francisco Museum of Art Davenport Loan Exhibition label verso, approx 34.5cm x 29cm, within a gilt frame. Provenance: the Very Reverend Hewlett Johnson, a former Dean of Manchester and Canterbury Cathedrals.
ROBERT SAYER, PUBLISHER (1725-1794) PUBLISHER GENERAL GEORGE AUGUSTUS ELIOTT BARON HEATHFIELD OF GIBRALTER mezzotint mounted to or within plate mark, in fresh contemporary colour, unexamined out of the frame, published 14 September 1789, 35.5 x 25cm and a coloured etching of the Rock and town of Gibraltar published by R H Laurie (2) ++Mezzotint with some mushroom coloured stains, in old wormed frame with a few thunder flies beneath the glass, the second print with light overall staining
THOMAS LANDSEER, ARA (1795-1880) AFTER SIR EDWIN HENRY LANDSEER, RA (1802-1873) THE LION DOG FROM MALTA, THE LAST OF HIS TRIBE mixed method intaglio print (etching with mezzotint) signed by the engraver in pencil, a rich impression, lightly creased and stained, mounted to within the plate mark and unexamined out of the frame, 42 x 52cm ++Consigned by executors and purchased by the late owner from John Maggs of Falmouth
John Martin - Belshazzar`s Feast (First steel plate) 1826, original mezzotint with etching, with artist`s name in the plate, inscribed proof in lower margin (Ref: Campbell-Wees 74), 47cm x 72cm, in glazed ebonised frame Further images and condition reports are available at www.reemandansie.com
AFTER IDA "Still life study of grapes and leaves in a Chinese blue and white pot with mask head handles" and "Still life study of flowers and leaves in a Chinese blue and white pot with mask head handles", a pair of coloured prints, and A M W "Study of three dachshunds in a landscape", black and white etching"
AFTER MALCOLM OSBORNE "Study of a scientist seated in a library with hand resting upon his chin", black and white dry point etching, signed in pencil in margin, AFTER CONSTANCE MARY POTT "On the Medway", black and white etching, AFTER THEODORE ROUSSEL "The Ferry Inn, Bodinick, Fowey", black and white etching, AFTER WILLIAM STRANG "Portrait of W.H. May", black and white etching, two fashion prints, and various other prints

-
78472 Los(e)/Seite